Giuseppe Mentessi
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Giuseppe Mentessi
Giuseppe Mentessi (29 September 1857 in Ferrara, - 14 June 1931 in Milan) was an Italian painter. Biography He established himself as a painter in Milan, where he taught at the Brera Academy. He exhibited a triptych of the Madonna at the Biennale in Venice of 1897. Described as having a ''mystic suavity and spiritual grace'' ''The Italy of the Italians''
By Helen Zimmern, page 117 many of his painters center upon an emotive representation of motherhood. Innocente Cantinotti and

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Ferrara
Ferrara (, ; egl, Fràra ) is a city and ''comune'' in Emilia-Romagna, northern Italy, capital of the Province of Ferrara. it had 132,009 inhabitants. It is situated northeast of Bologna, on the Po di Volano, a branch channel of the main stream of the Po River, located north. The town has broad streets and numerous palaces dating from the Renaissance, when it hosted the court of the House of Este. For its beauty and cultural importance, it has been designated by UNESCO as a World Heritage Site. History Antiquity and Middle Ages The first documented settlements in the area of the present-day Province of Ferrara date from the 6th century BC. The ruins of the Etruscan town of Spina, established along the lagoons at the ancient mouth of Po river, were lost until modern times, when drainage schemes in the Valli di Comacchio marshes in 1922 first officially revealed a necropolis with over 4,000 tombs, evidence of a population centre that in Antiquity must have played a major rol ...
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Milan
Milan ( , , Lombard: ; it, Milano ) is a city in northern Italy, capital of Lombardy, and the second-most populous city proper in Italy after Rome. The city proper has a population of about 1.4 million, while its metropolitan city has 3.26 million inhabitants. Its continuously built-up urban area (whose outer suburbs extend well beyond the boundaries of the administrative metropolitan city and even stretch into the nearby country of Switzerland) is the fourth largest in the EU with 5.27 million inhabitants. According to national sources, the population within the wider Milan metropolitan area (also known as Greater Milan), is estimated between 8.2 million and 12.5 million making it by far the largest metropolitan area in Italy and one of the largest in the EU.* * * * Milan is considered a leading alpha global city, with strengths in the fields of art, chemicals, commerce, design, education, entertainment, fashion, finance, healthcar ...
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Giuseppe Mentessi (1857-1931) Ritratto Maschile (1926)
Giuseppe Mentessi (29 September 1857, Ferrara - 14 June 1931, Milan) was an Italian landscape and veduta painter. Biography He was born to Michele Mentessi, a merchant, and his wife Teresa, née Bentini. His father died when he was only seven. Despite having to help support his family, he was able to take drawing lessons at the Civic Art School in Ferrara. He then attended the Academy of Fine Arts of Parma, with the help of a government subsidy, where his primary instructor was Giacomo Giacopelli.Biography of Mentessi
by Alessandra Imbellone, from the ''Dizionario Biografico degli Italiani'' @ Treccani
In 1877, encouraged by his friends, he moved to Milan to complete his studies at the Brera Academy. There, he studied perspective with Luigi Bisi. He also attended a course on architecture and scenography, taught by Carl ...
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Brera Academy
The Accademia di Belle Arti di Brera ("academy of fine arts of Brera"), also known as the or Brera Academy, is a state-run tertiary public academy of fine arts in Milan, Italy. It shares its history, and its main building, with the Pinacoteca di Brera, Milan's main public museum for art. In 2010 an agreement was signed to move the accademia to a former military barracks, the Caserma Magenta in via Mascheroni. In 2018 it was announced that Caserma Magenta was no longer a viable option, with the former railway yard in Via Farini now under consideration as a potential venue for the campus extension. History The academy was founded in 1776 by Maria Theresa of Austria. In typical Enlightenment fashion, it shared premises with other cultural and scientific institutions – the astronomical observatory, the Orto Botanico di Brera, the Scuole Palatine for philosophy and law, the Gymnasium, laboratories for physics and chemistry, the Biblioteca di Brera, the agricultural society and ...
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Venice Biennale
The Venice Biennale (; it, La Biennale di Venezia) is an international cultural exhibition hosted annually in Venice, Italy by the Biennale Foundation. The biennale has been organised every year since 1895, which makes it the oldest of its kind. The main exhibition held in Castello, in the halls of the Arsenale and Biennale Gardens, alternates between art and architecture (hence the name ''biennale''; ''biennial''). The other events hosted by the Foundationspanning theatre, music, and danceare held annually in various parts of Venice, whereas the Venice Film Festival takes place at the Lido. Organization Art Biennale The Art Biennale (La Biennale d'Arte di Venezia), is one of the largest and most important contemporary visual art exhibitions in the world. So-called because it is held biannually (in odd-numbered years), it is the original biennale on which others in the world have been modeled. The exhibition space spans over 7,000 square meters, and artists from ov ...
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Innocente Cantinotti
Innocente Cantinotti (Milan, 1877–1940) was an Italian painter. Biography Innocente Cantinotti worked in his native city of Milan as an apprentice in the stained glass workshop of Pompeo Bertini,(Milan, 1857- Milan, 1899) son of Giuseppe Bertini''La Pittura lombarda nel secolo XIX.'' Tipografia Capriolo e Massimino, 1900, page 116. and enrolled at the Brera Academy, attending courses taught by Raffaele Casnedi, Giuseppe Bertini and Giuseppe Mentessi. Under the direction of Mentessi, he participated in the creation of the Railway Workers Triptych in 1898 for the salon at the Società Nazionale Mutuo Soccorso fra Ferrovieri e Lavoratori dei Trasporti in Milan. He was a socialist by persuasion and participated in the lively intellectual climate of the Famiglia Artistica, of which he was a member, exhibiting portraits and sanguine drawings at their annual exhibitions. From the beginning of the century until the 1920s, he was lucky enough to have the opportunity, together with Guido ...
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Antonio Sant'Elia
Antonio Sant'Elia (; 30 April 1888 – 10 October 1916) was an Italian architect and a key member of the Futurist movement in architecture. He left behind almost no completed works of architecture and is primarily remembered for his bold sketches and influence on modern architecture. Life Antonio Sant'Elia was born in Como, Lombardy. A builder by training, he opened a design office in Milan in 1912 and became involved with the Futurist movement. A nationalist as well as an irredentist, Sant'Elia joined the Italian army as Italy entered World War I in 1915. He was killed during the Eighth Battle of the Isonzo, near Gorizia. Writing The ''Manifesto of Futurist Architecture'' was published in August 1914, supposedly by Sant'Elia, though this is subject to debate. In it, the author stated that "''the decorative value of Futurist architecture depends solely on the use and original arrangement of raw or bare or violently colored materials''". His vision was for a highly industri ...
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19th-century Italian Painters
The 19th (nineteenth) century began on 1 January 1801 ( MDCCCI), and ended on 31 December 1900 ( MCM). The 19th century was the ninth century of the 2nd millennium. The 19th century was characterized by vast social upheaval. Slavery was abolished in much of Europe and the Americas. The First Industrial Revolution, though it began in the late 18th century, expanding beyond its British homeland for the first time during this century, particularly remaking the economies and societies of the Low Countries, the Rhineland, Northern Italy, and the Northeastern United States. A few decades later, the Second Industrial Revolution led to ever more massive urbanization and much higher levels of productivity, profit, and prosperity, a pattern that continued into the 20th century. The Islamic gunpowder empires fell into decline and European imperialism brought much of South Asia, Southeast Asia, and almost all of Africa under colonial rule. It was also marked by the collapse of the large ...
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Italian Male Painters
Italian(s) may refer to: * Anything of, from, or related to the people of Italy over the centuries ** Italians, an ethnic group or simply a citizen of the Italian Republic or Italian Kingdom ** Italian language, a Romance language *** Regional Italian, regional variants of the Italian language ** Languages of Italy, languages and dialects spoken in Italy ** Italian culture, cultural features of Italy ** Italian cuisine, traditional foods ** Folklore of Italy, the folklore and urban legends of Italy ** Mythology of Italy, traditional religion and beliefs Other uses * Italian dressing, a vinaigrette-type salad dressing or marinade * Italian or Italian-A, alternative names for the Ping-Pong virus, an extinct computer virus See also * * * Italia (other) * Italic (other) * Italo (other) * The Italian (other) * Italian people (other) Italian people may refer to: * in terms of ethnicity: all ethnic Italians, in and outside of Italy * ...
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Painters From Milan
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, nar ...
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Painters From Ferrara
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, nar ...
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