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Opera is a form of
theatre Theatre or theater is a collaborative form of performing art that uses live performers, usually actors or actresses, to present the experience of a real or imagined event before a live audience in a specific place, often a stage. The perfor ...
in which
music Music is generally defined as the art of arranging sound to create some combination of form, harmony, melody, rhythm or otherwise expressive content. Exact definitions of music vary considerably around the world, though it is an aspe ...
is a fundamental component and dramatic roles are taken by
singers Singing is the act of creating musical sounds with the voice. A person who sings is called a singer, artist or vocalist (in jazz and/or popular music). Singers perform music (arias, recitatives, songs, etc.) that can be sung with or without ...
. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a
composer A composer is a person who writes music. The term is especially used to indicate composers of Western classical music, or those who are composers by occupation. Many composers are, or were, also skilled performers of music. Etymology and Def ...
and a
librettist A libretto (Italian for "booklet") is the text used in, or intended for, an extended musical work such as an opera, operetta, masque, oratorio, cantata or musical. The term ''libretto'' is also sometimes used to refer to the text of major litu ...
and incorporates a number of the
performing arts The performing arts are arts such as music, dance, and drama which are performed for an audience. They are different from the visual arts, which are the use of paint, canvas or various materials to create physical or static art objects. Perfo ...
, such as
acting Acting is an activity in which a story is told by means of its enactment by an actor or actress who adopts a character—in theatre, television, film, radio, or any other medium that makes use of the mimetic mode. Acting involves a broad r ...
, scenery,
costume Costume is the distinctive style of dress or cosmetic of an individual or group that reflects class, gender, profession, ethnicity, nationality, activity or epoch. In short costume is a cultural visual of the people. The term also was tradition ...
, and sometimes
dance Dance is a performing art form consisting of sequences of movement, either improvised or purposefully selected. This movement has aesthetic and often symbolic value. Dance can be categorized and described by its choreography, by its repertoire ...
or
ballet Ballet () is a type of performance dance that originated during the Italian Renaissance in the fifteenth century and later developed into a concert dance form in France and Russia. It has since become a widespread and highly technical form ...
. The performance is typically given in an
opera house An opera house is a theatre building used for performances of opera. It usually includes a stage, an orchestra pit, audience seating, and backstage facilities for costumes and building sets. While some venues are constructed specifically fo ...
, accompanied by an
orchestra An orchestra (; ) is a large instrumental ensemble typical of classical music, which combines instruments from different families. There are typically four main sections of instruments: * bowed string instruments, such as the violin, viola, c ...
or smaller
musical ensemble A musical ensemble, also known as a music group or musical group, is a group of people who perform instrumental and/or vocal music, with the ensemble typically known by a distinct name. Some music ensembles consist solely of instrumentalists ...
, which since the early 19th century has been led by a conductor. Although
musical theatre Musical theatre is a form of theatrical performance that combines songs, spoken dialogue, acting and dance. The story and emotional content of a musical – humor, pathos, love, anger – are communicated through words, music, movemen ...
is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the
Western Western may refer to: Places *Western, Nebraska, a village in the US *Western, New York, a town in the US *Western Creek, Tasmania, a locality in Australia *Western Junction, Tasmania, a locality in Australia *Western world, countries that id ...
classical music Classical music generally refers to the art music of the Western world, considered to be distinct from Western folk music or popular music traditions. It is sometimes distinguished as Western classical music, as the term "classical music" al ...
tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as ''
Singspiel A Singspiel (; plural: ; ) is a form of German-language music drama, now regarded as a genre of opera. It is characterized by spoken dialogue, which is alternated with ensembles, songs, ballads, and aria In music, an aria ( Italian: ; plur ...
'' and ''
Opéra comique ''Opéra comique'' (; plural: ''opéras comiques'') is a genre of French opera that contains spoken dialogue and arias. It emerged from the popular '' opéras comiques en vaudevilles'' of the Fair Theatres of St Germain and St Laurent (and to a l ...
''. In traditional number opera, singers employ two styles of singing:
recitative Recitative (, also known by its Italian name "''recitativo''" ()) is a style of delivery (much used in operas, oratorios, and cantatas) in which a singer is allowed to adopt the rhythms and delivery of ordinary speech. Recitative does not repeat ...
, a speech-inflected style, and self-contained
aria In music, an aria ( Italian: ; plural: ''arie'' , or ''arias'' in common usage, diminutive form arietta , plural ariette, or in English simply air) is a self-contained piece for one voice, with or without instrumental or orchestral accompa ...
s. The 19th century saw the rise of the continuous
music drama is a German word that means a unity of prose and music. Initially coined by Theodor Mundt in 1833, it was most notably used by Richard Wagner, along with Gesamtkunstwerk, to define his operas. Usage Mundt formulated his definition explicitly ...
. Opera originated in Italy at the end of the 16th century (with
Jacopo Peri Jacopo Peri (20 August 156112 August 1633), known under the pseudonym Il Zazzerino, was an Italian composer and singer of the transitional period between the Renaissance and Baroque styles, and is often called the inventor of opera. He wrote th ...
's mostly
lost Lost may refer to getting lost, or to: Geography * Lost, Aberdeenshire, a hamlet in Scotland *Lake Okeechobee Scenic Trail, or LOST, a hiking and cycling trail in Florida, US History *Abbreviation of lost work, any work which is known to have bee ...
'' Dafne'', produced in
Florence Florence ( ; it, Firenze ) is a city in Central Italy and the capital city of the Tuscany region. It is the most populated city in Tuscany, with 383,083 inhabitants in 2016, and over 1,520,000 in its metropolitan area.Bilancio demografico ...
in 1598) especially from works by
Claudio Monteverdi Claudio Giovanni Antonio Monteverdi (baptized 15 May 1567 – 29 November 1643) was an Italian composer, choirmaster and string player. A composer of both secular and sacred music, and a pioneer in the development of opera, he is consider ...
, notably ''
L'Orfeo ''L'Orfeo'' ( SV 318) (), sometimes called ''La favola d'Orfeo'' , is a late Renaissance/early Baroque ''favola in musica'', or opera, by Claudio Monteverdi, with a libretto by Alessandro Striggio. It is based on the Greek legend of Orpheus, and ...
'', and soon spread through the rest of Europe:
Heinrich Schütz Heinrich Schütz (; 6 November 1672) was a German early Baroque composer and organist, generally regarded as the most important German composer before Johann Sebastian Bach, as well as one of the most important composers of the 17th century. He ...
in Germany,
Jean-Baptiste Lully Jean-Baptiste Lully ( , , ; born Giovanni Battista Lulli, ; – 22 March 1687) was an Italian-born French composer, guitarist, violinist, and dancer who is considered a master of the French Baroque music style. Best known for his operas ...
in France, and
Henry Purcell Henry Purcell (, rare: September 1659 – 21 November 1695) was an English composer. Purcell's style of Baroque music was uniquely English, although it incorporated Italian and French elements. Generally considered among the greatest E ...
in England all helped to establish their national traditions in the 17th century. In the 18th century, Italian opera continued to dominate most of Europe (except France), attracting foreign composers such as
George Frideric Handel George Frideric (or Frederick) Handel (; baptised , ; 23 February 1685 – 14 April 1759) was a German-British Baroque music, Baroque composer well known for his opera#Baroque era, operas, oratorios, anthems, concerto grosso, concerti grossi, ...
.
Opera seria ''Opera seria'' (; plural: ''opere serie''; usually called '' dramma per musica'' or '' melodramma serio'') is an Italian musical term which refers to the noble and "serious" style of Italian opera that predominated in Europe from the 1710s to ...
was the most prestigious form of Italian opera, until
Christoph Willibald Gluck Christoph Willibald (Ritter von) Gluck (; 2 July 1714 – 15 November 1787) was a composer of Italian and French opera in the early classical period. Born in the Upper Palatinate and raised in Bohemia, both part of the Holy Roman Empire, he g ...
reacted against its artificiality with his "reform" operas in the 1760s. The most renowned figure of late 18th-century opera is
Wolfgang Amadeus Mozart Wolfgang Amadeus Mozart (27 January 17565 December 1791), baptised as Joannes Chrysostomus Wolfgangus Theophilus Mozart, was a prolific and influential composer of the Classical period. Despite his short life, his rapid pace of composition r ...
, who began with opera seria but is most famous for his Italian
comic opera Comic opera, sometimes known as light opera, is a sung dramatic work of a light or comic nature, usually with a happy ending and often including spoken dialogue. Forms of comic opera first developed in late 17th-century Italy. By the 1730s, a n ...
s, especially ''
The Marriage of Figaro ''The Marriage of Figaro'' ( it, Le nozze di Figaro, links=no, ), K. 492, is a ''commedia per musica'' (opera buffa) in four acts composed in 1786 by Wolfgang Amadeus Mozart, with an Italian libretto written by Lorenzo Da Ponte. It premi ...
'' (''Le nozze di Figaro''), ''
Don Giovanni ''Don Giovanni'' (; Köchel catalogue, K. 527; Vienna (1788) title: , literally ''The rake (stock character), Rake Punished, or Don Giovanni'') is an opera in two acts with music by Wolfgang Amadeus Mozart to an Italian libretto by Lorenzo Da Pon ...
'', and ''
Così fan tutte (''All Women Do It, or The School for Lovers''), K. 588, is an opera buffa in two acts by Wolfgang Amadeus Mozart. It was first performed on 26 January 1790 at the Burgtheater in Vienna, Austria. The libretto was written by Lorenzo Da Ponte ...
'', as well as ''
Die Entführung aus dem Serail ' () ( K. 384; ''The Abduction from the Seraglio''; also known as ') is a singspiel in three acts by Wolfgang Amadeus Mozart. The German libretto is by Gottlieb Stephanie, based on Christoph Friedrich Bretzner's ''Belmont und Constanze, oder Di ...
'' (''The Abduction from the Seraglio''), and ''
The Magic Flute ''The Magic Flute'' (German: , ), K. 620, is an opera in two acts by Wolfgang Amadeus Mozart to a German libretto by Emanuel Schikaneder. The work is in the form of a '' Singspiel'', a popular form during the time it was written that in ...
'' (''Die Zauberflöte''), landmarks in the German tradition. The first third of the 19th century saw the high point of the
bel canto Bel canto (Italian for "beautiful singing" or "beautiful song", )—with several similar constructions (''bellezze del canto'', ''bell'arte del canto'')—is a term with several meanings that relate to Italian singing. The phrase was not associat ...
style, with
Gioachino Rossini Gioachino Antonio Rossini (29 February 1792 – 13 November 1868) was an Italian composer who gained fame for his 39 operas, although he also wrote many songs, some chamber music and piano pieces, and some sacred music. He set new standards ...
,
Gaetano Donizetti Domenico Gaetano Maria Donizetti (29 November 1797 – 8 April 1848) was an Italian composer, best known for his almost 70 operas. Along with Gioachino Rossini and Vincenzo Bellini, he was a leading composer of the '' bel canto'' opera style ...
and
Vincenzo Bellini Vincenzo Salvatore Carmelo Francesco Bellini (; 3 November 1801 – 23 September 1835) was a Sicilian opera composer, who was known for his long-flowing melodic lines for which he was named "the Swan of Catania". Many years later, in 1898, Gius ...
all creating signature works of that style. It also saw the advent of
grand opera Grand opera is a genre of 19th-century opera generally in four or five acts, characterized by large-scale casts and orchestras, and (in their original productions) lavish and spectacular design and stage effects, normally with plots based on o ...
typified by the works of
Daniel Auber Daniel-François-Esprit Auber (; 29 January 178212 May 1871) was a French composer and director of the Paris Conservatoire. Born into an artistic family, Auber was at first an amateur composer before he took up writing operas professionally when ...
and
Giacomo Meyerbeer Giacomo Meyerbeer (born Jakob Liebmann Beer; 5 September 1791 – 2 May 1864) was a German opera composer, "the most frequently performed opera composer during the nineteenth century, linking Mozart and Wagner". With his 1831 opera '' Robert le ...
as well as
Carl Maria von Weber Carl Maria Friedrich Ernst von Weber (18 or 19 November 17865 June 1826) was a German composer, conductor, virtuoso pianist, guitarist, and critic who was one of the first significant composers of the Romantic era. Best known for his operas, ...
's introduction of German Romantische Oper (German Romantic Opera). The mid-to-late 19th century was a golden age of opera, led and dominated by
Giuseppe Verdi Giuseppe Fortunino Francesco Verdi (; 9 or 10 October 1813 – 27 January 1901) was an Italian composer best known for his operas. He was born near Busseto to a provincial family of moderate means, receiving a musical education with the h ...
in Italy and
Richard Wagner Wilhelm Richard Wagner ( ; ; 22 May 181313 February 1883) was a German composer, theatre director, polemicist, and conductor who is chiefly known for his operas (or, as some of his mature works were later known, "music dramas"). Unlike most op ...
in Germany. The popularity of opera continued through the verismo era in Italy and contemporary
French opera French opera is one of Europe's most important operatic traditions, containing works by composers of the stature of Rameau, Berlioz, Gounod, Bizet, Massenet, Debussy, Ravel, Poulenc and Messiaen. Many foreign-born composers have played a pa ...
through to
Giacomo Puccini Giacomo Puccini ( Lucca, 22 December 1858Bruxelles, 29 November 1924) was an Italian composer known primarily for his operas. Regarded as the greatest and most successful proponent of Italian opera after Verdi, he was descended from a long ...
and
Richard Strauss Richard Georg Strauss (; 11 June 1864 – 8 September 1949) was a German composer, conductor, pianist, and violinist. Considered a leading composer of the late Romantic and early modern eras, he has been described as a successor of Richard Wag ...
in the early 20th century. During the 19th century, parallel operatic traditions emerged in central and eastern Europe, particularly in
Russia Russia (, , ), or the Russian Federation, is a transcontinental country spanning Eastern Europe and Northern Asia. It is the largest country in the world, with its internationally recognised territory covering , and encompassing one-ei ...
and
Bohemia Bohemia ( ; cs, Čechy ; ; hsb, Čěska; szl, Czechy) is the westernmost and largest historical region of the Czech Republic. Bohemia can also refer to a wider area consisting of the historical Lands of the Bohemian Crown ruled by the Bohem ...
. The 20th century saw many experiments with modern styles, such as
atonality Atonality in its broadest sense is music that lacks a tonal center, or key. ''Atonality'', in this sense, usually describes compositions written from about the early 20th-century to the present day, where a hierarchy of harmonies focusing on a ...
and
serialism In music, serialism is a method of composition using series of pitches, rhythms, dynamics, timbres or other musical elements. Serialism began primarily with Arnold Schoenberg's twelve-tone technique, though some of his contemporaries were al ...
(
Arnold Schoenberg Arnold Schoenberg or Schönberg (, ; ; 13 September 187413 July 1951) was an Austrian-American composer, music theorist, teacher, writer, and painter. He is widely considered one of the most influential composers of the 20th century. He was as ...
and
Alban Berg Alban Maria Johannes Berg ( , ; 9 February 1885 – 24 December 1935) was an Austrian composer of the Second Viennese School. His compositional style combined Romantic lyricism with the twelve-tone technique. Although he left a relatively sm ...
),
neoclassicism Neoclassicism (also spelled Neo-classicism) was a Western cultural movement in the decorative and visual arts, literature, theatre, music, and architecture that drew inspiration from the art and culture of classical antiquity. Neoclassicism ...
(
Igor Stravinsky Igor Fyodorovich Stravinsky (6 April 1971) was a Russian composer, pianist and conductor, later of French (from 1934) and American (from 1945) citizenship. He is widely considered one of the most important and influential 20th-century clas ...
), and
minimalism In visual arts, music and other media, minimalism is an art movement that began in post–World War II in Western art, most strongly with American visual arts in the 1960s and early 1970s. Prominent artists associated with minimalism include Do ...
(
Philip Glass Philip Glass (born January 31, 1937) is an American composer and pianist. He is widely regarded as one of the most influential composers of the late 20th century. Glass's work has been associated with minimalism, being built up from repetitive ...
and
John Adams John Adams (October 30, 1735 – July 4, 1826) was an American statesman, attorney, diplomat, writer, and Founding Fathers of the United States, Founding Father who served as the second president of the United States from 1797 to 1801. Befor ...
). With the rise of recording technology, singers such as
Enrico Caruso Enrico Caruso (, , ; 25 February 1873 – 2 August 1921) was an Italian operatic first lyrical tenor then dramatic tenor. He sang to great acclaim at the major opera houses of Europe and the Americas, appearing in a wide variety of roles (74) ...
and
Maria Callas Maria Callas . (born Sophie Cecilia Kalos; December 2, 1923 – September 16, 1977) was an American-born Greek soprano who was one of the most renowned and influential opera singers of the 20th century. Many critics praised her ''bel cant ...
became known to much wider audiences that went beyond the circle of opera fans. Since the invention of radio and television, operas were also performed on (and written for) these media. Beginning in 2006, a number of major opera houses began to present live
high-definition video High-definition video (HD video) is video of higher resolution and quality than standard-definition. While there is no standardized meaning for ''high-definition'', generally any video image with considerably more than 480 vertical scan lines ...
transmissions of their performances in
cinemas A movie theater (American English), cinema (British English), or cinema hall (Indian English), also known as a movie house, picture house, the movies, the pictures, picture theater, the silver screen, the big screen, or simply theater is a ...
all over the world. Since 2009, complete performances can be downloaded and are
live streamed Livestreaming is streaming media simultaneously recorded and broadcast in real-time over the internet. It is often referred to simply as streaming. Non-live media such as video-on-demand, vlogs, and YouTube videos are technically streamed, bu ...
.


Operatic terminology

The words of an opera are known as the
libretto A libretto (Italian for "booklet") is the text used in, or intended for, an extended musical work such as an opera, operetta, masque, oratorio, cantata or musical. The term ''libretto'' is also sometimes used to refer to the text of major li ...
(meaning "small book"). Some composers, notably Wagner, have written their own libretti; others have worked in close collaboration with their librettists, e.g. Mozart with
Lorenzo Da Ponte Lorenzo Da Ponte (; 10 March 174917 August 1838) was an Italian, later American, opera librettist, poet and Roman Catholic priest. He wrote the libretti for 28 operas by 11 composers, including three of Mozart's most celebrated operas: ''The Marr ...
. Traditional opera, often referred to as " number opera", consists of two modes of singing:
recitative Recitative (, also known by its Italian name "''recitativo''" ()) is a style of delivery (much used in operas, oratorios, and cantatas) in which a singer is allowed to adopt the rhythms and delivery of ordinary speech. Recitative does not repeat ...
, the plot-driving passages sung in a style designed to imitate and emphasize the inflections of speech, and
aria In music, an aria ( Italian: ; plural: ''arie'' , or ''arias'' in common usage, diminutive form arietta , plural ariette, or in English simply air) is a self-contained piece for one voice, with or without instrumental or orchestral accompa ...
(an "air" or formal song) in which the characters express their emotions in a more structured melodic style. Vocal duets, trios and other ensembles often occur, and choruses are used to comment on the action. In some forms of opera, such as
singspiel A Singspiel (; plural: ; ) is a form of German-language music drama, now regarded as a genre of opera. It is characterized by spoken dialogue, which is alternated with ensembles, songs, ballads, and aria In music, an aria ( Italian: ; plur ...
,
opéra comique ''Opéra comique'' (; plural: ''opéras comiques'') is a genre of French opera that contains spoken dialogue and arias. It emerged from the popular '' opéras comiques en vaudevilles'' of the Fair Theatres of St Germain and St Laurent (and to a l ...
,
operetta Operetta is a form of theatre and a genre of light opera. It includes spoken dialogue, songs, and dances. It is lighter than opera in terms of its music, orchestral size, length of the work, and at face value, subject matter. Apart from its ...
, and
semi-opera The terms "semi-opera", "dramatic opera" and "English opera" were all applied to Restoration entertainments that combined spoken plays with masque-like episodes employing singing and dancing characters. They usually included machines in the manne ...
, the recitative is mostly replaced by spoken dialogue. Melodic or semi-melodic passages occurring in the midst of, or instead of, recitative, are also referred to as
arioso In classical music, arioso (also aria parlante ) is a category of solo vocal piece, usually occurring in an opera or oratorio, falling somewhere between recitative and aria in style. Literally, arioso means ''airy''. The term arose in the 16th ...
. The terminology of the various kinds of operatic voices is described in detail
below Below may refer to: *Earth * Ground (disambiguation) *Soil *Floor * Bottom (disambiguation) *Less than *Temperatures below freezing *Hell or underworld People with the surname *Ernst von Below (1863–1955), German World War I general *Fred Below ...
. During both the
Baroque The Baroque (, ; ) is a style of architecture, music, dance, painting, sculpture, poetry, and other arts that flourished in Europe from the early 17th century until the 1750s. In the territories of the Spanish and Portuguese empires including ...
and Classical periods, recitative could appear in two basic forms, each of which was accompanied by a different instrumental ensemble: ''secco'' (dry) recitative, sung with a free rhythm dictated by the accent of the words, accompanied only by ''
basso continuo Basso continuo parts, almost universal in the Baroque era (1600–1750), provided the harmonic structure of the music by supplying a bassline and a chord progression. The phrase is often shortened to continuo, and the instrumentalists playing the ...
'', which was usually a
harpsichord A harpsichord ( it, clavicembalo; french: clavecin; german: Cembalo; es, clavecín; pt, cravo; nl, klavecimbel; pl, klawesyn) is a musical instrument played by means of a keyboard. This activates a row of levers that turn a trigger mechanism ...
and a cello; or ''accompagnato'' (also known as ''strumentato'') in which the orchestra provided accompaniment. Over the 18th century, arias were increasingly accompanied by the orchestra. By the 19th century, ''accompagnato'' had gained the upper hand, the orchestra played a much bigger role, and Wagner revolutionized opera by abolishing almost all distinction between aria and recitative in his quest for what Wagner termed "endless melody". Subsequent composers have tended to follow
Wagner Wilhelm Richard Wagner ( ; ; 22 May 181313 February 1883) was a German composer, theatre director, polemicist, and conductor who is chiefly known for his operas (or, as some of his mature works were later known, "music dramas"). Unlike most op ...
's example, though some, such as Stravinsky in his ''
The Rake's Progress ''The Rake's Progress'' is an English-language opera from 1951 in three acts and an epilogue by Igor Stravinsky. The libretto, written by W. H. Auden and Chester Kallman, is based loosely on the eight paintings and engravings '' A Rake's Prog ...
'' have bucked the trend. The changing role of the orchestra in opera is described in more detail
below Below may refer to: *Earth * Ground (disambiguation) *Soil *Floor * Bottom (disambiguation) *Less than *Temperatures below freezing *Hell or underworld People with the surname *Ernst von Below (1863–1955), German World War I general *Fred Below ...
.


History


Origins

The Italian word ''opera'' means "work", both in the sense of the labour done and the result produced. The Italian word derives from the Latin word ''
opera Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a libr ...
'', a singular noun meaning "work" and also the plural of the noun ''
opus ''Opus'' (pl. ''opera'') is a Latin word meaning "work". Italian equivalents are ''opera'' (singular) and ''opere'' (pl.). Opus or OPUS may refer to: Arts and entertainment Music * Opus number, (abbr. Op.) specifying order of (usually) publicatio ...
''. According to the
Oxford English Dictionary The ''Oxford English Dictionary'' (''OED'') is the first and foundational historical dictionary of the English language, published by Oxford University Press (OUP). It traces the historical development of the English language, providing a c ...
, the Italian word was first used in the sense "composition in which poetry, dance, and music are combined" in 1639; the first recorded English usage in this sense dates to 1648. '' Dafne'' by
Jacopo Peri Jacopo Peri (20 August 156112 August 1633), known under the pseudonym Il Zazzerino, was an Italian composer and singer of the transitional period between the Renaissance and Baroque styles, and is often called the inventor of opera. He wrote th ...
was the earliest composition considered opera, as understood today. It was written around 1597, largely under the inspiration of an elite circle of literate Florentine
humanists Humanism is a philosophical stance that emphasizes the individual and social potential and agency of human beings. It considers human beings the starting point for serious moral and philosophical inquiry. The meaning of the term "human ...
who gathered as the " Camerata de' Bardi". Significantly, ''Dafne'' was an attempt to revive the classical
Greek drama Ancient Greek theatre was a theatrical culture that flourished in ancient Greece from 700 BC. The city-state of Athens, which became a significant cultural, political, and religious place during this period, was its centre, where the theatre was ...
, part of the wider revival of antiquity characteristic of the
Renaissance The Renaissance ( , ) , from , with the same meanings. is a period in European history marking the transition from the Middle Ages to modernity and covering the 15th and 16th centuries, characterized by an effort to revive and surpass ide ...
. The members of the Camerata considered that the "chorus" parts of Greek dramas were originally sung, and possibly even the entire text of all roles; opera was thus conceived as a way of "restoring" this situation. ''Dafne,'' however, is lost. A later work by Peri, '' Euridice'', dating from 1600, is the first opera score to have survived until the present day. However, the honour of being the first opera still to be regularly performed goes to
Claudio Monteverdi Claudio Giovanni Antonio Monteverdi (baptized 15 May 1567 – 29 November 1643) was an Italian composer, choirmaster and string player. A composer of both secular and sacred music, and a pioneer in the development of opera, he is consider ...
's ''
L'Orfeo ''L'Orfeo'' ( SV 318) (), sometimes called ''La favola d'Orfeo'' , is a late Renaissance/early Baroque ''favola in musica'', or opera, by Claudio Monteverdi, with a libretto by Alessandro Striggio. It is based on the Greek legend of Orpheus, and ...
'', composed for the court of
Mantua Mantua ( ; it, Mantova ; Lombard and la, Mantua) is a city and '' comune'' in Lombardy, Italy, and capital of the province of the same name. In 2016, Mantua was designated as the Italian Capital of Culture. In 2017, it was named as the Eur ...
in 1607. The Mantua court of the Gonzagas, employers of Monteverdi, played a significant role in the origin of opera employing not only court singers of the
concerto delle donne The ''concerto delle donne'' (; also ''concerto di donne'' or ''concerto delle (or di) dame'') was a group of professional female singers in the late Italian Renaissance, primarily in the court of Ferrara, Italy. Renowned for their technical and ...
(till 1598), but also one of the first actual "opera singers", Madama Europa.


Italian opera


Baroque era

Opera did not remain confined to court audiences for long. In 1637, the idea of a "season" (often during the
carnival Carnival is a Catholic Christian festive season that occurs before the liturgical season of Lent. The main events typically occur during February or early March, during the period historically known as Shrovetide (or Pre-Lent). Carnival t ...
) of publicly attended operas supported by ticket sales emerged in
Venice Venice ( ; it, Venezia ; vec, Venesia or ) is a city in northeastern Italy and the capital of the Veneto Regions of Italy, region. It is built on a group of 118 small islands that are separated by canals and linked by over 400  ...
. Monteverdi had moved to the city from Mantua and composed his last operas, ''
Il ritorno d'Ulisse in patria ''Il ritorno d'Ulisse in patria'' ( SV 325, ''The Return of Ulysses to his Homeland'') is an opera consisting of a prologue and five acts (later revised to three), set by Claudio Monteverdi to a libretto by Giacomo Badoaro. The opera was first p ...
'' and ''
L'incoronazione di Poppea ''L'incoronazione di Poppea'' ( SV 308, ''The Coronation of Poppaea'') is an Italian opera by Claudio Monteverdi. It was Monteverdi's last opera, with a libretto by Giovanni Francesco Busenello, and was first performed at the Teatro Santi Giovanni ...
'', for the Venetian theatre in the 1640s. His most important follower
Francesco Cavalli Francesco Cavalli (born Pietro Francesco Caletti-Bruni; 14 February 1602 – 14 January 1676) was a Venetian composer, organist and singer of the early Baroque period. He succeeded his teacher Claudio Monteverdi as the dominant and leading opera ...
helped spread opera throughout Italy. In these early Baroque operas, broad comedy was blended with tragic elements in a mix that jarred some educated sensibilities, sparking the first of opera's many reform movements, sponsored by the Arcadian Academy, which came to be associated with the poet
Metastasio Pietro Antonio Domenico Trapassi (3 January 1698 – 12 April 1782), better known by his pseudonym of Pietro Metastasio (), was an Italian poet and librettist, considered the most important writer of ''opera seria'' libretti. Early life Me ...
, whose libretti helped crystallize the genre of
opera seria ''Opera seria'' (; plural: ''opere serie''; usually called '' dramma per musica'' or '' melodramma serio'') is an Italian musical term which refers to the noble and "serious" style of Italian opera that predominated in Europe from the 1710s to ...
, which became the leading form of Italian opera until the end of the 18th century. Once the Metastasian ideal had been firmly established, comedy in Baroque-era opera was reserved for what came to be called
opera buffa ''Opera buffa'' (; "comic opera", plural: ''opere buffe'') is a genre of opera. It was first used as an informal description of Italian comic operas variously classified by their authors as ''commedia in musica'', ''commedia per musica'', ''dram ...
. Before such elements were forced out of opera seria, many libretti had featured a separately unfolding comic plot as sort of an "opera-within-an-opera". One reason for this was an attempt to attract members of the growing merchant class, newly wealthy, but still not as cultured as the nobility, to the public
opera house An opera house is a theatre building used for performances of opera. It usually includes a stage, an orchestra pit, audience seating, and backstage facilities for costumes and building sets. While some venues are constructed specifically fo ...
s. These separate plots were almost immediately resurrected in a separately developing tradition that partly derived from the
commedia dell'arte (; ; ) was an early form of professional theatre, originating from Italian theatre, that was popular throughout Europe between the 16th and 18th centuries. It was formerly called Italian comedy in English and is also known as , , and . Charact ...
, a long-flourishing improvisatory stage tradition of Italy. Just as intermedi had once been performed in between the acts of stage plays, operas in the new comic genre of ''intermezzi'', which developed largely in
Naples Naples (; it, Napoli ; nap, Napule ), from grc, Νεάπολις, Neápolis, lit=new city. is the regional capital of Campania and the third-largest city of Italy, after Rome and Milan, with a population of 909,048 within the city's adm ...
in the 1710s and 1720s, were initially staged during the intermissions of opera seria. They became so popular, however, that they were soon being offered as separate productions. Opera seria was elevated in tone and highly stylised in form, usually consisting of ''secco'' recitative interspersed with long ''da capo'' arias. These afforded great opportunity for virtuosic singing and during the golden age of ''opera seria'' the singer really became the star. The role of the hero was usually written for the high-pitched male
castrato A castrato (Italian, plural: ''castrati'') is a type of classical male singing voice equivalent to that of a soprano, mezzo-soprano, or contralto. The voice is produced by castration of the singer before puberty, or it occurs in one who, due t ...
voice, which was produced by
castration Castration is any action, surgical, chemical, or otherwise, by which an individual loses use of the testicles: the male gonad. Surgical castration is bilateral orchiectomy (excision of both testicles), while chemical castration uses pharmaceut ...
of the singer before
puberty Puberty is the process of physical changes through which a child's body matures into an adult body capable of sexual reproduction. It is initiated by hormonal signals from the brain to the gonads: the ovaries in a girl, the testes in a boy. ...
, which prevented a boy's
larynx The larynx (), commonly called the voice box, is an organ in the top of the neck involved in breathing, producing sound and protecting the trachea against food aspiration. The opening of larynx into pharynx known as the laryngeal inlet is about ...
from being transformed at puberty. Castrati such as Farinelli and
Senesino Francesco Bernardi (; 31 October 1686 – 27 November 1758), known as Senesino ( or traditionally ), was a celebrated Italian contralto castrato, particularly remembered today for his long collaboration with the composer George Frideric Handel ...
, as well as female
soprano A soprano () is a type of classical female singing voice and has the highest vocal range of all voice types. The soprano's vocal range (using scientific pitch notation) is from approximately middle C (C4) = 261  Hz to "high A" (A5) = 880&n ...
s such as
Faustina Bordoni Faustina Bordoni (30 March 1697 – 4 November 1781) was an Italian mezzo-soprano. In Hamburg, Germany, the Johann Adolph Hasse Museum is dedicated to her husband and partly to Bordoni. Early career She was born in Venice and brought up unde ...
, became in great demand throughout Europe as ''opera seria'' ruled the stage in every country except France. Farinelli was one of the most famous singers of the 18th century. Italian opera set the Baroque standard. Italian libretti were the norm, even when a German composer like
Handel George Frideric (or Frederick) Handel (; baptised , ; 23 February 1685 – 14 April 1759) was a German-British Baroque composer well known for his operas, oratorios, anthems, concerti grossi, and organ concertos. Handel received his training i ...
found himself composing the likes of ''
Rinaldo Rinaldo may refer to: *Renaud de Montauban (also spelled Renaut, Renault, Italian: Rinaldo di Montalbano, Dutch: Reinout van Montalbaen, German: Reinhold von Montalban), a legendary knight in the medieval Matter of France * Rinaldo (''Jerusalem Lib ...
'' and ''
Giulio Cesare ''Giulio Cesare in Egitto'' (; , HWV 17), commonly known as ''Giulio Cesare'', is a dramma per musica ('' opera seria'') in three acts composed by George Frideric Handel for the Royal Academy of Music in 1724. The libretto was written by Nic ...
'' for London audiences. Italian libretti remained dominant in the classical period as well, for example in the operas of
Mozart Wolfgang Amadeus Mozart (27 January 17565 December 1791), baptised as Joannes Chrysostomus Wolfgangus Theophilus Mozart, was a prolific and influential composer of the Classical period (music), Classical period. Despite his short life, his ra ...
, who wrote in
Vienna en, Viennese , iso_code = AT-9 , registration_plate = W , postal_code_type = Postal code , postal_code = , timezone = CET , utc_offset = +1 , timezone_DST ...
near the century's close. Leading Italian-born composers of opera seria include
Alessandro Scarlatti Pietro Alessandro Gaspare Scarlatti (2 May 1660 – 22 October 1725) was an Italian Baroque composer, known especially for his operas and chamber cantatas. He is considered the most important representative of the Neapolitan school of opera. ...
,
Antonio Vivaldi Antonio Lucio Vivaldi (4 March 1678 – 28 July 1741) was an Italian composer, virtuoso violinist and impresario of Baroque music. Regarded as one of the greatest Baroque composers, Vivaldi's influence during his lifetime was widespread a ...
and
Nicola Porpora Nicola (or Niccolò) Antonio Porpora (17 August 16863 March 1768) was an Italian composer and teacher of singing of the Baroque music, Baroque era, whose most famous singing students were the castrati Farinelli and Caffarelli (castrato), Caffarel ...
.


Gluck's reforms and Mozart

Opera seria had its weaknesses and critics. The taste for embellishment on behalf of the superbly trained singers, and the use of spectacle as a replacement for dramatic purity and unity drew attacks.
Francesco Algarotti Count Francesco Algarotti (11 December 1712 – 3 May 1764) was an Italian polymath, philosopher, poet, essayist, anglophile, art critic and art collector. He was a man of broad knowledge, an expert in Newtonianism, architecture and opera. He wa ...
's ''Essay on the Opera'' (1755) proved to be an inspiration for
Christoph Willibald Gluck Christoph Willibald (Ritter von) Gluck (; 2 July 1714 – 15 November 1787) was a composer of Italian and French opera in the early classical period. Born in the Upper Palatinate and raised in Bohemia, both part of the Holy Roman Empire, he g ...
's reforms. He advocated that ''opera seria'' had to return to basics and that all the various elements—music (both instrumental and vocal),
ballet Ballet () is a type of performance dance that originated during the Italian Renaissance in the fifteenth century and later developed into a concert dance form in France and Russia. It has since become a widespread and highly technical form ...
, and staging—must be subservient to the overriding drama. In 1765
Melchior Grimm Friedrich Melchior, Baron von Grimm (26 September 172319 December 1807) was a German-born French-language journalist, art critic, diplomat and contributor to the ''Encyclopédie ou Dictionnaire raisonné des sciences, des arts et des métiers'' ...
published "", an influential article for the
Encyclopédie ''Encyclopédie, ou dictionnaire raisonné des sciences, des arts et des métiers'' (English: ''Encyclopedia, or a Systematic Dictionary of the Sciences, Arts, and Crafts''), better known as ''Encyclopédie'', was a general encyclopedia publis ...
on lyric and opera
libretto A libretto (Italian for "booklet") is the text used in, or intended for, an extended musical work such as an opera, operetta, masque, oratorio, cantata or musical. The term ''libretto'' is also sometimes used to refer to the text of major li ...
s. Several composers of the period, including Niccolò Jommelli and
Tommaso Traetta Tommaso Michele Francesco Saverio Traetta (30 March 1727 – 6 April 1779) was an Italian composer of the Neapolitan School. Along with other composers mainly in the Holy Roman Empire and France, he was responsible for certain operatic r ...
, attempted to put these ideals into practice. The first to succeed however, was Gluck.
Gluck Christoph Willibald (Ritter von) Gluck (; 2 July 1714 – 15 November 1787) was a composer of Italian and French opera in the early classical period (music), classical period. Born in the Upper Palatinate and raised in Bohemia, both part of the ...
strove to achieve a "beautiful simplicity". This is evident in his first reform opera, '' Orfeo ed Euridice'', where his non-virtuosic vocal melodies are supported by simple harmonies and a richer orchestra presence throughout. Gluck's reforms have had resonance throughout operatic history. Weber, Mozart, and Wagner, in particular, were influenced by his ideals. Mozart, in many ways Gluck's successor, combined a superb sense of drama, harmony, melody, and counterpoint to write a series of comic operas with libretti by
Lorenzo Da Ponte Lorenzo Da Ponte (; 10 March 174917 August 1838) was an Italian, later American, opera librettist, poet and Roman Catholic priest. He wrote the libretti for 28 operas by 11 composers, including three of Mozart's most celebrated operas: ''The Marr ...
, notably ''
Le nozze di Figaro ''The Marriage of Figaro'' ( it, Le nozze di Figaro, links=no, ), K. 492, is a ''commedia per musica'' (opera buffa) in four acts composed in 1786 by Wolfgang Amadeus Mozart, with an Italian libretto written by Lorenzo Da Ponte. It premie ...
'', ''
Don Giovanni ''Don Giovanni'' (; Köchel catalogue, K. 527; Vienna (1788) title: , literally ''The rake (stock character), Rake Punished, or Don Giovanni'') is an opera in two acts with music by Wolfgang Amadeus Mozart to an Italian libretto by Lorenzo Da Pon ...
'', and ''
Così fan tutte (''All Women Do It, or The School for Lovers''), K. 588, is an opera buffa in two acts by Wolfgang Amadeus Mozart. It was first performed on 26 January 1790 at the Burgtheater in Vienna, Austria. The libretto was written by Lorenzo Da Ponte ...
'', which remain among the most-loved, popular and well-known operas. But Mozart's contribution to ''opera seria'' was more mixed; by his time it was dying away, and in spite of such fine works as ''
Idomeneo ' (Italian for ''Idomeneus, King of Crete, or, Ilia and Idamante''; usually referred to simply as ''Idomeneo'', K. 366) is an Italian language opera seria by Wolfgang Amadeus Mozart. The libretto was adapted by Giambattista Varesco from a French ...
'' and ''
La clemenza di Tito ' (''The Clemency of Titus''), K. 621, is an '' opera seria'' in two acts composed by Wolfgang Amadeus Mozart to an Italian libretto by Caterino Mazzolà, after Pietro Metastasio. It was started after most of ' (''The Magic Flute''), the last of ...
'', he would not succeed in bringing the art form back to life again.


Bel canto, Verdi and verismo

The
bel canto Bel canto (Italian for "beautiful singing" or "beautiful song", )—with several similar constructions (''bellezze del canto'', ''bell'arte del canto'')—is a term with several meanings that relate to Italian singing. The phrase was not associat ...
opera movement flourished in the early 19th century and is exemplified by the operas of Rossini, Bellini,
Donizetti Domenico Gaetano Maria Donizetti (29 November 1797 – 8 April 1848) was an Italian composer, best known for his almost 70 operas. Along with Gioachino Rossini and Vincenzo Bellini, he was a leading composer of the '' bel canto'' opera style dur ...
, Pacini, Mercadante and many others. Literally "beautiful singing", ''bel canto'' opera derives from the Italian stylistic singing school of the same name. Bel canto lines are typically florid and intricate, requiring supreme agility and pitch control. Examples of famous operas in the bel canto style include Rossini's ''
Il barbiere di Siviglia ''The Barber of Seville, or The Useless Precaution'' ( it, Il barbiere di Siviglia, ossia L'inutile precauzione ) is an ''opera buffa'' in two acts composed by Gioachino Rossini with an Italian libretto by Cesare Sterbini. The libretto was base ...
'' and ''
La Cenerentola ' (''Cinderella, or Goodness Triumphant'') is an operatic ''dramma giocoso'' in two acts by Gioachino Rossini. The libretto was written by Jacopo Ferretti, based on the libretti written by Charles-Guillaume Étienne for the opera '' Cendrillon'' ...
'', as well as Bellini's ''
Norma Norma may refer to: * Norma (given name), a given name (including a list of people with the name) Astronomy *Norma (constellation) * 555 Norma, a minor asteroid *Cygnus Arm or Norma Arm, a spiral arm in the Milky Way galaxy Geography *Norma, Lazi ...
'', ''
La sonnambula ''La sonnambula'' (''The Sleepwalker'') is an opera semiseria in two acts, with music in the ''bel canto'' tradition by Vincenzo Bellini set to an Italian libretto by Felice Romani, based on a scenario for a ''ballet-pantomime'' written by Eu ...
'' and ''
I puritani ' (''The Puritans'') is an 1835 opera by Vincenzo Bellini. It was originally written in two acts and later changed to three acts on the advice of Gioachino Rossini, with whom the young composer had become friends. The music was set to a libretto ...
'' and Donizetti's ''
Lucia di Lammermoor ''Lucia di Lammermoor'' () is a (tragic opera) in three acts by Italian composer Gaetano Donizetti. Salvadore Cammarano wrote the Italian-language libretto loosely based upon Sir Walter Scott's 1819 historical novel ''The Bride of Lammermoor''. ...
'', ''
L'elisir d'amore ''L'elisir d'amore'' (''The Elixir of Love'', ) is a ' (opera buffa) in two acts by the Italian composer Gaetano Donizetti. Felice Romani wrote the Italian libretto, after Eugène Scribe's libretto for Daniel Auber's ' (1831). The opera premiere ...
'' and ''
Don Pasquale ''Don Pasquale'' () is an opera buffa, or comic opera, in three acts by Gaetano Donizetti with an Italian libretto completed largely by Giovanni Ruffini as well as the composer. It was based on a libretto by Angelo Anelli for Stefano Pavesi's ...
''. Following the bel canto era, a more direct, forceful style was rapidly popularized by
Giuseppe Verdi Giuseppe Fortunino Francesco Verdi (; 9 or 10 October 1813 – 27 January 1901) was an Italian composer best known for his operas. He was born near Busseto to a provincial family of moderate means, receiving a musical education with the h ...
, beginning with his biblical opera ''
Nabucco ''Nabucco'' (, short for Nabucodonosor ; en, " Nebuchadnezzar") is an Italian-language opera in four acts composed in 1841 by Giuseppe Verdi to an Italian libretto by Temistocle Solera. The libretto is based on the biblical books of 2 Kings, ...
''. This opera, and the ones that would follow in Verdi's career, revolutionized Italian opera, changing it from merely a display of vocal fireworks, with Rossini's and Donizetti's works, to dramatic story-telling. Verdi's operas resonated with the growing spirit of
Italian nationalism Italian nationalism is a movement which believes that the Italians are a nation with a single homogeneous identity, and therefrom seeks to promote the cultural unity of Italy as a country. From an Italian nationalist perspective, Italianness is ...
in the post-
Napoleon Napoleon Bonaparte ; it, Napoleone Bonaparte, ; co, Napulione Buonaparte. (born Napoleone Buonaparte; 15 August 1769 – 5 May 1821), later known by his regnal name Napoleon I, was a French military commander and political leader who ...
ic era, and he quickly became an icon of the patriotic movement for a unified Italy. In the early 1850s, Verdi produced his three most popular operas: ''
Rigoletto ''Rigoletto'' is an opera in three acts by Giuseppe Verdi. The Italian libretto was written by Francesco Maria Piave based on the 1832 play ''Le roi s'amuse'' by Victor Hugo. Despite serious initial problems with the Austrian censors who had cont ...
'', ''
Il trovatore ''Il trovatore'' ('The Troubadour') is an opera in four acts by Giuseppe Verdi to an Italian libretto largely written by Salvadore Cammarano, based on the play ''El trovador'' (1836) by Antonio García Gutiérrez. It was García Gutiérrez's mos ...
'' and ''
La traviata ''La traviata'' (; ''The Fallen Woman'') is an opera in three acts by Giuseppe Verdi set to an Italian libretto by Francesco Maria Piave. It is based on ''La Dame aux camélias'' (1852), a play by Alexandre Dumas ''fils'' adapted from his own 18 ...
''. The first of these, ''Rigoletto'', proved the most daring and revolutionary. In it, Verdi blurs the distinction between the aria and recitative as it never before was, leading the opera to be "an unending string of duets". ''La traviata'' was also novel. It tells the story of courtesan, and is often cited as one of the first "realistic" operas, because rather than featuring great kings and figures from literature, it focuses on the tragedies of ordinary life and society. After these, he continued to develop his style, composing perhaps the greatest French
grand opera Grand opera is a genre of 19th-century opera generally in four or five acts, characterized by large-scale casts and orchestras, and (in their original productions) lavish and spectacular design and stage effects, normally with plots based on o ...
, ''
Don Carlos ''Don Carlos'' is a five-act grand opera composed by Giuseppe Verdi to a French-language libretto by Joseph Méry and Camille du Locle, based on the dramatic play '' Don Carlos, Infant von Spanien'' (''Don Carlos, Infante of Spain'') by Friedri ...
'', and ending his career with two Shakespeare-inspired works, ''
Otello ''Otello'' () is an opera in four acts by Giuseppe Verdi to an Italian libretto by Arrigo Boito, based on Shakespeare's play ''Othello''. It was Verdi's penultimate opera, first performed at the Teatro alla Scala, Milan, on 5 February 1887. Th ...
'' and ''
Falstaff Sir John Falstaff is a fictional character who appears in three plays by William Shakespeare and is eulogised in a fourth. His significance as a fully developed character is primarily formed in the plays '' Henry IV, Part 1'' and '' Part 2'', w ...
'', which reveal how far Italian opera had grown in sophistication since the early 19th century. These final two works showed Verdi at his most masterfully orchestrated, and are both incredibly influential, and modern. In ''Falstaff'', Verdi sets the preeminent standard for the form and style that would dominate opera throughout the twentieth century. Rather than long, suspended melodies, ''Falstaff'' contains many little motifs and mottos, that, rather than being expanded upon, are introduced and subsequently dropped, only to be brought up again later. These motifs never are expanded upon, and just as the audience expects a character to launch into a long melody, a new character speaks, introducing a new phrase. This fashion of opera directed opera from Verdi, onward, exercising tremendous influence on his successors
Giacomo Puccini Giacomo Puccini ( Lucca, 22 December 1858Bruxelles, 29 November 1924) was an Italian composer known primarily for his operas. Regarded as the greatest and most successful proponent of Italian opera after Verdi, he was descended from a long ...
,
Richard Strauss Richard Georg Strauss (; 11 June 1864 – 8 September 1949) was a German composer, conductor, pianist, and violinist. Considered a leading composer of the late Romantic and early modern eras, he has been described as a successor of Richard Wag ...
, and
Benjamin Britten Edward Benjamin Britten, Baron Britten (22 November 1913 – 4 December 1976, aged 63) was an English composer, conductor, and pianist. He was a central figure of 20th-century British music, with a range of works including opera, other ...
. After Verdi, the sentimental "realistic" melodrama of verismo appeared in Italy. This was a style introduced by
Pietro Mascagni Pietro Mascagni (7 December 1863 – 2 August 1945) was an Italian composer primarily known for his operas. His 1890 masterpiece ''Cavalleria rusticana'' caused one of the greatest sensations in opera history and single-handedly ushered in the ' ...
's ''
Cavalleria rusticana ''Cavalleria rusticana'' (; Italian for "rustic chivalry") is an opera in one act by Pietro Mascagni to an Italian libretto by Giovanni Targioni-Tozzetti and Guido Menasci, adapted from an 1880 short story of the same name and subsequent play b ...
'' and
Ruggero Leoncavallo Ruggero (or Ruggiero) Leoncavallo ( , , ; 23 April 18579 August 1919) was an Italian opera composer and librettist. Although he produced numerous operas and other songs throughout his career it is his opera '' Pagliacci'' (1892) that remained hi ...
's ''
Pagliacci ''Pagliacci'' (; literal translation, "Clowns") is an Italian opera in a prologue and two acts, with music and libretto by Ruggero Leoncavallo. The opera tells the tale of Canio, actor and leader of a commedia dell'arte theatrical company, who m ...
'' that came to dominate the world's opera stages with such popular works as
Giacomo Puccini Giacomo Puccini ( Lucca, 22 December 1858Bruxelles, 29 November 1924) was an Italian composer known primarily for his operas. Regarded as the greatest and most successful proponent of Italian opera after Verdi, he was descended from a long ...
's ''
La bohème ''La bohème'' (; ) is an opera in four acts,Puccini called the divisions ''quadri'', ''tableaux'' or "images", rather than ''atti'' (acts). composed by Giacomo Puccini between 1893 and 1895 to an Italian libretto by Luigi Illica and Giuseppe G ...
'', ''
Tosca ''Tosca'' is an opera in three acts by Giacomo Puccini to an Italian libretto by Luigi Illica and Giuseppe Giacosa. It premiered at the Teatro dell'Opera di Roma, Teatro Costanzi in Rome on 14 January 1900. The work, based on Victorien Sardou's 1 ...
'', and ''
Madama Butterfly ''Madama Butterfly'' (; ''Madame Butterfly'') is an opera in three acts (originally two) by Giacomo Puccini, with an Italian libretto by Luigi Illica and Giuseppe Giacosa. It is based on the short story "Madame Butterfly" (1898) by John Luther ...
''. Later Italian composers, such as Berio and
Nono Nono may refer to: Places * Nono, Argentina, a municipality in the Province of Córdoba * Nono, Ecuador, a parish in the municipality of Quito in the province of Pichincha * Nono, Illubabor, Oromia (woreda), Ethiopia, or Nono Sele ** Nono, Illub ...
, have experimented with
modernism Modernism is both a philosophy, philosophical and arts movement that arose from broad transformations in Western world, Western society during the late 19th and early 20th centuries. The movement reflected a desire for the creation of new fo ...
.


German-language opera

The first German opera was ''
Dafne ''Dafne'' is the earliest known work that, by modern standards, could be considered an opera. The libretto by Ottavio Rinuccini survives complete; the mostly lost music was completed by Jacopo Peri, but at least two of the six surviving fragment ...
'', composed by
Heinrich Schütz Heinrich Schütz (; 6 November 1672) was a German early Baroque composer and organist, generally regarded as the most important German composer before Johann Sebastian Bach, as well as one of the most important composers of the 17th century. He ...
in 1627, but the music score has not survived. Italian opera held a great sway over German-speaking countries until the late 18th century. Nevertheless, native forms would develop in spite of this influence. In 1644, Sigmund Staden produced the first ''
Singspiel A Singspiel (; plural: ; ) is a form of German-language music drama, now regarded as a genre of opera. It is characterized by spoken dialogue, which is alternated with ensembles, songs, ballads, and aria In music, an aria ( Italian: ; plur ...
'', ''
Seelewig ''Seelewig'' or ''Das geistliche Waldgedicht oder Freudenspiel genant Seelewig'' (''The Sacred Forest Poem or Play of Rejoicing called Seelewig'') is an opera in a prologue, three acts and an epilogue by the German composer Sigmund Theophil Staden ...
'', a popular form of German-language opera in which singing alternates with spoken dialogue. In the late 17th century and early 18th century, the Theater am Gänsemarkt in
Hamburg (male), (female) en, Hamburger(s), Hamburgian(s) , timezone1 = Central (CET) , utc_offset1 = +1 , timezone1_DST = Central (CEST) , utc_offset1_DST = +2 , postal ...
presented German operas by Keiser,
Telemann Georg Philipp Telemann (; – 25 June 1767) was a German Baroque composer and multi-instrumentalist. Almost completely self-taught in music, he became a composer against his family's wishes. After studying in Magdeburg, Zellerfeld, and Hilde ...
and
Handel George Frideric (or Frederick) Handel (; baptised , ; 23 February 1685 – 14 April 1759) was a German-British Baroque composer well known for his operas, oratorios, anthems, concerti grossi, and organ concertos. Handel received his training i ...
. Yet most of the major German composers of the time, including Handel himself, as well as Graun, Hasse and later
Gluck Christoph Willibald (Ritter von) Gluck (; 2 July 1714 – 15 November 1787) was a composer of Italian and French opera in the early classical period (music), classical period. Born in the Upper Palatinate and raised in Bohemia, both part of the ...
, chose to write most of their operas in foreign languages, especially Italian. In contrast to Italian opera, which was generally composed for the aristocratic class, German opera was generally composed for the masses and tended to feature simple folk-like melodies, and it was not until the arrival of Mozart that German opera was able to match its Italian counterpart in musical sophistication. The theatre company of
Abel Seyler Abel Seyler (23 August 1730, Liestal – 25 April 1800, Rellingen) was a Swiss-born theatre director and former merchant banker, who was regarded as one of the great theatre principals of 18th century Europe. He played a pivotal role in the deve ...
pioneered serious German-language opera in the 1770s, marking a break with the previous simpler musical entertainment.
Mozart Wolfgang Amadeus Mozart (27 January 17565 December 1791), baptised as Joannes Chrysostomus Wolfgangus Theophilus Mozart, was a prolific and influential composer of the Classical period (music), Classical period. Despite his short life, his ra ...
's ''Singspiele'', ''
Die Entführung aus dem Serail ' () ( K. 384; ''The Abduction from the Seraglio''; also known as ') is a singspiel in three acts by Wolfgang Amadeus Mozart. The German libretto is by Gottlieb Stephanie, based on Christoph Friedrich Bretzner's ''Belmont und Constanze, oder Di ...
'' (1782) and ''
Die Zauberflöte ''The Magic Flute'' (German: , ), K. 620, is an opera in two acts by Wolfgang Amadeus Mozart to a German libretto by Emanuel Schikaneder. The work is in the form of a ''Singspiel'', a popular form during the time it was written that includ ...
'' (1791) were an important breakthrough in achieving international recognition for German opera. The tradition was developed in the 19th century by
Beethoven Ludwig van Beethoven (baptised 17 December 177026 March 1827) was a German composer and pianist. Beethoven remains one of the most admired composers in the history of Western music; his works rank amongst the most performed of the classical ...
with his ''
Fidelio ''Fidelio'' (; ), originally titled ' (''Leonore, or The Triumph of Marital Love''), Op. 72, is Ludwig van Beethoven's only opera. The German libretto was originally prepared by Joseph Sonnleithner from the French of Jean-Nicolas Bouilly, with ...
'' (1805), inspired by the climate of the
French Revolution The French Revolution ( ) was a period of radical political and societal change in France that began with the Estates General of 1789 and ended with the formation of the French Consulate in November 1799. Many of its ideas are considere ...
.
Carl Maria von Weber Carl Maria Friedrich Ernst von Weber (18 or 19 November 17865 June 1826) was a German composer, conductor, virtuoso pianist, guitarist, and critic who was one of the first significant composers of the Romantic era. Best known for his operas, ...
established German Romantic opera in opposition to the dominance of Italian
bel canto Bel canto (Italian for "beautiful singing" or "beautiful song", )—with several similar constructions (''bellezze del canto'', ''bell'arte del canto'')—is a term with several meanings that relate to Italian singing. The phrase was not associat ...
. His ''
Der Freischütz ' ( J. 277, Op. 77 ''The Marksman'' or ''The Freeshooter'') is a German opera with spoken dialogue in three acts by Carl Maria von Weber with a libretto by Friedrich Kind, based on a story by Johann August Apel and Friedrich Laun from their 181 ...
'' (1821) shows his genius for creating a supernatural atmosphere. Other opera composers of the time include
Marschner Heinrich August Marschner (16 August 1795 – 14 December 1861) was the most important composer of German opera between Carl Maria von Weber, Weber and Richard Wagner, Wagner.Schubert Franz Peter Schubert (; 31 January 179719 November 1828) was an Austrian composer of the late Classical and early Romantic eras. Despite his short lifetime, Schubert left behind a vast ''oeuvre'', including more than 600 secular vocal wor ...
and
Lortzing Gustav Albert Lortzing (23 October 1801 – 21 January 1851) was a German composer, librettist, actor and singer. He is considered to be the main representative of the German '' Spieloper'', a form similar to the French '' opéra comique'', whi ...
, but the most significant figure was undoubtedly
Wagner Wilhelm Richard Wagner ( ; ; 22 May 181313 February 1883) was a German composer, theatre director, polemicist, and conductor who is chiefly known for his operas (or, as some of his mature works were later known, "music dramas"). Unlike most op ...
. Wagner was one of the most revolutionary and controversial composers in musical history. Starting under the influence of Weber and
Meyerbeer Giacomo Meyerbeer (born Jakob Liebmann Beer; 5 September 1791 – 2 May 1864) was a German opera composer, "the most frequently performed opera composer during the nineteenth century, linking Mozart and Wagner". With his 1831 opera ''Robert le d ...
, he gradually evolved a new concept of opera as a ''
Gesamtkunstwerk A ''Gesamtkunstwerk'' (, literally 'total artwork', translated as 'total work of art', 'ideal work of art', 'universal artwork', 'synthesis of the arts', 'comprehensive artwork', or 'all-embracing art form') is a work of art that makes use of al ...
'' (a "complete work of art"), a fusion of music, poetry and painting. He greatly increased the role and power of the orchestra, creating scores with a complex web of
leitmotif A leitmotif or leitmotiv () is a "short, recurring musical phrase" associated with a particular person, place, or idea. It is closely related to the musical concepts of ''idée fixe'' or ''motto-theme''. The spelling ''leitmotif'' is an anglici ...
s, recurring themes often associated with the characters and concepts of the drama, of which prototypes can be heard in his earlier operas such as ''
Der fliegende Holländer ' (''The Flying Dutchman''), WWV 63, is a German-language opera, with libretto and music by Richard Wagner. The central theme is redemption through love. Wagner conducted the premiere at the Königliches Hoftheater Dresden in 1843. Wagner claim ...
'', ''
Tannhäuser Tannhäuser (; gmh, Tanhûser), often stylized, "The Tannhäuser," was a German Minnesinger and traveling poet. Historically, his biography, including the dates he lived, is obscure beyond the poetry, which suggests he lived between 1245 and ...
'' and ''
Lohengrin Lohengrin () is a character in German Arthurian literature. The son of Parzival (Percival), he is a knight of the Holy Grail sent in a boat pulled by swans to rescue a maiden who can never ask his identity. His story, which first appears in Wolf ...
''; and he was prepared to violate accepted musical conventions, such as
tonality Tonality is the arrangement of pitches and/or chords of a musical work in a hierarchy of perceived relations, stabilities, attractions and directionality. In this hierarchy, the single pitch or triadic chord with the greatest stability is call ...
, in his quest for greater expressivity. In his mature music dramas, ''
Tristan und Isolde ''Tristan und Isolde'' (''Tristan and Isolde''), WWV 90, is an opera in three acts by Richard Wagner to a German libretto by the composer, based largely on the 12th-century romance Tristan and Iseult by Gottfried von Strassburg. It was compose ...
'', ''
Die Meistersinger von Nürnberg (; "The Master-Singers of Nuremberg"), WWV 96, is a music drama, or opera, in three acts, by Richard Wagner. It is the longest opera commonly performed, taking nearly four and a half hours, not counting two breaks between acts, and is traditio ...
'', ''
Der Ring des Nibelungen (''The Ring of the Nibelung''), WWV 86, is a cycle of four German-language epic music dramas composed by Richard Wagner. The works are based loosely on characters from Germanic heroic legend, namely Norse legendary sagas and the '' Nibe ...
'' and ''
Parsifal ''Parsifal'' ( WWV 111) is an opera or a music drama in three acts by the German composer Richard Wagner and his last composition. Wagner's own libretto for the work is loosely based on the 13th-century Middle High German epic poem ''Parzival'' ...
'', he abolished the distinction between aria and recitative in favour of a seamless flow of "endless melody". Wagner also brought a new philosophical dimension to opera in his works, which were usually based on stories from Germanic or
Arthurian King Arthur ( cy, Brenin Arthur, kw, Arthur Gernow, br, Roue Arzhur) is a Legend, legendary king of Great Britain, Britain, and a central figure in the medieval literary tradition known as the Matter of Britain. In the earliest tradition ...
legend. Finally, Wagner built his own opera house at
Bayreuth Bayreuth (, ; bar, Bareid) is a town in northern Bavaria, Germany, on the Red Main river in a valley between the Franconian Jura and the Fichtelgebirge Mountains. The town's roots date back to 1194. In the 21st century, it is the capital of U ...
with part of the patronage from
Ludwig II of Bavaria Ludwig II (Ludwig Otto Friedrich Wilhelm; 25 August 1845 – 13 June 1886) was King of Bavaria from 1864 until his death in 1886. He is sometimes called the Swan King or ('the Fairy Tale King'). He also held the titles of Count Palatine of the ...
, exclusively dedicated to performing his own works in the style he wanted. Opera would never be the same after Wagner and for many composers his legacy proved a heavy burden. On the other hand,
Richard Strauss Richard Georg Strauss (; 11 June 1864 – 8 September 1949) was a German composer, conductor, pianist, and violinist. Considered a leading composer of the late Romantic and early modern eras, he has been described as a successor of Richard Wag ...
accepted Wagnerian ideas but took them in wholly new directions, along with incorporating the new form introduced by Verdi. He first won fame with the scandalous '' Salome'' and the dark tragedy '' Elektra'', in which tonality was pushed to the limits. Then Strauss changed tack in his greatest success, ''
Der Rosenkavalier (''The Knight of the Rose'' or ''The Rose-Bearer''), Op. 59, is a comic opera in three acts by Richard Strauss to an original German libretto by Hugo von Hofmannsthal. It is loosely adapted from the novel ''Les amours du chevalier de Faublas'' ...
'', where Mozart and Viennese
waltz The waltz ( ), meaning "to roll or revolve") is a ballroom and folk dance, normally in triple ( time), performed primarily in closed position. History There are many references to a sliding or gliding dance that would evolve into the wa ...
es became as important an influence as Wagner. Strauss continued to produce a highly varied body of operatic works, often with libretti by the poet
Hugo von Hofmannsthal Hugo Laurenz August Hofmann von Hofmannsthal (; 1 February 1874 – 15 July 1929) was an Austrian novelist, librettist, poet, dramatist, narrator, and essayist. Early life Hofmannsthal was born in Landstraße, Vienna, the son of an upper-class ...
. Other composers who made individual contributions to German opera in the early 20th century include
Alexander von Zemlinsky Alexander Zemlinsky or Alexander von Zemlinsky (14 October 1871 – 15 March 1942) was an Austrian composer, conductor, and teacher. Biography Early life Zemlinsky was born in Vienna to a highly diverse family. Zemlinsky's grandfather, Anton S ...
,
Erich Korngold Erich Wolfgang Korngold (May 29, 1897November 29, 1957) was an Austrian-born American composer and conductor. A child prodigy, he became one of the most important and influential composers in Hollywood history. He was a noted pianist and compo ...
, Franz Schreker,
Paul Hindemith Paul Hindemith (; 16 November 189528 December 1963) was a German composer, music theorist, teacher, violist and conductor. He founded the Amar Quartet in 1921, touring extensively in Europe. As a composer, he became a major advocate of the ''Ne ...
,
Kurt Weill Kurt Julian Weill (March 2, 1900April 3, 1950) was a German-born American composer active from the 1920s in his native country, and in his later years in the United States. He was a leading composer for the stage who was best known for his fru ...
and the Italian-born
Ferruccio Busoni Ferruccio Busoni (1 April 1866 – 27 July 1924) was an Italian composer, pianist, conductor, editor, writer, and teacher. His international career and reputation led him to work closely with many of the leading musicians, artists and literary ...
. The operatic innovations of
Arnold Schoenberg Arnold Schoenberg or Schönberg (, ; ; 13 September 187413 July 1951) was an Austrian-American composer, music theorist, teacher, writer, and painter. He is widely considered one of the most influential composers of the 20th century. He was as ...
and his successors are discussed in the section on
modernism Modernism is both a philosophy, philosophical and arts movement that arose from broad transformations in Western world, Western society during the late 19th and early 20th centuries. The movement reflected a desire for the creation of new fo ...
. During the late 19th century, the Austrian composer
Johann Strauss II Johann Baptist Strauss II (25 October 1825 – 3 June 1899), also known as Johann Strauss Jr., the Younger or the Son (german: links=no, Sohn), was an Austrian composer of light music, particularly dance music and operettas. He composed ov ...
, an admirer of the French-language
operetta Operetta is a form of theatre and a genre of light opera. It includes spoken dialogue, songs, and dances. It is lighter than opera in terms of its music, orchestral size, length of the work, and at face value, subject matter. Apart from its ...
s composed by
Jacques Offenbach Jacques Offenbach (, also , , ; 20 June 18195 October 1880) was a German-born French composer, cellist and impresario of the Romantic period. He is remembered for his nearly 100 operettas of the 1850s to the 1870s, and his uncompleted opera '' ...
, composed several German-language operettas, the most famous of which was ''
Die Fledermaus ' (, ''The Flittermouse'' or ''The Bat'', sometimes called ''The Revenge of the Bat'') is an operetta composed by Johann Strauss II to a German libretto by Karl Haffner and Richard Genée, which premiered in 1874. Background The original ...
''. Nevertheless, rather than copying the style of Offenbach, the operettas of Strauss II had distinctly
Viennese Viennese may refer to: * Vienna, the capital of Austria * Viennese people, List of people from Vienna * Viennese German, the German dialect spoken in Vienna * Music of Vienna, musical styles in the city * Viennese Waltz, genre of ballroom dance * V ...
flavor to them.


French opera

In rivalry with imported Italian opera productions, a separate French tradition was founded by the Italian-born French composer
Jean-Baptiste Lully Jean-Baptiste Lully ( , , ; born Giovanni Battista Lulli, ; – 22 March 1687) was an Italian-born French composer, guitarist, violinist, and dancer who is considered a master of the French Baroque music style. Best known for his operas ...
at the court of King Louis XIV. Despite his foreign birthplace, Lully established an Academy of Music and monopolised French opera from 1672. Starting with ''
Cadmus et Hermione ''Cadmus et Hermione'' is a ''tragédie en musique'' in a prologue and five acts by Jean-Baptiste Lully. The French-language libretto is by Philippe Quinault, after Ovid's ''Metamorphoses''. It was first performed on 27 April 1673 by the Paris O ...
'', Lully and his librettist Quinault created ''
tragédie en musique Tragédie en musique (, ''musical tragedy''), also known as tragédie lyrique (, ''lyric tragedy''), is a genre of French opera introduced by Jean-Baptiste Lully and used by his followers until the second half of the eighteenth century. Operas in t ...
'', a form in which dance music and choral writing were particularly prominent. Lully's operas also show a concern for expressive
recitative Recitative (, also known by its Italian name "''recitativo''" ()) is a style of delivery (much used in operas, oratorios, and cantatas) in which a singer is allowed to adopt the rhythms and delivery of ordinary speech. Recitative does not repeat ...
which matched the contours of the French language. In the 18th century, Lully's most important successor was
Jean-Philippe Rameau Jean-Philippe Rameau (; – ) was a French composer and music theory, music theorist. Regarded as one of the most important French composers and music theorists of the 18th century, he replaced Jean-Baptiste Lully as the dominant composer of Fr ...
, who composed five ''tragédies en musique'' as well as numerous works in other genres such as ''
opéra-ballet ''Opéra-ballet'' (; plural: ''opéras-ballets'') is a genre of French Baroque lyric theatre that was most popular during the 18th century, combining elements of opera and ballet, "that grew out of the '' ballets à entrées'' of the early seven ...
'', all notable for their rich orchestration and harmonic daring. Despite the popularity of Italian
opera seria ''Opera seria'' (; plural: ''opere serie''; usually called '' dramma per musica'' or '' melodramma serio'') is an Italian musical term which refers to the noble and "serious" style of Italian opera that predominated in Europe from the 1710s to ...
throughout much of Europe during the Baroque period, Italian opera never gained much of a foothold in France, where its own national operatic tradition was more popular instead. After Rameau's death, the German
Gluck Christoph Willibald (Ritter von) Gluck (; 2 July 1714 – 15 November 1787) was a composer of Italian and French opera in the early classical period (music), classical period. Born in the Upper Palatinate and raised in Bohemia, both part of the ...
was persuaded to produce six operas for the Parisian stage in the 1770s. They show the influence of Rameau, but simplified and with greater focus on the drama. At the same time, by the middle of the 18th century another genre was gaining popularity in France: ''
opéra comique ''Opéra comique'' (; plural: ''opéras comiques'') is a genre of French opera that contains spoken dialogue and arias. It emerged from the popular '' opéras comiques en vaudevilles'' of the Fair Theatres of St Germain and St Laurent (and to a l ...
''. This was the equivalent of the German
singspiel A Singspiel (; plural: ; ) is a form of German-language music drama, now regarded as a genre of opera. It is characterized by spoken dialogue, which is alternated with ensembles, songs, ballads, and aria In music, an aria ( Italian: ; plur ...
, where arias alternated with spoken dialogue. Notable examples in this style were produced by
Monsigny Pierre-Alexandre Monsigny ( – ) was a French composer and a member of the French Académie des Beaux-Arts (1813). He is considered alongside André Grétry and François-André Danican Philidor to have been the founder of a new musical genre ...
,
Philidor Philidor (''Filidor'') or Danican Philidor was a family of musicians that served as court musicians to the French kings. The original name of the family was Danican (D'Anican) and was of Scottish origin (Duncan). Philidor was a later addition to t ...
and, above all, Grétry. During the
Revolutionary A revolutionary is a person who either participates in, or advocates a revolution. The term ''revolutionary'' can also be used as an adjective, to refer to something that has a major, sudden impact on society or on some aspect of human endeavor. ...
and
Napoleonic Napoleon Bonaparte ; it, Napoleone Bonaparte, ; co, Napulione Buonaparte. (born Napoleone Buonaparte; 15 August 1769 – 5 May 1821), later known by his regnal name Napoleon I, was a French military commander and political leader wh ...
period, composers such as
Étienne Méhul Étienne Nicolas Méhul (; 16 November 1765 ~ 24 December 1817) was a French composer of the classical period. He was known as "the most important opera composer in France during the Revolution". He was also the first composer to be called a ...
, Luigi Cherubini and
Gaspare Spontini Gaspare Luigi Pacifico Spontini (14 November 177424 January 1851) was an Italian opera composer and conductor from the classical era. Biography Born in Maiolati, Papal State (now Maiolati Spontini, Province of Ancona), he spent most of his ...
, who were followers of Gluck, brought a new seriousness to the genre, which had never been wholly "comic" in any case. Another phenomenon of this period was the 'propaganda opera' celebrating revolutionary successes, e.g. Gossec's ''Le triomphe de la République'' (1793). By the 1820s, Gluckian influence in France had given way to a taste for Italian
bel canto Bel canto (Italian for "beautiful singing" or "beautiful song", )—with several similar constructions (''bellezze del canto'', ''bell'arte del canto'')—is a term with several meanings that relate to Italian singing. The phrase was not associat ...
, especially after the arrival of Rossini in
Paris Paris () is the capital and most populous city of France, with an estimated population of 2,165,423 residents in 2019 in an area of more than 105 km² (41 sq mi), making it the 30th most densely populated city in the world in 2020. S ...
. Rossini's ''
Guillaume Tell ''William Tell'' (french: Guillaume Tell, link=no; it, Guglielmo Tell, link=no) is a French-language opera in four acts by Italian composer Gioachino Rossini to a libretto by Victor-Joseph Étienne de Jouy and L. F. Bis, based on Friedrich Sc ...
'' helped found the new genre of
grand opera Grand opera is a genre of 19th-century opera generally in four or five acts, characterized by large-scale casts and orchestras, and (in their original productions) lavish and spectacular design and stage effects, normally with plots based on o ...
, a form whose most famous exponent was another foreigner,
Giacomo Meyerbeer Giacomo Meyerbeer (born Jakob Liebmann Beer; 5 September 1791 – 2 May 1864) was a German opera composer, "the most frequently performed opera composer during the nineteenth century, linking Mozart and Wagner". With his 1831 opera '' Robert le ...
. Meyerbeer's works, such as ''
Les Huguenots () is an opera by Giacomo Meyerbeer and is one of the most popular and spectacular examples of grand opera. In five acts, to a libretto by Eugène Scribe and Émile Deschamps, it premiered in Paris on 29 February 1836. Composition history ...
'', emphasised virtuoso singing and extraordinary stage effects. Lighter ''opéra comique'' also enjoyed tremendous success in the hands of Boïeldieu, Auber, Hérold and
Adam Adam; el, Ἀδάμ, Adám; la, Adam is the name given in Genesis 1-5 to the first human. Beyond its use as the name of the first man, ''adam'' is also used in the Bible as a pronoun, individually as "a human" and in a collective sense as " ...
. In this climate, the operas of the French-born composer
Hector Berlioz In Greek mythology, Hector (; grc, Ἕκτωρ, Hektōr, label=none, ) is a character in Homer's Iliad. He was a Trojan prince and the greatest warrior for Troy during the Trojan War. Hector led the Trojans and their allies in the defense o ...
struggled to gain a hearing. Berlioz's epic masterpiece ''
Les Troyens ''Les Troyens'' (; in English: ''The Trojans'') is a French grand opera in five acts by Hector Berlioz. The libretto was written by Berlioz himself from Virgil's epic poem the ''Aeneid''; the score was composed between 1856 and 1858. ''Les Tro ...
'', the culmination of the Gluckian tradition, was not given a full performance for almost a hundred years. In the second half of the 19th century,
Jacques Offenbach Jacques Offenbach (, also , , ; 20 June 18195 October 1880) was a German-born French composer, cellist and impresario of the Romantic period. He is remembered for his nearly 100 operettas of the 1850s to the 1870s, and his uncompleted opera '' ...
created
operetta Operetta is a form of theatre and a genre of light opera. It includes spoken dialogue, songs, and dances. It is lighter than opera in terms of its music, orchestral size, length of the work, and at face value, subject matter. Apart from its ...
with witty and cynical works such as ''
Orphée aux enfers ''Orpheus in the Underworld'' and ''Orpheus in Hell'' are English names for (), a comic opera with music by Jacques Offenbach and words by Hector Crémieux and Ludovic Halévy. It was first performed as a two-act "opéra bouffon" at the Théâ ...
'', as well as the opera ''
Les Contes d'Hoffmann ''The Tales of Hoffmann'' (French: ) is an by Jacques Offenbach. The French libretto was written by Jules Barbier, based on three short stories by E. T. A. Hoffmann, who is the protagonist of the story. It was Offenbach's final work; he died ...
'';
Charles Gounod Charles-François Gounod (; ; 17 June 181818 October 1893), usually known as Charles Gounod, was a French composer. He wrote twelve operas, of which the most popular has always been ''Faust (opera), Faust'' (1859); his ''Roméo et Juliette'' (18 ...
scored a massive success with ''
Faust Faust is the protagonist of a classic German legend based on the historical Johann Georg Faust ( 1480–1540). The erudite Faust is highly successful yet dissatisfied with his life, which leads him to make a pact with the Devil at a crossroads ...
''; and
Georges Bizet Georges Bizet (; 25 October 18383 June 1875) was a French composer of the Romantic music, Romantic era. Best known for his operas in a career cut short by his early death, Bizet achieved few successes before his final work, ''Carmen'', whi ...
composed ''
Carmen ''Carmen'' () is an opera in four acts by the French composer Georges Bizet. The libretto was written by Henri Meilhac and Ludovic Halévy, based on the Carmen (novella), novella of the same title by Prosper Mérimée. The opera was first perfo ...
'', which, once audiences learned to accept its blend of
Romanticism Romanticism (also known as the Romantic movement or Romantic era) was an artistic, literary, musical, and intellectual movement that originated in Europe towards the end of the 18th century, and in most areas was at its peak in the approximate ...
and realism, became the most popular of all opéra comiques.
Jules Massenet Jules Émile Frédéric Massenet (; 12 May 1842 – 13 August 1912) was a French composer of the Romantic era best known for his operas, of which he wrote more than thirty. The two most frequently staged are '' Manon'' (1884) and ''Werther' ...
,
Camille Saint-Saëns Charles-Camille Saint-Saëns (; 9 October 183516 December 1921) was a French composer, organist, conductor and pianist of the Romantic music, Romantic era. His best-known works include Introduction and Rondo Capriccioso (1863), the Piano C ...
and
Léo Delibes Clément Philibert Léo Delibes (; 21 February 1836 – 16 January 1891) was a French Romantic music, Romantic composer, best known for his ballets and French opera, operas. His works include the ballets ''Coppélia'' (1870) and ''Sylvia (ba ...
all composed works which are still part of the standard repertory, examples being Massenet's ''
Manon ''Manon'' () is an ''opéra comique'' in five acts by Jules Massenet to a French libretto by Henri Meilhac and Philippe Gille, based on the 1731 novel '' L'histoire du chevalier des Grieux et de Manon Lescaut'' by the Abbé Prévost. It was first ...
'', Saint-Saëns' ''
Samson et Dalila ''Samson and Delilah'' (french: Samson et Dalila, links=no), Op. 47, is a grand opera in three acts and four scenes by Camille Saint-Saëns to a French libretto by Ferdinand Lemaire. It was first performed in Weimar at the (Grand Ducal) Theater (n ...
'' and Delibes' ''
Lakmé ''Lakmé'' is an opera in three acts by Léo Delibes to a French libretto by Edmond Gondinet and Philippe Gille. The score, written from 1881 to 1882, was first performed on 14 April 1883 by the Opéra-Comique at the (second) Salle Favart in P ...
''. Their operas formed another genre, the Opera Lyrique, combined opera comique and grand opera. It is less grandiose than grand opera, but without the spoken dialogue of opera comique. At the same time, the influence of
Richard Wagner Wilhelm Richard Wagner ( ; ; 22 May 181313 February 1883) was a German composer, theatre director, polemicist, and conductor who is chiefly known for his operas (or, as some of his mature works were later known, "music dramas"). Unlike most op ...
was felt as a challenge to the French tradition. Many French critics angrily rejected Wagner's music dramas while many French composers closely imitated them with variable success. Perhaps the most interesting response came from
Claude Debussy (Achille) Claude Debussy (; 22 August 1862 – 25 March 1918) was a French composer. He is sometimes seen as the first Impressionist composer, although he vigorously rejected the term. He was among the most influential composers of the ...
. As in Wagner's works, the orchestra plays a leading role in Debussy's unique opera '' Pelléas et Mélisande'' (1902) and there are no real arias, only recitative. But the drama is understated, enigmatic and completely un-Wagnerian. Other notable 20th-century names include
Ravel Joseph Maurice Ravel (7 March 1875 – 28 December 1937) was a French composer, pianist and conductor. He is often associated with Impressionism along with his elder contemporary Claude Debussy, although both composers rejected the term. In ...
, Dukas, Roussel,
Honegger Arthur Honegger (; 10 March 1892 – 27 November 1955) was a Swiss composer who was born in France and lived a large part of his life in Paris. A member of Les Six, his best known work is probably ''Antigone'', composed between 1924 and 1927 to ...
and
Milhaud Darius Milhaud (; 4 September 1892 – 22 June 1974) was a French composer, conductor, and teacher. He was a member of Les Six—also known as ''The Group of Six''—and one of the most prolific composers of the 20th century. His compositions ...
.
Francis Poulenc Francis Jean Marcel Poulenc (; 7 January 189930 January 1963) was a French composer and pianist. His compositions include songs, solo piano works, chamber music, choral pieces, operas, ballets, and orchestral concert music. Among the best-kno ...
is one of the very few post-war composers of any nationality whose operas (which include ''
Dialogues des Carmélites ' (''Dialogues of the Carmelites''), FP 159, is an opera in three acts, divided into twelve scenes with linking orchestral interludes, with music and libretto by Francis Poulenc Francis Jean Marcel Poulenc (; 7 January 189930 January 196 ...
'') have gained a foothold in the international repertory.
Olivier Messiaen Olivier Eugène Prosper Charles Messiaen (, ; ; 10 December 1908 – 27 April 1992) was a French composer, organist, and ornithologist who was one of the major composers of the 20th century. His music is rhythmically complex; harmonically ...
's lengthy sacred drama ''
Saint François d'Assise ''Saint François d'Assise : Scènes Franciscaines'' (English: Franciscan Scenes of Saint Francis of Assisi), or simply ''Saint François d'Assise'', is an opera in three acts and eight scenes by French composer Olivier Messiaen, who was also i ...
'' (1983) has also attracted widespread attention.


English-language opera

In England, opera's antecedent was the 17th-century ''jig''. This was an afterpiece that came at the end of a play. It was frequently
libel Defamation is the act of communicating to a third party false statements about a person, place or thing that results in damage to its reputation. It can be spoken (slander) or written (libel). It constitutes a tort or a crime. The legal defini ...
lous and scandalous and consisted in the main of dialogue set to music arranged from popular tunes. In this respect, jigs anticipate the ballad operas of the 18th century. At the same time, the French
masque The masque was a form of festive courtly entertainment that flourished in 16th- and early 17th-century Europe, though it was developed earlier in Italy, in forms including the intermedio (a public version of the masque was the pageant). A masque ...
was gaining a firm hold at the English Court, with even more lavish splendour and highly realistic scenery than had been seen before.
Inigo Jones Inigo Jones (; 15 July 1573 – 21 June 1652) was the first significant architect in England and Wales in the early modern period, and the first to employ Vitruvian rules of proportion and symmetry in his buildings. As the most notable archit ...
became the quintessential designer of these productions, and this style was to dominate the English stage for three centuries. These masques contained songs and dances. In
Ben Jonson Benjamin "Ben" Jonson (c. 11 June 1572 – c. 16 August 1637) was an English playwright and poet. Jonson's artistry exerted a lasting influence upon English poetry and stage comedy. He popularised the comedy of humours; he is best known for t ...
's ''Lovers Made Men'' (1617), "the whole masque was sung after the Italian manner, stilo recitativo".From Webrarian.com's
''
Ivanhoe ''Ivanhoe: A Romance'' () by Walter Scott is a historical novel published in three volumes, in 1819, as one of the Waverley novels. Set in England in the Middle Ages, this novel marked a shift away from Scott’s prior practice of setting st ...
'' site.
The approach of the English Commonwealth closed theatres and halted any developments that may have led to the establishment of English opera. However, in 1656, the
dramatist A playwright or dramatist is a person who writes plays. Etymology The word "play" is from Middle English pleye, from Old English plæġ, pleġa, plæġa ("play, exercise; sport, game; drama, applause"). The word "wright" is an archaic English ...
Sir
William Davenant Sir William Davenant (baptised 3 March 1606 – 7 April 1668), also spelled D'Avenant, was an English poet and playwright. Along with Thomas Killigrew, Davenant was one of the rare figures in English Renaissance theatre whose career spanned b ...
produced ''
The Siege of Rhodes ''The Siege of Rhodes'' is an opera written to a text by the impresario William Davenant. The score is by five composers, the vocal music by Henry Lawes, Matthew Locke, and Captain Henry Cooke, and the instrumental music by Charles Coleman and G ...
''. Since his theatre was not licensed to produce drama, he asked several of the leading composers ( Lawes,
Cooke Cooke is a surname derived from the occupation of cook. Notable people with the surname include: * Alexander Cooke (died 1614), English actor * Alfred Tyrone Cooke, of the Indo-Pakistani wars * Alistair Cooke KBE (1908–2004), British-American j ...
, Locke, Coleman and
Hudson Hudson may refer to: People * Hudson (given name) * Hudson (surname) * Henry Hudson, English explorer * Hudson (footballer, born 1986), Hudson Fernando Tobias de Carvalho, Brazilian football right-back * Hudson (footballer, born 1988), Hudso ...
) to set sections of it to music. This success was followed by ''
The Cruelty of the Spaniards in Peru ''The Cruelty of the Spaniards in Peru'' was an innovative 1658 theatrical presentation, a hybrid entertainment or masque or "operatic show", written and produced by Sir William Davenant. The music was composed by Matthew Locke. The work was sig ...
'' (1658) and ''
The History of Sir Francis Drake ''The History of Sir Francis Drake'' was a hybrid theatrical entertainment, a masque or "operatic tableau" with an English libretto written by Sir William Davenant and music by Matthew Locke. The masque was most likely first performed in 1659 and ...
'' (1659). These pieces were encouraged by
Oliver Cromwell Oliver Cromwell (25 April 15993 September 1658) was an English politician and military officer who is widely regarded as one of the most important statesmen in English history. He came to prominence during the 1639 to 1651 Wars of the Three Ki ...
because they were critical of Spain. With the
English Restoration The Restoration of the Stuart monarchy in the kingdoms of England, Scotland and Ireland took place in 1660 when King Charles II returned from exile in continental Europe. The preceding period of the Protectorate and the civil wars came to be ...
, foreign (especially French) musicians were welcomed back. In 1673,
Thomas Shadwell Thomas Shadwell ( – 19 November 1692) was an English poet and playwright who was appointed Poet Laureate in 1689. Life Shadwell was born at either Bromehill Farm, Weeting-with-Broomhill or Santon House, Lynford, Norfolk, and educated at Bury ...
's ''
Psyche Psyche (''Psyché'' in French) is the Greek term for "soul" (ψυχή). Psyche may also refer to: Psychology * Psyche (psychology), the totality of the human mind, conscious and unconscious * ''Psyche'', an 1846 book about the unconscious by Car ...
'', patterned on the 1671 'comédie-ballet' of the same name produced by
Molière Jean-Baptiste Poquelin (, ; 15 January 1622 (baptised) – 17 February 1673), known by his stage name Molière (, , ), was a French playwright, actor, and poet, widely regarded as one of the greatest writers in the French language and world ...
and
Jean-Baptiste Lully Jean-Baptiste Lully ( , , ; born Giovanni Battista Lulli, ; – 22 March 1687) was an Italian-born French composer, guitarist, violinist, and dancer who is considered a master of the French Baroque music style. Best known for his operas ...
.
William Davenant Sir William Davenant (baptised 3 March 1606 – 7 April 1668), also spelled D'Avenant, was an English poet and playwright. Along with Thomas Killigrew, Davenant was one of the rare figures in English Renaissance theatre whose career spanned b ...
produced ''The Tempest'' in the same year, which was the first musical adaption of a
Shakespeare William Shakespeare ( 26 April 1564 – 23 April 1616) was an English playwright, poet and actor. He is widely regarded as the greatest writer in the English language and the world's pre-eminent dramatist. He is often called England's nation ...
play (composed by Locke and Johnson). About 1683,
John Blow John Blow (baptised 23 February 1649 – 1 October 1708) was an English composer and organist of the Baroque music, Baroque period. Appointed organist of Westminster Abbey in late 1668,Venus and Adonis'', often thought of as the first true English-language opera. Blow's immediate successor was the better known
Henry Purcell Henry Purcell (, rare: September 1659 – 21 November 1695) was an English composer. Purcell's style of Baroque music was uniquely English, although it incorporated Italian and French elements. Generally considered among the greatest E ...
. Despite the success of his masterwork ''
Dido and Aeneas ''Dido and Aeneas'' (Z. 626) is an opera in a prologue and three acts, written by the English Baroque composer Henry Purcell with a libretto by Nahum Tate. The dates of the composition and first performance of the opera are uncertain. It was co ...
'' (1689), in which the action is furthered by the use of Italian-style recitative, much of Purcell's best work was not involved in the composing of typical opera, but instead, he usually worked within the constraints of the
semi-opera The terms "semi-opera", "dramatic opera" and "English opera" were all applied to Restoration entertainments that combined spoken plays with masque-like episodes employing singing and dancing characters. They usually included machines in the manne ...
format, where isolated scenes and masques are contained within the structure of a spoken play, such as
Shakespeare William Shakespeare ( 26 April 1564 – 23 April 1616) was an English playwright, poet and actor. He is widely regarded as the greatest writer in the English language and the world's pre-eminent dramatist. He is often called England's nation ...
in Purcell's ''
The Fairy-Queen ''The Fairy-Queen'' (1692; Purcell catalogue number Z.629) is a semi-opera by Henry Purcell; a "Restoration spectacular". The libretto is an anonymous adaptation of William Shakespeare's comedy ''A Midsummer Night's Dream''. First performed ...
'' (1692) and Beaumont and Fletcher in ''The Prophetess'' (1690) and ''Bonduca'' (1696). The main characters of the play tend not to be involved in the musical scenes, which means that Purcell was rarely able to develop his characters through song. Despite these hindrances, his aim (and that of his collaborator
John Dryden '' John Dryden (; – ) was an English poet, literary critic, translator, and playwright who in 1668 was appointed England's first Poet Laureate. He is seen as dominating the literary life of Restoration England to such a point that the per ...
) was to establish serious opera in England, but these hopes ended with Purcell's early death at the age of 36. Following Purcell, the popularity of opera in England dwindled for several decades. A revived interest in opera occurred in the 1730s which is largely attributed to
Thomas Arne Thomas Augustine Arne (; 12 March 17105 March 1778) was an English composer. He is best known for his patriotic song "Rule, Britannia!" and the song "A-Hunting We Will Go", the latter composed for a 1777 production of ''The Beggar's Opera'', whic ...
, both for his own compositions and for alerting Handel to the commercial possibilities of large-scale works in English. Arne was the first English composer to experiment with Italian-style all-sung comic opera, with his greatest success being '' Thomas and Sally'' in 1760. His opera '' Artaxerxes'' (1762) was the first attempt to set a full-blown
opera seria ''Opera seria'' (; plural: ''opere serie''; usually called '' dramma per musica'' or '' melodramma serio'') is an Italian musical term which refers to the noble and "serious" style of Italian opera that predominated in Europe from the 1710s to ...
in English and was a huge success, holding the stage until the 1830s. Although Arne imitated many elements of Italian opera, he was perhaps the only English composer at that time who was able to move beyond the Italian influences and create his own unique and distinctly English voice. His modernized ballad opera, ''Love in a Village'' (1762), began a vogue for pastiche opera that lasted well into the 19th century.
Charles Burney Charles Burney (7 April 1726 – 12 April 1814) was an English music historian, composer and musician. He was the father of the writers Frances Burney and Sarah Burney, of the explorer James Burney, and of Charles Burney, a classicist a ...
wrote that Arne introduced "a light, airy, original, and pleasing melody, wholly different from that of Purcell or Handel, whom all English composers had either pillaged or imitated". Besides Arne, the other dominating force in English opera at this time was
George Frideric Handel George Frideric (or Frederick) Handel (; baptised , ; 23 February 1685 – 14 April 1759) was a German-British Baroque music, Baroque composer well known for his opera#Baroque era, operas, oratorios, anthems, concerto grosso, concerti grossi, ...
, whose ''opera serias'' filled the London operatic stages for decades and influenced most home-grown composers, like
John Frederick Lampe John Frederick Lampe (born Johann Friedrich Lampe; probably 1703 – 25 July 1751) was a musician and composer. Life Lampe was born in Saxony, Germany but came to England in 1724 and played the bassoon in opera houses. In 1730, he was hired by ...
, who wrote using Italian models. This situation continued throughout the 18th and 19th centuries, including in the work of
Michael William Balfe Michael William Balfe (15 May 1808 – 20 October 1870) was an Irish composer, best remembered for his operas, especially ''The Bohemian Girl''. After a short career as a violinist, Balfe pursued an operatic singing career, while he began to co ...
, and the operas of the great Italian composers, as well as those of Mozart, Beethoven, and Meyerbeer, continued to dominate the musical stage in England. The only exceptions were
ballad opera The ballad opera is a genre of English stage entertainment that originated in the early 18th century, and continued to develop over the following century and later. Like the earlier '' comédie en vaudeville'' and the later ''Singspiel'', its dist ...
s, such as
John Gay John Gay (30 June 1685 – 4 December 1732) was an English poet and dramatist and member of the Scriblerus Club. He is best remembered for ''The Beggar's Opera'' (1728), a ballad opera. The characters, including Captain Macheath and Polly Peac ...
's ''
The Beggar's Opera ''The Beggar's Opera'' is a ballad opera in three acts written in 1728 by John Gay with music arranged by Johann Christoph Pepusch. It is one of the watershed plays in Augustan drama and is the only example of the once thriving genre of satiri ...
'' (1728), musical
burlesques A burlesque is a literary, dramatic or musical work intended to cause laughter by caricaturing the manner or spirit of serious works, or by ludicrous treatment of their subjects.
, European
operetta Operetta is a form of theatre and a genre of light opera. It includes spoken dialogue, songs, and dances. It is lighter than opera in terms of its music, orchestral size, length of the work, and at face value, subject matter. Apart from its ...
s, and late
Victorian era In the history of the United Kingdom and the British Empire, the Victorian era was the period of Queen Victoria's reign, from 20 June 1837 until her death on 22 January 1901. The era followed the Georgian period and preceded the Edwardia ...
light opera Comic opera, sometimes known as light opera, is a sung dramatic work of a light or comic nature, usually with a happy ending and often including spoken dialogue. Forms of comic opera first developed in late 17th-century Italy. By the 1730s, a ne ...
s, notably the
Savoy Operas Savoy opera was a style of comic opera that developed in Victorian England in the late 19th century, with W. S. Gilbert and Arthur Sullivan as the original and most successful practitioners. The name is derived from the Savoy Theatre, which im ...
of
W. S. Gilbert Sir William Schwenck Gilbert (18 November 1836 – 29 May 1911) was an English dramatist, librettist, poet and illustrator best known for his collaboration with composer Arthur Sullivan, which produced fourteen comic operas. The most f ...
and
Arthur Sullivan Sir Arthur Seymour Sullivan (13 May 1842 – 22 November 1900) was an English composer. He is best known for 14 comic opera, operatic Gilbert and Sullivan, collaborations with the dramatist W. S. Gilbert, including ''H.M.S. Pinaf ...
, all of which types of musical entertainments frequently spoofed operatic conventions. Sullivan wrote only one grand opera, ''
Ivanhoe ''Ivanhoe: A Romance'' () by Walter Scott is a historical novel published in three volumes, in 1819, as one of the Waverley novels. Set in England in the Middle Ages, this novel marked a shift away from Scott’s prior practice of setting st ...
'' (following the efforts of a number of young English composers beginning about 1876), but he claimed that even his light operas constituted part of a school of "English" opera, intended to supplant the French operettas (usually performed in bad translations) that had dominated the London stage from the mid-19th century into the 1870s. London's ''
Daily Telegraph Daily or The Daily may refer to: Journalism * Daily newspaper, newspaper issued on five to seven day of most weeks * ''The Daily'' (podcast), a podcast by ''The New York Times'' * ''The Daily'' (News Corporation), a defunct US-based iPad new ...
'' agreed, describing ''
The Yeomen of the Guard ''The Yeomen of the Guard; or, The Merryman and His Maid'', is a Savoy Opera, with music by Arthur Sullivan and libretto by W. S. Gilbert. It premiered at the Savoy Theatre on 3 October 1888 and ran for 423 performances. This was the eleventh ...
'' as "a genuine English opera, forerunner of many others, let us hope, and possibly significant of an advance towards a national lyric stage". Sullivan produced a few light operas in the 1890s that were of a more serious nature than those in the G&S series, including ''
Haddon Hall Haddon Hall is an English country house on the River Wye near Bakewell, Derbyshire, a former seat of the Dukes of Rutland. It is the home of Lord Edward Manners (brother of the incumbent Duke) and his family. In form a medieval manor house, it ...
'' and '' The Beauty Stone'', but ''
Ivanhoe ''Ivanhoe: A Romance'' () by Walter Scott is a historical novel published in three volumes, in 1819, as one of the Waverley novels. Set in England in the Middle Ages, this novel marked a shift away from Scott’s prior practice of setting st ...
'' (which ran for 155 consecutive performances, using alternating casts—a record until Broadway's ''
La bohème ''La bohème'' (; ) is an opera in four acts,Puccini called the divisions ''quadri'', ''tableaux'' or "images", rather than ''atti'' (acts). composed by Giacomo Puccini between 1893 and 1895 to an Italian libretto by Luigi Illica and Giuseppe G ...
'') survives as his only
grand opera Grand opera is a genre of 19th-century opera generally in four or five acts, characterized by large-scale casts and orchestras, and (in their original productions) lavish and spectacular design and stage effects, normally with plots based on o ...
. In the 20th century, English opera began to assert more independence, with works of
Ralph Vaughan Williams Ralph Vaughan Williams, (; 12 October 1872– 26 August 1958) was an English composer. His works include operas, ballets, chamber music, secular and religious vocal pieces and orchestral compositions including nine symphonies, written over ...
and in particular
Benjamin Britten Edward Benjamin Britten, Baron Britten (22 November 1913 – 4 December 1976, aged 63) was an English composer, conductor, and pianist. He was a central figure of 20th-century British music, with a range of works including opera, other ...
, who in a series of works that remain in standard repertory today, revealed an excellent flair for the dramatic and superb musicality. More recently
Sir Harrison Birtwistle Sir Harrison Birtwistle (15 July 1934 – 18 April 2022) was an English composer of contemporary classical music best known for his operas, often based on mythological subjects. Among his many compositions, his better known works include ''T ...
has emerged as one of Britain's most significant contemporary composers from his first opera ''
Punch and Judy Punch and Judy is a traditional puppet show featuring Mr. Punch and his wife Judy. The performance consists of a sequence of short scenes, each depicting an interaction between two characters, most typically Mr. Punch and one other character w ...
'' to his most recent critical success in The Minotaur. In the first decade of the 21st century, the librettist of an early Birtwistle opera,
Michael Nyman Michael Laurence Nyman, Order of the British Empire, CBE (born 23 March 1944) is an English composer, pianist, libretto, librettist, musicologist, and filmmaker. He is known for numerous film soundtrack, scores (many written during his length ...
, has been focusing on composing operas, including ''
Facing Goya ''Facing Goya'' (2000) is an opera in four acts by Michael Nyman on a libretto by Victoria Hardie. It is an expansion of their one-act opera called ''Vital Statistics'' from 1987, dealing with such subjects as physiognomy, eugenics, and its pra ...
'', '' Man and Boy: Dada'', and '' Love Counts''. Today composers such as
Thomas Adès Thomas Joseph Edmund Adès (born 1 March 1971) is a British composer, pianist and conductor. Five compositions by Adès received votes in the 2017 Classic Voice poll of the greatest works of art music since 2000: '' The Tempest'' (2004), ''V ...
continue to export English opera abroad. Also in the 20th century, American composers like
George Gershwin George Gershwin (; born Jacob Gershwine; September 26, 1898 – July 11, 1937) was an American composer and pianist whose compositions spanned popular, jazz and classical genres. Among his best-known works are the orchestral compositions ' ...
(''
Porgy and Bess ''Porgy and Bess'' () is an English-language opera by American composer George Gershwin, with a libretto written by author DuBose Heyward and lyricist Ira Gershwin. It was adapted from Dorothy Heyward and DuBose Heyward's play '' Porgy'', itse ...
''),
Scott Joplin Scott Joplin ( 1868 – April 1, 1917) was an American composer and pianist. Because of the fame achieved for his ragtime compositions, he was dubbed the "King of Ragtime." During his career, he wrote over 40 original ragtime pieces, one ra ...
(''
Treemonisha ''Treemonisha'' (1911) is an opera by American ragtime composer Scott Joplin. It is sometimes referred to as a "ragtime opera", though Joplin did not refer to it as such and it encompasses a wide range of musical styles. The music of ''Treemonis ...
''),
Leonard Bernstein Leonard Bernstein ( ; August 25, 1918 – October 14, 1990) was an American conductor, composer, pianist, music educator, author, and humanitarian. Considered to be one of the most important conductors of his time, he was the first America ...
(''
Candide ( , ) is a French satire written by Voltaire, a philosopher of the Age of Enlightenment, first published in 1759. The novella has been widely translated, with English versions titled ''Candide: or, All for the Best'' (1759); ''Candide: or, The ...
''),
Gian Carlo Menotti Gian Carlo Menotti (, ; July 7, 1911 – February 1, 2007) was an Italian composer, librettist, director, and playwright who is primarily known for his output of 25 operas. Although he often referred to himself as an American composer, he kept h ...
,
Douglas Moore Douglas Stuart Moore (August 10, 1893 – July 25, 1969) was an American composer, songwriter, organist, pianist, conductor, educator, actor, and author. A composer who mainly wrote works with an American subject, his music is generally charact ...
, and
Carlisle Floyd Carlisle Sessions Floyd (June 11, 1926September 30, 2021) was an American composer primarily known for his operas. These stage works, for which he wrote the librettos, typically engage with themes from the American South, particularly the Post- ...
began to contribute English-language operas infused with touches of popular musical styles. They were followed by composers such as
Philip Glass Philip Glass (born January 31, 1937) is an American composer and pianist. He is widely regarded as one of the most influential composers of the late 20th century. Glass's work has been associated with minimalism, being built up from repetitive ...
(''
Einstein on the Beach ''Einstein on the Beach'' is an opera in four acts composed by Philip Glass and directed by theatrical producer Robert Wilson, who also collaborated with Glass on the work's libretto. The opera eschews traditional narrative in favor of a formali ...
''),
Mark Adamo Mark may refer to: Currency * Bosnia and Herzegovina convertible mark, the currency of Bosnia and Herzegovina * East German mark, the currency of the German Democratic Republic * Estonian mark, the currency of Estonia between 1918 and 1927 * Fin ...
, John Corigliano (''
The Ghosts of Versailles ''The Ghosts of Versailles'' is an opera in two acts, with music by John Corigliano to an English libretto by William M. Hoffman. The Metropolitan Opera had commissioned the work from Corigliano in 1980 in celebration of its 100th anniversary, ...
''),
Robert Moran Robert Moran (born January 8, 1937) is an American composer of operas and ballets as well as numerous orchestral, vocal, chamber and dance works. Life A native of Denver, Moran studied twelve-tone music privately with Hans Apostel in Vienna an ...
,
John Adams John Adams (October 30, 1735 – July 4, 1826) was an American statesman, attorney, diplomat, writer, and Founding Fathers of the United States, Founding Father who served as the second president of the United States from 1797 to 1801. Befor ...
(''
Nixon in China ''Nixon in China'' is an opera in three acts by John Adams with a libretto by Alice Goodman. Adams's first opera, it was inspired by U.S. president Richard Nixon's 1972 visit to the People's Republic of China. The work premiered at the Houston ...
''),
André Previn André George Previn (; born Andreas Ludwig Priwin; April 6, 1929 – February 28, 2019) was a German-American pianist, composer, and conductor. His career had three major genres: Hollywood films, jazz, and classical music. In each he achieved ...
and
Jake Heggie Jake Heggie (born March 31, 1961) is an American composer of opera, vocal, orchestral, and chamber music. He is best known for his operas and art songs as well as for his collaborations with internationally renowned performers and writers. B ...
. Many contemporary 21st century opera composers have emerged such as
Missy Mazzoli Missy Mazzoli (born October 27, 1980) is an American composer and pianist who is a member of the composition faculty at the Mannes College of Music. She has received critical acclaim for her chamber, orchestral and operatic work. In 2018 she beca ...
,
Kevin Puts Kevin Matthew Puts (born January 3, 1972) is an American composer, best known for winning a Pulitzer Prize in 2012 for his first opera, ''Silent Night''. Early life and education Puts was born in St. Louis, Missouri, and grew up in Alma, Michi ...
,
Tom Cipullo Tom Cipullo (born November 22, 1956) is an American composer. Known mostly for vocal music, he has also composed orchestral, chamber, and solo instrumental works. His opera, ''Glory Denied'', has been performed to critical acclaim in New York, W ...
,
Huang Ruo Huang Ruo (黃若, born 1976) is a Chinese-born composer, pianist and vocalist who now lives in the United States. Biography Born on Hainan Island off the southern coast of China in 1976, Huang was taught piano and composition from the age o ...
,
David T. Little David T. Little (born October 25, 1978) is a Grammy-nominated American composer, record producer, and drummer known for his operatic, orchestral, and chamber works, most notably his operas ''JFK (opera), JFK,'' ''Soldier Songs'', and ''Dog Days ( ...
,
Terence Blanchard Terence Oliver Blanchard (born March 13, 1962) is an American trumpeter and composer. He started his career in 1982 as a member of the Lionel Hampton Orchestra, then The Jazz Messengers. He has composed more than forty film scores and performed ...
, Jennifer Higdon,
Tobias Picker Tobias Picker (born July 18, 1954) is an American composer, artistic director, and pianist, noted for his orchestral works ''Old and Lost Rivers'', ''Keys To The City'', and ''The Encantadas'', as well as his operas ''Emmeline'', ''Fantastic Mr. ...
,
Michael Ching Michael Ching (born September 29, 1958)Cuyler, Antonio Christopher"The Career Paths of Non-European-American Executive Opera Administrators in the United States" Florida State University, 2007. pp. 59–64. is an American composer, conductor, and ...
, and
Ricky Ian Gordon Ricky Ian Gordon (born May 15, 1956) is an American composer of art song, opera and musical theatre. Life Gordon was born in Oceanside, New York. He was raised by his mother, Eve, and father, Sam, and he grew up on Long Island with his three sist ...
.


Russian opera

Opera was brought to Russia in the 1730s by the
Italian opera Italian opera is both the art of opera in Italy and opera in the Italian language. Opera was born in Italy around the year 1600 and Italian opera has continued to play a dominant role in the history of the form until the present day. Many famous ...
tic troupes and soon it became an important part of entertainment for the Russian Imperial Court and
aristocracy Aristocracy (, ) is a form of government that places strength in the hands of a small, privileged ruling class, the aristocracy (class), aristocrats. The term derives from the el, αριστοκρατία (), meaning 'rule of the best'. At t ...
. Many foreign composers such as Baldassare Galuppi,
Giovanni Paisiello Giovanni Paisiello (or Paesiello; 9 May 1740 – 5 June 1816) was an Italian composer of the Classical era, and was the most popular opera composer of the late 1700s. His operatic style influenced Mozart and Rossini. Life Paisiello was born in T ...
,
Giuseppe Sarti Giuseppe Sarti (also Sardi; baptised 1 December 1729 – 28 July 1802) was an Italian opera composer. Biography He was born at Faenza. His date of birth is not known, but he was baptised on 1 December 1729. Some earlier sources say he was born o ...
, and
Domenico Cimarosa Domenico Cimarosa (; 17 December 1749 – 11 January 1801) was an Italian composer of the Neapolitan school and of the Classical period. He wrote more than eighty operas, the best known of which is ''Il matrimonio segreto'' (1792); most of his ...
(as well as various others) were invited to Russia to compose new operas, mostly in the
Italian language Italian (''italiano'' or ) is a Romance language of the Indo-European language family that evolved from the Vulgar Latin of the Roman Empire. Together with Sardinian, Italian is the least divergent language from Latin. Spoken by about 85 m ...
. Simultaneously some domestic musicians like Maksym Berezovsky and
Dmitry Bortniansky Dmitry Stepanovich Bortniansky ; ; alternative transcriptions of names are ''Dmitri Bortnianskii'', and ''Bortnyansky'', group=n (28 October 1751 – ) was a Russian Imperial composer of Ukrainian Cossack origin. He was a composer, harpsichord ...
were sent abroad to learn to write operas. The first opera written in Russian was ''
Tsefal i Prokris ''Cephalus and Prokris'' (russian: Цефал и Прокрис – ''Tsefal i Prokris''), is an opera seria in three acts by the Italian composer Francesco Araja. Dating to 1755, it was the first opera written in the Russian language. Araja compo ...
'' by the Italian composer Francesco Araja (1755). The development of Russian-language opera was supported by the Russian composers
Vasily Pashkevich Vasily Alexeyevich Pashkevich also Paskevich (russian: Васи́лий Алексе́евич Пашке́вич or Паске́вич) (c. 1742, probably Ukraine – March 20, 1797 in St. Petersburg) was a Russian composer, singer, violin ...
,
Yevstigney Fomin Yevstigney Ipat'yevich Fomin (russian: Евстигне́й Ипа́тьевич Фоми́н) (born St. Petersburg – died St. Petersburg c ) was a Russian opera composer of Ukrainian originShuliar, Orest: History of Vocal Art. Ivano- ...
and Alexey Verstovsky. However, the real birth of Russian opera came with Mikhail Glinka and his two great operas '' A Life for the Tsar'' (1836) and ''
Ruslan and Lyudmila Ruslan may refer to: * ''Ruslan'' (film), a 2009 film starring Steven Segal * Ruslan (given name), male name used mainly in Slavic countries, with list of people * Antonov An-124 ''Ruslan'', large Soviet cargo aircraft, later built in Ukraine and ...
'' (1842). After him, during the 19th century in Russia, there were written such operatic masterpieces as '' Rusalka'' and '' The Stone Guest'' by
Alexander Dargomyzhsky Alexander Sergeyevich Dargomyzhsky ( rus, link=no, Александр Сергеевич Даргомыжский, Aleksandr Sergeyevich Dargomyzhskiy., ɐlʲɪkˈsandr sʲɪrˈɡʲe(j)ɪvʲɪdʑ dərɡɐˈmɨʂskʲɪj, Ru-Aleksandr-Sergeevich- ...
, ''
Boris Godunov Borís Fyodorovich Godunóv (; russian: Борис Фёдорович Годунов; 1552 ) ruled the Tsardom of Russia as ''de facto'' regent from c. 1585 to 1598 and then as the first non-Rurikid tsar from 1598 to 1605. After the end of his ...
'' and ''
Khovanshchina ''Khovanshchina'' ( rus, Хованщина, , xɐˈvanʲɕːɪnə, Ru-Khovanshchina_version.ogg, sometimes rendered ''The Khovansky Affair'') is an opera (subtitled a 'national music drama') in five acts by Modest Mussorgsky. The work was writte ...
'' by
Modest Mussorgsky Modest Petrovich Mussorgsky ( rus, link=no, Модест Петрович Мусоргский, Modest Petrovich Musorgsky , mɐˈdɛst pʲɪˈtrovʲɪtɕ ˈmusərkskʲɪj, Ru-Modest Petrovich Mussorgsky version.ogg; – ) was a Russian compo ...
, ''
Prince Igor ''Prince Igor'' ( rus, Князь Игорь, Knyáz Ígor ) is an opera in four acts with a prologue, written and composed by Alexander Borodin. The composer adapted the libretto from the Ancient Russian epic '' The Lay of Igor's Host'', which re ...
'' by
Alexander Borodin Alexander Porfiryevich Borodin ( rus, link=no, Александр Порфирьевич Бородин, Aleksandr Porfir’yevich Borodin , p=ɐlʲɪkˈsandr pɐrˈfʲi rʲjɪvʲɪtɕ bərɐˈdʲin, a=RU-Alexander Porfiryevich Borodin.ogg, ...
, ''
Eugene Onegin ''Eugene Onegin, A Novel in Verse'' ( pre-reform Russian: ; post-reform rus, Евгений Оне́гин, ромáн в стихáх, p=jɪvˈɡʲenʲɪj ɐˈnʲeɡʲɪn, r=Yevgeniy Onegin, roman v stikhakh) is a novel in verse written by Ale ...
'' and '' The Queen of Spades'' by
Pyotr Tchaikovsky Pyotr Ilyich Tchaikovsky , group=n ( ; 7 May 1840 – 6 November 1893) was a Russian composer of the Romantic period. He was the first Russian composer whose music would make a lasting impression internationally. He wrote some of the most popu ...
, and ''
The Snow Maiden ''The Snow Maiden'' (subtitle: A Spring Fairy Tale) ( rus, Снегурочка–весенняя сказка, Snegúrochka–vesénnyaya skázka, italic=yes ) is an opera in four acts with a prologue by Nikolai Rimsky-Korsakov, composed ...
'' and ''
Sadko Sadko (russian: Садко) is the principal character in a Russian medieval epic '' bylina''. He was an adventurer, merchant, and '' gusli'' musician from Novgorod. Textual notes "Sadko" is a version of the tale translated by Arthur Ransome ...
'' by
Nikolai Rimsky-Korsakov Nikolai Andreyevich Rimsky-Korsakov . At the time, his name was spelled Николай Андреевичъ Римскій-Корсаковъ. la, Nicolaus Andreae filius Rimskij-Korsakov. The composer romanized his name as ''Nicolas Rimsk ...
. These developments mirrored the growth of Russian
nationalism Nationalism is an idea and movement that holds that the nation should be congruent with the State (polity), state. As a movement, nationalism tends to promote the interests of a particular nation (as in a in-group and out-group, group of peo ...
across the artistic spectrum, as part of the more general
Slavophilism Slavophilia (russian: Славянофильство) was an intellectual movement originating from the 19th century that wanted the Russian Empire to be developed on the basis of values and institutions derived from Russia's early history. Slavoph ...
movement. In the 20th century, the
tradition A tradition is a belief or behavior (folk custom) passed down within a group or society with symbolic meaning or special significance with origins in the past. A component of cultural expressions and folklore, common examples include holidays or ...
s of Russian opera were developed by many composers including
Sergei Rachmaninoff Sergei Vasilyevich Rachmaninoff; in Russian pre-revolutionary script. (28 March 1943) was a Russian composer, virtuoso pianist, and conductor. Rachmaninoff is widely considered one of the finest pianists of his day and, as a composer, one o ...
in his works ''
The Miserly Knight ''The Miserly Knight'', Op. 24, also ''The Covetous Knight'' (russian: Скупой рыцарь, ''Skupój rýtsar’''), is a Russian opera in one act with music by Sergei Rachmaninoff, with the libretto based on Alexander Pushkin's drama of the ...
'' and ''
Francesca da Rimini Francesca da Rimini or Francesca da Polenta (died between 1283 and 1286) was a medieval noblewoman of Ravenna, who was murdered by her husband, Giovanni Malatesta, upon his discovery of her affair with his brother, Paolo Malatesta. She was a co ...
'',
Igor Stravinsky Igor Fyodorovich Stravinsky (6 April 1971) was a Russian composer, pianist and conductor, later of French (from 1934) and American (from 1945) citizenship. He is widely considered one of the most important and influential 20th-century clas ...
in ''
Le Rossignol , description = ''conte lyrique'' , librettist = , based_on = , premiere_date = , premiere_location = Palais Garnier, Paris ''The Nightingale'' (Russian: Соловей – ''Solovyei''; French: ''Le Rossignol'') ...
'', ''
Mavra ''Mavra'' is a one-act comic opera composed by Igor Stravinsky, and one of the earliest works of Stravinsky's neo-classical period. The libretto, by Boris Kochno, is based on Alexander Pushkin's ''The Little House in Kolomna''. Mavra is about ...
'', ''
Oedipus rex ''Oedipus Rex'', also known by its Greek title, ''Oedipus Tyrannus'' ( grc, Οἰδίπους Τύραννος, ), or ''Oedipus the King'', is an Athenian tragedy by Sophocles that was first performed around 429 BC. Originally, to the ancient Gr ...
'', and ''
The Rake's Progress ''The Rake's Progress'' is an English-language opera from 1951 in three acts and an epilogue by Igor Stravinsky. The libretto, written by W. H. Auden and Chester Kallman, is based loosely on the eight paintings and engravings '' A Rake's Prog ...
'',
Sergei Prokofiev Sergei Sergeyevich Prokofiev; alternative transliterations of his name include ''Sergey'' or ''Serge'', and ''Prokofief'', ''Prokofieff'', or ''Prokofyev''., group=n (27 April .S. 15 April1891 – 5 March 1953) was a Russian composer, p ...
in '' The Gambler'', ''
The Love for Three Oranges ''The Love for Three Oranges'', Op. 33, also known by its French language title ' (russian: Любовь к трём апельсинам, links=no, ''Lyubov' k tryom apel'sinam''), is a satirical opera by Sergei Prokofiev. Its French libretto ...
'', '' The Fiery Angel'', '' Betrothal in a Monastery'', and ''
War and Peace ''War and Peace'' (russian: Война и мир, translit=Voyna i mir; pre-reform Russian: ; ) is a literary work by the Russian author Leo Tolstoy that mixes fictional narrative with chapters on history and philosophy. It was first published ...
''; as well as
Dmitri Shostakovich Dmitri Dmitriyevich Shostakovich, , group=n (9 August 1975) was a Soviet-era Russian composer and pianist who became internationally known after the premiere of his Symphony No. 1 (Shostakovich), First Symphony in 1926 and was regarded throug ...
in '' The Nose'' and '' Lady Macbeth of the Mtsensk District'',
Edison Denisov Edison Vasilievich Denisov (russian: Эдисо́н Васи́льевич Дени́сов, 6 April 1929 – 24 November 1996) was a Russian composer in the so-called " Underground", "alternative" or "nonconformist" division of Soviet music. ...
in '' L'écume des jours'', and
Alfred Schnittke Alfred Garrievich Schnittke (russian: Альфре́д Га́рриевич Шни́тке, link=no, Alfred Garriyevich Shnitke; 24 November 1934 – 3 August 1998) was a Russian composer of Jewish-German descent. Among the most performed and re ...
in ''
Life with an Idiot ''Life with an Idiot'' () is an opera by the Russian composer Alfred Schnittke to a Russian libretto by Viktor Erofeyev. Written as an allegory of oppression under the Soviet Union, the opera was first performed at Het Muziektheater, Amsterdam, o ...
'' and '' Historia von D. Johann Fausten''.


Czech opera

Czech composers also developed a thriving national opera movement of their own in the 19th century, starting with
Bedřich Smetana Bedřich Smetana ( , ; 2 March 1824 – 12 May 1884) was a Czech composer who pioneered the development of a musical style that became closely identified with his people's aspirations to a cultural and political "revival." He has been regarded i ...
, who wrote eight operas including the internationally popular ''
The Bartered Bride ''The Bartered Bride'' ( cz, Prodaná nevěsta, links=no, ''The Sold Bride'') is a comic opera in three acts by the Czech composer Bedřich Smetana, to a libretto by Karel Sabina. The work is generally regarded as a major contribution towards the ...
''. Smetana's eight operas created the bedrock of the Czech opera repertory, but of these only ''The Bartered Bride'' is performed regularly outside the composer's homeland. After reaching Vienna in 1892 and London in 1895 it rapidly became part of the repertory of every major opera company worldwide. Antonín Dvořák's nine operas, except his first, have librettos in Czech and were intended to convey the Czech national spirit, as were some of his choral works. By far the most successful of the operas is '' Rusalka'' which contains the well-known aria "Měsíčku na nebi hlubokém" ("Song to the Moon"); it is played on contemporary opera stages frequently outside the
Czech Republic The Czech Republic, or simply Czechia, is a landlocked country in Central Europe. Historically known as Bohemia, it is bordered by Austria to the south, Germany to the west, Poland to the northeast, and Slovakia to the southeast. The ...
. This is attributable to their uneven invention and libretti, and perhaps also their staging requirements – ''
The Jacobin ''The Jacobin'' (''Jakobín'' in Czech), Op. 84 (B. 159), is an opera in three acts by Antonín Dvořák to an original Czech libretto by Marie Červinková-Riegrová. Červinková-Riegrová took some of the story's characters from the story by A ...
'', ''
Armida Armida is the fictional character of a Saracen sorceress, created by the Italian late Renaissance poet Torquato Tasso. Description In Tasso's epic ''Jerusalem Delivered'' ( it, Gerusalemme liberata, link=no), Rinaldo is a fierce and determ ...
'', ''
Vanda ''Vanda'', abbreviated in the horticultural trade as ''V.,'' is a genus in the orchid family, Orchidaceae. There are about 87 species, and the genus is commonly cultivated for the marketplace. This genus and its allies are considered to be among ...
'' and ''
Dimitrij Dimitrij is a masculine given name related to Demetrius Demetrius is the Latinized form of the Ancient Greek male given name ''Dēmḗtrios'' (), meaning “Demetris” - "devoted to goddess Demeter". Alternate forms include Demetrios, Dimitr ...
'' need stages large enough to portray invading armies.
Leoš Janáček Leoš Janáček (, baptised Leo Eugen Janáček; 3 July 1854 – 12 August 1928) was a Czech composer, musical theorist, folklorist, publicist, and teacher. He was inspired by Moravian and other Slavic musics, including Eastern European fol ...
gained international recognition in the 20th century for his innovative works. His later, mature works incorporate his earlier studies of national folk music in a modern, highly original synthesis, first evident in the opera ''
Jenůfa ''Její pastorkyňa'' (''Her Stepdaughter''; commonly known as ''Jenůfa'' ) is an opera in three acts by Leoš Janáček to a Czech libretto by the composer, based on the play ''Její pastorkyňa'' by Gabriela Preissová. It was first performed ...
'', which was premiered in 1904 in
Brno Brno ( , ; german: Brünn ) is a city in the South Moravian Region of the Czech Republic. Located at the confluence of the Svitava and Svratka rivers, Brno has about 380,000 inhabitants, making it the second-largest city in the Czech Republic ...
. The success of ''Jenůfa'' (often called the " Moravian national opera") at
Prague Prague ( ; cs, Praha ; german: Prag, ; la, Praga) is the capital and largest city in the Czech Republic, and the historical capital of Bohemia. On the Vltava river, Prague is home to about 1.3 million people. The city has a temperate ...
in 1916 gave Janáček access to the world's great opera stages. Janáček's later works are his most celebrated. They include operas such as ''
Káťa Kabanová ''Káťa Kabanová'' (also known in various spellings including ''Katia'', ''Katja'', ''Katya'', and ''Kabanowa'') is an opera in three acts, with music by Leoš Janáček to a libretto by the composer based on '' The Storm'', a play by Alexander ...
'' and ''
The Cunning Little Vixen ''The Cunning Little Vixen'' (original title ''Příhody lišky Bystroušky'' or ''Tales of Vixen Sharp-Ears'' in English), is a three-act Czech-language opera by Leoš Janáček completed in 1923 to a libretto the composer himself adapted from a ...
'', the Sinfonietta and the ''
Glagolitic Mass The ''Glagolitic Mass'' (, '' cu, script=latn, Mša glagolskaja''; also called ''Missa Glagolitica'' or ''Slavonic Mass'') is a composition for soloists (soprano, contralto, tenor, bass), double chorus, organ and orchestra by Leoš Janáček. The ...
''.


Other national operas

Spain also produced its own distinctive form of opera, known as zarzuela, which had two separate flowerings: one from the mid-17th century through the mid-18th century, and another beginning around 1850. During the late 18th century up until the mid-19th century, Italian opera was immensely popular in Spain, supplanting the native form. In Russian Eastern Europe, several national operas began to emerge. Ukrainian opera was developed by
Semen Hulak-Artemovsky Semen Stepanovych Hulak-Artemovsky ( uk, Семен Степанович Гулак-Артемовський, also referred to as Semyon Gulak-Artemovsky and Artemovs’kyj) ( – ), was a Ukrainian opera composer, singer (baritone), actor, and ...
(1813–1873) whose most famous work ''
Zaporozhets za Dunayem ''Zaporozhets za Dunayem'' ( uk, Запорожець за Дунаєм, translated as ''A Zaporozhian (Cossack) Beyond the Danube'', also referred to as ''Cossacks in Exile'') is a Ukrainian comic opera with spoken dialogue in three acts with mu ...
'' (A Cossack Beyond the Danube) is regularly performed around the world. Other Ukrainian opera composers include
Mykola Lysenko Mykola Vitaliyovych Lysenko ( uk, Мико́ла Віта́лійович Ли́сенко; 22 March 1842 – 6 November 1912) was a List of Ukrainian composers, Ukrainian composer, pianist, conductor and ethnomusicologist of the late Romantic mus ...
(''
Taras Bulba ''Taras Bulba'' (russian: «Тарас Бульба»; ) is a romanticized historical novella set in the first half of the 17th century, written by Nikolai Gogol (1809-1852). It features elderly Zaporozhian Cossack Taras Bulba and his sons And ...
'' and '' Natalka Poltavka''), Heorhiy Maiboroda, and
Yuliy Meitus Yuliy Sergeievitch Meitus (b. in Elisavetgrad – 2 April 1997 in Kyiv), was a distinguished Ukrainian composer, considered the founder of the Ukrainian Soviet opera. His early style was modernistic, later he used more traditional neo-Romant ...
. At the turn of the century, a distinct national opera movement also began to emerge in
Georgia Georgia most commonly refers to: * Georgia (country), a country in the Caucasus region of Eurasia * Georgia (U.S. state), a state in the Southeast United States Georgia may also refer to: Places Historical states and entities * Related to the ...
under the leadership
Zacharia Paliashvili Zacharia Petres dze Paliashvili ( ka, ზაქარია ფალიაშვილი, ''Zakaria Paliaşvili''), also known as Zachary Petrovich Paliashvili (russian: Захарий Петрович Палиашви́ли, ''Zacharij Petrovi ...
, who fused local
folk song Folk music is a music genre that includes #Traditional folk music, traditional folk music and the Contemporary folk music, contemporary genre that evolved from the former during the 20th-century folk revival. Some types of folk music may be c ...
s and stories with 19th-century Romantic classical themes. The key figure of Hungarian national opera in the 19th century was
Ferenc Erkel Ferenc Erkel ( hu, Erkel Ferenc , german: link=no, Franz Erkel; November 7, 1810June 15, 1893) was a Hungarian composer, conductor and pianist. He was the father of Hungarian grand opera, written mainly on historical themes, which are still o ...
, whose works mostly dealt with historical themes. Among his most often performed operas are ''
Hunyadi László László Hunyadi or Ladislaus Hunyadi ( Slovak: ''Ladislav Huňady''; 1431Bánhegyi 2008, p. 17. – 16 March 1457) was a Hungarian nobleman. Ladislaus Hunyadi was the elder of the two sons of John Hunyadi, voivode of Transylvania and later rege ...
'' and ''
Bánk bán ''Bánk bán'' is an opera in 3 acts by composer Ferenc Erkel. The work uses a Hungarian-language libretto by Béni Egressy which is based on a stage play of the same name by József Katona. (''Bán'' is ban in English, similar to a viceroy, a ...
''. The most famous modern Hungarian opera is
Béla Bartók Béla Viktor János Bartók (; ; 25 March 1881 – 26 September 1945) was a Hungarian composer, pianist, and ethnomusicologist. He is considered one of the most important composers of the 20th century; he and Franz Liszt are regarded as H ...
's '' Duke Bluebeard's Castle''.
Stanisław Moniuszko Stanisław Moniuszko (; May 5, 1819 – June 4, 1872) was a Polish composer, conductor and teacher. He wrote many popular art songs and operas, and his music is filled with patriotic folk themes of the peoples of the former Polish–Lithuania ...
's opera '' Straszny Dwór'' (in English ''The Haunted Manor'') (1861–64) represents a nineteenth-century peak of Polish national opera. In the 20th century, other operas created by Polish composers included ''
King Roger King Roger (Polish: , Op. 46) is an opera in three acts by Karol Szymanowski to a Polish libretto by the composer himself and Jarosław Iwaszkiewicz, the composer's cousin. The score was finished in 1924. The opera received its world premiere on ...
'' by
Karol Szymanowski Karol Maciej Szymanowski (; 6 October 188229 March 1937) was a Polish composer and pianist. He was a member of the modernist Young Poland movement that flourished in the late 19th and early 20th century. Szymanowski's early works show the inf ...
and '' Ubu Rex'' by
Krzysztof Penderecki Krzysztof Eugeniusz Penderecki (; 23 November 1933 – 29 March 2020) was a Polish composer and conductor. His best known works include ''Threnody to the Victims of Hiroshima'', Symphony No. 3, his '' St Luke Passion'', ''Polish Requiem'', ''A ...
. The first known opera from
Turkey Turkey ( tr, Türkiye ), officially the Republic of Türkiye ( tr, Türkiye Cumhuriyeti, links=no ), is a list of transcontinental countries, transcontinental country located mainly on the Anatolia, Anatolian Peninsula in Western Asia, with ...
(the
Ottoman Empire The Ottoman Empire, * ; is an archaic version. The definite article forms and were synonymous * and el, Оθωμανική Αυτοκρατορία, Othōmanikē Avtokratoria, label=none * info page on book at Martin Luther University) ...
) was ''
Arshak II Arshak II ( hy, Արշակ Բ, flourished 4th century, died 369 or 370), also written as Arsaces II or Aršak II, was an Arsacid prince who was King of Armenia from 350 (338/339 according to some scholars) until . Although Arshak's reign opened ...
'', which was an
Armenia Armenia (), , group=pron officially the Republic of Armenia,, is a landlocked country in the Armenian Highlands of Western Asia.The UNbr>classification of world regions places Armenia in Western Asia; the CIA World Factbook , , and ''Ox ...
n opera composed by an ethnic Armenian composer
Tigran Chukhajian Tigran Gevorki Chukhajian ( hy, Տիգրան Չուխաճեան, tr, Dikran Çuhacıyan; 1837 – March 11, 1898) was an Ottoman Armenian composer and conductor, and the founder of the first opera institution in the Ottoman Empire. Biography ...
in 1868 and partially performed in 1873. It was fully staged in 1945 in Armenia. The first years of the
Soviet Union The Soviet Union,. officially the Union of Soviet Socialist Republics. (USSR),. was a transcontinental country that spanned much of Eurasia from 1922 to 1991. A flagship communist state, it was nominally a federal union of fifteen national ...
saw the emergence of new national operas, such as the '' Koroğlu'' (1937) by the
Azerbaijan Azerbaijan (, ; az, Azərbaycan ), officially the Republic of Azerbaijan, , also sometimes officially called the Azerbaijan Republic is a transcontinental country located at the boundary of Eastern Europe and Western Asia. It is a part of th ...
i composer
Uzeyir Hajibeyov Uzeyir bey Abdulhuseyn oghlu Hajibeyov ( az, Üzeyir bəy Əbdülhüseyn oğlu Hacıbəyov; russian: Узеир Абдул-Гусейн оглы Гаджибеков, translit=Uzeir Abdul-Guseyn ogly Gadzhibekov; September 18, 1885November 23, 19 ...
. The first Kyrgyz opera, ''Ai-Churek'', premiered in Moscow at the
Bolshoi Theatre The Bolshoi Theatre ( rus, Большо́й теа́тр, r=Bol'shoy teatr, literally "Big Theater", p=bɐlʲˈʂoj tʲɪˈatər) is a historic theatre in Moscow, Russia, originally designed by architect Joseph Bové, which holds ballet and ope ...
on 26 May 1939, during Kyrgyz Art Decade. It was composed by
Vladimir Vlasov Vladimir Aleksandrovich Vlasov (russian: Владимир Александрович Власов; 7 January 1903, Moscow – 7 September 1986, Moscow) was a Soviet and Russian composer and conductor. He studied at the Moscow Conservatory from ...
,
Abdylas Maldybaev Abdylas Maldybaevich Maldybaev ( ky, Абдылас Малдыбаевич Малдыбаев; July 7, 1906 – June 1, 1978) was a Kyrgyz composer, actor, and operatic tenor singer. Maldybaev was one of the composers of the state anthem of th ...
and
Vladimir Fere Vladimir Georgievich Fere (russian: Владимир Георгиевич Фере; in Kamyshin – 2 September 1971 in Moscow) was a Russian composer. He studied at the Moscow Conservatory in 1925 and later taught there. He was a member of a Ki ...
. The libretto was written by Joomart Bokonbaev, Jusup Turusbekov, and Kybanychbek Malikov. The opera is based on the Kyrgyz heroic epic '' Manas''. In Iran, opera gained more attention after the introduction of Western classical music in the late 19th century. However, it took until mid 20th century for Iranian composers to start experiencing with the field, especially as the construction of the
Roudaki Hall The Vahdat Hall ( fa, تالار وحدت – ''Tālār e Vahdat'' means "Unity Hall"), formerly the Roudaki Hall ( fa, تالار رودکی – ''Tālār-e Rudaki''), is a performing arts complex in Tehran, Iran. History Around the 1950s and ...
in 1967, made possible staging of a large variety of works for stage. Perhaps, the most famous Iranian opera is
Rostam and Sohrab The tragedy of Rostam and Sohrab forms part of the 10th-century Persian epic ''Shahnameh'' by the Persian poet Ferdowsi. It tells the tragic story of the heroes Rostam and his son, Sohrab.Ebrahimi, Mokhtar & Taheri, Abdollah. (2017). The Tragedy i ...
by
Loris Tjeknavorian Loris Haykasi Tjeknavorian ( hy, Լորիս Ճգնավորյան; fa, لوریس چکناواریان; born 13 October 1937) is an Iranian Armenians, Iranian Armenian composer and conductor. He has appeared internationally as a conductor, servin ...
premiered not until the early 2000s.
Chinese contemporary classical opera Chinese contemporary classical opera (Chinese: 当今古典歌剧; ''dāngjīn gŭdiăn gējù''; "contemporary classical opera") is a musical art form drawing on western opera traditions - distinct from modern developments of traditional Chinese ...
, a Chinese language form of Western style opera that is distinct from
traditional Chinese opera Traditional Chinese opera (), or ''Xiqu'', is a form of musical theatre in China with roots going back to the early periods in China. It is an amalgamation of various art forms that existed in ancient China, and evolved gradually over more tha ...
, has had operas dating back to ''
The White Haired Girl ''The White-Haired Girl'' () is a Chinese opera, ballet, (later adapted to Beijing Opera and a film) by Yan Jinxuan to a Chinese libretto by He Jingzhi and Ding Yi. The folklore of the white-haired girl is believed to have spread widely in the a ...
'' in 1945. In Latin America, opera started as a result of European colonisation. The first opera ever written in the Americas was ''
La púrpura de la rosa ''La púrpura de la rosa'' (''The Blood of the Rose'') is an opera in one act, composed by Tomás de Torrejón y Velasco to a Spanish libretto by Pedro Calderón de la Barca, a great writer of the Spanish Golden Age. It is the first known opera ...
'', by
Tomás de Torrejón y Velasco Tomás de Torrejón y Velasco Sánchez (23 December 1644 – 23 April 1728) was a Spanish composer, musician and organist based in Peru, associated with the American Baroque. Life Torrejón y Velasco was born in Villarrobledo and spent his c ...
, although ''
Partenope ''Partenope'' ("Parthenope", HWV 27) is an opera by George Frideric Handel, first performed at the King's Theatre in London on 24 February 1730. Although following the structure and forms of opera seria, the work is humorous in character and li ...
'', by the Mexican
Manuel de Zumaya Manuel de Zumaya or Manuel de Sumaya (c. 1678 - 21 December 1755) was perhaps the most famous Mexican composer of the colonial period of New Spain. His music was the culmination of the Baroque style in the New World. He was the first person in t ...
, was the first opera written from a composer born in Latin America (music now lost). The first Brazilian opera for a libretto in Portuguese was ''A Noite de São João'', by
Elias Álvares Lobo Elias Álvares Lobo (9 August 1834 – 15 December 1901) was a Brazilian composer. Lobo was born in Itu, Brazil. He wrote the first Brazilian opera in the Portuguese language Portuguese ( or, in full, ) is a western Romance languages, ...
. However,
Antônio Carlos Gomes Antônio Carlos Gomes (; July 11, 1836 in Campinas – September 16, 1896 in Belém) was the first New World composer whose work was accepted by Europe. He was the only non-European who was successful as an opera composer in Italy, during the "go ...
is generally regarded as the most outstanding Brazilian composer, having a relative success in Italy with its Brazilian-themed operas with Italian librettos, such as ''
Il Guarany ''Il Guarany'' (''The Guarany'') is an opera ballo composed by Antônio Carlos Gomes, based on the novel '' O Guarani'' by José de Alencar. Its libretto, in Italian rather than Gomes' native Portuguese, was written by and . The work is notable a ...
''. Opera in Argentina developed in the 20th century after the inauguration of
Teatro Colón The Teatro Colón (Spanish: ''Columbus Theatre'') is the main opera house in Buenos Aires, Argentina. It is considered one of the ten best opera houses in the world by National Geographic. According to a survey carried out by the acousti ...
in Buenos Aires—with the opera ''
Aurora An aurora (plural: auroras or aurorae), also commonly known as the polar lights, is a natural light display in Earth's sky, predominantly seen in high-latitude regions (around the Arctic and Antarctic). Auroras display dynamic patterns of bri ...
'', by
Ettore Panizza Ettore Panizza (born Héctor Panizza; 12 August 187527 November 1967) was an Argentine conductor and composer, one of the leading conductors of the early 20th century. Panizza possessed technical mastery and was popular and influential during ...
, being heavily influenced by the Italian tradition, due to immigration. Other important composers from Argentina include
Felipe Boero Felipe Boero (January 1, 1884 – August 9, 1958) was an Argentine composer and music educator. He is most famous for composing the opera ''El Matrero'', after a play by Yamandú Rodríguez, considered one of the national operas of Argenti ...
and
Alberto Ginastera Alberto Evaristo Ginastera (; April 11, 1916June 25, 1983) was an Argentinian composer of classical music. He is considered to be one of the most important 20th-century classical composers of the Americas. Biography Ginastera was born in Buen ...
.


Contemporary, recent, and modernist trends


Modernism

Perhaps the most obvious stylistic manifestation of modernism in opera is the development of
atonality Atonality in its broadest sense is music that lacks a tonal center, or key. ''Atonality'', in this sense, usually describes compositions written from about the early 20th-century to the present day, where a hierarchy of harmonies focusing on a ...
. The move away from traditional tonality in opera had begun with
Richard Wagner Wilhelm Richard Wagner ( ; ; 22 May 181313 February 1883) was a German composer, theatre director, polemicist, and conductor who is chiefly known for his operas (or, as some of his mature works were later known, "music dramas"). Unlike most op ...
, and in particular the
Tristan chord The Tristan chord is a chord made up of the notes F, B, D, and G: : More generally, it can be any chord that consists of these same intervals: augmented fourth, augmented sixth, and augmented ninth above a bass note. It is so named as it is h ...
. Composers such as
Richard Strauss Richard Georg Strauss (; 11 June 1864 – 8 September 1949) was a German composer, conductor, pianist, and violinist. Considered a leading composer of the late Romantic and early modern eras, he has been described as a successor of Richard Wag ...
,
Claude Debussy (Achille) Claude Debussy (; 22 August 1862 – 25 March 1918) was a French composer. He is sometimes seen as the first Impressionist composer, although he vigorously rejected the term. He was among the most influential composers of the ...
,
Giacomo Puccini Giacomo Puccini ( Lucca, 22 December 1858Bruxelles, 29 November 1924) was an Italian composer known primarily for his operas. Regarded as the greatest and most successful proponent of Italian opera after Verdi, he was descended from a long ...
,
Paul Hindemith Paul Hindemith (; 16 November 189528 December 1963) was a German composer, music theorist, teacher, violist and conductor. He founded the Amar Quartet in 1921, touring extensively in Europe. As a composer, he became a major advocate of the ''Ne ...
,
Benjamin Britten Edward Benjamin Britten, Baron Britten (22 November 1913 – 4 December 1976, aged 63) was an English composer, conductor, and pianist. He was a central figure of 20th-century British music, with a range of works including opera, other ...
and
Hans Pfitzner Hans Erich Pfitzner (5 May 1869 – 22 May 1949) was a German composer, conductor and polemicist who was a self-described anti-modernist. His best known work is the post-Romantic opera ''Palestrina'' (1917), loosely based on the life of the s ...
pushed Wagnerian harmony further with a more extreme use of chromaticism and greater use of dissonance. Another aspect of modernist opera is the shift away from long, suspended melodies, to short quick mottos, as first illustrated by
Giuseppe Verdi Giuseppe Fortunino Francesco Verdi (; 9 or 10 October 1813 – 27 January 1901) was an Italian composer best known for his operas. He was born near Busseto to a provincial family of moderate means, receiving a musical education with the h ...
in his ''
Falstaff Sir John Falstaff is a fictional character who appears in three plays by William Shakespeare and is eulogised in a fourth. His significance as a fully developed character is primarily formed in the plays '' Henry IV, Part 1'' and '' Part 2'', w ...
''. Composers such as Strauss, Britten, Shostakovich and Stravinsky adopted and expanded upon this style. Operatic modernism truly began in the operas of two Viennese composers,
Arnold Schoenberg Arnold Schoenberg or Schönberg (, ; ; 13 September 187413 July 1951) was an Austrian-American composer, music theorist, teacher, writer, and painter. He is widely considered one of the most influential composers of the 20th century. He was as ...
and his student
Alban Berg Alban Maria Johannes Berg ( , ; 9 February 1885 – 24 December 1935) was an Austrian composer of the Second Viennese School. His compositional style combined Romantic lyricism with the twelve-tone technique. Although he left a relatively sm ...
, both composers and advocates of atonality and its later development (as worked out by Schoenberg),
dodecaphony The twelve-tone technique—also known as dodecaphony, twelve-tone serialism, and (in British usage) twelve-note composition—is a method of musical composition first devised by Austrian composer Josef Matthias Hauer, who published his "law o ...
. Schoenberg's early musico-dramatic works, ''
Erwartung ' (''Expectation''), Opus number, Op. 17, is a one-act monodrama in four scenes by Arnold Schoenberg to a libretto by . Composed in 1909, it was not premiered until 6 June 1924 in Prague conducted by Alexander von Zemlinsky, Alexander Zemlinsky wi ...
'' (1909, premiered in 1924) and ''
Die glückliche Hand ' (''The Hand of Fate''), Op. 18, is a ''Drama mit Musik'' ("drama with music") by Arnold Schoenberg in four scenes. It was composed between 1910 and 1913. Like ''Erwartung'', composed a year earlier, it was heavily influenced by Otto Weininger's ...
'' display heavy use of chromatic harmony and dissonance in general. Schoenberg also occasionally used
Sprechstimme (, "spoken singing") and (, "spoken voice") are expressionist vocal techniques between singing and speaking. Though sometimes used interchangeably, ''Sprechgesang'' is directly related to the operatic ''recitative'' manner of singing (in which ...
. The two operas of Schoenberg's pupil Alban Berg, ''
Wozzeck ''Wozzeck'' () is the first opera by the Austrian composer Alban Berg. It was composed between 1914 and 1922 and first performed in 1925. The opera is based on the drama ''Woyzeck'', which the German playwright Georg Büchner left incomplete at h ...
'' (1925) and ''
Lulu Lulu may refer to: Companies * LuLu, an early automobile manufacturer * Lulu.com, an online e-books and print self-publishing platform, distributor, and retailer * Lulu Hypermarket, a retail chain in Asia * Lululemon Athletica or simply Lulu, a C ...
'' (incomplete at his death in 1935) share many of the same characteristics as described above, though Berg combined his highly personal interpretation of Schoenberg's twelve-tone technique with melodic passages of a more traditionally tonal nature (quite Mahlerian in character) which perhaps partially explains why his operas have remained in standard repertory, despite their controversial music and plots. Schoenberg's theories have influenced (either directly or indirectly) significant numbers of opera composers ever since, even if they themselves did not compose using his techniques. Composers thus influenced include the Englishman
Benjamin Britten Edward Benjamin Britten, Baron Britten (22 November 1913 – 4 December 1976, aged 63) was an English composer, conductor, and pianist. He was a central figure of 20th-century British music, with a range of works including opera, other ...
, the German
Hans Werner Henze Hans Werner Henze (1 July 1926 – 27 October 2012) was a German composer. His large oeuvre of works is extremely varied in style, having been influenced by serialism, atonality, Stravinsky, Italian music, Arabic music and jazz, as well as t ...
, and the Russian
Dmitri Shostakovich Dmitri Dmitriyevich Shostakovich, , group=n (9 August 1975) was a Soviet-era Russian composer and pianist who became internationally known after the premiere of his Symphony No. 1 (Shostakovich), First Symphony in 1926 and was regarded throug ...
. (
Philip Glass Philip Glass (born January 31, 1937) is an American composer and pianist. He is widely regarded as one of the most influential composers of the late 20th century. Glass's work has been associated with minimalism, being built up from repetitive ...
also makes use of atonality, though his style is generally described as
minimalist In visual arts, music and other media, minimalism is an art movement that began in post–World War II in Western art, most strongly with American visual arts in the 1960s and early 1970s. Prominent artists associated with minimalism include Don ...
, usually thought of as another 20th-century development.) However, operatic modernism's use of atonality also sparked a backlash in the form of
neoclassicism Neoclassicism (also spelled Neo-classicism) was a Western cultural movement in the decorative and visual arts, literature, theatre, music, and architecture that drew inspiration from the art and culture of classical antiquity. Neoclassicism ...
. An early leader of this movement was
Ferruccio Busoni Ferruccio Busoni (1 April 1866 – 27 July 1924) was an Italian composer, pianist, conductor, editor, writer, and teacher. His international career and reputation led him to work closely with many of the leading musicians, artists and literary ...
, who in 1913 wrote the libretto for his neoclassical number opera ''
Arlecchino Harlequin (; it, Arlecchino ; lmo, Arlechin, Bergamasque pronunciation ) is the best-known of the ''zanni'' or comic servant characters from the Italian ''commedia dell'arte'', associated with the city of Bergamo. The role is traditionally ...
'' (first performed in 1917). Also among the vanguard was the Russian
Igor Stravinsky Igor Fyodorovich Stravinsky (6 April 1971) was a Russian composer, pianist and conductor, later of French (from 1934) and American (from 1945) citizenship. He is widely considered one of the most important and influential 20th-century clas ...
. After composing music for the
Diaghilev Sergei Pavlovich Diaghilev ( ; rus, Серге́й Па́влович Дя́гилев, , sʲɪˈrɡʲej ˈpavləvʲɪdʑ ˈdʲæɡʲɪlʲɪf; 19 August 1929), usually referred to outside Russia as Serge Diaghilev, was a Russian art critic, pa ...
-produced ballets ''
Petrushka Petrushka ( rus, Петру́шка, p=pʲɪtˈruʂkə, a=Ru-петрушка.ogg) is a stock character of Russian folk puppetry. Italian puppeteers introduced it in the first third of the 19th century. While most core characters came from Italy ...
'' (1911) and ''
The Rite of Spring ''The Rite of Spring''. Full name: ''The Rite of Spring: Pictures from Pagan Russia in Two Parts'' (french: Le Sacre du printemps: tableaux de la Russie païenne en deux parties) (french: Le Sacre du printemps, link=no) is a ballet and orchestral ...
'' (1913), Stravinsky turned to neoclassicism, a development culminating in his opera-oratorio ''
Oedipus Rex ''Oedipus Rex'', also known by its Greek title, ''Oedipus Tyrannus'' ( grc, Οἰδίπους Τύραννος, ), or ''Oedipus the King'', is an Athenian tragedy by Sophocles that was first performed around 429 BC. Originally, to the ancient Gr ...
'' (1927). Stravinsky had already turned away from the modernist trends of his early ballets to produce small-scale works that do not fully qualify as opera, yet certainly contain many operatic elements, including '' Renard'' (1916: "a burlesque in song and dance") and ''
The Soldier's Tale ' (''The Soldier's Tale'') is a theatrical work "to be read, played, and danced" () by three actors and one or several dancers, accompanied by a septet of instruments. Conceived by Igor Stravinsky and Swiss writer C. F. Ramuz, the piece was base ...
'' (1918: "to be read, played, and danced"; in both cases the descriptions and instructions are those of the composer). In the latter, the actors declaim portions of speech to a specified rhythm over instrumental accompaniment, peculiarly similar to the older German genre of ''
Melodrama A modern melodrama is a dramatic work in which the plot, typically sensationalized and for a strong emotional appeal, takes precedence over detailed characterization. Melodramas typically concentrate on dialogue that is often bombastic or exces ...
''. Well after his Rimsky-Korsakov-inspired works '' The Nightingale'' (1914), and ''
Mavra ''Mavra'' is a one-act comic opera composed by Igor Stravinsky, and one of the earliest works of Stravinsky's neo-classical period. The libretto, by Boris Kochno, is based on Alexander Pushkin's ''The Little House in Kolomna''. Mavra is about ...
'' (1922), Stravinsky continued to ignore serialist technique and eventually wrote a full-fledged 18th-century-style
diatonic Diatonic and chromatic are terms in music theory that are most often used to characterize Scale (music), scales, and are also applied to musical instruments, Interval (music), intervals, Chord (music), chords, Musical note, notes, musical sty ...
number opera ''
The Rake's Progress ''The Rake's Progress'' is an English-language opera from 1951 in three acts and an epilogue by Igor Stravinsky. The libretto, written by W. H. Auden and Chester Kallman, is based loosely on the eight paintings and engravings '' A Rake's Prog ...
'' (1951). His resistance to serialism (an attitude he reversed following Schoenberg's death) proved to be an inspiration for many other composers.


Other trends

A common trend throughout the 20th century, in both opera and general orchestral repertoire, is the use of smaller orchestras as a cost-cutting measure; the grand Romantic-era orchestras with huge string sections, multiple harps, extra horns, and exotic percussion instruments were no longer feasible. As government and private patronage of the arts decreased throughout the 20th century, new works were often commissioned and performed with smaller budgets, very often resulting in chamber-sized works, and short, one-act operas. Many of
Benjamin Britten Edward Benjamin Britten, Baron Britten (22 November 1913 – 4 December 1976, aged 63) was an English composer, conductor, and pianist. He was a central figure of 20th-century British music, with a range of works including opera, other ...
's operas are scored for as few as 13 instrumentalists;
Mark Adamo Mark may refer to: Currency * Bosnia and Herzegovina convertible mark, the currency of Bosnia and Herzegovina * East German mark, the currency of the German Democratic Republic * Estonian mark, the currency of Estonia between 1918 and 1927 * Fin ...
's two-act realization of '' Little Women'' is scored for 18 instrumentalists. Another feature of late 20th-century opera is the emergence of contemporary historical operas, in contrast to the tradition of basing operas on more distant history, the re-telling of contemporary fictional stories or plays, or on myth or legend. ''
The Death of Klinghoffer ''The Death of Klinghoffer'' is an American opera, with music by John Adams to an English-language libretto by Alice Goodman. First produced in Brussels and New York in 1991, the opera is based on the hijacking of the passenger liner ''Achille ...
'', ''
Nixon in China ''Nixon in China'' is an opera in three acts by John Adams with a libretto by Alice Goodman. Adams's first opera, it was inspired by U.S. president Richard Nixon's 1972 visit to the People's Republic of China. The work premiered at the Houston ...
'', and ''
Doctor Atomic ''Doctor Atomic'' is an opera by the contemporary American composer John Adams, with libretto by Peter Sellars. It premiered at the San Francisco Opera on October 1, 2005. The work focuses on how leading figures at Los Alamos dealt with the gre ...
'' by
John Adams John Adams (October 30, 1735 – July 4, 1826) was an American statesman, attorney, diplomat, writer, and Founding Fathers of the United States, Founding Father who served as the second president of the United States from 1797 to 1801. Befor ...
, '' Dead Man Walking'' by
Jake Heggie Jake Heggie (born March 31, 1961) is an American composer of opera, vocal, orchestral, and chamber music. He is best known for his operas and art songs as well as for his collaborations with internationally renowned performers and writers. B ...
, and ''
Anna Nicole ''Anna Nicole'' is an English opera in 2 acts and 16 scenes, with music by Mark-Anthony Turnage to an English libretto by Richard Thomas. Based on the life of American model Anna Nicole Smith, the opera received its première on 17 February 201 ...
'' by
Mark-Anthony Turnage Mark-Anthony Turnage CBE (born 10 June 1960) is a British composer of classical music. Biography Turnage was born in Corringham, Essex. He began composing at age nine and at fourteen began studying at the junior section of the Royal College of ...
exemplify the dramatisation onstage of events in recent living memory, where characters portrayed in the opera were alive at the time of the premiere performance. The
Metropolitan Opera The Metropolitan Opera (commonly known as the Met) is an American opera company based in New York City, resident at the Metropolitan Opera House at Lincoln Center, currently situated on the Upper West Side of Manhattan. The company is operat ...
in the US (often known as the Met) reported in 2011 that the average age of its audience was 60. Many opera companies attempted to attract a younger audience to halt the larger trend of greying audiences for
classical music Classical music generally refers to the art music of the Western world, considered to be distinct from Western folk music or popular music traditions. It is sometimes distinguished as Western classical music, as the term "classical music" al ...
since the last decades of the 20th century. Efforts resulted in lowering the average age of the Met's audience to 58 in 2018, the average age at
Berlin State Opera The (), also known as the Berlin State Opera (german: Staatsoper Berlin), is a listed building on Unter den Linden boulevard in the historic center of Berlin, Germany. The opera house was built by order of Prussian king Frederick the Great from ...
was reported as 54, and
Paris Opera The Paris Opera (, ) is the primary opera and ballet company of France. It was founded in 1669 by Louis XIV as the , and shortly thereafter was placed under the leadership of Jean-Baptiste Lully and officially renamed the , but continued to be ...
reported an average age of 48. ''
New York Times ''The New York Times'' (''the Times'', ''NYT'', or the Gray Lady) is a daily newspaper based in New York City with a worldwide readership reported in 2020 to comprise a declining 840,000 paid print subscribers, and a growing 6 million paid d ...
'' critic
Anthony Tommasini Anthony Carl Tommasini (born April 14, 1948) is an American music critic and author who specializes in classical music. Described as "a discerning critic, whose taste, knowledge and judgment have made him a must-read", Tommasini was the chief ...
has suggested that "companies inordinately beholden to standard repertory" are not reaching younger, more curious audiences. Smaller companies in the US have a more fragile existence, and they usually depend on a "patchwork quilt" of support from state and local governments, local businesses, and fundraisers. Nevertheless, some smaller companies have found ways of drawing new audiences. In addition to radio and television broadcasts of opera performances, which have had some success in gaining new audiences, broadcasts of live performances to movie theatres have shown the potential to reach new audiences.


From musicals back towards opera

By the late 1930s, some musicals began to be written with a more operatic structure. These works include complex polyphonic ensembles and reflect musical developments of their times. ''
Porgy and Bess ''Porgy and Bess'' () is an English-language opera by American composer George Gershwin, with a libretto written by author DuBose Heyward and lyricist Ira Gershwin. It was adapted from Dorothy Heyward and DuBose Heyward's play '' Porgy'', itse ...
'' (1935), influenced by jazz styles, and ''
Candide ( , ) is a French satire written by Voltaire, a philosopher of the Age of Enlightenment, first published in 1759. The novella has been widely translated, with English versions titled ''Candide: or, All for the Best'' (1759); ''Candide: or, The ...
'' (1956), with its sweeping, lyrical passages and farcical parodies of opera, both opened on
Broadway Broadway may refer to: Theatre * Broadway Theatre (disambiguation) * Broadway theatre, theatrical productions in professional theatres near Broadway, Manhattan, New York City, U.S. ** Broadway (Manhattan), the street **Broadway Theatre (53rd Stree ...
but became accepted as part of the opera repertory. Popular musicals such as ''
Show Boat ''Show Boat'' is a musical with music by Jerome Kern and book and lyrics by Oscar Hammerstein II. It is based on Edna Ferber's best-selling 1926 novel of the same name. The musical follows the lives of the performers, stagehands and dock worke ...
'', ''
West Side Story ''West Side Story'' is a musical conceived by Jerome Robbins with music by Leonard Bernstein, lyrics by Stephen Sondheim, and a book by Arthur Laurents. Inspired by William Shakespeare's play ''Romeo and Juliet'', the story is set in the mid-1 ...
'', ''
Brigadoon ''Brigadoon'' is a musical with a book and lyrics by Alan Jay Lerner, and music by Frederick Loewe. The song " Almost Like Being in Love", from the musical, has become a standard. It features two American tourists who stumble upon Brigadoon, a ...
'', ''
Sweeney Todd Sweeney Todd is a fictional character who first appeared as the villain of the penny dreadful serial ''The String of Pearls'' (1846–47). The original tale became a feature of 19th-century melodrama and London urban legend, legend. A barber fr ...
'', '' Passion'', ''
Evita Evita may refer to: Arts * Evita (1996 film), ''Evita'' (1996 film), a 1996 American musical drama film based on the 1976 concept album of the same name * Evita (2008 film), ''Evita'' (2008 film), a documentary about Eva Péron * Evita (album), ''E ...
'', '' The Light in the Piazza'', ''
The Phantom of the Opera ''The Phantom of the Opera'' (french: Le Fantôme de l'Opéra) is a novel by French author Gaston Leroux. It was first published as a serial in from 23 September 1909 to 8 January 1910, and was released in volume form in late March 1910 by Pierr ...
'' and others tell dramatic stories through complex music and in the 2010s they are sometimes seen in opera houses. ''
The Most Happy Fella ''The Most Happy Fella'' is a 1956 musical with a book, music, and lyrics by Frank Loesser. The story, about a romance between an older man and younger woman, is based on the 1924 play '' They Knew What They Wanted'' by Sidney Howard. The show i ...
'' (1952) is quasi-operatic and has been revived by the
New York City Opera The New York City Opera (NYCO) is an American opera company located in Manhattan in New York City. The company has been active from 1943 through 2013 (when it filed for bankruptcy), and again since 2016 when it was revived. The opera company, du ...
. Other rock-influenced musicals, such as ''
Tommy Tommy may refer to: People * Tommy (given name) * Tommy Atkins, or just Tommy, a slang term for a common soldier in the British Army Arts and entertainment Film and television * ''Tommy'' (1931 film), a Soviet drama film * ''Tommy'' (1975 fil ...
'' (1969) and ''
Jesus Christ Superstar ''Jesus Christ Superstar'' is a sung-through rock opera with music by Andrew Lloyd Webber and lyrics by Tim Rice. Loosely based on the Gospels' accounts of the Passion, the work interprets the psychology of Jesus and other characters, with ...
'' (1971), ''
Les Misérables ''Les Misérables'' ( , ) is a French historical novel by Victor Hugo, first published in 1862, that is considered one of the greatest novels of the 19th century. In the English-speaking world, the novel is usually referred to by its original ...
'' (1980), ''
Rent Rent may refer to: Economics *Renting, an agreement where a payment is made for the temporary use of a good, service or property *Economic rent, any payment in excess of the cost of production *Rent-seeking, attempting to increase one's share of e ...
'' (1996), '' Spring Awakening'' (2006), and ''
Natasha, Pierre & The Great Comet of 1812 ''Natasha, Pierre & The Great Comet of 1812'' (or simply ''The Great Comet'') is a sung-through musical adaptation of a 70-page segment from Leo Tolstoy's 1869 novel ''War and Peace'' written by composer/lyricist Dave Malloy and directed by Rac ...
'' (2012) employ various operatic conventions, such as through composition, recitative instead of dialogue, and
leitmotif A leitmotif or leitmotiv () is a "short, recurring musical phrase" associated with a particular person, place, or idea. It is closely related to the musical concepts of ''idée fixe'' or ''motto-theme''. The spelling ''leitmotif'' is an anglici ...
s.


Acoustic enhancement in opera

A subtle type of sound electronic reinforcement called
acoustic enhancement Acoustic enhancement is a subtle type of sound reinforcement system used to augment direct, reflected, or reverberant sound. While sound reinforcement systems are usually used to increase the sound level of the sound source (like a person speakin ...
is used in some modern concert halls and theatres where operas are performed. Although none of the major opera houses "...use traditional, Broadway-style sound reinforcement, in which most if not all singers are equipped with radio microphones mixed to a series of unsightly loudspeakers scattered throughout the theatre", many use a sound reinforcement system for acoustic enhancement and for subtle boosting of offstage voices, child singers, onstage dialogue, and sound effects (e.g., church bells in ''
Tosca ''Tosca'' is an opera in three acts by Giacomo Puccini to an Italian libretto by Luigi Illica and Giuseppe Giacosa. It premiered at the Teatro dell'Opera di Roma, Teatro Costanzi in Rome on 14 January 1900. The work, based on Victorien Sardou's 1 ...
'' or thunder effects in Wagnerian operas).


Operatic voices

Operatic vocal technique evolved, in a time before electronic amplification, to allow singers to produce enough volume to be heard over an orchestra, without the instrumentalists having to substantially compromise their volume.


Vocal classifications

Singers and the roles they play are classified by
voice type A voice type is a group of voices with similar vocal ranges, capable of singing in a similar tessitura, and with similar vocal transition points ('' passaggi''). Voice classification is most strongly associated with European classical music, t ...
, based on the
tessitura In music, tessitura (, pl. ''tessiture'', "texture"; ) is the most acceptable and comfortable vocal range for a given singer or less frequently, musical instrument, the range in which a given type of voice presents its best-sounding (or character ...
, agility, power and
timbre In music, timbre ( ), also known as tone color or tone quality (from psychoacoustics), is the perceived sound quality of a musical note, sound or musical tone, tone. Timbre distinguishes different types of sound production, such as choir voice ...
of their voices. Male singers can be classified by
vocal range Vocal range is the range of pitches that a human voice can phonate. A common application is within the context of singing, where it is used as a defining characteristic for classifying singing voices into voice types. It is also a topic of stud ...
as bass,
bass-baritone A bass-baritone is a high-lying bass or low-lying "classical" baritone voice type which shares certain qualities with the true baritone voice. The term arose in the late 19th century to describe the particular type of voice required to sing thr ...
,
baritone A baritone is a type of classical male singing voice whose vocal range lies between the bass and the tenor voice-types. The term originates from the Greek (), meaning "heavy sounding". Composers typically write music for this voice in the r ...
,
baritenor Baritenor (also rendered in English language sources as bari-tenor or baritenore) is a portmanteau (blend) of the words "baritone" and "tenor." It is used to describe both baritone and tenor voices. In ''Webster's Third New International Dictionar ...
,
tenor A tenor is a type of classical music, classical male singing human voice, voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. The tenor's vocal range extends up to C5. The lo ...
and
countertenor A countertenor (also contra tenor) is a type of classical male singing voice whose vocal range is equivalent to that of the female contralto or mezzo-soprano voice types, generally extending from around G3 to D5 or E5, although a sopranist (a s ...
, and female singers as
contralto A contralto () is a type of classical female singing voice whose vocal range is the lowest female voice type. The contralto's vocal range is fairly rare; similar to the mezzo-soprano, and almost identical to that of a countertenor, typically b ...
,
mezzo-soprano A mezzo-soprano or mezzo (; ; meaning "half soprano") is a type of classical female singing voice whose vocal range lies between the soprano and the contralto voice types. The mezzo-soprano's vocal range usually extends from the A below middle C ...
and
soprano A soprano () is a type of classical female singing voice and has the highest vocal range of all voice types. The soprano's vocal range (using scientific pitch notation) is from approximately middle C (C4) = 261  Hz to "high A" (A5) = 880&n ...
. (Men sometimes sing in the "female" vocal ranges, in which case they are termed
sopranist A sopranist (also, sopranista or male soprano) is a male singer who is able to sing in the vocal tessitura of a soprano usually through the use of falsetto or head voice vocal production. This voice type is a specific kind of countertenor. In rar ...
or countertenor. The countertenor is commonly encountered in opera, sometimes singing parts written for castrati—men neutered at a young age specifically to give them a higher singing range.) Singers are then further classified by size—for instance, a soprano can be described as a lyric soprano,
coloratura Coloratura is an elaborate melody with runs, trills, wide leaps, or similar virtuoso-like material,''Oxford American Dictionaries''.Apel (1969), p. 184. or a passage of such music. Operatic roles in which such music plays a prominent part, an ...
,
soubrette A soubrette is a type of operatic soprano voice ''fach'', often cast as a female stock character in opera and theatre. The term arrived in English from Provençal via French, and means "conceited" or "coy". Theatre In theatre, a soubrette is a ...
,
spinto Spinto (from Italian, "pushed") is a vocal term used to characterize a soprano or tenor voice of a weight between lyric and dramatic that is capable of handling large musical climaxes in opera at moderate intervals. (Sometimes the terms ' or ' a ...
, or dramatic soprano. These terms, although not fully describing a singing voice, associate the singer's voice with the roles most suitable to the singer's vocal characteristics. Yet another sub-classification can be made according to acting skills or requirements, for example the ''
basso buffo A bass is a type of classical male singing voice and has the lowest vocal range of all voice types. According to ''The New Grove Dictionary of Opera'', a bass is typically classified as having a vocal range extending from around the second E b ...
'' who often must be a specialist in
patter Patter is a prepared and practiced speech that is designed to produce a desired response from its audience. Examples of occupations with a patter might include the auctioneer, salesperson, dance caller, magician, or comedian. The term may h ...
as well as a comic actor. This is carried out in detail in the ''
Fach The German system (; literally "compartment" or "subject of study", here in the sense of "vocal specialization") is a method of classifying singers, primarily opera singers, according to the range, weight, and color of their voices. It is used w ...
'' system of German speaking countries, where historically opera and spoken
drama Drama is the specific mode of fiction represented in performance: a play, opera, mime, ballet, etc., performed in a theatre, or on radio or television.Elam (1980, 98). Considered as a genre of poetry in general, the dramatic mode has been ...
were often put on by the same
repertory A repertory theatre is a theatre in which a resident company presents works from a specified repertoire, usually in alternation or rotation. United Kingdom Annie Horniman founded the first modern repertory theatre in Manchester after withdrawin ...
company. A particular singer's voice may change drastically over his or her lifetime, rarely reaching vocal maturity until the third decade, and sometimes not until middle age. Two French voice types, ''premiere dugazon'' and ''deuxieme dugazon'', were named after successive stages in the career of
Louise-Rosalie Lefebvre Louise-Rosalie Lefebvre (18 June 1755 – 22 September 1821), also known as Madame Dugazon, was a French operatic mezzo-soprano, actress and dancer. Born in Berlin as the daughter of a dancing master at the court of Frederick II of Prussia, s ...
(Mme. Dugazon). Other terms originating in the star casting system of the Parisian theatres are '' baryton-martin'' and
soprano A soprano () is a type of classical female singing voice and has the highest vocal range of all voice types. The soprano's vocal range (using scientific pitch notation) is from approximately middle C (C4) = 261  Hz to "high A" (A5) = 880&n ...
''
falcon Falcons () are birds of prey in the genus ''Falco'', which includes about 40 species. Falcons are widely distributed on all continents of the world except Antarctica, though closely related raptors did occur there in the Eocene. Adult falcons ...
''.


Historical use of voice parts

:''The following is only intended as a brief overview. For the main articles, see
soprano A soprano () is a type of classical female singing voice and has the highest vocal range of all voice types. The soprano's vocal range (using scientific pitch notation) is from approximately middle C (C4) = 261  Hz to "high A" (A5) = 880&n ...
,
mezzo-soprano A mezzo-soprano or mezzo (; ; meaning "half soprano") is a type of classical female singing voice whose vocal range lies between the soprano and the contralto voice types. The mezzo-soprano's vocal range usually extends from the A below middle C ...
,
contralto A contralto () is a type of classical female singing voice whose vocal range is the lowest female voice type. The contralto's vocal range is fairly rare; similar to the mezzo-soprano, and almost identical to that of a countertenor, typically b ...
,
tenor A tenor is a type of classical music, classical male singing human voice, voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. The tenor's vocal range extends up to C5. The lo ...
,
baritone A baritone is a type of classical male singing voice whose vocal range lies between the bass and the tenor voice-types. The term originates from the Greek (), meaning "heavy sounding". Composers typically write music for this voice in the r ...
, bass,
countertenor A countertenor (also contra tenor) is a type of classical male singing voice whose vocal range is equivalent to that of the female contralto or mezzo-soprano voice types, generally extending from around G3 to D5 or E5, although a sopranist (a s ...
and
castrato A castrato (Italian, plural: ''castrati'') is a type of classical male singing voice equivalent to that of a soprano, mezzo-soprano, or contralto. The voice is produced by castration of the singer before puberty, or it occurs in one who, due t ...
''. The soprano voice has typically been used as the voice of choice for the female protagonist of the opera since the latter half of the 18th century. Earlier, it was common for that part to be sung by any female voice, or even a
castrato A castrato (Italian, plural: ''castrati'') is a type of classical male singing voice equivalent to that of a soprano, mezzo-soprano, or contralto. The voice is produced by castration of the singer before puberty, or it occurs in one who, due t ...
. The current emphasis on a wide vocal range was primarily an invention of the Classical period. Before that, the vocal virtuosity, not range, was the priority, with soprano parts rarely extending above a high A (
Handel George Frideric (or Frederick) Handel (; baptised , ; 23 February 1685 – 14 April 1759) was a German-British Baroque composer well known for his operas, oratorios, anthems, concerti grossi, and organ concertos. Handel received his training i ...
, for example, only wrote one role extending to a high C), though the castrato Farinelli was alleged to possess a top D (his lower range was also extraordinary, extending to tenor C). The mezzo-soprano, a term of comparatively recent origin, also has a large repertoire, ranging from the female lead in Purcell's ''Dido and Aeneas'' to such heavyweight roles as Brangäne in Wagner's ''Tristan und Isolde'' (these are both roles sometimes sung by sopranos; there is quite a lot of movement between these two voice-types). For the true contralto, the range of parts is more limited, which has given rise to the insider joke that contraltos only sing "witches, bitches, and britches" roles. In recent years many of the "trouser roles" from the Baroque era, originally written for women, and those originally sung by castrati, have been reassigned to countertenors. The tenor voice, from the Classical era onwards, has traditionally been assigned the role of male protagonist. Many of the most challenging tenor roles in the repertory were written during the ''bel canto'' era, such as
Donizetti Domenico Gaetano Maria Donizetti (29 November 1797 – 8 April 1848) was an Italian composer, best known for his almost 70 operas. Along with Gioachino Rossini and Vincenzo Bellini, he was a leading composer of the '' bel canto'' opera style dur ...
's sequence of 9 Cs above middle C during ''
La fille du régiment ' (''The Daughter of the Regiment'') is an opéra comique in two acts by Gaetano Donizetti, set to a French libretto by Jules-Henri Vernoy de Saint-Georges and Jean-François Bayard. It was first performed on 11 February 1840 by the Paris Opéra- ...
''. With Wagner came an emphasis on vocal heft for his protagonist roles, with this vocal category described as ''Heldentenor''; this heroic voice had its more Italianate counterpart in such roles as Calaf in Puccini's ''Turandot''. Basses have a long history in opera, having been used in ''opera seria'' in supporting roles, and sometimes for comic relief (as well as providing a contrast to the preponderance of high voices in this genre). The bass repertoire is wide and varied, stretching from the comedy of Leporello in ''
Don Giovanni ''Don Giovanni'' (; Köchel catalogue, K. 527; Vienna (1788) title: , literally ''The rake (stock character), Rake Punished, or Don Giovanni'') is an opera in two acts with music by Wolfgang Amadeus Mozart to an Italian libretto by Lorenzo Da Pon ...
'' to the nobility of Wotan in Wagner's ''Ring Cycle,'' to the conflicted King Phillip of Verdi's ''
Don Carlos ''Don Carlos'' is a five-act grand opera composed by Giuseppe Verdi to a French-language libretto by Joseph Méry and Camille du Locle, based on the dramatic play '' Don Carlos, Infant von Spanien'' (''Don Carlos, Infante of Spain'') by Friedri ...
''. In between the bass and the tenor is the baritone, which also varies in weight from say, Guglielmo in Mozart's ''Così fan tutte'' to Posa in Verdi's ''Don Carlos''; the actual designation "baritone" was not standard until the mid-19th century.


Famous singers

Early performances of opera were too infrequent for singers to make a living exclusively from the style, but with the birth of commercial opera in the mid-17th century, professional performers began to emerge. The role of the male hero was usually entrusted to a
castrato A castrato (Italian, plural: ''castrati'') is a type of classical male singing voice equivalent to that of a soprano, mezzo-soprano, or contralto. The voice is produced by castration of the singer before puberty, or it occurs in one who, due t ...
, and by the 18th century, when Italian opera was performed throughout Europe, leading castrati who possessed extraordinary vocal virtuosity, such as
Senesino Francesco Bernardi (; 31 October 1686 – 27 November 1758), known as Senesino ( or traditionally ), was a celebrated Italian contralto castrato, particularly remembered today for his long collaboration with the composer George Frideric Handel ...
and Farinelli, became international stars. The career of the first major female star (or
prima donna In opera or commedia dell'arte, a prima donna (; Italian for "first lady"; plural: ''prime donne'') is the leading female singer in the company, the person to whom the prime roles would be given. ''Prime donne'' often had grand off-stage pers ...
),
Anna Renzi Anna Renzi ( – after 1661) was an Italian soprano renowned for her acting ability as well as her voice, who has been described as the first diva in the history of opera. Career Born in Rome, Anna Renzi was highly popular in Vienna in 1640s and ...
, dates to the mid-17th century. In the 18th century, a number of Italian sopranos gained international renown and often engaged in fierce rivalry, as was the case with
Faustina Bordoni Faustina Bordoni (30 March 1697 – 4 November 1781) was an Italian mezzo-soprano. In Hamburg, Germany, the Johann Adolph Hasse Museum is dedicated to her husband and partly to Bordoni. Early career She was born in Venice and brought up unde ...
and
Francesca Cuzzoni Francesca Cuzzoni (2 April 1696 – 19 June 1778) was an Italian operatic soprano of the Baroque era. Early career Cuzzoni was born in Parma. Her father, Angelo, was a professional violinist, and her singing teacher was Francesco Lanzi. She ma ...
, who started a fistfight with one another during a performance of a Handel opera. The French disliked castrati, preferring their male heroes to be sung by an
haute-contre The haute-contre (plural hautes-contre) was the primary French operatic tenor voice, predominant in French Baroque and Classical opera, from the middle of the seventeenth century until the latter part of the eighteenth century. History This voice ...
(a high tenor), of which
Joseph Legros Joseph Legros, often also spelt Le Gros, (7 September or 8 September 1739 – 20 December 1793) was a French singer and composer of the 18th century. He is best remembered for his association with the composer Christoph Willibald Gluck and i ...
(1739–1793) was a leading example. Though opera patronage has decreased in the last century in favor of other arts and media (such as musicals, cinema, radio, television and recordings), mass media and the advent of recording have supported the popularity of many famous singers including
Maria Callas Maria Callas . (born Sophie Cecilia Kalos; December 2, 1923 – September 16, 1977) was an American-born Greek soprano who was one of the most renowned and influential opera singers of the 20th century. Many critics praised her ''bel cant ...
,
Enrico Caruso Enrico Caruso (, , ; 25 February 1873 – 2 August 1921) was an Italian operatic first lyrical tenor then dramatic tenor. He sang to great acclaim at the major opera houses of Europe and the Americas, appearing in a wide variety of roles (74) ...
,
Amelita Galli-Curci Amelita Galli-Curci (18 November 1882 – 26 November 1963) was an Italian coloratura soprano. She was one of the most popular operatic singers of the 20th century, with her recordings selling in large numbers. Early life She was born as A ...
,
Kirsten Flagstad Kirsten Malfrid Flagstad (12 July 1895 – 7 December 1962) was a Norwegian opera singer, who was the outstanding Wagnerian soprano of her era. Her triumphant debut in New York on 2 February 1935 is one of the legends of opera. Giulio Gatti-Casa ...
, Mario Del Monaco,
Renata Tebaldi Renata Tebaldi ( , ; 1 February 1922 – 19 December 2004) was an Italian lirico-spinto soprano popular in the post-war period, and especially prominent as one of the stars of La Scala, San Carlo and, especially, the Metropolitan Opera. O ...
,
Risë Stevens Risë Stevens (; June 11, 1913 – March 20, 2013) was an American operatic mezzo-soprano and actress. Beginning in 1938, she sang for the Metropolitan Opera in New York City for more than two decades during the 1940s and 1950s. She was most ...
,
Alfredo Kraus Alfredo Kraus Trujillo (; 24 November 192710 September 1999) was a distinguished Spanish tenor from the Canary islands (known professionally as Alfredo Kraus), particularly known for the artistry he brought to opera's bel canto roles. He wa ...
,
Franco Corelli Franco Corelli (8 April 1921 – 29 October 2003) was an Italian tenor who had a major international opera career between 1951 and 1976. Associated in particular with the spinto and dramatic tenor roles of the Italian repertory, he was cel ...
,
Montserrat Caballé Montserrat Caballé i Folch or Folc (full name: María de Montserrat Bibiana Concepción Caballé i Folch (, , ; (12 April 1933 – 6 October 2018), known simply as Montserrat Caballé, was a Catalan Spanish operatic soprano. She sang a wide v ...
,
Joan Sutherland Dame Joan Alston Sutherland, (7 November 1926 – 10 October 2010) was an Australian dramatic coloratura soprano known for her contribution to the renaissance of the bel canto repertoire from the late 1950s through to the 1980s. She possessed ...
,
Birgit Nilsson Märta Birgit Nilsson (17 May 1918 – 25 December 2005) was a celebrated Swedish dramatic soprano. Although she sang a wide répertoire of operatic and vocal works, Nilsson was best known for her performances in the operas of Richard Wagner a ...
,
Nellie Melba Dame Nellie Melba (born Helen Porter Mitchell; 19 May 186123 February 1931) was an Australian operatic dramatic coloratura soprano (three octaves). She became one of the most famous singers of the late Victorian era and the early 20th centur ...
,
Rosa Ponselle Rosa Melba Ponzillo, known as Rosa Ponselle (January 22, 1897 – May 25, 1981) was an American operatic soprano. She sang mainly at the New York Metropolitan Opera and is generally considered to have been one of the greatest sopranos of the 20t ...
,
Beniamino Gigli Beniamino Gigli ( , ; 20 March 1890 – 30 November 1957) was an Italian opera singer (lyric tenor). He is widely regarded as one of the greatest tenors of his generation. Early life Gigli was born in Recanati, in the Marche, the son of a shoem ...
,
Jussi Björling Johan Jonatan "Jussi" Björling ( , ; 5 February 19119 September 1960) was a Swedish tenor. One of the leading operatic singers of the 20th century, Björling appeared for many years at the Metropolitan Opera in New York City and less frequentl ...
,
Feodor Chaliapin Feodor Ivanovich Chaliapin ( rus, Фёдор Ива́нович Шаля́пин, Fyodor Ivanovich Shalyapin, ˈfʲɵdər ɪˈvanəvʲɪtɕ ʂɐˈlʲapʲɪn}; April 12, 1938) was a Russian opera singer. Possessing a deep and expressive bass v ...
,
Cecilia Bartoli Cecilia Bartoli, Cavaliere OMRI (; born 4 June 1966) is an Italian coloratura mezzo-soprano opera singer and recitalist. She is best known for her interpretations of the music of Bellini, Handel, Mozart, Rossini and Vivaldi, as well as for her ...
,
Renée Fleming Renée Lynn Fleming (born February 14, 1959) is an American soprano, known for performances in opera, concerts, recordings, theater, film, and at major public occasions. A recipient of the National Medal of Arts, Fleming has been nominated for 1 ...
,
Marilyn Horne Marilyn Horne (born January 16, 1934) is an American mezzo-soprano opera singer. She specialized in roles requiring beauty of tone, excellent breath support, and the ability to execute difficult coloratura passages. She is a recipient of the Natio ...
,
Bryn Terfel Sir Bryn Terfel Jones, (; born 9 November 1965) (known professionally as Bryn Terfel) is a Welsh bass-baritone opera and concert singer. Terfel was initially associated with the roles of Mozart, particularly '' Figaro'', ''Leporello'' and ''D ...
,
Dmitri Hvorostovsky Dmitri Aleksandrovich Hvorostovsky (russian: Дми́трий Алекса́ндрович Хворосто́вский, ; 16 October 1962 – 22 November 2017) was a Russian operatic baritone. Early life and education Hvorostovsky was born i ...
and
The Three Tenors The Three Tenors were an operatic singing trio, active during the 1990s and early 2000s, and termed as a supergroup (a title normally reserved for rock and pop groups) consisting of Italian Luciano Pavarotti and Spaniards Plácido Domingo and ...
(
Luciano Pavarotti Luciano Pavarotti (, , ; 12 October 19356 September 2007) was an Italian operatic tenor who during the late part of his career crossed over into popular music, eventually becoming one of the most acclaimed tenors of all time. He made numerou ...
,
Plácido Domingo José Plácido Domingo Embil (born 21 January 1941) is a Spanish opera singer, conductor, and arts administrator. He has recorded over a hundred complete operas and is well known for his versatility, regularly performing in Italian, French, ...
, José Carreras).


Changing role of the orchestra

Before the 1700s, Italian operas used a small
string orchestra A string orchestra is an orchestra consisting solely of a string section made up of the bowed strings used in Western Classical music. The instruments of such an orchestra are most often the following: the violin, which is divided into first ...
, but it rarely played to accompany the singers. Opera solos during this period were accompanied by the
basso continuo Basso continuo parts, almost universal in the Baroque era (1600–1750), provided the harmonic structure of the music by supplying a bassline and a chord progression. The phrase is often shortened to continuo, and the instrumentalists playing the ...
group, which consisted of the
harpsichord A harpsichord ( it, clavicembalo; french: clavecin; german: Cembalo; es, clavecín; pt, cravo; nl, klavecimbel; pl, klawesyn) is a musical instrument played by means of a keyboard. This activates a row of levers that turn a trigger mechanism ...
, "plucked instruments" such as
lute A lute ( or ) is any plucked string instrument with a neck and a deep round back enclosing a hollow cavity, usually with a sound hole or opening in the body. It may be either fretted or unfretted. More specifically, the term "lute" can ref ...
and a bass instrument.John Spitzer. (2009). Orchestra and voice in eighteenth-century Italian opera. In: Anthony R. DelDonna and Pierpaolo Polzonetti (eds.) The Cambridge Companion to Eighteenth-Century Opera. pp. 112–139. nline Cambridge Companions to Music. Cambridge: Cambridge University Press. The string orchestra typically only played when the singer was not singing, such as during a singer's "...entrances and exits, between vocal numbers, rfor ccompanyingdancing". Another role for the orchestra during this period was playing an orchestral
ritornello A ritornello (Italian; "little return") is a recurring passage in Baroque music for orchestra or chorus. Early history The earliest use of the term "ritornello" in music referred to the final lines of a fourteenth-century madrigal, which were usu ...
to mark the end of a singer's solo. During the early 1700s, some composers began to use the string orchestra to mark certain aria or recitatives "...as special"; by 1720, most arias were accompanied by an orchestra. Opera composers such as
Domenico Sarro Domenico Natale Sarro, also Sarri (24 December 1679 – 25 January 1744) was an Italian composer. Born in Trani, Apulia, he studied at the Neapolitan conservatory of S. Onofrio. He composed extensively in the early 18th century. His opera '' Di ...
,
Leonardo Vinci Leonardo Vinci (1690 – 27 May 1730) was an Italian composer known chiefly for his 40 or so operas; comparatively little of his work in other genres survives. A central proponent of the Neapolitan School of opera, his influence on subseque ...
, Giambattista Pergolesi,
Leonardo Leo Leonardo Leo (5 August 1694 – 31 October 1744), more correctly Leonardo Ortensio Salvatore de Leo, was a Baroque composer. Biography Leo was born in San Vito degli Schiavoni (currently known as San Vito dei Normanni, province of Brindisi) in ...
, and
Johann Adolf Hasse Johann Adolph Hasse (baptised 25 March 1699 – 16 December 1783) was an 18th-century German composer, singer and teacher of music. Immensely popular in his time, Hasse was best known for his prolific operatic output, though he also composed a co ...
added new instruments to the opera orchestra and gave the instruments new roles. They added wind instruments to the strings and used orchestral instruments to play instrumental solos, as a way to mark certain arias as special. The orchestra has also provided an instrumental
overture Overture (from French ''ouverture'', "opening") in music was originally the instrumental introduction to a ballet, opera, or oratorio in the 17th century. During the early Romantic era, composers such as Beethoven and Mendelssohn composed overt ...
before the singers come onstage since the 1600s. Peri's '' Euridice'' opens with a brief instrumental
ritornello A ritornello (Italian; "little return") is a recurring passage in Baroque music for orchestra or chorus. Early history The earliest use of the term "ritornello" in music referred to the final lines of a fourteenth-century madrigal, which were usu ...
, and
Monteverdi Claudio Giovanni Antonio Monteverdi (baptized 15 May 1567 – 29 November 1643) was an Italian composer, choirmaster and string player. A composer of both secular and sacred music, and a pioneer in the development of opera, he is considered ...
's ''
L'Orfeo ''L'Orfeo'' ( SV 318) (), sometimes called ''La favola d'Orfeo'' , is a late Renaissance/early Baroque ''favola in musica'', or opera, by Claudio Monteverdi, with a libretto by Alessandro Striggio. It is based on the Greek legend of Orpheus, and ...
'' (1607) opens with a
toccata Toccata (from Italian ''toccare'', literally, "to touch", with "toccata" being the action of touching) is a virtuoso piece of music typically for a keyboard or plucked string instrument featuring fast-moving, lightly fingered or otherwise virtu ...
, in this case a fanfare for muted
trumpet The trumpet is a brass instrument commonly used in classical and jazz ensembles. The trumpet group ranges from the piccolo trumpet—with the highest register in the brass family—to the bass trumpet, pitched one octave below the standard ...
s. The
French overture The French overture is a musical form widely used in the Baroque period. Its basic formal division is into two parts, which are usually enclosed by double bars and repeat signs. They are complementary in style (slow in dotted rhythms and fast in ...
as found in
Jean-Baptiste Lully Jean-Baptiste Lully ( , , ; born Giovanni Battista Lulli, ; – 22 March 1687) was an Italian-born French composer, guitarist, violinist, and dancer who is considered a master of the French Baroque music style. Best known for his operas ...
's operas consist of a slow introduction in a marked "dotted rhythm", followed by a lively movement in
fugato In music, a fugue () is a contrapuntal compositional technique in two or more voices, built on a subject (a musical theme) that is introduced at the beginning in imitation (repetition at different pitches) and which recurs frequently in the co ...
style. The overture was frequently followed by a series of dance tunes before the curtain rose. This overture style was also used in English opera, most notably in
Henry Purcell Henry Purcell (, rare: September 1659 – 21 November 1695) was an English composer. Purcell's style of Baroque music was uniquely English, although it incorporated Italian and French elements. Generally considered among the greatest E ...
's ''
Dido and Aeneas ''Dido and Aeneas'' (Z. 626) is an opera in a prologue and three acts, written by the English Baroque composer Henry Purcell with a libretto by Nahum Tate. The dates of the composition and first performance of the opera are uncertain. It was co ...
''.
Handel George Frideric (or Frederick) Handel (; baptised , ; 23 February 1685 – 14 April 1759) was a German-British Baroque composer well known for his operas, oratorios, anthems, concerti grossi, and organ concertos. Handel received his training i ...
also uses the French overture form in some of his Italian operas such as
Giulio Cesare ''Giulio Cesare in Egitto'' (; , HWV 17), commonly known as ''Giulio Cesare'', is a dramma per musica ('' opera seria'') in three acts composed by George Frideric Handel for the Royal Academy of Music in 1724. The libretto was written by Nic ...
. In Italy, a distinct form called "overture" arose in the 1680s, and became established particularly through the operas of
Alessandro Scarlatti Pietro Alessandro Gaspare Scarlatti (2 May 1660 – 22 October 1725) was an Italian Baroque composer, known especially for his operas and chamber cantatas. He is considered the most important representative of the Neapolitan school of opera. ...
, and spread throughout Europe, supplanting the French form as the standard operatic overture by the mid-18th century.Fisher, Stephen C. 2001. "Italian Overture." ''
The New Grove Dictionary of Music and Musicians ''The New Grove Dictionary of Music and Musicians'' is an encyclopedic dictionary of music and musicians. Along with the German-language ''Die Musik in Geschichte und Gegenwart'', it is one of the largest reference works on the history and theo ...
'', second edition, edited by
Stanley Sadie Stanley John Sadie (; 30 October 1930 – 21 March 2005) was an influential and prolific British musicologist, music critic, and editor. He was editor of the sixth edition of the '' Grove Dictionary of Music and Musicians'' (1980), which was publ ...
and John Tyrrell. London: Macmillan Publishers.
It uses three generally
homophonic In music, homophony (;, Greek: ὁμόφωνος, ''homóphōnos'', from ὁμός, ''homós'', "same" and φωνή, ''phōnē'', "sound, tone") is a texture in which a primary part is supported by one or more additional strands that flesh ...
movements Movement may refer to: Common uses * Movement (clockwork), the internal mechanism of a timepiece * Motion, commonly referred to as movement Arts, entertainment, and media Literature * "Movement" (short story), a short story by Nancy Fu ...
: fast–slow–fast. The opening movement was normally in duple metre and in a major key; the slow movement in earlier examples was short, and could be in a contrasting key; the concluding movement was dance-like, most often with rhythms of the
gigue The gigue (; ) or giga () is a lively baroque dance originating from the English jig. It was imported into France in the mid-17th centuryBellingham, Jane"gigue."''The Oxford Companion to Music''. Ed. Alison Latham. Oxford Music Online. 6 July 20 ...
or
minuet A minuet (; also spelled menuet) is a social dance of French origin for two people, usually in time. The English word was adapted from the Italian ''minuetto'' and the French ''menuet''. The term also describes the musical form that accompa ...
, and returned to the key of the opening section. As the form evolved, the first movement may incorporate fanfare-like elements and took on the pattern of so-called "sonatina form" (
sonata form Sonata form (also ''sonata-allegro form'' or ''first movement form'') is a musical form, musical structure generally consisting of three main sections: an exposition, a development, and a recapitulation. It has been used widely since the middle ...
without a development section), and the slow section became more extended and lyrical. In Italian opera after about 1800, the "overture" became known as the ''sinfonia''.Fisher, Stephen C. 1998. "Sinfonia". ''
The New Grove Dictionary of Opera ''The New Grove Dictionary of Opera'' is an encyclopedia of opera, considered to be one of the best general reference sources on the subject. It is the largest work on opera in English, and in its printed form, amounts to 5,448 pages in four volu ...
'', four volumes, edited by
Stanley Sadie Stanley John Sadie (; 30 October 1930 – 21 March 2005) was an influential and prolific British musicologist, music critic, and editor. He was editor of the sixth edition of the '' Grove Dictionary of Music and Musicians'' (1980), which was publ ...
. London: Macmillan Publishers, Inc.
Fisher also notes the term ''Sinfonia avanti l'opera'' (literally, the "symphony before the opera") was "an early term for a sinfonia used to begin an opera, that is, as an overture as opposed to one serving to begin a later section of the work". In 19th-century opera, in some operas, the overture, ''Vorspiel'', ''Einleitung'', Introduction, or whatever else it may be called, was the portion of the music which takes place before the curtain rises; a specific, rigid form was no longer required for the overture. The role of the orchestra in accompanying the singers changed over the 19th century, as the Classical style transitioned to the Romantic era. In general, orchestras got bigger, new instruments were added, such as additional percussion instruments (e.g., bass drum, cymbals, snare drum, etc.). The
orchestration Orchestration is the study or practice of writing music for an orchestra (or, more loosely, for any musical ensemble, such as a concert band) or of adapting music composed for another medium for an orchestra. Also called "instrumentation", orc ...
of orchestra parts also developed over the 19th century. In Wagnerian operas, the forefronting of the orchestra went beyond the overture. In Wagnerian operas such as the Ring Cycle, the orchestra often played the recurrent musical themes or
leitmotif A leitmotif or leitmotiv () is a "short, recurring musical phrase" associated with a particular person, place, or idea. It is closely related to the musical concepts of ''idée fixe'' or ''motto-theme''. The spelling ''leitmotif'' is an anglici ...
s, a role which gave a prominence to the orchestra which "...elevated its status to that of a
prima donna In opera or commedia dell'arte, a prima donna (; Italian for "first lady"; plural: ''prime donne'') is the leading female singer in the company, the person to whom the prime roles would be given. ''Prime donne'' often had grand off-stage pers ...
". Wagner's operas were scored with unprecedented scope and complexity, adding more brass instruments and huge ensemble sizes: indeed, his score to ''
Das Rheingold ''Das Rheingold'' (; ''The Rhinegold''), WWV 86A, is the first of the four music dramas that constitute Richard Wagner's ''Der Ring des Nibelungen'' (English: ''The Ring of the Nibelung''). It was performed, as a single opera, at the National ...
'' calls for six
harp The harp is a stringed musical instrument that has a number of individual strings running at an angle to its soundboard; the strings are plucked with the fingers. Harps can be made and played in various ways, standing or sitting, and in orche ...
s. In Wagner and the work of subsequent composers, such as Benjamin Britten, the orchestra "often communicates facts about the story that exceed the levels of awareness of the characters therein." As a result, critics began to regard the orchestra as performing a role analogous to that of a literary narrator." As the role of the orchestra and other instrumental ensembles changed over the history of opera, so did the role of leading the musicians. In the Baroque era, the musicians were usually directed by the harpsichord player, although the French composer Lully is known to have conducted with a long staff. In the 1800s, during the Classical period, the first violinist, also known as the
concertmaster The concertmaster (from the German ''Konzertmeister''), first chair (U.S.) or leader (U.K.) is the principal first violin player in an orchestra (or clarinet in a concert band). After the conductor, the concertmaster is the second-most signifi ...
, would lead the orchestra while sitting. Over time, some directors began to stand up and use hand and arm gestures to lead the performers. Eventually this role of
music director A music(al) director or director of music is the person responsible for the musical aspects of a performance, production, or organization. This would include the artistic director and usually chief conductor of an orchestra or concert band, the d ...
became termed the conductor, and a podium was used to make it easier for all the musicians to see him or her. By the time Wagnerian operas were introduced, the complexity of the works and the huge orchestras used to play them gave the conductor an increasingly important role. Modern opera conductors have a challenging role: they have to direct both the orchestra in the
orchestra pit An orchestra pit is the area in a theater (usually located in a lowered area in front of the stage) in which musicians perform. Orchestral pits are utilized in forms of theatre that require music (such as opera and ballet) or in cases when incide ...
and the singers on stage.


Language and translation issues

Since the days of Handel and Mozart, many composers have favored Italian as the language for the libretto of their operas. From the Bel Canto era to Verdi, composers would sometimes supervise versions of their operas in both Italian and French. Because of this, operas such as ''
Lucia di Lammermoor ''Lucia di Lammermoor'' () is a (tragic opera) in three acts by Italian composer Gaetano Donizetti. Salvadore Cammarano wrote the Italian-language libretto loosely based upon Sir Walter Scott's 1819 historical novel ''The Bride of Lammermoor''. ...
'' or ''
Don Carlos ''Don Carlos'' is a five-act grand opera composed by Giuseppe Verdi to a French-language libretto by Joseph Méry and Camille du Locle, based on the dramatic play '' Don Carlos, Infant von Spanien'' (''Don Carlos, Infante of Spain'') by Friedri ...
'' are today deemed canonical in both their French and Italian versions. Until the mid-1950s, it was acceptable to produce operas in translations even if these had not been authorized by the composer or the original librettists. For example, opera houses in Italy routinely staged Wagner in Italian. After World War II, opera scholarship improved, artists refocused on the original versions, and translations fell out of favor. Knowledge of European languages, especially Italian, French, and German, is today an important part of the training for professional singers. "The biggest chunk of operatic training is in linguistics and musicianship", explains mezzo-soprano Dolora Zajick. " have to understandnot only what I'm singing, but what everyone else is singing. I sing Italian, Czech, Russian, French, German, English." In the 1980s, supertitles (sometimes called surtitles) began to appear. Although supertitles were first almost universally condemned as a distraction, today many opera houses provide either supertitles, generally projected above the theatre's
proscenium A proscenium ( grc-gre, προσκήνιον, ) is the metaphorical vertical plane of space in a theatre, usually surrounded on the top and sides by a physical proscenium arch (whether or not truly "arched") and on the bottom by the stage floor ...
arch, or individual seat screens where spectators can choose from more than one language. TV broadcasts typically include subtitles even if intended for an audience who knows well the language (for example, a
RAI RAI – Radiotelevisione italiana (; commercially styled as Rai since 2000; known until 1954 as Radio Audizioni Italiane) is the national public broadcasting company of Italy, owned by the Ministry of Economy and Finance. RAI operates many ter ...
broadcast of an Italian opera). These subtitles target not only the hard of hearing but the audience generally, since a sung discourse is much harder to understand than a spoken one—even in the ears of native speakers. Subtitles in one or more languages have become standard in opera broadcasts, simulcasts, and DVD editions. Today, operas are only rarely performed in translation. Exceptions include the
English National Opera English National Opera (ENO) is an opera company based in London, resident at the London Coliseum in St Martin's Lane. It is one of the two principal opera companies in London, along with The Royal Opera. ENO's productions are sung in English ...
, the
Opera Theatre of Saint Louis Opera Theatre of Saint Louis (OTSL) is an American summer opera festival held in St. Louis, Missouri. Typically four operas, all sung in English, are presented each season, which runs from late May to late June. Performances are accompanied by th ...
,
Opera Theater of Pittsburgh Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librett ...
, and Opera South East, which favor English translations. Another exception are opera productions intended for a young audience, such as Humperdinck's ''
Hansel and Gretel "Hansel and Gretel" (; german: Hänsel und Gretel ) is a German fairy tale collected by the German Brothers Grimm and published in 1812 in ''Grimm's Fairy Tales'' (KHM 15). It is also known as Little Step Brother and Little Step Sister. Hansel ...
'' and some productions of Mozart's ''
The Magic Flute ''The Magic Flute'' (German: , ), K. 620, is an opera in two acts by Wolfgang Amadeus Mozart to a German libretto by Emanuel Schikaneder. The work is in the form of a '' Singspiel'', a popular form during the time it was written that in ...
''.


Funding

Outside the US, and especially in Europe, most opera houses receive public subsidies from taxpayers. In Milan, Italy, 60% of La Scala's annual budget of €115 million is from ticket sales and private donations, with the remaining 40% coming from public funds. In 2005, La Scala received 25% of Italy's total state subsidy of €464 million for the performing arts. In the UK,
Arts Council England Arts Council England is an arm's length non-departmental public body of the Department for Digital, Culture, Media and Sport. It is also a registered charity. It was formed in 1994 when the Arts Council of Great Britain was divided into three s ...
provides funds to
Opera North Opera North is an English opera company based in Leeds. The company's home theatre is the Leeds Grand Theatre, but it also presents regular seasons in several other cities, at the Theatre Royal, Nottingham, the Lowry Centre, Salford Quays and ...
, the
Royal Opera House The Royal Opera House (ROH) is an opera house and major performing arts venue in Covent Garden, central London. The large building is often referred to as simply Covent Garden, after a previous use of the site. It is the home of The Royal Op ...
,
Welsh National Opera Welsh National Opera (WNO) ( cy, Opera Cenedlaethol Cymru) is an opera company based in Cardiff, Wales; it gave its first performances in 1946. It began as a mainly amateur body and transformed into an all-professional ensemble by 1973. In its ...
, and
English National Opera English National Opera (ENO) is an opera company based in London, resident at the London Coliseum in St Martin's Lane. It is one of the two principal opera companies in London, along with The Royal Opera. ENO's productions are sung in English ...
. Between 2012 and 2015, these four opera companies along with the
English National Ballet English National Ballet is a classical ballet company founded by Dame Alicia Markova and Sir Anton Dolin as London Festival Ballet and based in London, England. Along with The Royal Ballet, Birmingham Royal Ballet, Northern Ballet and Scottish ...
, Birmingham Royal Ballet and
Northern Ballet Northern Ballet, formerly Northern Ballet Theatre, is a dance company based in Leeds, West Yorkshire, England, with a strong repertoire in theatrical dance productions where the emphasis is on story telling as well as classical ballet. The company ...
accounted for 22% of the funds in the Arts Council's national portfolio. During that period, the Council undertook an analysis of its funding for large-scale opera and ballet companies, setting recommendations and targets for the companies to meet prior to the 2015–2018 funding decisions. In February 2015, concerns over English National Opera's business plan led to the Arts Council placing it "under special funding arrangements" in what ''
The Independent ''The Independent'' is a British online newspaper. It was established in 1986 as a national morning printed paper. Nicknamed the ''Indy'', it began as a broadsheet and changed to tabloid format in 2003. The last printed edition was publis ...
'' termed "the unprecedented step" of threatening to withdraw public funding if the council's concerns were not met by 2017. European public funding to opera has led to a disparity between the number of year-round opera houses in Europe and the United States. For example, "Germany has about 80 year-round opera houses s of 2004 while the U.S., with more than three times the population, does not have any. Even the Met only has a seven-month season."


Television, cinema and the Internet

A milestone for opera broadcasting in the U.S. was achieved on 24 December 1951, with the live broadcast of '' Amahl and the Night Visitors'', an opera in one act by
Gian Carlo Menotti Gian Carlo Menotti (, ; July 7, 1911 – February 1, 2007) was an Italian composer, librettist, director, and playwright who is primarily known for his output of 25 operas. Although he often referred to himself as an American composer, he kept h ...
. It was the first opera specifically composed for television in America.Obituary: Gian Carlo Menotti
''
The Daily Telegraph ''The Daily Telegraph'', known online and elsewhere as ''The Telegraph'', is a national British daily broadsheet newspaper published in London by Telegraph Media Group and distributed across the United Kingdom and internationally. It was fo ...
'', 2 February 2007. Accessed 11 December 2008
Another milestone occurred in Italy in 1992 when ''
Tosca ''Tosca'' is an opera in three acts by Giacomo Puccini to an Italian libretto by Luigi Illica and Giuseppe Giacosa. It premiered at the Teatro dell'Opera di Roma, Teatro Costanzi in Rome on 14 January 1900. The work, based on Victorien Sardou's 1 ...
'' was broadcast live from its original Roman settings and times of the day: the first act came from the 16th-century Church of Sant'Andrea della Valle at noon on Saturday; the 16th-century Palazzo Farnese was the setting for the second at 8:15 pm; and on Sunday at 6 am, the third act was broadcast from Castel Sant'Angelo. The production was transmitted via satellite to 105 countries. Major opera companies have begun presenting their performances in local cinemas throughout the United States and many other countries. The Metropolitan Opera began a
series Series may refer to: People with the name * Caroline Series (born 1951), English mathematician, daughter of George Series * George Series (1920–1995), English physicist Arts, entertainment, and media Music * Series, the ordered sets used in ...
of live
high-definition video High-definition video (HD video) is video of higher resolution and quality than standard-definition. While there is no standardized meaning for ''high-definition'', generally any video image with considerably more than 480 vertical scan lines ...
transmissions to cinemas around the world in 2006. In 2007, Met performances were shown in over 424 theaters in 350 U.S. cities. ''
La bohème ''La bohème'' (; ) is an opera in four acts,Puccini called the divisions ''quadri'', ''tableaux'' or "images", rather than ''atti'' (acts). composed by Giacomo Puccini between 1893 and 1895 to an Italian libretto by Luigi Illica and Giuseppe G ...
'' went out to 671 screens worldwide.
San Francisco Opera San Francisco Opera (SFO) is an American opera company founded in 1923 by Gaetano Merola (1881–1953) based in San Francisco, California. History Gaetano Merola (1923–1953) Merola's road to prominence in the Bay Area began in 1906 when he ...
began prerecorded video transmissions in March 2008. As of June 2008, approximately 125 theaters in 117 U.S. cities carry the showings. The HD video opera transmissions are presented via the same HD digital cinema projectors used for major
Hollywood films The cinema of the United States, consisting mainly of major film studios (also known as Hollywood) along with some independent film, has had a large effect on the global film industry since the early 20th century. The dominant style of Ame ...
. European opera houses and
festivals A festival is an event ordinarily celebrated by a community and centering on some characteristic aspect or aspects of that community and its religion or cultures. It is often marked as a local or national holiday, mela, or eid. A festival co ...
including the Royal Opera in London,
La Scala La Scala (, , ; abbreviation in Italian of the official name ) is a famous opera house in Milan, Italy. The theatre was inaugurated on 3 August 1778 and was originally known as the ' (New Royal-Ducal Theatre alla Scala). The premiere performan ...
in Milan, the
Salzburg Festival The Salzburg Festival (german: Salzburger Festspiele) is a prominent festival of music and drama established in 1920. It is held each summer (for five weeks starting in late July) in the Austrian town of Salzburg, the birthplace of Wolfgang Amad ...
,
La Fenice Teatro La Fenice (, "The Phoenix") is an opera house in Venice, Italy. It is one of "the most famous and renowned landmarks in the history of Italian theatre" and in the history of opera as a whole. Especially in the 19th century, La Fenice beca ...
in Venice, and the
Maggio Musicale The Maggio Musicale Fiorentino (English: Florence Musical May) is an annual Italian arts festival in Florence, including a notable opera festival, under the auspices of the Opera di Firenze. The festival occurs between late April into June annual ...
in Florence have also transmitted their productions to theaters in cities around the world since 2006, including 90 cities in the U.S. The emergence of the Internet has also affected the way in which audiences consume opera. In 2009 the British
Glyndebourne Festival Opera Glyndebourne Festival Opera is an annual opera festival held at Glyndebourne, an English country house near Lewes, in East Sussex, England. History Under the supervision of the Christie family, the festival has been held annually since 1934, e ...
offered for the first time an online digital video download of its complete 2007 production of ''
Tristan und Isolde ''Tristan und Isolde'' (''Tristan and Isolde''), WWV 90, is an opera in three acts by Richard Wagner to a German libretto by the composer, based largely on the 12th-century romance Tristan and Iseult by Gottfried von Strassburg. It was compose ...
''. In the 2013 season, the festival
streamed Streaming media is multimedia that is delivered and consumed in a continuous manner from a source, with little or no intermediate storage in network elements. ''Streaming'' refers to the delivery method of content, rather than the content it ...
all six of its productions online. In July 2012, the first
online community An online community, also called an internet community or web community, is a community whose members interact with each other primarily via the Internet. Members of the community usually share common interests. For many, online communities may fe ...
opera was premiered at the
Savonlinna Opera Festival Savonlinna Opera Festival ( fi, Savonlinnan oopperajuhlat) is held annually in the city of Savonlinna in Finland. The Festival takes place at the medieval Olavinlinna (St. Olaf's Castle), built in 1475. The castle is located amid spectacular lake ...
. Titled ''Free Will'', it was created by members of the Internet group Opera By You. Its 400 members from 43 countries wrote the libretto, composed the music, and designed the sets and costumes using the
Wreckamovie Wreckamovie was a collaborative film production platform to allow individuals to set up a film production and find a community to collaborate with, or find others' interesting film productions and become a collaborator in a worknet. Its aim is t ...
web platform. Savonlinna Opera Festival provided professional soloists, an 80-member choir, a symphony orchestra, and the stage machinery. It was performed live at the festival and streamed live on the internet.Partii, Heidi (2014)
"Supporting Collaboration in Changing Cultural Landscapes"
pp. 208–209 in Margaret S Barrett (ed.) ''Collaborative Creative Thought and Practice in Music''. Ashgate Publishing.


See also

*
Lists of operas Lists of operas cover operas, a form of theatre in which music is essential, and the roles are portrayed by singers. There are general lists and lists by theme, country, medium and venue. General * List of operas by composer * List of prominent ...
, including a
general list The General Service Corps (GSC) is a corps of the British Army. Role The role of the corps is to provide specialists, who are usually on the Special List or General List. These lists were used in both World Wars for specialists and those not allo ...
as well as by
theme Theme or themes may refer to: * Theme (arts), the unifying subject or idea of the type of visual work * Theme (Byzantine district), an administrative district in the Byzantine Empire governed by a Strategos * Theme (computing), a custom graphical ...
, by
country A country is a distinct part of the world, such as a state, nation, or other political entity. It may be a sovereign state or make up one part of a larger state. For example, the country of Japan is an independent, sovereign state, while the ...
, by
medium Medium may refer to: Science and technology Aviation *Medium bomber, a class of war plane *Tecma Medium, a French hang glider design Communication * Media (communication), tools used to store and deliver information or data * Medium of ...
, and by
venue Venue is the location at which an event takes place. It may refer to: Locations * Venue (law), the place a case is heard * Financial trading venue, a place or system where financial transactions can occur * Music venue, place used for a concer ...
*
List of fictional literature featuring opera This is a list of literary fiction which feature opera in the plot. "Features" excludes fleeting mentions: for a literary work to be on this list opera must be a significant part of the plot, or, alternatively, provide significant context and ba ...
*
Opera management Opera management is the management of the processes by which opera is delivered to audiences. It is carried out by an opera manager, also called a general manager, managing director, or intendant (UK English). A multifaceted task, it involves managi ...
*
Radio opera Radio opera (German: 'Funkoper' or 'Radiooper') is a genre of opera. It refers to operas which were specifically composed to be performed on the radio and is not to be confused with broadcasts of operas which were originally written for the stage. ...


References


Notes

Sources * * See also Google Book
partial preview


Further reading

* ''
The New Grove Dictionary of Opera ''The New Grove Dictionary of Opera'' is an encyclopedia of opera, considered to be one of the best general reference sources on the subject. It is the largest work on opera in English, and in its printed form, amounts to 5,448 pages in four volu ...
'', edited by
Stanley Sadie Stanley John Sadie (; 30 October 1930 – 21 March 2005) was an influential and prolific British musicologist, music critic, and editor. He was editor of the sixth edition of the '' Grove Dictionary of Music and Musicians'' (1980), which was publ ...
(1992), 5,448 pages, is the best, and by far the largest, general reference in the English language. * ''The Viking Opera Guide'', edited by
Amanda Holden Amanda Louise Holden (born 16 February 1971) is an English actress, media personality, and singer. Since 2007, she has been a judge on the television talent show competition ''Britain's Got Talent'' on ITV. She also co-hosts the ''Heart Brea ...
(1994), 1,328 pages, * ''The Oxford Illustrated History of Opera'', ed.
Roger Parker Roger Parker (born London United Kingdom, 2 August 1951) is an English musicologist and, since January 2007, has been Thurston Dart Professor of Music at King's College London. His work has centred on opera. Between 2006 and 2010, while Profess ...
(1994) * ''The Oxford Dictionary of Opera'', by
John Warrack John Hamilton Warrack (born 1928, in London) is an English music critic, writer on music, and oboist. Warrack is the son of Scottish conductor and composer Guy Warrack. He was educated at Winchester College (1941-6) and then at the Royal College ...
and Ewan West (1992), 782 pages, * ''Opera, the Rough Guide'', by Matthew Boyden et al. (1997), 672 pages, * ''Opera: A Concise History'', by Leslie Orrey and
Rodney Milnes Rodney Milnes Blumer OBE (26 July 1936 – 5 December 2015) was an English music critic, musicologist, writer, translator and broadcaster, with a particular interest in opera.Rodney Milnes. ''The New Grove Dictionary of Opera''. Macmillan, ...
, World of Art,
Thames & Hudson Thames & Hudson (sometimes T&H for brevity) is a publisher of illustrated books in all visually creative categories: art, architecture, design, photography, fashion, film, and the performing arts. It also publishes books on archaeology, history, ...
* * DiGaetani, John Louis: ''An Invitation to the Opera'', Anchor Books, 1986/91. . * Dorschel, Andreas, 'The Paradox of Opera', ''
The Cambridge Quarterly ''The Cambridge Quarterly'' is a literary journal. It often publishes articles on cinema, music, painting, and sculpture. It also endows a prize for, and publishes, the best Cambridge University The University of Cambridge is a Public univers ...
'' 30 (2001), no. 4, pp. 283–306. (print). (electronic). Discusses the aesthetics of opera. *
Silke Leopold Silke Leopold (born 30 November 1948) is a German musicologist and university lecturer. Life Born in Hamburg, Leopold studied musicology, theatre studies, Romance languages and literature at the University of Hamburg and the University of Rome, ...
, "The Idea of National Opera, c. 1800", ''United and Diversity in European Culture c. 1800'', ed.
Tim Blanning Timothy Charles William Blanning (born 21 April 1942) is an English historian who served as Professor of Modern European History at the University of Cambridge from 1992 to 2009. Career Timothy Charles William Blanning attended the King's Sch ...
and
Hagen Schulze Hagen Schulze (31 July 1943 – 4 September 2014) was a German historian who held a position at the Free University of Berlin. He specialized in early modern and modern German and European history, particularly in comparative European nationalis ...
(New York: Oxford University Press, 2006), 19–34. * MacMurray, Jessica M. and Allison Brewster Franzetti: ''The Book of 101 Opera Librettos: Complete Original Language Texts with English Translations'', Black Dog & Leventhal Publishers, 1996. * Howard Mayer Brown, "Opera", ''
The New Grove Dictionary of Music and Musicians ''The New Grove Dictionary of Music and Musicians'' is an encyclopedic dictionary of music and musicians. Along with the German-language ''Die Musik in Geschichte und Gegenwart'', it is one of the largest reference works on the history and theo ...
''. 2001. Oxford University Press * Rous, Samuel Holland (1919). ''The Victrola Book of the Opera. Stories of The Operas with Illustrations...''. Camden, New Jersey: Victor Talking Machine Company
View
at
Internet Archive The Internet Archive is an American digital library with the stated mission of "universal access to all knowledge". It provides free public access to collections of digitized materials, including websites, software applications/games, music, ...
. * Simon, Henry W.: ''A Treasury of Grand Opera'', Simon and Schuster, New York, 1946.
"Opera"
Herbert Weinstock and
Barbara Russano Hanning Barbara Russano Hanning (born 1940) is an American musicologist who specializes in 16th- and 17th-century Italian music. She has also written works on the music of 18th-century France and on musical iconography. Education and career She earned ...
, ''
Encyclopædia Britannica The (Latin for "British Encyclopædia") is a general knowledge English-language encyclopaedia. It is published by Encyclopædia Britannica, Inc.; the company has existed since the 18th century, although it has changed ownership various time ...
'' *


External links


Comprehensive opera performances database
Operabase Operabase is an online database of opera performances, opera houses and companies, and performers themselves as well as their agents. Found at operabase.com, it was created in 1996 by English software engineer and opera lover Mike Gibb.Edward Sc ...

Opera-Inside
opera and aria guides, biographies, history
StageAgent – synopses and character descriptions for most major operas



Vocabulaire de l'Opéra



HistoricOpera – historic operatic images

"America's Opera Boom"
By Jonathan Leaf, '' The American'', July/August 2007 Issue
Opera~Opera article archives
* {{Authority control Musical forms Italian inventions Drama Theatre Vocal music Singing