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Giovanni Paderna
Giovanni Paderna (17th century) was an Italian painter of the Baroque period. He trained with Girolamo Curti, became an accomplished imitator of Agostino Mitelli, the pre-eminent quadratura painter from Bologna. Paderna became a colleague of Baldassare Bianchi; and the latter, at the death of Paderna, having become Mitelli's son-in-law, was placed by the father-in-law to work with Giovanni Giacomo Monti Giovanni Giacomo Monti (born 1692) was an Italian painter of the Baroque period. He trained with Agostino Mitelli, the pre-eminent quadratura painter from Bologna. Monti became a colleague of Baldassare Bianchi, Mitelli's son-in-law. This part .... He died at age 40 years. References * 17th-century Italian painters Italian male painters Painters from Bologna Italian Baroque painters Quadratura painters Year of death unknown Year of birth unknown {{Italy-painter-17thC-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baroque
The Baroque (, ; ) is a style of architecture, music, dance, painting, sculpture, poetry, and other arts that flourished in Europe from the early 17th century until the 1750s. In the territories of the Spanish and Portuguese empires including the Iberian Peninsula it continued, together with new styles, until the first decade of the 19th century. It followed Renaissance art and Mannerism and preceded the Rococo (in the past often referred to as "late Baroque") and Neoclassical styles. It was encouraged by the Catholic Church as a means to counter the simplicity and austerity of Protestant architecture, art, and music, though Lutheran Baroque art developed in parts of Europe as well. The Baroque style used contrast, movement, exuberant detail, deep colour, grandeur, and surprise to achieve a sense of awe. The style began at the start of the 17th century in Rome, then spread rapidly to France, northern Italy, Spain, and Portugal, then to Austria, southern Germany, and Russia. B ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Girolamo Curti
Girolamo Curti (1575–1632) was an Italian painter of the early-Baroque, specializing in quadratura. Biography He was also called ''il Dentone''. He was born to a poor family at Bologna, and worked for cloth spinner till age 25. His first formal training was with the Cremonese painter Cesare Baglioni (no evident relation to Giovanni Baglione). He apparently quickly worked independently then rejoined his friend and fellow Bolognese and Baglione pupil, Lionello Spada. Together during the early 17th century, they began to collaborate in quadratura, with Curti painting the structures, while Spada painted the figures. They soon parted, with Spada becoming a canvas painter, and Curti was to travel to paint in Modena, Parma (1618 and 1630), Rome (1623) and Genoa. He returned from Rome to Bologna, and there was assisted by Michelangelo Colonna, Agostino Mitelli, and Andrea Seghizzi, and painted architectural backgrounds for Guercino frescoes. Much of his work has been lost over the centur ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Agostino Mitelli
Agostino Mitelli (16 March 1609 – 2 August 1660) was an Italian painter of the Baroque period and best known as a fresco painter of ''quadratura'' or illusionistic perspectival architectural frameworks. He was born in Battedizzo, near Bologna and died in Madrid while working for the court of Philip IV of Spain. He was a pupil of Gabriello Ferrantini (''degli Occhiali'') and Girolamo Curti. He had a long and fruitful collaboration with Michelangelo Colonna in northern and central Italy; Colonna principally executed the figurative elements and Mitelli, the ''quadratura'' framework. Examples of his ''quadratura'' can be found at Bologna, Parma, Modena, Florence, Rome, and Genoa, testifying to the popularity of the style. Colonna and Mitelli even travelled to Madrid, in 1658, to help decorate the Royal Alcazar and the Palace of Buen Retiro. Mitelli died in Madrid. He also published some etchings in a manuscript entitled ''Freggi dell'architettura da Agostino Mitelli''. Through ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Quadratura
Illusionistic ceiling painting, which includes the techniques of perspective ''di sotto in sù'' and ''quadratura'', is the tradition in Renaissance, Baroque and Rococo art in which ''trompe-l'œil'', perspective tools such as foreshortening, and other spatial effects are used to create the illusion of three-dimensional space on an otherwise two-dimensional or mostly flat ceiling surface above the viewer. It is frequently used to create the illusion of an open sky, such as with the oculus in Andrea Mantegna's Camera degli Sposi, or the illusion of an architectural space such as the cupola, one of Andrea Pozzo's frescoes in Sant'Ignazio, Rome. Illusionistic ceiling painting belongs to the general class of illusionism in art, designed to create accurate representations of reality. Di sotto in sù ''Di sotto in sù'' (or ''sotto in su''), which means "seen from below" or "from below, upward" in Italian, developed in late quattrocento Italian Renaissance painting, notably in Andre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bologna
Bologna (, , ; egl, label= Emilian, Bulåggna ; lat, Bononia) is the capital and largest city of the Emilia-Romagna region in Northern Italy. It is the seventh most populous city in Italy with about 400,000 inhabitants and 150 different nationalities. Its metropolitan area is home to more than 1,000,000 people. It is known as the Fat City for its rich cuisine, and the Red City for its Spanish-style red tiled rooftops and, more recently, its leftist politics. It is also called the Learned City because it is home to the oldest university in the world. Originally Etruscan, the city has been an important urban center for centuries, first under the Etruscans (who called it ''Felsina''), then under the Celts as ''Bona'', later under the Romans (''Bonōnia''), then again in the Middle Ages, as a free municipality and later ''signoria'', when it was among the largest European cities by population. Famous for its towers, churches and lengthy porticoes, Bologna has a well-preserved ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baldassare Bianchi
Baldassare Bianchi (1612 in Bologna – 1679) was an Italian painter of the Baroque period. Biography He was first a pupil of Giovanni Paderna, but after Paderna's death, he trained with Agostino Mitelli, the pre-eminent quadratura painter from Bologna. Bianchi married Mitelli's daughter. Bianchi became a colleague of Giovanni Giacomo Monti, another Mitelli pupil. This partnership also met with success particularly at Mantua, where they both received regular salaries from the Ducal government. Their figure-painter was Giovanni Battista Caccioli of Budrio, pupil to Domenico Maria Canuti, and a good disciple of Carlo Cignani. With Mitelli, he painted quadratura at Ducal palace of Sassuolo. He was also long employed by the dukes of Modena. He also decorated the theatres of Mantua and Modena. He died at Modena. His daughter, Lucrezia Bianchi, was also a painter. Enrico Haffner Enrico Haffner (August 1640 – 1702) was an Italian painter of quadratura during the Baro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giovanni Giacomo Monti
Giovanni Giacomo Monti (born 1692) was an Italian painter of the Baroque period. He trained with Agostino Mitelli, the pre-eminent quadratura painter from Bologna. Monti became a colleague of Baldassare Bianchi, Mitelli's son-in-law. This partnership also met with success particularly at Mantua, where they both received regular salaries from the Ducal Court. Their figure-painter was Giovanni Battista Caccioli of Budrio, pupil to Domenico Maria Canuti and a follower of Carlo Cignani Carlo Cignani (15 May 1628 – 8 September 1719) was an Italian painter. His innovative style referred to as his 'new manner' introduced a reflective, intimate mood of painting and presaged the later pictures of Guido Reni and Guercino, as well a .... References * Italian male painters Painters from Bologna Italian Baroque painters Quadratura painters 1692 births Year of death missing {{Italy-painter-17thC-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thomas Roscoe
Thomas Roscoe (Liverpool 23 June 1791 – 24 September 1871 London) was an English author and translator. Life The fifth son of William Roscoe, he was born in Toxteth Park, Liverpool in 1791, and educated by Dr. W. Shepherd and by Mr. Lloyd, a private tutor. Soon after his father's financial troubles in 1816, which led to bankruptcy, Roscoe began to write in local magazines and journals, and he continued to follow literature as a profession. He died at age 80, on 24 September 1871, at Acacia Road, St. John's Wood, London. Works Roscoe's major original works were: *''Gonzalo, the Traitor: a Tragedy'', 1820. *''The King of the Peak'' non. 1823, 3 vols. *''Owain Goch: a Tale of the Revolution'' non. 1827, 3 vols. *''The Tourist in Switzerland and Italy'', 1830; the first volume of the ''Landscape Annual'', followed for eight years by similar volumes on Italy, France, and Spain. *''Wanderings and Excursions in North Wales'', 1836. *''Wanderings in South Wales'', with Lou ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
17th-century Italian Painters
The 17th century lasted from January 1, 1601 ( MDCI), to December 31, 1700 ( MDCC). It falls into the early modern period of Europe and in that continent (whose impact on the world was increasing) was characterized by the Baroque cultural movement, the latter part of the Spanish Golden Age, the Dutch Golden Age, the French ''Grand Siècle'' dominated by Louis XIV, the Scientific Revolution, the world's first public company and megacorporation known as the Dutch East India Company, and according to some historians, the General Crisis. From the mid-17th century, European politics were increasingly dominated by the Kingdom of France of Louis XIV, where royal power was solidified domestically in the civil war of the Fronde. The semi-feudal territorial French nobility was weakened and subjugated to the power of an absolute monarchy through the reinvention of the Palace of Versailles from a hunting lodge to a gilded prison, in which a greatly expanded royal court could be more easily ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Italian Male Painters
Italian(s) may refer to: * Anything of, from, or related to the people of Italy over the centuries ** Italians, an ethnic group or simply a citizen of the Italian Republic or Italian Kingdom ** Italian language, a Romance language *** Regional Italian, regional variants of the Italian language ** Languages of Italy, languages and dialects spoken in Italy ** Italian culture, cultural features of Italy ** Italian cuisine, traditional foods ** Folklore of Italy, the folklore and urban legends of Italy ** Mythology of Italy, traditional religion and beliefs Other uses * Italian dressing, a vinaigrette-type salad dressing or marinade * Italian or Italian-A, alternative names for the Ping-Pong virus, an extinct computer virus See also * * * Italia (other) * Italic (other) * Italo (other) * The Italian (other) * Italian people (other) Italian people may refer to: * in terms of ethnicity: all ethnic Italians, in and outside of Italy * ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Painters From Bologna
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, narrative, sy ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Italian Baroque Painters
Italian(s) may refer to: * Anything of, from, or related to the people of Italy over the centuries ** Italians, an ethnic group or simply a citizen of the Italian Republic or Italian Kingdom ** Italian language, a Romance language *** Regional Italian, regional variants of the Italian language ** Languages of Italy, languages and dialects spoken in Italy ** Italian culture, cultural features of Italy ** Italian cuisine, traditional foods ** Folklore of Italy, the folklore and urban legends of Italy ** Mythology of Italy, traditional religion and beliefs Other uses * Italian dressing, a vinaigrette-type salad dressing or marinade * Italian or Italian-A, alternative names for the Ping-Pong virus, an extinct computer virus See also * * * Italia (other) * Italic (other) * Italo (other) * The Italian (other) * Italian people (other) Italian people may refer to: * in terms of ethnicity: all ethnic Italians, in and outside of Italy * i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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