|
Grossvatertanz
The Grossvatertanz (Grandfather Dance) is a German dance tune from the 17th century. It is generally considered a traditional folk tune. It is a tripartite tune: * 8 bars in time, Andante * 4 bars of a different theme in time, Allegro (repeated) * 4 bars of a further theme, in time, Allegro (repeated). The first part was sung to the words: New lyrics to the first part of the tune were written by Klamer Eberhard Karl Schmidt in 1794 and August Friedrich Ernst Langbein in 1812, both "lengthy and dull pieces of ornate poetry" (Franz Magnus Böhme, 1886). (1766–1853) in 1823 composed a new tune to Langbein's lyrics, for which he has erroneously been claimed to be the real author. For many years, it was regularly played and danced at the end of wedding celebrations, and became known as the ("finale", turn-out). It became so associated with marriage that when Louis Spohr wrote a Festival March for the wedding of Princess Marie of Hesse to the Duke of Saxe-Meiningen in 1 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Robert Schumann
Robert Schumann (; 8 June 181029 July 1856) was a German composer, pianist, and influential music critic. He is widely regarded as one of the greatest composers of the Romantic era. Schumann left the study of law, intending to pursue a career as a virtuoso pianist. His teacher, Friedrich Wieck, a German pianist, had assured him that he could become the finest pianist in Europe, but a hand injury ended this dream. Schumann then focused his musical energies on composing. In 1840, Schumann married Friedrich Wieck's daughter Clara Wieck, after a long and acrimonious legal battle with Friedrich, who opposed the marriage. A lifelong partnership in music began, as Clara herself was an established pianist and music prodigy. Clara and Robert also maintained a close relationship with German composer Johannes Brahms. Until 1840, Schumann wrote exclusively for the piano. Later, he composed piano and orchestral works, and many Lieder (songs for voice and piano). He composed four symphoni ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Nutcracker
''The Nutcracker'' ( rus, Щелкунчик, Shchelkunchik, links=no ) is an 1892 two-act ballet (""; russian: балет-феерия, link=no, ), originally choreographed by Marius Petipa and Lev Ivanov with a score by Pyotr Ilyich Tchaikovsky (Op. 71). The libretto is adapted from E. T. A. Hoffmann's 1816 short story " The Nutcracker and the Mouse King". Although the original production was not a success, the 20-minute suite that Tchaikovsky extracted from the ballet was. The complete ''Nutcracker'' has enjoyed enormous popularity since the late 1960s and is now performed by countless ballet companies, primarily during the Christmas season, especially in North America. Major American ballet companies generate around 40% of their annual ticket revenues from performances of ''The Nutcracker''. The ballet's score has been used in several film adaptations of Hoffmann's story. Tchaikovsky's score has become one of his most famous compositions. Among other things, the scor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Papillons
''Papillons'' (French for "butterflies"), Op. 2, is a suite of piano pieces written in 1831 by Robert Schumann when he was 21 years old. The work is meant to represent a masked ball and was inspired by Jean Paul's novel ' (''The Awkward Age''). The suite begins with a six- measure introduction before launching into a variety of dance-like movements. Each movement is unrelated to the preceding ones, except that the second, A major, theme of the sixth movement recurs in G major in the tenth movement, and the theme of the first movement returns in the finale. notes that the 11th movement is appropriately a polonaise because the novel's character Wina is Polish. The last movement starts out by quoting the theme of the traditional "Großvatertanz" (Grandfather's Dance), which was always played at the end of a wedding or similar celebration. Repeated notes near the end of the piece suggest a clock striking, signifying the end of the ball. Structure The composition's twelve movement ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
German Folk Songs
German(s) may refer to: * Germany (of or related to) ** Germania (historical use) * Germans, citizens of Germany, people of German ancestry, or native speakers of the German language ** For citizens of Germany, see also German nationality law **Germanic peoples (Roman times) * German language **any of the Germanic languages * German cuisine, traditional foods of Germany People * German (given name) * German (surname) * Germán, a Spanish name Places * German (parish), Isle of Man * German, Albania, or Gërmej * German, Bulgaria * German, Iran * German, North Macedonia * German, New York, U.S. * Agios Germanos, Greece Other uses * German (mythology), a South Slavic mythological being * Germans (band), a Canadian rock band * "German" (song), a 2019 song by No Money Enterprise * ''The German'', a 2008 short film * "The Germans", an episode of ''Fawlty Towers'' * ''The German'', a nickname for Congolese rebel André Kisase Ngandu See also * Germanic (disambiguation ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
German Folk Dances
German(s) may refer to: * Germany (of or related to) ** Germania (historical use) * Germans, citizens of Germany, people of German ancestry, or native speakers of the German language ** For citizens of Germany, see also German nationality law **Germanic peoples (Roman times) * German language **any of the Germanic languages * German cuisine, traditional foods of Germany People * German (given name) * German (surname) * Germán, a Spanish name Places * German (parish), Isle of Man * German, Albania, or Gërmej * German, Bulgaria * German, Iran * German, North Macedonia * German, New York, U.S. * Agios Germanos, Greece Other uses * German (mythology), a South Slavic mythological being * Germans (band), a Canadian rock band * "German" (song), a 2019 song by No Money Enterprise * ''The German'', a 2008 short film * "The Germans", an episode of ''Fawlty Towers'' * ''The German'', a nickname for Congolese rebel André Kisase Ngandu See also * Germanic (disambiguation ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Max Friedlaender (musicologist)
Max Friedlaender (12 October 1852, Brieg/Brzeg, Province of Silesia, Prussia – 2 May 1934, Berlin) was a German bass singer, music editor, and musicologist. He specialized in German Lieder. Life Friedlaender studied voice with well-known teachers Manuel Garcia in London and Julius Stockhausen in Frankfurt, both of the bel-canto school. From 1881 to 1883 the singer lived and worked at Frankfurt, moving to Berlin in 1883. He received a doctorate from the University of Rostock in 1894 with a dissertation on Franz Schubert and joined the music faculty at Berlin University in 1894. Friedlaender emigrated to America in 1911 where he taught at Harvard University. He succeeded Rochus von Liliencron as general editor for a ''Book of National Songs for Men's Choirs'' first proposed by Kaiser Wilhelm II in 1906. In the 1920s, Friedlaender was closely involved in the formation of the ''Deutscher Volksliedarchiv'' (German folksong archive). The Nazi regime popularized the archive's work ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Grove's Dictionary Of Music And Musicians
''The New Grove Dictionary of Music and Musicians'' is an encyclopedic dictionary of music and musicians. Along with the German-language ''Die Musik in Geschichte und Gegenwart'', it is one of the largest reference works on the history and theory of music. Earlier editions were published under the titles ''A Dictionary of Music and Musicians'', and ''Grove's Dictionary of Music and Musicians''; the work has gone through several editions since the 19th century and is widely used. In recent years it has been made available as an electronic resource called ''Grove Music Online'', which is now an important part of ''Oxford Music Online''. ''A Dictionary of Music and Musicians'' ''A Dictionary of Music and Musicians'' was first published in London by Macmillan and Co. in four volumes (1879, 1880, 1883, 1889) edited by George Grove with an Appendix edited by J. A. Fuller Maitland in the fourth volume. An Index edited by Mrs. E. Wodehouse was issued as a separate volume in 1890. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eric Blom
Eric Walter Blom (20 August 188811 April 1959) was a Swiss-born British-naturalised music lexicographer, music critic and writer. He is best known as the editor of the 5th edition of '' Grove's Dictionary of Music and Musicians'' (1954). Biography Blom was born in Bern, Switzerland. His father was of Danish and British descent, and his mother was Swiss. He was educated in German-speaking Switzerland,Frank Howes, "Blom, Eric (Walter)" in ''Grove's Dictionary of Music and Musicians'', 5th edition, Supplementary Volume, 1961 and later in England. He was largely self-taught in music. He started in music journalism by assisting Rosa Newmarch in writing program notes for Sir Henry J. Wood's Prom Concerts, which were notable for their abundance of accurate information. From 1923 to 1931 he was the London music correspondent for the '' Manchester Guardian''. He then went to the '' Birmingham Post'' (1931–46, succeeding A J Sheldon), and returned to London in 1949, as music ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tempo (journal)
''Tempo'' is a quarterly peer-reviewed academic journal that specialises in music of the 20th century and contemporary music. It was established in 1939 as the 'house magazine' of the music publisher Boosey & Hawkes. ''Tempo'' was the brain-child of Arnold Schoenberg's pupil Erwin Stein, who worked for Boosey & Hawkes as a music editor. The journal's first editor was Ernest Chapman and it was intended to be a bi-monthly publication. Issues 1 to 4 appeared from January to July 1939; but owing to the outbreak of World War II there was a hiatus in publication until August 1941, when issue 5 appeared, and another until February 1944, when regular publication resumed with issue 6 on a roughly quarterly basis. Meanwhile, the New York City office of Boosey & Hawkes set up a separate American edition which produced six issues in 1940–1942 (numbered 1–6, independent of the UK numbering) and an unnumbered 'wartime edition' in February 1944. In 1946, the journal was enlarged and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jörg Widmann
Jörg Widmann (born 19 June 1973) is a German composer, conductor and clarinetist. In 2018, Widmann was the third most performed contemporary composer in the world. Formerly a clarinet and composition professor at the University of Music Freiburg, he is composition professor at the Barenboim–Said Akademie. His most important compositions are the two operas ''Babylon'' and '' Das Gesicht im Spiegel'', an oratorio ''Arche'', his string quartets and the concert overture '' Con brio''. Widmann wrote musical tributes to Classical and Romantic composers. He was awarded the Bavarian Maximilian Order for Science and Art in 2018. Education and career Widmann was born on 19 June 1973 in Munich, the son of a physicist and a teacher. He first took clarinet lessons in 1980. Four years later he became a composition student of Kay Westermann. Widmann attended the secondary school in Munich. He later studied composition with Hans Werner Henze, Wilfried Hiller, Heiner Goebbels and Wo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pyotr Ilyich Tchaikovsky
Pyotr Ilyich Tchaikovsky , group=n ( ; 7 May 1840 – 6 November 1893) was a Russian composer of the Romantic period. He was the first Russian composer whose music would make a lasting impression internationally. He wrote some of the most popular concert and theatrical music in the current classical repertoire, including the ballets '' Swan Lake'' and ''The Nutcracker'', the '' 1812 Overture'', his First Piano Concerto, Violin Concerto, the '' Romeo and Juliet'' Overture-Fantasy, several symphonies, and the opera ''Eugene Onegin''. Although musically precocious, Tchaikovsky was educated for a career as a civil servant as there was little opportunity for a musical career in Russia at the time and no system of public music education. When an opportunity for such an education arose, he entered the nascent Saint Petersburg Conservatory, from which he graduated in 1865. The formal Western-oriented teaching that he received there set him apart from composers of the contemporary ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carnaval (Schumann)
''Carnaval'', Op. 9, is a work by Robert Schumann for piano solo, written in 1834–1835 and subtitled ''Scènes mignonnes sur quatre notes'' (Little Scenes on Four Notes). It consists of 21 short pieces representing masked revelers at Carnival, a festival before Lent. Schumann gives musical expression to himself, his friends and colleagues, and characters from improvised Italian comedy (''commedia dell'arte''). He dedicated the work to the violinist Karol Lipiński. Background ''Carnaval'' had its origin in a set of variations on a ''Sehnsuchtswalzer'' by Franz Schubert, whose music Schumann had only discovered in 1827. The catalyst for writing the variations may have been a work for piano and orchestra by Schumann's close friend Ludwig Schuncke, a set of variations on the same Schubert theme. Schumann felt that Schuncke's heroic treatment was an inappropriate reflection of the tender nature of the Schubert piece, so he set out to approach his variations in a more intimate ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
.jpg "Click for more on -> Pyotr Ilyich Tchaikovsky")