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Giovanni Breviario
Giovanni Breviario (27 November 1891 – 8 October 1982), was an Italian operatic tenor, particularly associated with Italian dramatic roles. Breviario was born at Bergamo. He studied in Milan with Dante Lari, and made his stage debut in Pola, as Il trovatore, Manrico, in 1924. He then sang the Italian repertory to considerable acclaim in the Netherlands from 1927 to 1934. In Italy, he sang at the Teatro Carlo Felice in Parma, La Fenice in Venice, Teatro Regio Parma, Teatro San Carlo in Naples, Teatro alla Scala in Milan. Abroad he appeared at Teatro Nacional Sao Carlos in Lisbon, Hungarian State Opera in Budapest, also making guest appearances at the opera houses of Malta and Cairo. He was especially appreciated in heroic roles such as; Norma (opera), Pollione, Les Huguenots, Raoul, Aida, Radames, Otello, Pagliacci, Canio, Andrea Chénier, Tosca, Cavaradossi, etc. He retired from the stage in 1949, and became a teacher at the Music Conservatory of Johannesburg in South Africa. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tenor
A tenor is a type of classical music, classical male singing human voice, voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. The tenor's vocal range extends up to C5. The low extreme for tenors is widely defined to be B2, though some roles include an A2 (two As below middle C). At the highest extreme, some tenors can sing up to the second F above middle C (F5). The tenor voice type is generally divided into the ''leggero'' tenor, lyric tenor, spinto tenor, dramatic tenor, heldentenor, and tenor buffo or . History The name "tenor" derives from the Latin word ''wikt:teneo#Latin, tenere'', which means "to hold". As Fallows, Jander, Forbes, Steane, Harris and Waldman note in the "Tenor" article at ''Grove Music Online'': In polyphony between about 1250 and 1500, the [tenor was the] structurally fundamental (or 'holding') voice, vocal or instrumental; by the 15th century it came to signify the male voice that ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Otello
''Otello'' () is an opera in four acts by Giuseppe Verdi to an Italian libretto by Arrigo Boito, based on Shakespeare's play ''Othello''. It was Verdi's penultimate opera, first performed at the Teatro alla Scala, Milan, on 5 February 1887. The composer was reluctant to write anything new after the success of ''Aida'' in 1871, and he retreated into retirement. It took his Milan publisher Giulio Ricordi the next ten years, first to encourage the revision of Verdi's 1857 ''Simon Boccanegra'' by introducing Boito as librettist and then to begin the arduous process of persuading and cajoling Verdi to see Boito's completed libretto for ''Otello'' in July/August 1881. However, the process of writing the first drafts of the libretto and the years of their revision, with Verdi all along not promising anything, dragged on. It wasn't until 1884, five years after the first drafts of the libretto, that composition began, with most of the work finishing in late 1885. When it finally premiere ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Italian Operatic Tenors
Italian(s) may refer to: * Anything of, from, or related to the people of Italy over the centuries ** Italians, an ethnic group or simply a citizen of the Italian Republic or Italian Kingdom ** Italian language, a Romance language *** Regional Italian, regional variants of the Italian language ** Languages of Italy, languages and dialects spoken in Italy ** Italian culture, cultural features of Italy ** Italian cuisine, traditional foods ** Folklore of Italy, the folklore and urban legends of Italy ** Mythology of Italy, traditional religion and beliefs Other uses * Italian dressing, a vinaigrette-type salad dressing or marinade * Italian or Italian-A, alternative names for the Ping-Pong virus, an extinct computer virus See also * * * Italia (other) * Italic (other) * Italo (other) * The Italian (other) * Italian people (other) Italian people may refer to: * in terms of ethnicity: all ethnic Italians, in and outside of Italy * in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1982 Deaths
__NOTOC__ Year 198 (CXCVIII) was a common year starting on Sunday (link will display the full calendar) of the Julian calendar. At the time, it was known as the Year of the Consulship of Sergius and Gallus (or, less frequently, year 951 ''Ab urbe condita''). The denomination 198 for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years. Events By place Roman Empire *January 28 **Publius Septimius Geta, son of Septimius Severus, receives the title of Caesar. **Caracalla, son of Septimius Severus, is given the title of Augustus. China *Winter – Battle of Xiapi: The allied armies led by Cao Cao and Liu Bei defeat Lü Bu; afterward Cao Cao has him executed. By topic Religion * Marcus I succeeds Olympianus as Patriarch of Constantinople (until 211). Births * Lu Kai (or Jingfeng), Chinese official and general (d. 269) * Quan Cong, Chinese general and advisor (d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1891 Births
Events January–March * January 1 ** Paying of old age pensions begins in Germany. ** A strike of 500 Hungarian steel workers occurs; 3,000 men are out of work as a consequence. **Germany takes formal possession of its new African territories. * January 2 – A. L. Drummond of New York is appointed Chief of the Treasury Secret Service. * January 4 – The Earl of Zetland issues a declaration regarding the famine in the western counties of Ireland. * January 5 **The Australian shearers' strike, that leads indirectly to the foundation of the Australian Labor Party, begins. **A fight between the United States and Indians breaks out near Pine Ridge agency. ** Henry B. Brown, of Michigan, is sworn in as an Associate Justice of the Supreme Court. **A fight between railway strikers and police breaks out at Motherwell, Scotland. * January 6 – Encounters continue, between strikers and the authorities at Glasgow. * January 7 ** General Miles' force ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vittorio Gui
Vittorio Gui (14 September 188516 October 1975) was an Italian conductor, composer, musicologist and critic. Gui was born in Rome in 1885. He graduated in humanities at the University of Rome and also studied composition at the Accademia Nazionale di Santa Cecilia; his principal composition teachers were the noted composers Giacomo Setaccioli and Stanislao Falchi. His style was "impressionistic with characteristic Italian traits".''The New Grove Dictionary of Music and Musicians'' Gui's opera ''David'' premiered in Rome in 1907; later that year, he made his professional conducting debut at the Teatro Adriano in Rome, leading Ponchielli's '' La Gioconda'' as a substitute. This led to invitations to conduct in Naples and Turin (he met Claude Debussy in Turin in 1911). In 1923, Arturo Toscanini invited him to conduct '' Salome'' by Richard Strauss as the season opener at La Scala in Milan. He conducted the Teatro Regio in Turin from 1925 to 1927; in his last year in Turin, he prem ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tancredi Pasero
Tancredi Pasero (11 January 1893 in Turin – 17 February 1983 in Milan) was an Italian bass who enjoyed a long and distinguished singing career in his native country and abroad. Career & recordings After studying with the baritone Arturo Pessina in Turin, Pasero made his debut there, during 1917, as Ramphis in Verdi's ''Aida''—although he always considered his official operatic debut to have taken place in Vicenza, on 15 December 1918, as Rodolfo in Vincenzo Bellini's ''La sonnambula''. According to ''The Concise Oxford Dictionary of Opera'', Pasero went on to make guest appearances in London, Paris, Barcelona, Berlin, Hamburg, Brussels, Buenos Aires and New York City. La Scala, Milan, where he made his debut in 1926, would become his main artistic home, but American audiences did get to hear him from 1929 until 1933, when he sang at the Metropolitan Opera. His roles at the Met included Oroveso, Raimondo, Ferrando, Fiesco, Padre Guardiano and Alvise. A performance ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ebe Stignani
Ebe Stignani (10 July 1903 – 5 October 1974) was an Italian opera singer, who was pre-eminent in the dramatic mezzo-soprano roles of the Italian repertoire during a stage career of more than thirty years. Career Born in Naples in 1903 (some sources cite her year of birth as 1904Obituary in ''The Times'', 11 Oct 1904, p. 16, col. E), Stignani studied music for five years at the San Pietro a Majella Conservatory in Naples, including piano and composition as well as singing. The date of her singing début is usually said to have been in 1925 at the San Carlo opera house in Naples, in the role of Amneris in Verdi's ''Aida'', but there is evidence that she may have sung a number of roles in the previous year. In 1926, she was invited to La Scala Milan by Arturo Toscanini to sing the part of Princess Eboli in Verdi's ''Don Carlos'', and Milan continued to be a principal stage for her during the rest of her career. She sang all of the major Italian mezzo-soprano roles, but also tac ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gina Cigna
Gina Cigna (6 March 1900 – 26 June 2001) was a French-Italian dramatic soprano. Biography Gina Cigna was born in Angers, department of Maine-et-Loire, to parents of Italian origin. She trained as a pianist at the Paris Conservatory studying with Alfred Cortot and graduated with a gold medal. She then started a career as a recitalist. She met French tenor Maurice Sens, whom she married in 1921, and following his advice turned to singing. She took private lessons with Emma Calvé, Hariclea Darclée and Rosina Storchio, but was mostly self-taught. She made her debut as Geneviève Sens in 1927 at the Teatro alla Scala, in Milan, as Freia in ''Das Rheingold'', and sang minor roles in ''Boris Godunov'' and '' Ariane et Barbe-Bleue'' under Arturo Toscanini, without much success. Two years later, still at La Scala, but this time under the name Gina Cigna, she sang the role of Donna Elvira in ''Don Giovanni'', and this time it was a triumph. A few weeks later she appeared as Elisabeth ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tosca
''Tosca'' is an opera in three acts by Giacomo Puccini to an Italian libretto by Luigi Illica and Giuseppe Giacosa. It premiered at the Teatro dell'Opera di Roma, Teatro Costanzi in Rome on 14 January 1900. The work, based on Victorien Sardou's 1887 French-language dramatic play, ''La Tosca'', is a melodramatic piece set in Rome in June 1800, with the Kingdom of Naples's control of Rome threatened by Napoleon's Campaigns of 1800 in the French Revolutionary Wars#Italy, invasion of Italy. It contains depictions of torture, murder, and suicide, as well as some of Puccini's best-known lyrical arias. Puccini saw Sardou's play when it was touring Italy in 1889 and, after some vacillation, obtained the rights to turn the work into an opera in 1895. Turning the wordy French play into a succinct Italian opera took four years, during which the composer repeatedly argued with his librettists and publisher. ''Tosca'' premiered at a time of unrest in Rome, and its first performance was delayed ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Andrea Chénier
''Andrea Chénier'' () is a verismo opera in four acts by Umberto Giordano, set to an Italian libretto by Luigi Illica, and first performed on 28 March 1896 at La Scala, Milan. The story is based loosely on the life of the French poet André Chénier (1762–1794), who was executed during the French Revolution. The character Carlo Gérard is partly based on Jean-Lambert Tallien, a leading figure in the Revolution. It remains popular with audiences, though less frequently performed than in the first half of the 20th century. One reason for its survival in the repertoire is the lyrical-dramatic music provided by Giordano for the tenor lead, which gives a talented singer opportunities to demonstrate his skills and flaunt his voice. Giuseppe Borgatti's triumph in the title role at the first performance immediately propelled him to the front rank of Italian opera singers. He went on to become Italy's greatest Wagnerian tenor, rather than a verismo-opera specialist. Performance ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pagliacci
''Pagliacci'' (; literal translation, "Clowns") is an Italian opera in a prologue and two acts, with music and libretto by Ruggero Leoncavallo. The opera tells the tale of Canio, actor and leader of a commedia dell'arte theatrical company, who murders his wife Nedda and her lover Silvio on stage during a performance. ''Pagliacci'' premiered at the Teatro Dal Verme in Milan on 21 May 1892, conducted by Arturo Toscanini, with Adelina Stehle as Nedda, Fiorello Giraud as Canio, Victor Maurel as Tonio, and Mario Ancona as Silvio. Soon after its Italian premiere, the opera played in London (with Nellie Melba as Nedda) and in New York (on 15 June 1893, with Agostino Montegriffo as Canio). ''Pagliacci'' is the composer's only opera that is still widely performed. ''Pagliacci'' is often staged with ''Cavalleria rusticana'' by Pietro Mascagni, a double bill known colloquially as "Cav and Pag". Origin and disputes Leoncavallo was a little-known composer when Pietro Mascagni's ''Cavalleria ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
