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Giovanni Andrea Donducci
Giovanni Andrea Donducci (1575–1655), also known as Mastelletta, was an Italian Baroque painter of the Bolognese School (painting). His father was a maker of vats (''mastelli''). Born in Bologna, he trained in the Carracci ''Academy degli Incamminati'' at about the time when Domenichino, Lucio Massari, and perhaps Albani were there. He belongs to the generation of Carracci- inspired or trained painters comprised by Giacomo Cavedone (1577–1660); Alessandro Tiarini (1577–1668), Lucio Massari, Lionello Spada (1576=1622), and Lorenzo Garbieri. Art biographer Malvasia claims he befriended the Genoese Agostino Tassi while in Rome. Between 1613-1614, he contributed to the decoration of the chapel of Saint Dominic in the Basilica of San Domenico in Bologna. On the right side of the chapel ''The Miracle of the Forty Drowned'' (1613) and on the left side the canvas ''Resurrection of the young Napoleone Orsini'' (1614). He also frescoed the patron saints of Bologna on the pende ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mastelletta 001
Giovanni Andrea Donducci (1575–1655), also known as Mastelletta, was an Italian Baroque painter of the Bolognese School (painting). His father was a maker of vats (''mastelli''). Born in Bologna, he trained in the Carracci ''Academy degli Incamminati'' at about the time when Domenichino, Lucio Massari, and perhaps Albani were there. He belongs to the generation of Carracci- inspired or trained painters comprised by Giacomo Cavedone (1577–1660); Alessandro Tiarini (1577–1668), Lucio Massari, Lionello Spada (1576=1622), and Lorenzo Garbieri. Art biographer Malvasia claims he befriended the Genoese Agostino Tassi while in Rome. Between 1613-1614, he contributed to the decoration of the chapel of Saint Dominic in the Basilica of San Domenico in Bologna. On the right side of the chapel ''The Miracle of the Forty Drowned'' (1613) and on the left side the canvas ''Resurrection of the young Napoleone Orsini'' (1614). He also frescoed the patron saints of Bologna on the pendentiv ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Basilica Of San Domenico
The Basilica of San Domenico is one of the major churches in Bologna, Italy. The remains of Saint Dominic, founder of the Order of Preachers ( Dominicans), are buried inside the exquisite shrine Arca di San Domenico, made by Nicola Pisano and his workshop, Arnolfo di Cambio and with later additions by Niccolò dell'Arca and the young Michelangelo. History Dominic Guzman, on arriving in Bologna in January 1218, was impressed by the vitality of the city and quickly recognized the importance of this university town to his evangelizing mission. A convent was established at the Mascarella church by the Blessed Reginald of Orleans. As this convent soon became too small for their increasing number, the preaching Brothers moved in 1219 to the small church of San Nicolò of the Vineyards at the outskirts of Bologna. St. Dominic settled in this church and held here the first two General Chapters of the order (1220 and 1221). Saint Dominic died in this church on 6 August 1221. He was bu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
17th-century Italian Painters
The 17th century lasted from January 1, 1601 ( MDCI), to December 31, 1700 ( MDCC). It falls into the early modern period of Europe and in that continent (whose impact on the world was increasing) was characterized by the Baroque cultural movement, the latter part of the Spanish Golden Age, the Dutch Golden Age, the French ''Grand Siècle'' dominated by Louis XIV, the Scientific Revolution, the world's first public company and megacorporation known as the Dutch East India Company, and according to some historians, the General Crisis. From the mid-17th century, European politics were increasingly dominated by the Kingdom of France of Louis XIV, where royal power was solidified domestically in the civil war of the Fronde. The semi-feudal territorial French nobility was weakened and subjugated to the power of an absolute monarchy through the reinvention of the Palace of Versailles from a hunting lodge to a gilded prison, in which a greatly expanded royal court could be more easily ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Italian Male Painters
Italian(s) may refer to: * Anything of, from, or related to the people of Italy over the centuries ** Italians, an ethnic group or simply a citizen of the Italian Republic or Italian Kingdom ** Italian language, a Romance language *** Regional Italian, regional variants of the Italian language ** Languages of Italy, languages and dialects spoken in Italy ** Italian culture, cultural features of Italy ** Italian cuisine, traditional foods ** Folklore of Italy, the folklore and urban legends of Italy ** Mythology of Italy, traditional religion and beliefs Other uses * Italian dressing, a vinaigrette-type salad dressing or marinade * Italian or Italian-A, alternative names for the Ping-Pong virus, an extinct computer virus See also * * * Italia (other) * Italic (other) * Italo (other) * The Italian (other) * Italian people (other) Italian people may refer to: * in terms of ethnicity: all ethnic Italians, in and outside of Italy * ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
16th-century Italian Painters
The 16th century begins with the Julian year 1501 ( MDI) and ends with either the Julian or the Gregorian year 1600 ( MDC) (depending on the reckoning used; the Gregorian calendar introduced a lapse of 10 days in October 1582). The 16th century is regarded by historians as the century which saw the rise of Western civilization and the Islamic gunpowder empires. The Renaissance in Italy and Europe saw the emergence of important artists, authors and scientists, and led to the foundation of important subjects which include accounting and political science. Copernicus proposed the heliocentric universe, which was met with strong resistance, and Tycho Brahe refuted the theory of celestial spheres through observational measurement of the 1572 appearance of a Milky Way supernova. These events directly challenged the long-held notion of an immutable universe supported by Ptolemy and Aristotle, and led to major revolutions in astronomy and science. Galileo Galilei became a champion o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1655 Deaths
Events January–March * January 5 – Emperor Go-Sai ascends to the throne of Japan. * January 7 – Pope Innocent X, leader of the Roman Catholic Church and the Papal States, dies after more than 10 years of rule. * February 14 – The Mapuches launch coordinated attacks against the Spanish in Chile, beginning the Mapuche uprising of 1655. * February 16 – Dutch Grand Pensionary advisor Johan de Witt marries Wendela Bicker. * March 8 – John Casor becomes the first legally recognized slave in what will become the United States, as a court in Northampton County in the Colony of Virginia issues its decision in the Casor lawsuit, the first instance of a judicial determination in the Thirteen Colonies holding that a person who had committed no crime could be held in servitude for life. * March 25 – Saturn's largest moon, Titan, is discovered by Christiaan Huygens. April–June * April 4 – Battle of Porto Farina, Tunis: En ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1575 Births
__NOTOC__ Year 1575 ( MDLXXV) was a common year starting on Saturday (link will display the full calendar) of the Julian calendar. Events January–June * January 21 – Queen Elizabeth I of England grants a monopoly on producing printed sheet music, to Thomas Tallis and William Byrd. * February 8 – William I of Orange founds Leiden University. * February 13 – Henry III of France is crowned at Reims. * February 14 – Henry III of France marries Louise de Lorraine-Vaudémont. * March 3 – Battle of Tukaroi: The Mughal Empire decisively defeats the Karrani dynasty of Bengal. * June 24 – William I of Orange marries Charlotte of Bourbon. * June 28 – Battle of Nagashino: Oda Nobunaga defeats Takeda Katsuyori in Japan's first ''modern'' battle. July–December * July 7 – Raid of the Redeswire: Sir John Carmichael defeats Sir John Forster, in the last battle between England and Scotland. * July 26 – Edmund Grindal su ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Niccolò Dell'Abbate
Niccolò dell'Abbate, sometimes Nicolò and Abate (1509 or 15121571) was a Mannerist Italian painter in fresco and oils. He was of the Emilian school, and was part of the team of artists called the School of Fontainebleau that introduced the Italian Renaissance to France. He may be found indexed under either "Niccolò" or "Abbate", though the former is more correct. Biography Niccolò dell'Abbate was born in Modena, the son of a violinist. He trained together with Alberto Fontana in the studio of Antonio Begarelli, a local Modenese sculptor; early influences included Ferrarese painters such as Garofalo and Dosso Dossi. He specialized in long friezes with secular and mythological subjects, including for the ''Palazzo dei Beccherie'' (1537); in various rooms of the '' Rocca di Scandiano'' owned by the counts Boiardo (whom he portrayed in the late 1530s) he created 12 frescoes, one for each book of ''The Aeneid'', and notably a courtly ceiling ''Concert'' composed of a ring of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Scarsellino
Scarsellino or Ippolito Scarsella (1550 (or 1551) – 28 October 1620) was an Italian mid-to-late sixteenth century reformist painter and one of the most important representatives of the School of Ferrara. His landscapes of both sacred and secular themes strongly anticipate the landscape painting traditions of the 17th century.Scarsellino (Ippolito Scarsella), ''Nymphs at the Bath'' at the Life [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alessandro Magnasco
Alessandro Magnasco (February 4, 1667 – March 12, 1749), also known as il Lissandrino, was an Italian late-Baroque painter active mostly in Milan and Genoa. He is best known for stylized, fantastic, often phantasmagoric genre or landscape scenes. Magnasco's distinctive style is characterized by fragmented forms rendered with swift brushstrokes and darting flashes of light. Life Born in Genoa to a minor artist, Stefano Magnasco, he apprenticed with Valerio Castello, and finally with Filippo Abbiati (1640–1715) in Milan. Except for 1703–09 (or 1709–11)Wittkower 1993, p. 478 when working in Florence for the Grand Duke Cosimo III, Magnasco labored in Milan until 1735, when he returned to his native Genoa. Magnasco often collaborated with placing figures in the landscapes of Tavella and the ruins of Clemente Spera in Milan. Mature style After 1710, Magnasco excelled in producing small, hypochromatic canvases with eerie and gloomy landscapes and ruins, or crowded interio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pendentive
In architecture, a pendentive is a constructional device permitting the placing of a circular dome over a square room or of an elliptical dome over a rectangular room. The pendentives, which are triangular segments of a sphere, taper to points at the bottom and spread at the top to establish the continuous circular or elliptical base needed for a dome. In masonry the pendentives thus receive the weight of the dome, concentrating it at the four corners where it can be received by the piers beneath. Prior to the pendentive's development, builders used the device of corbelling or squinches in the corners of a room. Pendentives commonly occurred in Orthodox, Renaissance, and Baroque churches, with a drum with windows often inserted between the pendentives and the dome. The first experimentation with pendentives began with Roman dome construction in the 2nd–3rd century AD, while full development of the form came in the 6th-century Eastern Roman Hagia Sophia at Constantinople. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Agostino Tassi
Agostino Tassi (born Agostino Buonamici; 1578 – 1644) was an Italian landscape and seascape painter, who was convicted of raping Artemisia Gentileschi in 1612. Because he aspired to nobility he modified the details of his early life. Though he was born in Perugia he claimed to have been born in Rome. His family name was Buonamici, but Agostino adopted the surname Tassi to give substance to his story that he was adopted by the Marchese Tassi. He was actually the son of a furrier named Domenico. Career Tassi may have worked for a time in Livorno, as well as in Florence. Among his followers or pupils in Livorno is thought to be Pietro Ciafferi. During his sojourn in Florence it is believed that he was made a galley slave in the Grand Duke's convict galleys for some unspecified crime. However, he was allowed to move about freely on the ship instead of pulling on an oar. More importantly, he was able to paint and draw on the galley, and was thus provided with ample material ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
