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Grupo Renovación
The Grupo renovación was an Argentine composers' association founded in 1929 to promote modern music. The Grupo renovación was founded on 22 October 1929. The aims of the group were "to discuss compositions of its members; to perform and to publish their best works; to arrange performances of native music abroad; and to discuss publicly the general subject of music, with the intention of contribution to the progress of musical culture". The founding members were the older two Castro brothers (José María and Juan José), Gilardo Gilardi, Juan Carlos Paz, and Jacobo Ficher, a naturalized Russian. The third Castro brother, Washington, joined at some later date. In 1932, Juan José Castro and Gilardi left the group and Honorio Siccardi and Luis Gianneo joined. Gianneo remained until 1944. In 1936 Paz left the group to found his own series of concerts, Conciertos de la Nueva Música. Alfredo Pinto was briefly a member of the group in 1935. The organization eventually was transformed ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Juan José Castro
Juan José Castro (March 7, 1895September 3, 1968) was an Argentine composer and conductor. Born in Avellaneda, Castro studied piano and violin under Manuel Posadas and composition under Eduardo Fornarini, in Buenos Aires. In the 1920s he was awarded the Europa Prize, and then went on to study in Paris at the Schola Cantorum under Vincent d'Indy and Édouard Risler. Returning to Buenos Aires in 1925, he was named conductor of the Renacimiento Chamber Orchestra in 1928 and the Teatro Colón in 1930. From 1939 to 1943 he was a professor at the Buenos Aires Conservatory. Castro's international career began in the 1940s. In 1947 he conducted the Havana Philharmonic, and the Sodre Orchestra in Uruguay in 1949. In 1952-53 he was the conductor of the Melbourne Symphony Orchestra (then known as the Victorian Symphony Orchestra) in Australia. He returned to the Americas and conducted the National Symphony in Buenos Aires from 1956-1960. From 1960 to 1964, he was director of the Con ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gilardo Gilardi
Gilardo Gilardi (May 25, 1889 - January 16, 1963) was an Argentine composer, pianist, and conductor who was the eponym of the Gilardo Gilardi Conservatory of Music in La Plata, Buenos Aires. He was born in San Fernando, Argentina and first learned music from his father before studying with the composer Arturo Berutti in Buenos Aires. He began composing as a teenager and he premiered his first opera, '' Ilse'', at Teatro Colón opera house, aged 23. He co-founded the group '' Renovación'' (Renovation) in 1929, but left three years later, in 1932. He was professor at the University of La Plata and wrote an elementary course on harmony. Gilardi experimented with the pentatonic scale and Americas' Indigenous music. Some of their works are the operas ''Ilse'' (1923) and '' La leyenda del Urutaú'' (The legend of the Urutaú) (1935), '' Primera serie argentina'', (First Argentine series), '' Evocación quechua'', '' Gaucho con botas nuevas'' (Gaucho with new boots) (1938, orches ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Juan Carlos Paz
Juan Carlos Paz (5 August 1897 – 26 August 1972) was an Argentine composer and music theorist. Paz was born in Buenos Aires, either in 1897 or in 1901, where he studied piano with Roberto Nery and composition with Constantino Gaito and Eduardo Fornarini. He also studied organ with Jules Beyer, and then travelled to Paris to work with Vincent d'Indy at the Schola Cantorum. On 22 October 1929, a shared enthusiasm for new musical developments caused him, together with Juan José Castro and José María Castro, Gilardo Gilardi, and Jacobo Ficher, to form the Grupo renovación, with the aim of promoting the cause of modern music in Argentina. In 1936, Paz left the group to found his own concert series, the Conciertos de la Nueva Música. Paz was firmly opposed to the folkloristic approach to music that was widespread in Latin America in the 1930s and 1940s. Opinions differ about his earliest compositional styles. According to one authority, in the 1920s and early 1930s, his mu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jacobo Ficher
Jacobo Ficher (russian: Яков (Хакобо) Фишер; 15 January 1896 – 9 September 1978) was an Argentine composer, violinist, conductor, and music educator of Russian birth. Life Ficher was born in Odessa, Russia, to Alexander Ficher, a trombonist in the Odessa Philharmonic Orchestra, and his wife Iente Mirl (Elena) Gotz. He began to study the violin at the age of five, but his lessons were interrupted when his mother died. In 1903 he was able to resume his violin studies with Pyotr Stolyarsky, and later with M. T. Hait. From 1912 to 1917 he was enrolled at the Saint Petersburg Conservatory, where he continued his violin studies with Sergei Korguyev and Leopold Auer. His other teachers included Vasily Kalafati, Maximilian Steinberg, Nikolai Tcherepnin, and Nikolay Sokolov. On 3 June (Gregorian 16 June) 1920 he married Ana Aronberg, then a piano student at the Odessa Conservatory. The Revolution of 1917 was followed by deteriorating conditions in Odessa and so, in ord ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Luis Gianneo
Luis Gianneo (9 January 1897 – 15 August 1968) was an Argentine composer, pianist and conductor. As music educator, he was the teacher of composers Ariel Ramirez, Juan Carlos Zorzi, Marta Lambertini, , and Rodolfo Arizaga, among others. Founder of Orquesta Juvenil de Radio Nacional and co-founder of Symphonic Orchestra of Tucumán. Gianneo is acknowledged as a leading Argentine composer and one of the most influential members of the Grupo renovación, which he joined in 1931. He composed nearly 100 works including every genre except opera. His earliest compositions exhibit the influence of indigenous culture and landscape of northwest Argentina; after joining the Grupo renovación, he adopted a neoclassical approach; in 1960 he traveled to Europe, where he met Goffredo Petrassi and Luigi Dallapiccola, who brought his attention to the post-war avant-gardists and prompted him to incorporate a dissonant atonal language and free use of serialism In music, serialism is a me ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
International Society For Contemporary Music
The International Society for Contemporary Music (ISCM) is a music organization that promotes contemporary classical music. The organization was established in Salzburg in 1922 as Internationale Gesellschaft für Neue Musik (IGNM) following the Internationale Kammermusikaufführungen Salzburg, a festival of modern chamber music held as part of the Salzburg Festival. It was founded by the Austrian (later British) composer Egon Wellesz and the Cambridge academic Edward J Dent, who first met when Wellesz visited England in 1906. In 1936 the rival Permanent Council for the International Co-operation of Composers, set up under Richard Strauss, was accused of furthering Nazi Party cultural ambitions in opposition to the non-political ISCM. British composer Herbert Bedford, acting as co-Secretary, defended its neutrality. Aside from hiatuses in 1940 and 1943-5 due to World War II and in 2020–21 due to the global COVID-19 pandemic, the ISCM's core activity has been an annual festiv ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The New Grove Dictionary Of Music And Musicians
''The New Grove Dictionary of Music and Musicians'' is an encyclopedic dictionary of music and musicians. Along with the German-language ''Die Musik in Geschichte und Gegenwart'', it is one of the largest reference works on the history and theory of music. Earlier editions were published under the titles ''A Dictionary of Music and Musicians'', and ''Grove's Dictionary of Music and Musicians''; the work has gone through several editions since the 19th century and is widely used. In recent years it has been made available as an electronic resource called ''Grove Music Online'', which is now an important part of ''Oxford Music Online''. ''A Dictionary of Music and Musicians'' ''A Dictionary of Music and Musicians'' was first published in London by Macmillan and Co. in four volumes (1879, 1880, 1883, 1889) edited by George Grove with an Appendix edited by J. A. Fuller Maitland in the fourth volume. An Index edited by Mrs. E. Wodehouse was issued as a separate volume in 1890. In ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stanley Sadie
Stanley John Sadie (; 30 October 1930 – 21 March 2005) was an influential and prolific British musicologist, music critic, and editor. He was editor of the sixth edition of the '' Grove Dictionary of Music and Musicians'' (1980), which was published as the first edition of ''The New Grove Dictionary of Music and Musicians''. Along with Thurston Dart, Nigel Fortune and Oliver Neighbour he was one of Britain's leading musicologists of the post-World War II generation. Career Born in Wembley, Sadie was educated at St Paul's School, London, and studied music privately for three years with Bernard Stevens. At Gonville and Caius College, Cambridge he read music under Thurston Dart. Sadie earned Bachelor of Arts and Bachelor of Music degrees in 1953, a Master of Arts degree in 1957, and a PhD in 1958. His doctoral dissertation was on mid-eighteenth-century British chamber music. After Cambridge, he taught at Trinity College of Music, London (1957–1965). Sadie then turned to musi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Tyrrell (musicologist)
John Tyrrell (17 August 1942 – 4 October 2018) was a British musicologist. He published several books on Leoš Janáček, including an authoritative and largely definitive two-volume biography. Early life Tyrrell was born in Salisbury, Southern Rhodesia (now Harare, Zimbabwe), he studied at the universities of Cape Town, Oxford and Brno. He pursued his Bachelor of Music at the University of Cape Town following which he moved to Oxford University to pursue a doctoral degree under the supervision of Edmund Rubbra Career Tyrrell started his career working in an editorial capacity at The Musical Times. He was a Lecturer in Music at the University of Nottingham (1976), becoming Reader in Opera Studies (1987) and Professor (1996). From 1996 to 2000 he was Executive Editor of the second edition of ''The New Grove Dictionary of Music and Musicians'' (2001). From 2000-08, he was Research Professor at Cardiff University. He received numerous awards and honours throughout his career. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nicolas Slonimsky
Nicolas Slonimsky ( – December 25, 1995), born Nikolai Leonidovich Slonimskiy (russian: Никола́й Леони́дович Сло́нимский), was a Russian-born American conductor, author, pianist, composer and lexicographer. Best known for his writing and musical reference work, he wrote the ''Thesaurus of Scales and Melodic Patterns'' and the ''Lexicon of Musical Invective'', and edited ''Baker's Biographical Dictionary of Musicians''. His life Early life in Russia and Europe Slonimsky was born Nikolai Leonidovich Slonimskiy in Saint Petersburg. He was of Jewish origin; his grandfather was Rabbi Chaim Zelig Slonimsky. His parents adopted the Orthodox faith after the birth of his older brother, and Nicolas was baptized in the Russian Orthodox Church. His maternal aunt, Isabelle Vengerova, later a founder of Philadelphia's Curtis Institute of Music, was his first piano teacher. He grew up in the intelligentsia. After the Russian Revolution of 1917, he moved ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Organisations Based In Argentina
Music is generally defined as the art of arranging sound to create some combination of form, harmony, melody, rhythm or otherwise expressive content. Exact definitions of music vary considerably around the world, though it is an aspect of all human societies, a cultural universal. While scholars agree that music is defined by a few specific elements, there is no consensus on their precise definitions. The creation of music is commonly divided into musical composition, musical improvisation, and musical performance, though the topic itself extends into academic disciplines, criticism, philosophy, and psychology. Music may be performed or improvised using a vast range of instruments, including the human voice. In some musical contexts, a performance or composition may be to some extent improvised. For instance, in Hindustani classical music, the performer plays spontaneously while following a partially defined structure and using characteristic motifs. In modal jazz ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Composition Schools
A composition school is a group of composers or a style of composition purportedly shared by a group of composers, often from the same area or who studied in the same place. The membership of almost all groups is assigned by others and disputed. Older groups tend to be larger and are all assigned, while more contemporary groups tend to be more specific and may be self identified. For example, the title "mighty handful" was coined by music critic Vladimir Stasov in 1867 to describe the composers also referred to as The Five—first by Balakirev in 1870 , while the "Boston Six" were grouped by others and may include ten members. The international members of the Darmstadt School all attended the Darmstädter Ferienkurse. The Franco-Flemish School (1400–1630) is split into five generations, each of which have at least three members, while Les Six (1920) contains six members. See also *Prima pratica *Seconda pratica Seconda pratica, Italian for "second practice", is the counterpar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
