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Aureliano In Palmira
''Aureliano in Palmira'' is an operatic ''dramma serio'' in two acts written by Gioachino Rossini to an Italian libretto in which the librettist was credited only by the initials "G. F. R." The libretto has generally been attributed to Felice Romani, but sometimes to the otherwise unknown Gian Francesco Romanelli. It has been suggested that the latter name may have resulted from a confusion of Romani with Luigi Romanelli, La Scala's house poet prior to Romani's appointment to the post. The story was based on the libretto by Gaetano Sertor for Pasquale Anfossi's 1789 opera '' Zenobia in Palmira'' and it centers on the rivalry between the Roman Emperor Aurelian and Prince Arsace of Persia over the beautiful Zenobia, Queen of Palmyra. The act 1 duet between Zenobia and Arsace, "Se tu m'ami, o mia regina" (If you love me, oh my queen), was greatly admired by Stendhal. Although he had never seen a complete performance of ''Aureliano in Palmira'', he heard the duet in a c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gioachino Rossini
Gioachino Antonio Rossini (29 February 1792 – 13 November 1868) was an Italian composer who gained fame for his 39 operas, although he also wrote many songs, some chamber music and piano pieces, and some sacred music. He set new standards for both comic and serious opera before retiring from large-scale composition while still in his thirties, at the height of his popularity. Born in Pesaro to parents who were both musicians (his father a trumpeter, his mother a singer), Rossini began to compose by the age of 12 and was educated at music school in Bologna. His first opera was performed in Venice in 1810 when he was 18 years old. In 1815 he was engaged to write operas and manage theatres in Naples. In the period 1810–1823 he wrote 34 operas for the Italian stage that were performed in Venice, Milan, Ferrara, Naples and elsewhere; this productivity necessitated an almost formulaic approach for some components (such as overtures) and a certain amount of self-borrowing. During ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Palmyrene Empire
The Palmyrene Empire was a short-lived breakaway state from the Roman Empire resulting from the Crisis of the Third Century. Named after its capital city, Palmyra, it encompassed the Roman provinces of Syria Palaestina, Arabia Petraea, and Egypt, as well as large parts of Asia Minor. The Palmyrene Empire was ruled by Queen Zenobia, officially as regent for her son Vaballathus, who inherited the throne in 267 at age ten. In 270, Zenobia rapidly conquered most of the Roman east, attempting to maintain relations with Rome as a legitimate power. In 271, she claimed the imperial title for both herself and her son, fighting a short war with the Roman emperor Aurelian, who conquered Palmyra and captured Zenobia. A year later the Palmyrenes rebelled, which led Aurelian to destroy Palmyra. Despite its brief existence, the Palmyrene Empire is remembered for having been ruled by one of the most ambitious and powerful women in antiquity. It is also hailed in Syria, where it plays an import ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alessandro Sanquirico
Alessandro Sanquirico (27 July 1777, in Milan – 12 March 1849, in Milan) was an Italian scenic designer, architect, and painter. He began his career in conjunction with leading artists of the time such as Paolo Landriani, Giovanni Pedroni, Giovanni Perego, and Georgio Fuentes.Sheren in Grove 1998, pp. 168–169. Additionally, he studied architecture and perspective with Giuseppe Piermarini, the architect of the La Scala opera house. Altogether, he designed over 300 productions for that house, including many premières. Specifically, they included four operas by Vincenzo Bellini. Works For fifteen years, from 1818 to 1832, Sanquirico dominated the visual style of La Scala, not only on stage, but also in the auditorium. He designed the ballets of Salvatore Viganò at the beginning of the 19th century, and the world premières of Rossini's ''La gazza ladra'', Bellini's ''Il pirata'', ''La straniera'', ''La sonnambula'' as well as ''Norma'' in 1831. His set designs were prepar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alessandro Rolla
Alessandro Rolla (; 23 April 175714 September 1841) was an Italian viola and violin virtuoso, composer, conductor and teacher. His son, Antonio Rolla, was also a violin virtuoso and composer. His fame now rests mainly as "teacher of the great Paganini", yet his role was very important in the development of violin and viola technique. Some of the technical innovations that Paganini later used largely, such as left-hand pizzicato, chromatic ascending and descending scales, the use of very high positions on violin and viola, octave passages, were first introduced by Rolla. Life Rolla was born in Pavia, Italy, in 1757 and after his initial studies he moved to Milan where, from 1770 to 1778, he studied with Giovanni Andrea Fioroni, Maestro di cappella at Milan Cathedral, who was the most important musician in Milan after G. B. Sammartini. Charles Burney, in his musical tour in Italy, refers to Fioroni to acquire information about the Ambrosian Chant. In 1772, he made his first pub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lorenza Correa
Lorenza Correa (1773–1831) was a Spanish stage actress and opera singer. She had a successful national and international career in Spain, France and Italy in the period 1790-1810 which made her famous in her time. She was born in 1773 in Málaga. In 1786 she began to work in Barcelona, and in the next year, was the eleventh lady in the company of Martínez. She was engaged by the company of Martínez at the two Royal Theatres in Madrid, Teatro de la Cruz The Teatro de la Cruz was, during its nearly 200-year existence, the principal theater for comedy in Madrid. History Founded by the Hermandad de la Soledad in 1584, it soon became the premier venue of its time for Spanish comedy. In 1743, it was ... and Teatro del Príncipe, between 1787 and 1804. In 1788 she stood out as singer. She participated in a number of important productions. In 1804, she left Spain after a conflict with the royal theatre directory and left for Paris, where she hade great success. She spent the res ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giovanni David
Giovanni David (15 September 1790 in Naples – 1864 in Saint Petersburg) was an Italian tenor particularly known for his roles in Rossini operas. Overview David (also known as Davide) was the son of the tenor Giacomo David, with whom he studied. He made his operatic début in Siena in 1808 in ''Adelaide de Guesclino'' by Johann Simon Mayr. He is notable for the principal roles written for him by Gioachino Rossini, mostly for Domenico Barbaia's theatres in Naples: *Narciso in ''Il turco in Italia'' (1814) *Rodrigo in '' Otello'' (1816) *Ricciardo in ''Ricciardo e Zoraide'' (1818) *Oreste in ''Ermione'' (1819) *Uberto ( James IV of Scotland) in ''La donna del lago'' (1819) *Ilo in ''Zelmira'' (1822) He also created the roles of Fernando in the revised version of Bellini's ''Bianca e Fernando'' (1828) and Leicester in Donizetti's ''Il castello di Kenilworth'' (1829). David was noted for his vocal range of almost 3 octaves in performance (up to b′&prime). However, accordi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giovanni Battista Velluti
Giovanni Battista Velluti, colloquially "Giambattista" (28 January 1780 – 22 January 1861), was an Italian castrato. Considered "the last great castrato", he had a reputation of being something of a diva, with some singers refusing to appear with him. Biography Born in Pausula (near Macerata), Italy, a local doctor castrated him at the age of eight as treatment for a cough and high fever. Velluti's father, who had planned on a military career for his son, enrolled him in musical training. He became close friends with Luigi Cardinal Chiaramonte, the man who would become Pope Pius VII, after singing a cantata sometime in his teenage years. In 1800, he made his debut at Forlì. The last great castrato roles were composed specifically for him: Arsace in Rossini's ''Aureliano in Palmira'' (1813) and Armando in Meyerbeer's '' Il crociato in Egitto'' (1824). He made his London debut in 1825 in ''Il crociato in Egitto''. The crowds reacted poorly to his initial performances as he wa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Castrato
A castrato (Italian, plural: ''castrati'') is a type of classical male singing voice equivalent to that of a soprano, mezzo-soprano, or contralto. The voice is produced by castration of the singer before puberty, or it occurs in one who, due to an endocrinological condition, never reaches sexual maturity. Castration before puberty (or in its early stages) prevents the larynx from being transformed by the normal physiological events of puberty. As a result, the vocal range of prepubescence (shared by both sexes) is largely retained, and the voice develops into adulthood in a unique way. Prepubescent castration for this purpose diminished greatly in the late 18th century. Methods of castration used to terminate on the onset of puberty varied. Methods involved using opium to medically induce a coma, then submerging the boy into an ice or milk bath where the procedure of either severing the vas deferens (similar to a vasectomy), twisting the testicles until they atrophied, or comp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carnival
Carnival is a Catholic Christian festive season that occurs before the liturgical season of Lent. The main events typically occur during February or early March, during the period historically known as Shrovetide (or Pre-Lent). Carnival typically involves public celebrations, including events such as parades, public street parties and other entertainments, combining some elements of a circus. Elaborate costumes and masks allow people to set aside their everyday individuality and experience a heightened sense of social unity.Bakhtin, Mikhail. 1984. ''Rabelais and his world''. Translated by H. Iswolsky. Bloomington: Indiana University Press. Original edition, ''Tvorchestvo Fransua Rable i narodnaia kul'tura srednevekov'ia i Renessansa'', 1965. Participants often indulge in excessive consumption of alcohol, meat, and other foods that will be forgone during upcoming Lent. Traditionally, butter, milk, and other animal products were not consumed "excessively", rather, their stoc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The New York Times
''The New York Times'' (''the Times'', ''NYT'', or the Gray Lady) is a daily newspaper based in New York City with a worldwide readership reported in 2020 to comprise a declining 840,000 paid print subscribers, and a growing 6 million paid digital subscribers. It also is a producer of popular podcasts such as '' The Daily''. Founded in 1851 by Henry Jarvis Raymond and George Jones, it was initially published by Raymond, Jones & Company. The ''Times'' has won 132 Pulitzer Prizes, the most of any newspaper, and has long been regarded as a national " newspaper of record". For print it is ranked 18th in the world by circulation and 3rd in the U.S. The paper is owned by the New York Times Company, which is publicly traded. It has been governed by the Sulzberger family since 1896, through a dual-class share structure after its shares became publicly traded. A. G. Sulzberger, the paper's publisher and the company's chairman, is the fifth generation of the family to head the pa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Barber Of Seville
''The Barber of Seville, or The Useless Precaution'' ( it, Il barbiere di Siviglia, ossia L'inutile precauzione ) is an ''opera buffa'' in two acts composed by Gioachino Rossini with an Italian libretto by Cesare Sterbini. The libretto was based on Pierre Beaumarchais's French comedy ''The Barber of Seville'' (1775). The première of Rossini's opera (under the title ''Almaviva, o sia L'inutile precauzione'') took place on 20 February 1816 at the Teatro Argentina, Rome, with designs by Angelo Toselli. Rossini's ''Barber of Seville'' has proven to be one of the greatest masterpieces of comedy within music, and has been described as the opera buffa of all "opere buffe". After two hundred years, it remains a popular work. Composition history Rossini's opera recounts the events of the first of the three plays by French playwright Pierre Beaumarchais that revolve around the clever and enterprising character named Figaro, the barber of the title. Mozart's opera ''The Marriage of Fi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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