|
Halka
''Halka'' is an opera by Polish composer Stanisław Moniuszko to a libretto written by Włodzimierz Wolski, a young Warsaw poet with radical social views. It is part of the canon of Polish national operas. Performance history The first performance of the two-act version was in a concert performance in Vilnius on 1 January 1848. The staged premiere took place in the same city on 28 February 1854. A four-act version was performed in Warsaw on 1 January 1858. The opera was subsequently produced in the United States, Canada, Mexico, Japan, Turkey, Russia and Cuba. More recently, in June 2004 the Opera has been staged in Kraków Zakrzówek Nature Park as an outdoor performance with horses, fireworks, special effects, and attendance exceeding 6,000 viewers. It was produced by Krzysztof Jasiński under the musical direction of Wojciech Michniewski, with the ballet and orchestra of the Opera Krakowska and with Ewa Biegas and Maria Mitrosz alternating in the title role. The Opera ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Włodzimierz Wolski
Włodzimierz Wolski (9 October 1824, Pultusk – 29 July 1882, Brussels) was a Polish poet, novelist, translator, and librettist. He is best known as the author of the libretto to Stanisław Moniuszko's opera ''Halka''. He grew up in Warsaw and published his poems and prose in magazines there. He took part in the January Uprising and settled in Brussels after the defeat. Works Poetry * ''Ojciec Hilary (Father Hillary)'' * ''Halka'' * ''Połośka'' * ''Śpiewy powstańcze (Songs of Insurgents)'' * ''Promyki (Rays)'' * ''Listy z Belgii (Letters from Belgium)'' Librettos * ''Halka'' * ''Hrabina (opera), The Countess'' * Połośka gwinciarska References * Zofia Lewinówna, ''Literatura polska. Przewodnik encyklopedyczny'', Volume II, Warsaw 1985, p. 624. Polish male poets Polish male novelists Polish translators Opera librettists 1824 births 1882 deaths 19th-century translators 19th-century Polish poets 19th-century Polish novelists 19th-century Polish dramatists and pla ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Polish Opera
Polish opera may be broadly understood to include operas staged in Poland and works written for foreign stages by Polish composers, as well as opera in the Polish language. The tradition reaches back to Italian language entertainments of the baroque. Romantic opera in Polish flourished alongside nationalism after the partition and is exemplified by the work of Stanisław Moniuszko. In the 20th century Polish opera was exported and composers such as Krzysztof Penderecki wrote operas in other languages ('' Ubu Rex'', ''Die Teufel von Loudun'') that were translated into Polish later. 17th century Operas were first performed in Poland during the Baroque era in the reign of Sigismund III Vasa (1587-1632). The king himself had no interest in the arts, but his son Władysław IV (reigned 1632-1648) was an enthusiast and patron of opera while he was still a prince. In 1625 Francesca Caccini wrote an opera for Władysław when she visited Italy. This opera, '' La liberazione di Rug ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wiesław Ochman
Wiesław Ochman (; born 6 February 1937) is a Polish tenor. Life and career In 1960, he graduated from the AGH University of Science and Technology in Kraków. Ochman began learning voice under the direction of Gustaw Serafin in Kraków (1955–1959) and Maria Szłapak in Bytom (1960–1963). In 1960, he joined the Silesian Opera in Bytom, where he sang for three seasons, in 1963 and 1964; and then, at the Opera Krakowska. He performed at the Teatr Wielki in Warsaw from 1964 till 1970. In 1965 he sang the tenor lead Jontek in the "national Polish opera" '' Halka'' by Stanisław Moniuszko in the opening performance in the reconstructed Teatr Wielki. He recorded that role and it is now available on compact disc. Wiesław Ochman began his international career in 1967 with the Berlin State Opera. He sang in Munich and Hamburg. He achieved his first successes in competition at festivals in Glyndebourne and Salzburg. In 1972, he was engaged by the Paris Opera, and consecutively by ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opera Krakowska
The Opera Krakowska (also known as the Kraków Opera) is an opera house located in Kraków, Poland. It was founded in 1954 in postwar Kraków, although the tradition of opera in the city dates back to 1628 when the first ever full libretto in Polish was released by the local publishing house, followed by the first fully-fledged opera performance in the city in March 1782. The Kraków Opera company stages 200 performances each year, including ballet, operettas and musicals for the young, with an audience occupancy rate of 98%. The Kraków Opera's main repertoire includes both international and Polish operatic classics, reaffirming its status as one of the country's leading opera companies. The long list of names of renowned artists associated with it includes conductors such as Kazimierz Kord, Robert Satanowski, Jan Latham-Koenig, Roland Bader and Aurelio Canonici; set designers such as Tadeusz Kantor, Lidia Zamkow, Józef Szajna, Krystyna Zachwatowicz; and a plethora of oper ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Krzysztof Jasiński
Krzysztof Jasiński (born July 21, 1943, in Borzechów) is a Polish actor, TV and theatre director. at the Internet Polish Movie Database In 1966 he established the Theatre STU in . Krzysztof Jasiński directed also many s, including '''' in the Grand Theatre in |
Stanisław Moniuszko
Stanisław Moniuszko (; May 5, 1819 – June 4, 1872) was a Polish composer, conductor and teacher. He wrote many popular art songs and operas, and his music is filled with patriotic folk themes of the peoples of the former Polish–Lithuanian Commonwealth (mainly Poles, Lithuanians and Belarusians). He is generally referred to as "the father of Polish national opera". Since the 1990s Stanisław Moniuszko is being recognized in Belarus as an important figure of Belarusian culture. Life Moniuszko was born into a noble landowning family in Ubiel, Minsk Governorate (now Belarus). He initially took piano lessons with his mother and then continued his musical education in Warsaw, Minsk, and in Berlin under Carl Friedrich Rungenhagen. In 1858 he was appointed conductor at the Warsaw Opera and later became professor at the Warsaw Conservatory. He died in Warsaw, Congress Poland and was buried at Powązki Cemetery. Works For a complete list, see List of compositions by Sta ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kraków Opera
The Opera Krakowska (also known as the Kraków Opera) is an opera house located in Kraków, Poland. It was founded in 1954 in postwar Kraków, although the tradition of opera in the city dates back to 1628 when the first ever full libretto in Polish was released by the local publishing house, followed by the first fully-fledged opera performance in the city in March 1782. The Kraków Opera company stages 200 performances each year, including ballet, operettas and musicals for the young, with an audience occupancy rate of 98%. The Kraków Opera's main repertoire includes both international and Polish operatic classics, reaffirming its status as one of the country's leading opera companies. The long list of names of renowned artists associated with it includes conductors such as Kazimierz Kord, Robert Satanowski, Jan Latham-Koenig, Roland Bader and Aurelio Canonici; set designers such as Tadeusz Kantor, Lidia Zamkow, Józef Szajna, Krystyna Zachwatowicz; and a plethora of opera sin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Robert F
The name Robert is an ancient Germanic given name, from Proto-Germanic "fame" and "bright" (''Hrōþiberhtaz''). Compare Old Dutch ''Robrecht'' and Old High German ''Hrodebert'' (a compound of '' Hruod'' ( non, Hróðr) "fame, glory, honour, praise, renown" and '' berht'' "bright, light, shining"). It is the second most frequently used given name of ancient Germanic origin. It is also in use as a surname. Another commonly used form of the name is Rupert. After becoming widely used in Continental Europe it entered England in its Old French form ''Robert'', where an Old English cognate form (''Hrēodbēorht'', ''Hrodberht'', ''Hrēodbēorð'', ''Hrœdbœrð'', ''Hrœdberð'', ''Hrōðberχtŕ'') had existed before the Norman Conquest. The feminine version is Roberta. The Italian, Portuguese, and Spanish form is Roberto. Robert is also a common name in many Germanic languages, including English, German, Dutch, Norwegian, Swedish, Scots, Danish, and Icelandic. It c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stefania Woytowicz
Stefania Woytowicz (8 October 1922, Orynyn, Kamianets-Podilskyi Raion – 31 August 2005, Warsaw) was a Polish concert soprano. Woytowicz was the soprano soloist in the first public performance of Henryk Górecki Henryk Mikołaj Górecki ( , ; 6 December 1933 – 12 November 2010) was a Polish composer of contemporary classical music. According to critic Alex Ross, no recent classical composer has had as much commercial success as Górecki. He became a l ...'s Symphony No. 3 (''Symphony of Sorrowful Songs''), and sang the part on the first recordings of the symphony.https://www.gramophone.co.uk/review/g%C3%B3recki-symphony-no-3-symphony-of-sorrowful-songs%E2%80%99 References 1922 births 2005 deaths People from Khmelnytskyi Oblast Polish operatic sopranos 20th-century Polish women singers Recipients of the State Award Badge (Poland) {{Poland-opera-singer-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mezzo-soprano
A mezzo-soprano or mezzo (; ; meaning "half soprano") is a type of classical female singing voice whose vocal range lies between the soprano and the contralto voice types. The mezzo-soprano's vocal range usually extends from the A below middle C to the A two octaves above (i.e. A3–A5 in scientific pitch notation, where middle C = C4; 220–880 Hz). In the lower and upper extremes, some mezzo-sopranos may extend down to the F below middle C (F3, 175 Hz) and as high as "high C" (C6, 1047 Hz). The mezzo-soprano voice type is generally divided into the coloratura, lyric, and dramatic mezzo-soprano. History While mezzo-sopranos typically sing secondary roles in operas, notable exceptions include the title role in Bizet's '' Carmen'', Angelina (Cinderella) in Rossini's ''La Cenerentola'', and Rosina in Rossini's ''Barber of Seville'' (all of which are also sung by sopranos and contraltos). Many 19th-century French-language operas give the leading female role to mezzos, includin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bass (voice Type)
A bass is a type of classical male singing voice and has the lowest vocal range of all voice types. According to ''The New Grove Dictionary of Opera'', a bass is typically classified as having a vocal range extending from around the second E below middle C to the E above middle C (i.e., E2–E4).; ''The Oxford Dictionary of Music'' gives E2–E4/F4 Its tessitura, or comfortable range, is normally defined by the outermost lines of the bass clef. Categories of bass voices vary according to national style and classification system. Italians favour subdividing basses into the ''basso cantante'' (singing bass), ''basso buffo'' ("funny" bass), or the dramatic ''basso profondo'' (low bass). The American system identifies the bass-baritone, comic bass, lyric bass, and dramatic bass. The German ''Fach'' system offers further distinctions: Spielbass (Bassbuffo), Schwerer Spielbass (Schwerer Bassbuffo), Charakterbass (Bassbariton), and Seriöser Bass. These classification systems can ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baritone
A baritone is a type of classical male singing voice whose vocal range lies between the bass and the tenor voice-types. The term originates from the Greek (), meaning "heavy sounding". Composers typically write music for this voice in the range from the second F below middle C to the F above middle C (i.e. F2–F4) in choral music, and from the second A below middle C to the A above middle C (A2 to A4) in operatic music, but the range can extend at either end. Subtypes of baritone include the baryton-Martin baritone (light baritone), lyric baritone, ''Kavalierbariton'', Verdi baritone, dramatic baritone, ''baryton-noble'' baritone, and the bass-baritone. History The first use of the term "baritone" emerged as ''baritonans'', late in the 15th century, usually in French sacred polyphonic music. At this early stage it was frequently used as the lowest of the voices (including the bass), but in 17th-century Italy the term was all-encompassing and used to describe the averag ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
