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Gian Domenico Partenio
Gian Domenico Partenio () was a Venetian composer of operas during the Baroque period. He served as vice ''maestro'' of St Mark's Basilica's Cappella Marciana from 1685, before succeeding Giovanni Battista Volpe as from 1692 until 1701. In 1672, he composed the music for Cristoforo Ivanovich's ''La costanza trionfante'', which premiered at Venice's San Moisè church. Partenio collaborated frequently with the librettist Matteo Noris. In November 1681, their opera ''Flavio Cuniberto'' was performed for the first time in the Teatro San Giovanni Grisostomo. A revised version of the opera premiered in the same theatre in 1687, with a new aria for the role of Theodata. In the same year, he composed the music for the second and third acts of Noris' ''Dionisio'', which was performed in the Teatro Santi Giovanni e Paolo. In 1682, he composed music for the first act of Nicolò Minato's ''La bugia regnante'', which was performed at a theatre in the Cannaregio district of Venice. He is a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Venice
Venice ( ; it, Venezia ; vec, Venesia or ) is a city in northeastern Italy and the capital of the Veneto Regions of Italy, region. It is built on a group of 118 small islands that are separated by canals and linked by over 400 bridges. The islands are in the shallow Venetian Lagoon, an enclosed bay lying between the mouths of the Po River, Po and the Piave River, Piave rivers (more exactly between the Brenta (river), Brenta and the Sile (river), Sile). In 2020, around 258,685 people resided in greater Venice or the ''Comune di Venezia'', of whom around 55,000 live in the historical island city of Venice (''centro storico'') and the rest on the mainland (''terraferma''). Together with the cities of Padua, Italy, Padua and Treviso, Italy, Treviso, Venice is included in the Padua-Treviso-Venice Metropolitan Area (PATREVE), which is considered a statistical metropolitan area, with a total population of 2.6 million. The name is derived from the ancient Adri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Teatro Malibran
The Teatro Malibran, known over its lifetime by a variety of names, beginning with the Teatro San Giovanni Grisostomo (or Crisostomo) after the nearby church,Lynn 2005, pp. 101—103 is an opera house in Venice which was inaugurated in 1678 with a production of the premiere of Carlo Pallavicino's opera ''Vespasiano''. By 1683, it had quickly become known as "the biggest, most beautiful and richest theatre in the city"The ''Mercure Gallant'', March 1683, in Lynn, p. 102 and its operatic importance throughout the 17th and 18th centuries led to an even grander description by 1730: :A true kingdom of marvels....that with the vastness of its magnificent dimension can be rightly compared to the splendours of ancient Rome and that with the grandeur of its more than regal dramatic performances has now conquered the applause and esteem of the whole world. Richly decorated, the theatre consisted of five levels of thirty boxes and a large stalls area. However, as an opera house, its success wa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1710 Deaths
Year 171 ( CLXXI) was a common year starting on Monday (link will display the full calendar) of the Julian calendar. At the time, it was known as the Year of the Consulship of Severus and Herennianus (or, less frequently, year 924 ''Ab urbe condita''). The denomination 171 for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years. Events By place Roman Empire * Emperor Marcus Aurelius forms a new military command, the ''praetentura Italiae et Alpium''. Aquileia is relieved, and the Marcomanni are evicted from Roman territory. * Marcus Aurelius signs a peace treaty with the Quadi and the Sarmatian Iazyges. The Germanic tribes of the Hasdingi (Vandals) and the Lacringi become Roman allies. * Armenia and Mesopotamia become protectorates of the Roman Empire. * The Costoboci cross the Danube (Dacia) and ravage Thrace in the Balkan Peninsula. They reach Eleusis, near Athens, and de ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antonio Cesti
Pietro Marc'Antonio Cesti () (baptism 5 August 162314 October 1669), known today primarily as an Italian composer of the Baroque era, was also a singer (tenor), and organist. He was "the most celebrated Italian musician of his generation". Biography He was born at Arezzo, and studied with various local musicians. In 1637 he joined the Order of Friars Minor, or Franciscans, a Roman Catholic religious group founded by Francis of Assisi. While he was in Volterra he turned more toward secular music, perhaps due to the patronage and influence of the powerful Medici family. Here he also came in contact with Salvator Rosa, who wrote libretti for a number of Cesti's cantatas. By 1650 Cesti's calling as a Franciscan friar and his success as a singer and composer for operas was coming into conflict, and he was officially reprimanded. In 1652 he became a member of the court at Innsbruck of Ferdinand Charles, Archduke of Austria. After holding a post somewhere in Florence as ''maestro di ca ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nicolò Beregan
Count Nicolò Beregan (also ''Berengani'' and ''Bergani''; 1627-1713) was an Italian nobleman, lawyer and amateur opera librettist. His ''Giustino'' was first set to music in 1683 by composer Giovanni Legrenzi for '' Il Giustino'', and later reused by both Vivaldi ( Giustino, 1724) and Handel ( Giustino, 1737). Librettos *''Annibale in Capita'', set by Pietro Andrea Ziani Pietro Andrea Ziani (1616 in Venice 1684 in Naples) was an Italian organist and composer.Rappresentazione sacra: geistliches Musikdrama am Wiener Kaiserhof Richard Bletschacher - 1985 PIETRO ANDREA ZIANI Wurde am 21. 12. 1616 in Venedig getauft. ..., 1661''Rivista politica e letteraria'' Volume 8 1899 Page 161 "All' Annibale in Capita, melodramma con poesia del conte Nicolò Beregan, patrizio veneto, e musica di D. Pietro Andrea Ziani, dato nel febbraio del 1661 nel teatro dei SS. Giovanni e Paolo, vi fu una tale ressa che una simile non si era mai " References {{DEFAULTSORT:Beregan, Nicolo Italian oper ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cannaregio
Cannaregio () is the northernmost of the six historic ''sestieri'' (districts) of Venice. It is the second largest ''sestiere'' by land area and the largest by population, with 13,169 people . Isola di San Michele, the historic cemetery island, is associated with the district. History The Cannaregio Canal, which was the main route into the city until the construction of a railway link to the mainland, gave the district its name (Canal Regio is Italian for Royal Canal). Development began in the eleventh century as the area was drained and parallel canals were dredged. Although elegant palazzos were built facing the Grand Canal, the area grew primarily with working class housing and manufacturing. Beginning in 1516, Jews were restricted to living in the Venetian Ghetto. It was enclosed by guarded gates and no one was allowed to leave from sunset to dawn. However, Jews held successful positions in the city such as merchants, physicians, money lenders, and other trades. Restricti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nicolò Minato
Count Nicolò Minato (b. Bergamo, ca. 1627; d. Vienna, 28 February 1698) was an Italian poet, librettist and impresario. His career can be divided into two parts: the years he spent at Venice, from 1650 to 1669, and the years at Vienna, from 1669 until his death. Minato is best remembered for his vast output as a librettist for opera. In total, he wrote over 200 librettos. His career began with '' Orimonte'', written in 1650 for Francesco Cavalli. At this time he worked primarily as a lawyer, and it was only over a decade later that he abandoned this, his first profession, and turned fully to the composition of librettos and theatre management (as did his contemporary, Giovanni Faustini. Minato was also a member of several literary academies, including, along with Busenello, the ''Accademia degli Imperfetti'', a group that devoted itself to studying the classics and contemporary jurisprudence. He wrote 11 librettos for Venice, most of them for Cavalli, though a few were first set by ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Teatro Santi Giovanni E Paolo
The Teatro Santi Giovanni e Paolo (often written as Teatro SS. Giovanni e Paolo) was a theatre and opera house in Venice located on the Calle della Testa, and takes its name from the nearby Basilica of Santi Giovanni e Paolo, Venice. Built by the Grimani family in 1638, in its heyday it was considered the most beautiful and comfortable theatre in the city. The theatre played an important role in the development of opera and saw the premieres of several works by Francesco Cavalli, as well as Monteverdi's '' Il ritorno d'Ulisse in patria'' and ''L'incoronazione di Poppea''. History The Grimani family originally built the theatre as a wooden structure on the Fondamenta Nuove around 1635. It was then rebuilt on a grander scale using both stone and wood in 1638 when it moved to the nearby Calle della Testa. It was built primarily for the performance of spoken drama, but from the very beginning operas were also performed there. In fact, the new theatre was inaugurated on 20 January 1639 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aria
In music, an aria (Italian: ; plural: ''arie'' , or ''arias'' in common usage, diminutive form arietta , plural ariette, or in English simply air) is a self-contained piece for one voice, with or without instrumental or orchestral accompaniment, normally part of a larger work. The typical context for arias is opera, but vocal arias also feature in oratorios and cantatas, or they can be stand-alone concert arias. The term was originally used to refer to any expressive melody, usually, but not always, performed by a singer. Etymology The Italian term ''aria'', which derives from the Greek ἀήρ and Latin ''aer'' (air), first appeared in relation to music in the 14th century when it simply signified a manner or style of singing or playing. By the end of the 16th century, the term 'aria' refers to an instrumental form (cf. Santino Garsi da Parma lute works, 'Aria del Gran Duca'). By the early 16th century it was in common use as meaning a simple setting of strophic poetry; me ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Matteo Noris
NGOs are an effective source of change and could be much more effective than governmental plans alone. Non federal government institutions typically take initiatives for delivering social adjustment in our society. Our agency is actually one-stop remedy for all your ngo consultancy similar concerns like ngo registration, trust registration, fcra, sign up of 12a and also ''' enrollment. NGOs have an amount of benefits that make all of them best for giving social services, like the fact that they are certainly not profit-driven and also therefore carry out certainly not need federal government funding. NGOs have actually had the ability to accomplish more for the world's bad in a briefer time period by applying sustainable advancement programs and lowering scarcity matched up to authorities policies alone. Matteo Noris (1640–1714) was an Italian poet. 1640 births 1714 deaths Italian opera librettists Italian poets Italian male poets Italian male dramatists and playwrights ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baroque Music
Baroque music ( or ) refers to the period or dominant style of Western classical music composed from about 1600 to 1750. The Baroque style followed the Renaissance period, and was followed in turn by the Classical period after a short transition, the galant style. The Baroque period is divided into three major phases: early, middle, and late. Overlapping in time, they are conventionally dated from 1580 to 1650, from 1630 to 1700, and from 1680 to 1750. Baroque music forms a major portion of the "classical music" canon, and is now widely studied, performed, and listened to. The term "baroque" comes from the Portuguese word ''barroco'', meaning " misshapen pearl". The works of George Frideric Handel and Johann Sebastian Bach are considered the pinnacle of the Baroque period. Other key composers of the Baroque era include Claudio Monteverdi, Domenico Scarlatti, Alessandro Scarlatti, Antonio Vivaldi, Henry Purcell, Georg Philipp Telemann, Jean-Baptiste Lully, Jean-Philippe R ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Librettist
A libretto (Italian for "booklet") is the text used in, or intended for, an extended musical work such as an opera, operetta, masque, oratorio, cantata or musical. The term ''libretto'' is also sometimes used to refer to the text of major liturgical works, such as the Mass, requiem and sacred cantata, or the story line of a ballet. ''Libretto'' (; plural ''libretti'' ), from Italian, is the diminutive of the word '' libro'' ("book"). Sometimes other-language equivalents are used for libretti in that language, ''livret'' for French works, ''Textbuch'' for German and ''libreto'' for Spanish. A libretto is distinct from a synopsis or scenario of the plot, in that the libretto contains all the words and stage directions, while a synopsis summarizes the plot. Some ballet historians also use the word ''libretto'' to refer to the 15 to 40 page books which were on sale to 19th century ballet audiences in Paris and contained a very detailed description of the ballet's story, scene by s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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