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Giovanni Legrenzi
Giovanni Legrenzi (baptized August 12, 1626 – May 27, 1690) was an Italian composer of opera, vocal and instrumental music, and organist, of the Baroque era. He was one of the most prominent composers in Venice in the late 17th century, and extremely influential in the development of late Baroque idioms across northern Italy. Life Legrenzi was born at Clusone, near Bergamo, then part of the Republic of Venice. His father, Giovanni Maria Legrenzi, was a professional violinist and, to some extent, a composer. We know Legrenzi had two brothers and two sisters, though one of the brothers, Marco, apparently a talented musician who performed with his father and brother in the 1660s, is not mentioned in Legrenzi's will: it is presumed that he died young. His remaining brother and sisters are both mentioned in his will. Legrenzi was probably taught largely at home, and his performance skills developed at the local church, and it can also be assumed there was music-making in the house. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Legrenzi
Giovanni Legrenzi (baptized August 12, 1626 – May 27, 1690) was an Italian composer of opera, vocal and instrumental music, and organist, of the Baroque era. He was one of the most prominent composers in Venice in the late 17th century, and extremely influential in the development of late Baroque idioms across northern Italy. Life Legrenzi was born at Clusone, near Bergamo, then part of the Republic of Venice. His father, Giovanni Maria Legrenzi, was a professional violinist and, to some extent, a composer. We know Legrenzi had two brothers and two sisters, though one of the brothers, Marco, apparently a talented musician who performed with his father and brother in the 1660s, is not mentioned in Legrenzi's will: it is presumed that he died young. His remaining brother and sisters are both mentioned in his will. Legrenzi was probably taught largely at home, and his performance skills developed at the local church, and it can also be assumed there was music-making in the house. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thomas Hengelbrock
Thomas Hengelbrock (born 9 June 1958) is a German violinist, musicologist, stage director and conductor. Born in Wilhelmshaven, Hengelbrock studied the violin with Rainer Kussmaul. He started his career in Würzburg and Freiburg im Breisgau. He worked as an assistant to Witold Lutosławski, Mauricio Kagel and Antal Doráti and played with ensembles such as the Concentus Musicus Wien. In 1985, he cofounded the Freiburger Barockorchester, where he worked as a violinist and a leader of the ensemble. In 1991, Hengelbrock founded the ''Balthasar Neumann Chor'' in Freiburg. Subsequently, in 1995, he established the ''Balthasar Neumann Ensemble'' as a parallel orchestra with its namesake choir, to perform works from Baroque to contemporary music in Historically informed performances. He continues to work both Balthasar Neumann ensembles regularly. From 1995 to 1999, he was the first artistic director of the Deutsche Kammerphilharmonie Bremen. He was music director of the Volksop ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eteocle E Polinice
''Eteocle e Polinice'' (Eteocles and Polynices) is an opera in 3 acts composed by Giovanni Legrenzi with an Italian language libretto by Tebaldo Fattorini based on '' The Thebaid''. The opera premiered at the Teatro San Salvador in Venice on 13 December 1674. Background and performance history Little is known about the opera's librettist, Tebaldo Fattorini, apart from the fact that he came from a prominent family in Chioggia and was employed as a "house poet" for the Teatro San Salvador in Venice. In addition to writing ''Eteocle e Polinice'', he also significantly revised Nicolò Minato's libretto for a new version of Cavalli's ''Scipione africano'' in 1677 and may also have revised Giovanni Giovannini's original libretto for its setting by Legrenzi as ''Adone in Cipro'' in 1675. The libretto for the premiere performances of ''Eteocle e Polinice'' at the Teatro San Salvador in 1674 was dedicated of the "most noble ladies of Venice" ("Consacrato alle nobilissime dame di Venetia ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Zenobia E Radamisto
''Zenobia e Radamisto'' is an opera in 3 acts and nine scenes by composer Giovanni Legrenzi. The opera uses an Italian language libretto by Ippolito Bentivoglio (1611–1685). The third opera written by Legrenzi, the work premiered on 1 June 1665 at the Teatro Bonacossi in Ferrara in celebration of the marriage of Nicolò Santini and Maria Luisa Bonvisi. The opera was subsequently mounted in Brescia (1666), Verona (1667), and Macerata (1669). Legrenzi revised the work for the Venice premiere of the opera at the Teatro San Salvatore on 26 December 1667. The revised opera also utilized an altered version of Bentivoglio's libretto by Nicolò Minato. In 2013 the Italian Academy of Musical Research published the original 1665 version of the libretto and the first critical edition of the score. Roles * Tiridate, ''King of Assyria'' * Radamisto, ''disguised under the name of Creonte, King of Iberia and defeated King of Armenia'' *Zenobia Septimia Zenobia ( Palmyrene Aramaic: ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
George Frideric Handel
George Frideric (or Frederick) Handel (; baptised , ; 23 February 1685 – 14 April 1759) was a German-British Baroque music, Baroque composer well known for his opera#Baroque era, operas, oratorios, anthems, concerto grosso, concerti grossi, and organ concertos. Handel received his training in Halle (Saale), Halle and worked as a composer in Hamburg and Italy before settling in London in 1712, where he spent the bulk of his career and Handel's Naturalisation Act 1727, became a naturalised British subject in 1727. He was strongly influenced both by the middle-German polyphony, polyphonic choral tradition and by composers of the Italian Baroque. In turn, Handel's music forms one of the peaks of the "high baroque" style, bringing Italian opera to its highest development, creating the genres of English oratorio and organ concerto, and introducing a new style into English church music. He is consistently recognized as one of the greatest composers of his age. Handel started three c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Matins
Matins (also Mattins) is a canonical hour in Christian liturgy, originally sung during the darkness of early morning. The earliest use of the term was in reference to the canonical hour, also called the vigil, which was originally celebrated by monks from about two hours after midnight to, at latest, the dawn, the time for the canonical hour of lauds (a practice still followed in certain orders). It was divided into two or (on Sundays) three nocturns. Outside of monasteries, it was generally recited at other times of the day, often in conjunction with lauds. In the Byzantine Rite these vigils correspond to the aggregate comprising the midnight office, orthros, and the first hour. Lutherans preserve recognizably traditional matins distinct from morning prayer, but "matins" is sometimes used in other Protestant denominations to describe any morning service. In the Anglican daily office, the hour of matins (also spelled mattins) is a simplification of matins and lauds from th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vatican Library
The Vatican Apostolic Library ( la, Bibliotheca Apostolica Vaticana, it, Biblioteca Apostolica Vaticana), more commonly known as the Vatican Library or informally as the Vat, is the library of the Holy See, located in Vatican City. Formally established in 1475, although it is much older—it is one of the oldest libraries in the world and contains one of the most significant collections of historical texts. It has 75,000 codices from throughout history, as well as 1.1 million printed books, which include some 8,500 incunabula. The Vatican Library is a research library for history, law, philosophy, science, and theology. The Vatican Library is open to anyone who can document their qualifications and research needs. Photocopies for private study of pages from books published between 1801 and 1990 can be requested in person or by mail. Pope Nicholas V (1447–1455) envisioned a new Rome with extensive public works to lure pilgrims and scholars to the city to begin its transf ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Cetra
Cetra, a Latin word borrowed from Greek language, Greek, is an Italian descendant of ''κιθάρα'' (cithara). It is a synonym for the cittern but has been used for the citole and cithara (the lyre-form) and cythara (the lyre-form developing into a necked instrument). The cithara was a String instrument, stringed musical instrument, constructed in wood and similar to the lyre, with a larger harmonic case. It was widely used in ancient times. The instrument spread from ancient Greece, where it was played by professional Citharede, citaredi, to ancient Rome, Rome and Corsica. While originally a word for a lyre in Greece, eventually the word was applied to a necked-instrument. The name cetra was seen by musicologist and historian Laurence Wright as being synonymous with the citole, and in his entry in the ''New Grove Dictionary of Musical Instruments'' he said that cetera and cetra were Italian language words for the citole. The cetra used this way was a plucked instrument, rel ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giovanni Sebenico
Giovanni may refer to: * Giovanni (name), an Italian male given name and surname * Giovanni (meteorology), a Web interface for users to analyze NASA's gridded data * ''Don Giovanni'', a 1787 opera by Wolfgang Amadeus Mozart, based on the legend of Don Juan * Giovanni (Pokémon), boss of Team Rocket in the fictional world of Pokémon * Giovanni (World of Darkness), a group of vampires in ''Vampire: The Masquerade/World of Darkness'' roleplay and video game * "Giovanni", a song by Band-Maid from the 2021 album ''Unseen World'' * ''Giovanni's Island'', a 2014 Japanese anime drama film * ''Giovanni's Room'', a 1956 novel by James Baldwin * Via Giovanni, places in Rome See also * * *Geovani *Giovanni Battista *San Giovanni (other) *San Giovanni Battista (other) San Giovanni Battista is the Italian translation of Saint John the Baptist. It may also refer to: Italian churches * San Giovanni Battista, Highway A11, a church in Florence, Italy * San Giovanni Battista, Pra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tomaso Albinoni
Tomaso Giovanni Albinoni (8 June 1671 – 17 January 1751) was an Italian composer of the Baroque era. His output includes operas, concertos, sonatas for one to six instruments, sinfonias, and solo cantatas. While famous in his day as an opera composer, he is known today for his instrumental music, especially his concertos. He is best remembered today for a work called "Adagio in G minor", attributed to him but largely written by Remo Giazotto, a 20th century musicologist and composer, who was a cataloger of the works of Albinoni. Biography Born in Venice, Republic of Venice, to Antonio Albinoni, a wealthy paper merchant, he studied violin and singing. Relatively little is known about his life, which is surprising, considering his contemporary stature as a composer and the comparatively well-documented period in which he lived. In 1694 he dedicated his Opus 1 to the fellow-Venetian, Cardinal Pietro Ottoboni (grand-nephew of Pope Alexander VIII). His first opera, '' Zenobia, regin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Francesco Gasparini
Francesco Gasparini (19 March 1661 – 22 March 1727) was an Italian Baroque composer and teacher whose works were performed throughout Italy, and also on occasion in Germany and England. Biography Born in Camaiore, near Lucca, he studied in Rome with Corelli and Pasquini. His first important opera, ''Roderico'' (1694), was produced there. In 1702 he went to Venice and became one of the leading composers in the city. In 1720 he returned to Rome for his last important work, ''Tigrane'' (1724). He wrote the first opera using the story of Hamlet ('' Ambleto'', 1705) though this was not based on Shakespeare's play. Gasparini was also a teacher, the instructor of Marcello, Quantz and Domenico Scarlatti. He was musical director of the Ospedale della Pietà, where he employed Antonio Vivaldi as a violin master. He wrote a treatise on the harpsichord (1708). At one time, Metastasio was betrothed to his daughter. He died in Rome in 1727. Works Operas See List of operas by France ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antonio Lotti
Antonio Lotti (5 January 1667 – 5 January 1740) was an Italian composer of the Baroque era. Biography Lotti was born in Venice, although his father Matteo was ''Kapellmeister'' at Hanover at the time. Oral tradition says that in 1682, Lotti began studying with Lodovico Fuga and Giovanni Legrenzi, both of whom were employed at St Mark's Basilica, Venice's principal church, although there is no documentary evidence. Venice Lotti made his career at St Mark's, first as an alto singer (from 1689), then as assistant to the second organist, then as second organist (from 1692), then (from 1704) as first organist, and finally (from 1736) as ''maestro di cappella'', a position he held until his death. Because of the paucity of solid scholarship until recent decades, older reference books cite a good deal of misinformation regarding Lotti’s biography. Cicogna’s 1834 Delle inscrizioni Veneziane and Francesco Caffi’s 1854 ''Storia della Musica'' relied on oral tradition more than a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
