Giacomo Sagripanti
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Giacomo Sagripanti
Giacomo Sagripanti is an Italian conductor, born January 28, 1982, in Giulianova, Abruzzo. He specializes in opera and symphonic music. He began his musical studies at the Rossini Conservatory in Pesaro, in piano and composition. He also trained in symphonic music at the Academy of Music in Pesaro, before taking a three-year course at the Italian Opera School of the Teatro comunale in Bologna. He became assistant to renowned conductors such as Renato Palumbo and Bruno Bartoletti. He began his career with a production of Hansel and Gretel, in a children's show that toured extensively in Italy. He was subsequently invited to conduct rarities at the Martina Franca Festival, including Donizetti's Gianni di Parigi, Rossini's Aureliano in Palmira and Bellini's Zaira. He also took part in productions by the Associazione Lirica e Concertistica Italiana (ASLICO). He has conducted at Dresden's Semperoper (Rossini's La Cenerentola), Venice's La Fenice (Puccini's Madama Butterfly), Zürich ...
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Hansel And Gretel (opera)
''Hansel and Gretel'' (German: ') is an opera by nineteenth-century composer Engelbert Humperdinck, who described it as a ' (fairy-tale opera). The libretto was written by Humperdinck's sister, Adelheid Wette, based on the Grimm brothers' fairy tale "Hansel and Gretel". It is much admired for its folk music-inspired themes, one of the most famous being the "" ("Evening Benediction") from act 2. The idea for the opera was proposed to Humperdinck by his sister, who approached him about writing music for songs that she had written for her children for Christmas based on "Hansel and Gretel". After several revisions, the musical sketches and the songs were turned into a full-scale opera. Humperdinck composed ''Hansel and Gretel'' in Frankfurt in 1891 and 1892. The opera was first performed in the Hoftheater in Weimar on 23 December 1893, conducted by Richard Strauss. It has been associated with Christmas since its earliest performances and today it is still most often performed a ...
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Aureliano In Palmira
''Aureliano in Palmira'' is an operatic ''dramma serio'' in two acts written by Gioachino Rossini to an Italian libretto in which the librettist was credited only by the initials "G. F. R." The libretto has generally been attributed to Felice Romani, but sometimes to the otherwise unknown Gian Francesco Romanelli. It has been suggested that the latter name may have resulted from a confusion of Romani with Luigi Romanelli, La Scala's house poet prior to Romani's appointment to the post. The story was based on the libretto by Gaetano Sertor for Pasquale Anfossi's 1789 opera '' Zenobia in Palmira'' and it centers on the rivalry between the Roman Emperor Aurelian and Prince Arsace of Persia over the beautiful Zenobia, Queen of Palmyra. The act 1 duet between Zenobia and Arsace, "Se tu m'ami, o mia regina" (If you love me, oh my queen), was greatly admired by Stendhal. Although he had never seen a complete performance of ''Aureliano in Palmira'', he heard the duet in a c ...
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Zaira (opera)
''Zaira'' is a ''tragedia lirica'', or tragic opera in two acts by Vincenzo Bellini set to a libretto by Felice Romani which was based on Voltaire's 1732 play, ''Zaïre''. The story takes place in the time of the Crusades and the opera's plot involves the heroine, Zaira, struggling between her Christian faith and her love for Orosmane, the Muslim Sultan of Jerusalem. It was Bellini's fifth opera, following quickly after his February 1829 composition and premiere of ''La straniera'' at La Scala. ''Zaira'' received its first performance at the "Nuovo Teatro Ducale" in Parma (now the Teatro Regio di Parma) on 16 May 1829.Kimbell, in Holden, p. 49 Although it had been expressly written for the theatre's inauguration, it was a failure at its premiere. Composition history At around the time that Bellini was in discussions with impresario Domenico Barbaja about a second opera for La Scala to follow ''La straniera'', the composer reported to his friend Francesco Florimo in Naples th ...
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La Cenerentola
' (''Cinderella, or Goodness Triumphant'') is an operatic ''dramma giocoso'' in two acts by Gioachino Rossini. The libretto was written by Jacopo Ferretti, based on the libretti written by Charles-Guillaume Étienne for the opera '' Cendrillon'' with music by Nicolas Isouard (first performed Paris, 1810) and by Francesco Fiorini for ' with music by Stefano Pavesi (first performed Milan, 1814). All these operas are versions of the fairy tale '' Cendrillon'' by Charles Perrault. Rossini's opera was first performed in Rome's Teatro Valle on 25 January 1817. Rossini composed ''La Cenerentola'' when he was 25 years old, following the success of ''The Barber of Seville'' the year before. ''La Cenerentola'', which he completed in a period of three weeks, is considered to have some of his finest writing for solo voice and ensembles. Rossini saved some time by reusing an overture from '' La gazzetta'' and part of an aria from ''The Barber of Seville'' and by enlisting a collaborator, Luca ...
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Madama Butterfly
''Madama Butterfly'' (; ''Madame Butterfly'') is an opera in three acts (originally two) by Giacomo Puccini, with an Italian libretto by Luigi Illica and Giuseppe Giacosa. It is based on the short story "Madame Butterfly" (1898) by John Luther Long, which in turn was based on stories told to Long by his sister Jennie Correll and on the semi-autobiographical 1887 French novel '' Madame Chrysanthème'' by Pierre Loti.Chadwick Jenna"The Original Story: John Luther Long and David Belasco" on columbia.edu Long's version was dramatized by David Belasco as the one-act play '' Madame Butterfly: A Tragedy of Japan'', which, after premiering in New York in 1900, moved to London, where Puccini saw it in the summer of that year. The original version of the opera, in two acts, had its premiere on 17 February 1904 at La Scala in Milan. It was poorly received, despite having such notable singers as soprano Rosina Storchio, tenor Giovanni Zenatello and baritone Giuseppe De Luca in lead roles ...
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L'elisir D'amore
''L'elisir d'amore'' (''The Elixir of Love'', ) is a ' (opera buffa) in two acts by the Italian composer Gaetano Donizetti. Felice Romani wrote the Italian libretto, after Eugène Scribe's libretto for Daniel Auber's ' (1831). The opera premiered on 12 May 1832 at the Teatro della Canobbiana in Milan. Background Written in haste in a six-week period, ''L'elisir d'amore'' was the most often performed opera in Italy between 1838 and 1848 and has remained continually in the international opera repertory. Today it is one of the most frequently performed of all Donizetti's operas: it appears as number 13 on the Operabase list of the most-performed operas worldwide in the five seasons between 2008 and 2013. There are a large number of recordings. It contains the popular tenor aria "Una furtiva lagrima", a ''romanza'' that has a considerable performance history in the concert hall. Donizetti insisted on a number of changes from the original Scribe libretto. The best known of these ...
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Stabat Mater (Rossini)
Stabat Mater is a work by Gioachino Rossini based on the traditional structure of the Stabat Mater sequence for chorus and soloists. It was composed late in his career after retiring from the composition of opera. He began the work in 1831 but did not complete it until 1841. Composition In 1831 Rossini was traveling in Spain in the company of his friend the Spanish banker, Alexandre Aguado, owner of Château Margaux. In the course of the trip, Fernández Varela, a state councillor, commissioned a setting of the traditional liturgical text, the Stabat Mater. Rossini managed to complete part of the setting of the sequence in 1832, but ill health made it impossible for him to complete the commission. Having written only half the score (nos. 1 and 5–9), he asked his friend Giovanni Tadolini to compose six additional movements. Rossini presented the completed work to Varela as his own. It was premiered on Holy Saturday of 1833 in the Chapel of San Felipe el Real in Madrid, but this ...
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Seattle Opera
Seattle Opera is an opera company based in Seattle, Washington. It was founded in 1963 by Glynn Ross, who served as its first general director until 1983. The company's season runs from August through late May, comprising five or six operas of eight to ten performances each, often featuring double casts in major roles to allow for successive evening presentations. Since August 2003, Seattle Opera has performed at Marion Oliver McCaw Hall (capacity: 2,967), which was built on the site of the old Seattle Opera House at Seattle Center. The company's current general director is Christina Scheppelmann, who assumed the role in August 2019. Seattle Opera does not have a full-time music director; in October 2007, it announced the appointment of Asher Fisch as its principal guest conductor. The Ross years From the outset, Ross saw opera as something that had to be sold using similar techniques to those used to sell popular entertainment. "To sell opera…you have to get their attention ...
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International Opera Awards
The International Opera Awards is an annual awards ceremony honouring excellence in opera around the world. Origins The International Opera Awards was founded in 2013 by Harry Hyman, a UK businessman, philanthropist and supporter of opera, and John Allison, Editor of ''Opera (British magazine), Opera'' Magazine. The aim of the event is to celebrate excellence in opera and to raise the profile of opera as an artform internationally. Award categories Awards are given in approximately 20 categories each year. Nominations for all categories are open to the general public, who submit their choices via an online form. Long lists generated by this process are subsequently considered by a jury of opera critics and administrators, who announce shortlists ahead of the ceremony. Winners are determined by secret ballot, with the exception of the ''Opera'' Magazine Readers' Award, which is decided by public vote. Ceremony The inaugural international Opera Awards were held in London at ...
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Zuzana Marková (soprano)
Zuzana Marková (born 1988) is a Czech coloratura soprano who appears in leading roles internationally, with a focus on Italian belcanto roles, such as Donizetti's Lucia di Lammermoor and Bellini's Elvira. Training Born in Prague, Marková studied at the Prague Conservatory, voice with her mother Jiřina Marková, piano with , and conducting with Miriam Němcová and Hynek Farkač. She participated in master classes with Mietta Sighele and Veriano Luchetti in Riva del Garda, Italy. She further studied with Paola Pittaluga from the Teatro Comunale di Bologna in 2010 and 2011. Career In 2003, Marková won the "Prague Singer" competition, and won second prize in the "Dušek's Singing Competition" in Prague. In 2012, she won second prize at the Ernst Häfliger International Singing Competition in Switzerland. Marková made her opera debut at the age of sixteen, performing as Frantiska in Emil František Burian's ''Opera z pouti'' at the National Moravian-Silesian Theatre in Os ...
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Italian Male Conductors (music)
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