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HSL And HSV
HSL (for hue, saturation, lightness) and HSV (for hue, saturation, value; also known as HSB, for hue, saturation, brightness) are alternative representations of the RGB color model, RGB color model, designed in the 1970s by computer graphics researchers to more closely align with the way human vision perceives color-making attributes. In these models, colors of each ''hue'' are arranged in a radial slice, around a central axis of neutral colors which ranges from black at the bottom to white at the top. The HSL representation models the way different paints mix together to create color in the real world, with the ''lightness'' dimension resembling the varying amounts of black or white paint in the mixture (e.g. to create "light red", a red pigment can be mixed with white paint; this white paint corresponds to a high "lightness" value in the HSL representation). Fully saturated colors are placed around a circle at a lightness value of ½, with a lightness value of 0 or 1 correspon ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
RGB Color Space
An RGB color space is any additive color space based on the RGB color model. An RGB color space is defined by chromaticity coordinates of the red, green, and blue additive primaries, the white point which is usually a standard illuminant, and the transfer function which is also known as the tone response curve (TRC) or gamma. Applying Grassmann's law of light additivity, a colorspace so defined can produce colors which are enclosed within the 2D triangle on the chromaticity diagram defined by those primary coordinates. The TRC and white point further define the possible colors, creating a volume in a 3D shape that never exceeds the triangular bounds. The primary colors are often specified in terms of their xyY chromaticity coordinates, though the uʹ,vʹ coordinates from the UCS chromaticity diagram may be used. Both xyY and uʹ,vʹ are derived from the CIE 1931 color space, a device independent space also known as XYZ which uses the 2° standard observer, an averaging of expe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Color Circle
A color wheel or color circle is an abstract illustrative organization of color hues around a circle, which shows the relationships between primary colors, secondary colors, tertiary colors etc. Some sources use the terms ''color wheel'' & ''color circle'' interchangeably; however, one term or the other may be more prevalent in certain fields or certain versions as mentioned above. For instance, some reserve the term ''color wheel'' for mechanical rotating devices, such as color tops, filter wheels or Newton disc. Others classify various color wheels as ''color disc'', ''color chart'', and ''color scale'' varieties. History In his book ''Opticks'', Isaac Newton presented a color circle to illustrate the relations between these colors. The original color circle of Isaac Newton showed only the spectral hues and was provided to illustrate a rule for the color of mixtures of lights, that these could be approximately predicted from the center of gravity of the numbers of "rays" ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wilhelm Ostwald
Friedrich Wilhelm Ostwald (; 4 April 1932) was a Baltic German chemist and German philosophy, philosopher. Ostwald is credited with being one of the founders of the field of physical chemistry, with Jacobus Henricus van 't Hoff, Walther Nernst, and Svante Arrhenius. He received the Nobel Prize in Chemistry in 1909 for his scientific contributions to the fields of catalysis, chemical equilibria and Reaction velocity, reaction velocities. Following his 1906 retirement from academic life, Ostwald became much involved in philosophy, art, and politics. He made significant contributions to each of these fields. He has been described as a polymath. Early life and education Ostwald was born ethnically Baltic German in Riga, Russian Empire (now Latvia) to cooper (profession), master-cooper Gottfried Wilhelm Ostwald (1824–1903) and Elisabeth Leuckel (1824–1903). He was the middle child of three, born after Eugen (1851–1932) and before Gottfried (1855–1918). Ostwald developed an i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Levkowitz
Willie Howard (April 13, 1883 – January 14, 1949) and Eugene Howard (July 7, 1880 – August 1, 1965), billed as the Howard Brothers, were Silesian-born American vaudeville performers of the first half of the 20th century. They were two of the earliest openly Jewish performers on the American stage. After performing in amateur night competitions, the brothers began separate professional theatre careers. Soon they were appearing together in burlesque and vaudeville, where, over the course of a decade, they established their reputation. The brothers were hired by the Shubert family in 1912 to perform in a series of successful revues on Broadway over the next decade called ''The Passing Show''. These were followed by another popular series of Broadway revues in the 1920s and 1930s called ''George White's Scandals''. They appeared in a few additional Broadway musicals, notably ''Girl Crazy''. In between these Broadway seasons, the brothers continued to be in great demand on the va ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tints And Shades
In color theory, a tint is a mixture of a color with white, which increases lightness, while a shade is a mixture with black, which increases darkness. Both processes affect the resulting color mixture's relative saturation. A tone is produced either by mixing a color with gray, or by both tinting and shading. Mixing a color with any neutral color (including black, gray, and white) reduces the chroma, or colorfulness, while the hue (the relative mixture of red, green, blue, etc. depending on the colorspace) remains unchanged. In the graphic arts, especially printmaking and drawing, "tone" has a different meaning, referring to areas of continuous color, produced by various means, as opposed to the linear marks made by an engraved or drawn line. In common language, the term ''shade'' can be generalized to encompass any varieties of a particular color, whether technically they are shades, tints, tones, or slightly different hues. Meanwhile, the term ''tint'' can be generali ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Composite Video
Composite video is an analog video signal format that carries standard-definition video (typically at 525 lines or 625 lines) as a single channel. Video information is encoded on one channel, unlike the higher-quality S-Video (two channels) and the even higher-quality component video (three or more channels). In all of these video formats, audio is carried on a separate connection. Composite video is also known by the initials CVBS for composite video baseband signal or color, video, blanking and sync, or is simply referred to as ''SD video'' for the standard-definition television signal it conveys. There are three dominant variants of composite video signals, corresponding to the analog color system used: NTSC, PAL, and SECAM. Usually composite video is carried by a yellow RCA connector, but other connections are used in professional settings. Signal components A composite video signal combines, on one wire, the video information required to recreate a color picture, a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
SECAM
SECAM, also written SÉCAM (, ''Séquentiel de couleur à mémoire'', French for ''color sequential with memory''), is an analog color television system that was used in France, some parts of Europe and Africa, and Russia. It was one of three major analog color television standards, the others being PAL and NTSC. This page primarily discusses the SECAM colour encoding system. The articles on broadcast television systems and analog television further describe frame rates, image resolution, and audio modulation. SECAM video is composite video because the luminance (luma, monochrome image) and chrominance (chroma, color applied to the monochrome image) are transmitted together as one signal. All the countries using SECAM are currently in the process of conversion, or have already converted to Digital Video Broadcasting (DVB), the new pan-European standard for digital television. SECAM remained a major standard into the 2000s. History Development of SECAM predates PAL, and be ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
NTSC
The first American standard for analog television broadcast was developed by National Television System Committee (NTSC)National Television System Committee (1951–1953), Report and Reports of Panel No. 11, 11-A, 12–19, with Some supplementary references cited in the Reports, and the Petition for adoption of transmission standards for color television before the Federal Communications Commission, n.p., 1953], 17 v. illus., diagrs., tables. 28 cm. LC Control No.:5402138Library of Congress Online Catalog/ref> in 1941. In 1961, it was assigned the designation CCIR System M, System M. In 1953, a second NTSC standard was adopted, which allowed for color television broadcast compatible with the existing stock of black-and-white receivers. It is one of three major color formats for analog television, the others being PAL and SECAM. NTSC color is usually associated with the System M. The only other broadcast television system to use NTSC color was the System J. Since the introdu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Luminance
Luminance is a photometric measure of the luminous intensity per unit area of light travelling in a given direction. It describes the amount of light that passes through, is emitted from, or is reflected from a particular area, and falls within a given solid angle. Brightness is the term for the ''subjective'' impression of the ''objective'' luminance measurement standard (see for the importance of this contrast). The SI unit for luminance is candela per square metre (cd/m2). A non-SI term for the same unit is the nit. The unit in the Centimetre–gram–second system of units (CGS) (which predated the SI system) is the stilb, which is equal to one candela per square centimetre or 10 kcd/m2. Description Luminance is often used to characterize emission or reflection from flat, diffuse surfaces. Luminance levels indicate how much luminous power could be detected by the human eye looking at a particular surface from a particular angle of view. Luminance is thus an i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Georges Valensi
M. Georges Valensi (1889–1980) was a French telecommunications engineer who, in 1938, invented and patented a method of transmitting color images via luma and chrominance so that they could be received on both color and black & white television sets. Rival color television methods, which had been in development since the 1920s, were incompatible with monochrome televisions. Valensi was an official of CCIF serving first as Secretary-General (1923–1948) and then as Director (1949–1956). All current widely deployed color television standards – NTSC, SECAM, PAL and today's digital standards – implement his idea of transmitting a signal composed of separate luminance and chrominance Chrominance (''chroma'' or ''C'' for short) is the signal used in video systems to convey the color information of the picture (see YUV color model), separately from the accompanying luma signal (or Y' for short). Chrominance is usually represente .... Because his invention pre-dated the actual i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
