Halcali Mix
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Halcali Mix
is the first remix album by Halcali. The title is a play on the words ''Halcali'' and ''Mix'' in order to also make the word ''Remix'' because of the katakana is a Japanese syllabary, one component of the Japanese writing system along with hiragana, kanji and in some cases the Latin script (known as rōmaji). The word ''katakana'' means "fragmentary kana", as the katakana characters are derived fr ... lack of differentiation between roman ''L'' and ''R'' characters. Therefore, the title is sometimes referred to as ''Halcali Remix'' or ''Halcalimix''. Track listing CD # #* Remixed by Yuka Honda (本田ゆか) # #* Remixed by Takkyu Isshino (石野卓球) # #* Remixed by Yasuyuki Okamura (岡村靖幸) # #* Remixed by Halfby # #* Remixed by Force of Nature # #* Remixed by K・U・D・O # #* from Magokoro Covers (Produced by Kohei Japan (Mellow Yellow)) # "Peek-A-Boo (DJ Mitsu the Beats remix)" #* Remixed by DJ Mitsu the Beats # #* Remixed by Hiroshi Kawanabe of ...
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Halcali
, were a Japanese J-pop duo consisting of Halca and Yucali from Meguro, Tokyo, Japan. Its name is a portmanteau of and . Their debut album, '' Halcali Bacon'', reached #5 on the Oricon charts, making it the first album by a female hip-hop artist to enter the top ten in Japanese history. Halcali also made their American debut in May 2008 as the musical guests of honor at the Anime Central convention. They performed again in America at Central Park, New York City on June 1, 2008 as part of a Japan Day Festival as part of a Japanese tourism campaign.''Just Doing It the Halcali Way!''
June 13, 2008, by Dennis A. Amith ndy retrieved June 13, 2008
As Halcali did not renew their contracts with

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J-pop
J-pop ( ja, ジェイポップ, ''jeipoppu''; often stylized as J-POP; an abbreviated form of "Japanese popular music"), natively also known simply as , is the name for a form of popular music that entered the musical mainstream of Japan in the 1990s. Modern J-pop has its roots in traditional music of Japan, and significantly in 1960s pop and rock music. J-pop replaced ''kayōkyoku'' ("Lyric Singing Music", a term for Japanese popular music from the 1920s to the 1980s) in the Japanese music scene. J-rock bands such as Happy End fused the Beatles and Beach Boys-style rock with Japanese music in the 1960s1970s. J-country had popularity during the international popularity of Westerns in the 1960s1970s as well, and it still has appeal due to the work of musicians like Charlie Nagatani and venues including Little Texas, Tokyo. J-rap became mainstream with producer Nujabes and his work on ''Samurai Champloo'', Japanese pop culture is often seen with anime in hip hop. Other trends ...
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Japanese Hip Hop
Japanese hip hop is hip hop music from Japan. It is said to have begun when Hiroshi Fujiwara returned to Japan and started playing hip hop records in the early 1980s. Japanese hip hop tends to be most directly influenced by old school hip hop, taking from the era's catchy beats, dance culture and overall fun and carefree nature and incorporating it into their music. As a result, hip hop stands as one of the most commercially viable mainstream music genres in Japan and the line between it and pop music is frequently blurred. History of hip hop in Japan Although rather informal and small scale, the early days of Japanese hip hop provide the history for the emergence of the cultural movement. Early hip hop was not led by corporate interests, but rather was largely ignored by large record companies and performance venues. In this respect, Japanese hip-hop offers a representation of cultural globalization, as it expanded despite criticism on the part of record companies and major med ...
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Ongaku No Susume
is the second album released by Japanese band Halcali , were a Japanese J-pop duo consisting of Halca and Yucali from Meguro, Tokyo, Japan. Its name is a portmanteau of and . Their debut album, '' Halcali Bacon'', reached #5 on the Oricon charts, making it the first album by a female hip-hop artis .... The original jacket was redesigned and re-released to celebrate the album passing the 100,000 sales mark. Track listing CD # Introduction # # # # # Oboroge Copy View # History # # # Baby Blue! # # {{Authority control 2004 albums Halcali albums ...
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Cyborg Oretachi
is the first major label album by Japanese band Halcali, their third original album, and fourth album release overall. The first press limited edition came with a bonus DVD. It is Halcali's first album to be released in both CD only, and CD+DVD formats. ''Cyborg Oretachi'' also includes productions by ''O.T.F'', ''Utamaru (Rhymester)'', '' Natalie Wise'', ''Honestly'', and '' Fantastic Plastic Machine'', as well as collaborations and guest performances from ''Dr.kyOn (ex Bo Gumbos)'', ''Ram Rider'', '' Your Song Is Good'', ''Polysics is a Japanese Techno/Electronic Music band from Tokyo, who dubs its unique style as "technicolor pogo punk". It was named after a brand of synthesizer, the Korg Polysix. The band started in 1997, but got their big break in 1998 at a concert in ...'', ''Skaparahorns'', and ''Kendo Kobayashi''. Even though the single "Tōgenkyō / Lights, Camera. Action!" was listed as a double A-side, "Lights, Camera. Action!" is not on the album. Track list ...
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Katakana
is a Japanese syllabary, one component of the Japanese writing system along with hiragana, kanji and in some cases the Latin script (known as rōmaji). The word ''katakana'' means "fragmentary kana", as the katakana characters are derived from components or fragments of more complex kanji. Katakana and hiragana are both kana systems. With one or two minor exceptions, each syllable (strictly mora) in the Japanese language is represented by one character or ''kana'' in each system. Each kana represents either a vowel such as "''a''" (katakana ア); a consonant followed by a vowel such as "''ka''" (katakana カ); or "''n''" (katakana ン), a nasal sonorant which, depending on the context, sounds either like English ''m'', ''n'' or ''ng'' () or like the nasal vowels of Portuguese or Galician. In contrast to the hiragana syllabary, which is used for Japanese words not covered by kanji and for grammatical inflections, the katakana syllabary usage is comparable to italics in En ...
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Japanese Speakers Learning R And L
Japanese has one liquid phoneme , realized usually as an apico-alveolar tap and sometimes as an alveolar lateral approximant . English has two: rhotic and lateral , with varying phonetic realizations centered on the postalveolar approximant and on the alveolar lateral approximant , respectively. Japanese speakers who learn English as a second language later than childhood often have difficulty in hearing and producing the and of English accurately. Phonetic differences The Japanese liquid is most often realized as an alveolar tap , though there is some variation depending on phonetic context. of American English (the dialect Japanese speakers are typically exposed to) is most commonly a postalveolar central approximant with simultaneous secondary pharyngeal constriction or less commonly a retroflex approximant . involves contact with the alveolar ridge as well as some raising of the tongue dorsum (velarization), especially when syllable-final. Perception Evidence fr ...
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Halcali Albums
, were a Japanese J-pop duo consisting of Halca and Yucali from Meguro, Tokyo, Japan. Its name is a portmanteau of and . Their debut album, ''Halcali Bacon'', reached #5 on the Oricon charts, making it the first album by a female hip-hop artist to enter the top ten in Japanese history. Halcali also made their American debut in May 2008 as the musical guests of honor at the Anime Central convention. They performed again in America at Central Park, New York City on June 1, 2008 as part of a Japan Day Festival as part of a Japanese tourism campaign.''Just Doing It the Halcali Way!''
June 13, 2008, by Dennis A. Amith ndy retrieved June 13, 2008
As Halcali did not renew their contracts with

picture info

Remix Albums By Japanese Artists
A remix (or reorchestration) is a piece of media which has been altered or contorted from its original state by adding, removing, or changing pieces of the item. A song, piece of artwork, book, video, poem, or photograph can all be remixes. The only characteristic of a remix is that it appropriates and changes other materials to create something new. Most commonly, remixes are a subset of audio mixing in music and song recordings. Songs may be remixed for a large variety of reasons: * to adapt or revise a song for radio or nightclub play * to create a stereo or surround sound version of a song where none was previously available * to improve the fidelity of an older song for which the original master has been lost or degraded * to alter a song to suit a specific music genre or radio format * to use some of the original song's materials in a new context, allowing the original song to reach a different audience * to alter a song for artistic purposes * to provide additional versions ...
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