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Halcali Bacon
is the first album released by Halcali. It reached number five on the Oricon chart in Japan, and stayed on the chart for 21 weeks, making it the first album by a female hip-hop artist to enter the top ten in Japanese history. Halcali's debut album featured many well-known Japanese hiphop producers as guests, as well. ''Drowned in Sound''s Samual Rosean, in a 2018 article on Shibuya-kei, a micro-genre of Japanese pop combining very different styles, noted that in 2003 it was a "prominent release" (mixing shibuya-kei with "pop rap" and hip-hop), alongside releases by Plus-Tech Squeeze Box and Bo En Calum Thomas Bowen (born 26 February 1991), also known professionally as Bo En (stylized as bo en), is an English musician and video game producer based in London. Career Bowen released his debut album titled ''Pale Machine'' in 2013. In 2014, B .... Track listing CD # "Intro. Halcali Bacon" # # # # # # "Conversation of a Mystery" # "Peek-A-Boo" # "Hello,Hello,Alone" # # # Re ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Halcali
, were a Japanese J-pop duo consisting of Halca and Yucali from Meguro, Tokyo, Japan. Its name is a portmanteau of and . Their debut album, '' Halcali Bacon'', reached #5 on the Oricon charts, making it the first album by a female hip-hop artist to enter the top ten in Japanese history. Halcali also made their American debut in May 2008 as the musical guests of honor at the Anime Central convention. They performed again in America at Central Park, New York City on June 1, 2008 as part of a Japan Day Festival as part of a Japanese tourism campaign.''Just Doing It the Halcali Way!'' June 13, 2008, by Dennis A. Amith ndy retrieved June 13, 2008 As Halcali did not renew their contracts with |
J-pop
J-pop ( ja, ジェイポップ, ''jeipoppu''; often stylized as J-POP; an abbreviated form of "Japanese popular music"), natively also known simply as , is the name for a form of popular music that entered the musical mainstream of Japan in the 1990s. Modern J-pop has its roots in traditional music of Japan, and significantly in 1960s pop and rock music. J-pop replaced ''kayōkyoku'' ("Lyric Singing Music", a term for Japanese popular music from the 1920s to the 1980s) in the Japanese music scene. J-rock bands such as Happy End fused the Beatles and Beach Boys-style rock with Japanese music in the 1960s1970s. J-country had popularity during the international popularity of Westerns in the 1960s1970s as well, and it still has appeal due to the work of musicians like Charlie Nagatani and venues including Little Texas, Tokyo. J-rap became mainstream with producer Nujabes and his work on ''Samurai Champloo'', Japanese pop culture is often seen with anime in hip hop. Other trends ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hip-pop
Pop rap (also known as pop hip-hop, hip pop, melodic hip-hop or melodic rap) is a genre of music fusing the rhythm-based lyricism of hip hop music with pop music's preference for melodious vocals and catchy tunes. This genre gained mainstream popularity during the 1990s, though the influences and roots of pop rap can trace back to late-1980s hip hop artists such as Run-DMC, LL Cool J, and Beastie Boys. The lyrics are often lighthearted, with choruses similar to those heard in pop music. Characteristics AllMusic describes pop rap as "a marriage of hip hop beats and raps with strong melodic hooks, which are usually featured as part of the chorus section in a standard pop-song structure." Pop rap also tends to have less aggressive lyrics than street-level rap music. However, some 1990s artists fused pop rap with a more aggressive attitude to defuse backlash on their own accessibility. Music journalist Wilson McBee has strongly criticized pop rap, "A pop rapper is assumed to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ongaku No Susume
is the second album released by Japanese band Halcali , were a Japanese J-pop duo consisting of Halca and Yucali from Meguro, Tokyo, Japan. Its name is a portmanteau of and . Their debut album, '' Halcali Bacon'', reached #5 on the Oricon charts, making it the first album by a female hip-hop artis .... The original jacket was redesigned and re-released to celebrate the album passing the 100,000 sales mark. Track listing CD # Introduction # # # # # Oboroge Copy View # History # # # Baby Blue! # # {{Authority control 2004 albums Halcali albums ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oricon
, established in 1999, is the holding company at the head of a Japanese corporate group that supplies statistics and information on music and the music industry in Japan and Western music. It started as, which was founded by Sōkō Koike in November 1967 and became known for its music charts. Oricon Inc. was originally set up as a subsidiary of Original Confidence and took over the latter's Oricon record charts in April 2002. The charts are compiled from data drawn from some 39,700 retail outlets (as of April 2011) and provide sales rankings of music CDs, DVDs, electronic games, and other entertainment products based on weekly tabulations. Results are announced every Tuesday and published in ''Oricon Style'' by subsidiary Oricon Entertainment Inc. The group also lists panel survey-based popularity ratings for television commercials on its official website. Oricon started publishing Combined Chart, which includes CD sales, digital sales, and streaming together, on December 19, 2 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Drowned In Sound
''Drowned in Sound'', sometimes abbreviated to ''DiS'', is a UK-based music webzine financed by artist management company Silentway. Founded by editor Sean Adams, the site features reviews, news, interviews, and discussion forums. History ''DiS'' began as an email fanzine in 1998 called ''The Last Resort'' but was relaunched by founder and editor Sean Adams as ''Drowned in Sound'' in 2000. The freelance writing team is currently spread across four continents – North America, Asia, Europe and Australasia. The site is mostly based on contributions from unpaid writers and has an integrated forum to allow for discussion and comments on interviews, news and reviews. It also includes a user-rated database of artists and bands as well as details for most live music venues (big and small) in the UK. The site has over 60,000 registered members, and gets around 470,000 unique visitors per month. In 2006, the site launched a podcast called ''Drowned in Sound Radio''. In November 2007 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shibuya-kei
is a microgenre of pop music or a general aesthetic that flourished in Japan in the mid-to late 1990s. The music genre is distinguished by a "cut-and-paste" approach that was inspired by the kitsch, fusion, and artifice from certain music styles of the past. The most common reference points were 1960s culture and Western pop music, especially the work of Burt Bacharach, Brian Wilson, Phil Spector, and Serge Gainsbourg. Shibuya-kei first emerged as retail music from the Shibuya district of Tokyo. Flipper's Guitar, a duo led by Kenji Ozawa and Keigo Oyamada (Cornelius), formed the bedrock of the genre and influenced all of its groups, but the most prominent Shibuya-kei band was Pizzicato Five, who fused mainstream J-pop with a mix of jazz, soul, and lounge influences. Shibuya-kei peaked in the late 1990s and declined after its principal players began moving into other music styles. Overseas, fans of Shibuya-kei were typically indie pop enthusiasts, which contrasted with the tende ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Plus-Tech Squeeze Box
Plus-Tech Squeeze Box are a Japanese electronic music/shibuya-kei duo formed by Tomonori Hayashibe and Takeshi Wakiya. The frenetic sound of their first album '' FAKEVOX'' (2000) is driven by rudimentary synthesized sounds and heavily manipulated samples from a variety of sources, including jazz, big band, light music, MOR, and funk recordings ranging from the late-50s to the mid-70s. Junko Kamada provides vocals throughout the album. Their second album, ''CARTOOOM!'', was released in 2004. Junko Kamada is conspicuously absent, having parted ways with the band. Instead, sampled vocals and a variety of guest singers are used. They created a side project with the vocalist Tomomi Matsuda called Tropico Q in 2010. The group did covers of classic rock songs. Notable appearances They have been featured in Coca-Cola and Powerade commercials in the United Kingdom, using the song "early RISER". They also appeared on BBC Three's ''Adam and Joe Go Tokyo'' and for '' The SpongeBob Square ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bo En
Calum Thomas Bowen (born 26 February 1991), also known professionally as Bo En (stylized as bo en), is an English musician and video game producer based in London. Career Bowen released his debut album titled ''Pale Machine'' in 2013. In 2014, Bowen's remix of "My Party" by Kero Kero Bonito was featured on their ''Bonito Recycling'' EP. Video game composing Bowen composed the soundtrack for the 2014 game '' Lovely Planet''. He also composed the soundtrack for '' Pikuniku'', which was released in 2019, along with three songs for '' Omori'', released in late 2020. One of the three songs composed for ''Omori'' was a pitched-up version of "''My Time''", a song which was included in his debut album ''Pale Machine'', in 2013. Bowen composed the music for ''Voyage'', which was released in 2021. Bowen would later make 2 more untitled songs for ''Omori'' for the 2022 console release, when two new bosses were added to the extra boss rush mode in the hikikomori route of the game. Discog ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
2003 Debut Albums
3 (three) is a number, numeral and digit. It is the natural number following 2 and preceding 4, and is the smallest odd prime number and the only prime preceding a square number. It has religious or cultural significance in many societies. Evolution of the Arabic digit The use of three lines to denote the number 3 occurred in many writing systems, including some (like Roman and Chinese numerals) that are still in use. That was also the original representation of 3 in the Brahmic (Indian) numerical notation, its earliest forms aligned vertically. However, during the Gupta Empire the sign was modified by the addition of a curve on each line. The Nāgarī script rotated the lines clockwise, so they appeared horizontally, and ended each line with a short downward stroke on the right. In cursive script, the three strokes were eventually connected to form a glyph resembling a with an additional stroke at the bottom: ३. The Indian digits spread to the Caliphate in the 9th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
