|
Gypsy Davy (film)
''Gypsy Davy'' is a 2011 documentary film, directed by Rachel Leah Jones, and co-produced by Jones and Philippe Ballaiche. Synopsis The film is narrated by the director, Rachel Leah Jones, as a letter to her father. Her father is "David Serva," who was born David Jones, in Berkeley, California. Described as a "white-boy with Alabama roots", he went on to become a well known flamenco guitarist- the first American to have a successful career in flamenco in Spain. Jones' mother, Judith Jones, was a "Brooklyn-born Jewish girl" who became a flamenco dancer. The two started a family in Berkeley, California, in the early 1970s. Serva quickly abandoned his wife and baby daughter, and during his life and career, he amassed a total of five wives, and had children with each of them. Through her own memories and those of his other children and wives, in ''Gypsy Davy'' Jones creates a personal and political portrait of a man, and examines the legacy of an artist and his family. Productio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rachel Leah Jones
Rachel Leah Jones (born 1970) is an American-Israeli documentary film director and producer. Her documentary film '' Advocate'' about the controversial human rights lawyer Leah Tsemel, which she co-directed and co-produced with cinematographer Philippe Bellaïche, premiered at 2019 Sundance Film Festival, and won top prizes at Kraków Film Festival, Thessaloniki Documentary Festival and Docaviv Festival. Early life and education Jones was born in Berkeley, California and raised in Tel Aviv. She has a BA in Race, Class, & Gender Studies and the Politics of Representation from Evergreen College in Olympia, Washington, and an MFA in Media Arts Production from the City University of New York. Over the years, Jones has worked extensively on socially and politically engaged documentaries about Israel/Palestine and has been affiliated with progressive media outlets such as the (anti-)Occupation Club in Tel Aviv, the joint Israeli/Palestinian Alternative Information Center in Je ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Screen International
''Screen International'' is a British film magazine covering the international film business. It is published by Media Business Insight, a British B2B media company. The magazine is primarily aimed at those involved in the global film business. The magazine in its current form was founded in 1975, and its website, ''Screendaily.com'', was added in 2001. ''Screen International'' also produces daily publications at film festivals and markets in Berlin, Germany; Cannes, France; Toronto, Ontario, Canada; the American Film Market in Santa Monica, California; and Hong Kong. History ''Screen International'' traces its history back to 1889 with the publication of ''Optical Magic Lantern and Photographic Enlarger''. At the turn of the 20th century, the name changed to ''Cinematographic Journal'' and in 1907 it was renamed '' Kinematograph and Lantern Weekly''. Kinematograph Weekly ''Kinematograph and Lantern Weekly'' contained trade news, advertisements, reviews, exhibition advice, a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
2011 Films
The following is an overview of the events of 2011 in film, including the highest-grossing films, film festivals, award ceremonies and a list of films released and notable deaths. More film sequels were released in 2011 than any other year before it, with 28 sequels released. Evaluation of the year Richard Brody of ''The New Yorker'' observed that the best films of 2011 "exalt the metaphysical, the fantastical, the transformative, the fourth-wall-breaking, or simply the impossible, and—remarkably—do so ... These films depart from 'reality' ... not in order to forget the irrefutable but in order to face it, to think about it, to act on it more freely". Film critic and filmmaker Scout Tafoya of '' RogerEbert.com'' considers the year of 2011 as the best year for cinema, countering the notion of 1939 being film's best year overall, citing examples such as ''Drive'', ''The Tree of Life'', ''Once Upon a Time in Anatolia'', ''Keyhole'', '' Contagion'', ''The Adventures of Tintin'', ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
IndieWire
IndieWire (sometimes stylized as indieWIRE or Indiewire) is a film industry and review website that was established in 1996. The site's focus was predominantly independent film, although its coverage has grown to "to include all aspects of Hollywood and the expanding universes of TV and streaming." IndieWire is part of Penske Media. History The original IndieWire newsletter launched on July 15, 1996, billing itself as "the daily news service for independent film." Following in the footsteps of various web- and AOL-based editorial ventures, IndieWire was launched as a free daily email publication in the summer of 1996 by New York- and Los Angeles-based filmmakers and writers Eugene Hernandez, Mark Rabinowitz, Cheri Barner, Roberto A. Quezada, and Mark L. Feinsod. Initially distributed to a few hundred subscribers, the readership grew rapidly, passing 6,000 in late 1997. In January 1997, IndieWire made its first appearance at the Sundance Film Festival to begin their coverage o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
500 Dunam On The Moon
''500 Dunam on the Moon'' is a 2002 documentary film directed by Rachel Leah Jones about Ein Hod, a Palestinian village that was captured and depopulated by Israeli forces as part of the 1948 Palestinian expulsion and flight in the 1948 Arab–Israeli War. Synopsis The 700 year-old Palestinian village of Ayn Hawd was captured by Israeli forces in the 1948 war. The village was depopulated, most of its residents sent to refugee camps in Jordan and the West Bank. In 1953, Marcel Janco, a Romanian painter and a founder of the Dada movement, decided to "preserve" the village, transforming it into a Jewish artists' colony, turning the mosque into a cafe/bar, and renaming it Ein Hod. ''500 Dunam on the Moon'' tells the story of the village founded by Abu Hilmi, one of the original inhabitants, who, after the expulsion, created a "new Ayn Hawd" on what used to be his pastureland in the hills, only 1.5 kilometers away. This new Ayn Hawd is not on any map, and is not recognized by Isra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ashkenaz (film)
''Ashkenaz'' is a 2007 Israeli documentary film, directed by Rachel Leah Jones. Synopsis Ashkenazim – Jews of European origin – are Israel's "white folks." Like most white people in multicultural societies, Ashkenazim do not think of themselves in racial or ethnic terms, but rather as "just people", whereas people from any other cultural group are "ethnic" and "minorities". However, in the Israeli context, sometimes even the minority status of oppressed or disadvantaged groups is denied, because (as was frequently said by interviewees in the film) by now, "aren't we all just Israeli?" Yiddish has been replaced with Hebrew, exile with occupation, the shtetl with the kibbutz. But the paradox of whiteness in Israel is that Ashkenazim aren't exactly "white folks" historically. By reviewing both Ashkenazi history and attitudes held by Israelis of Ashkenazi extraction, the film interrogates racial politics in Israel, and seeks to expose and raise to consciousness the existence o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Advocate (2019 Film)
''Advocate'' is a 2019 Israeli documentary film, directed by Rachel Leah Jones and Philippe Bellaïche. The film premiered at the 2019 Sundance Festival, and went on to win top prizes at Thessaloniki Documentary Festival, Kraków Film Festival, Hong Kong International Film Festival and Docaviv Festival. ''Advocate'' won the Emmy for Best Documentary in the 42nd News and Documentary Emmy Awards. Synopsis The film follows Jewish-Israeli human-rights lawyer Lea Tsemel as she navigates through the Israeli judicial system in defense of Palestinians accused of terrorism. The film includes archival footage of past cases Tsemel was involved in over a five-decade long career; interviews with Tsemel and her family members, including her husband, Michel Warschawski and their daughter and son, as well as interns and associates at Tsemel's law firm; and closely follows two contemporary cases represented by Tsemel and her co-counsel, Tareq Barghout. The first case the film follows is ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Hollywood Reporter
''The Hollywood Reporter'' (''THR'') is an American digital and print magazine which focuses on the Cinema of the United States, Hollywood film industry, film, television, and entertainment industries. It was founded in 1930 as a daily trade paper, and in 2010 switched to a weekly Wide-format printer, large-format print magazine with a revamped website. As of 2020, the day-to-day operations of the company are handled by Penske Media Corporation through a joint venture with Eldridge Industries. History Early years; 1930–1987 ''The Hollywood Reporter'' was founded in 1930 by William R. Wilkerson, William R. "Billy" Wilkerson (1890–1962) as Hollywood's first daily entertainment trade newspaper. The first edition appeared on September 3, 1930, and featured Wilkerson's front-page "Tradeviews" column, which became influential. The newspaper appeared Monday-to-Saturday for the first 10 years, except for a brief period, then Monday-to-Friday from 1940. Wilkerson used caustic articles ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vox (magazine)
''Vox'' was a British music magazine, first issued in October 1990. It was published by IPC Media, and was later billed as a monthly sister-magazine to IPC's music weekly, the ''NME''. Although ''Vox'' was seen as IPC's response to EMAP's ''Q'' magazine, it was unable to match the circulation figures generated by ''Q'' in the 1990s and was closed in the late 1990s as IPC had launched ''Uncut''. Even though ''Uncut'' was first established as an entertainment magazine targeting men aged 25 to 45 with a mixture of movies and music, it soon moved into the space vacated by ''Vox'' in the magazine marketplace, becoming more of a music magazine aimed at EMAP's rival ''Mojo'' (now published by the Bauer Media Group). See also * ''Uncut'' magazine – published by IPC/TI Media/BandLab Technologies * ''Later'' magazine – published by IPC (1999–2001) * ''Mojo'' magazine – published by EMAP/Bauer * ''Q'' magazine – published by EMAP/Bauer (1986–2020) * ''Select'' magazine ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Variety (magazine)
''Variety'' is an American media company owned by Penske Media Corporation. The company was founded by Sime Silverman in New York City in 1905 as a weekly newspaper reporting on theater and vaudeville. In 1933 it added ''Daily Variety'', based in Los Angeles, to cover the motion-picture industry. ''Variety.com'' features entertainment news, reviews, box office results, cover stories, videos, photo galleries and features, plus a credits database, production charts and calendar, with archive content dating back to 1905. History Foundation ''Variety'' has been published since December 16, 1905, when it was launched by Sime Silverman as a weekly periodical covering theater and vaudeville with its headquarters in New York City. Silverman had been fired by ''The Morning Telegraph'' in 1905 for panning an act which had taken out an advert for $50. As a result, he decided to start his own publication "that ouldnot be influenced by advertising." With a loan of $1,500 from his father- ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Screen Daily
''Screen International'' is a British film magazine covering the international film business. It is published by Media Business Insight, a British B2B media company. The magazine is primarily aimed at those involved in the global film business. The magazine in its current form was founded in 1975, and its website, ''Screendaily.com'', was added in 2001. ''Screen International'' also produces daily publications at film festivals and markets in Berlin, Germany; Cannes, France; Toronto, Ontario, Canada; the American Film Market in Santa Monica, California; and Hong Kong. History ''Screen International'' traces its history back to 1889 with the publication of ''Optical Magic Lantern and Photographic Enlarger''. At the turn of the 20th century, the name changed to ''Cinematographic Journal'' and in 1907 it was renamed '' Kinematograph and Lantern Weekly''. Kinematograph Weekly ''Kinematograph and Lantern Weekly'' contained trade news, advertisements, reviews, exhibition advice, a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Northwest Film Center
PAM CUT–Center for an Untold Tomorrow, formerly the ''Northwest Film Center'' is a Pacific Northwest, regional media arts resource and service organization based in Portland, Oregon, Portland, Oregon, United States that was founded to encourage the study, appreciation, and utilization of film. The center provides a variety of film and video exhibition, education and information programs primarily directed to the residents of Oregon, Washington (U.S. state), Washington, Idaho, Montana and Alaska. History The center was founded as the Northwest Film Study Center in 1971, and incorporated into the Portland Art Museum in 1978. The center was located in Portland's historic Guild Theatre (Portland, Oregon), Guild Theatre from 1998 to 2006. Sponsors of the center include the National Endowment for the Arts, Oregon Arts Commission, Oregon Cultural Trust, Washington State Arts Commission, Regional Arts & Culture Council, The Ted R. Gamble Film Endowment, The Rose E. Tucker Charitable Tru ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
