Gustav-Adolf Mossa
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Gustav-Adolf Mossa
Gustav-Adolf Mossa (28 January 1883 – 25 May 1971) was a French illustrator, playwright, essayist, curator and late Symbolist painter. Early life Mossa was born 28 January 1883 in Nice, to an Italian mother, Marguerite Alfieri, and , an artist, founding curator of the Musée des Beaux-Arts de Nice (Nice Museum of Fine Arts) and organiser of the Nice Carnival from 1873. Art and theatre work Mossa received his initial artistic training from his father before studying at the School of Decorative Arts in Nice until 1900, where he became acquainted with Art Nouveau and was later introduced to the Symbolist movement after visiting the Exposition Universelle in the same year. Mossa was heavily inspired by the art of Symbolist painter Gustave MoreauMichael Gibson, ''Symbolism'', 1999, p.238 and Symbolist writers, such as Charles Baudelaire, Stéphane Mallarmé, Jules Barbey d'Aurevilly and Joris-Karl Huysmans. The main body of Mossa's public and private art work was create ...
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Nice
Nice ( , ; Niçard: , classical norm, or , nonstandard, ; it, Nizza ; lij, Nissa; grc, Νίκαια; la, Nicaea) is the prefecture of the Alpes-Maritimes department in France. The Nice agglomeration extends far beyond the administrative city limits, with a population of nearly 1 millionDemographia: World Urban Areas
, Demographia.com, April 2016
on an area of . Located on the , the southeastern coast of France on the , at the foot of the

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Femme Fatale
A ''femme fatale'' ( or ; ), sometimes called a maneater or vamp, is a stock character of a mysterious, beautiful, and seductive woman whose charms ensnare her lovers, often leading them into compromising, deadly traps. She is an archetype of literature and art. Her ability to enchant, entice and hypnotize her victim with a spell was in the earliest stories seen as verging on supernatural; hence, the femme fatale today is still often described as having a power akin to an enchantress, seductress, witch, having power over men. Femmes fatales are typically villainous, or at least morally ambiguous, and always associated with a sense of mystification, and unease.Mary Ann Doane, ''Femme Fatales'' (1991) pp. 1–2 The term originates from the French phrase '' femme fatale'', which means 'deadly woman' or 'lethal woman'. A femme fatale tries to achieve her hidden purpose by using feminine wiles such as beauty, charm, or sexual allure. In many cases, her attitude towards sexuality is ...
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Galerie Georges Petit
Georges Petit (11 March 1856 – 12 May 1920) was a French art dealer, a key figure in the Paris art world and an important promoter and cultivator of Impressionist artists. Early career Petit was the son of François Petit, who founded the firm of art dealers at 7, rue Saint-Georges (Paris) in 1846. Within just a few years, the ''Galerie François Petit'' was among the most powerful firms in the French art market. According to Robert Jensen in his book ''Marketing Modernism in Fin-de-Siecle Europe'', the auction house assumed, "multiple roles that ran the gamut from certifying the authenticity of the object, to guiding it through the hazards of the marketplace, to establishing its provenance and enlisting critics and historians to situate the artist's importance." Georges Petit inherited the firm, as well as a château and 3 million francs in 1877. He constructed a town house on the rue de Sèze. His annual expenses amounted to some 400,000 francs. That's what he spent ...
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Royal Museums Of Fine Arts Of Belgium
The Royal Museums of Fine Arts of Belgium (french: Musées royaux des Beaux-Arts de Belgique, nl, Koninklijke Musea voor Schone Kunsten van België) are a group of art museums in Brussels, Belgium. They include six museums: the Oldmasters Museum, the Magritte Museum, the Fin-de-Siècle Museum, the Modern Museum, the Antoine Wiertz Museum and the Constantin Meunier Museum. The Royal Museums contains over 20,000 drawings, sculptures, and paintings, covering a period extending from the early 15th century to the present, such as those of Flemish old masters like Bruegel, Rogier van der Weyden, Robert Campin, Anthony van Dyck, Jacob Jordaens, and Peter Paul Rubens, making it the most popular art institution and most visited museum complex in Belgium. The Magritte Museum houses the world's largest collection of the works of the surrealist René Magritte. History Early history The museum was founded in 1801 by Napoleon and opened in 1803 as the Museum of Fine Arts of Brussels ( ...
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Niçard Dialect
( Classical orthography), ( Mistralian orthography, ), ( , ), or () is the dialect that was historically spoken in the city of Nice, in France, and in all the area of the historical County of Nice. The affiliation of Niçard is debated: it is generally considered a subdialect of Provençal, itself a dialect of Occitan, while some scholars argue that the historical dialect spoken in Nice was more strictly Ligurian. Most residents of Nice and its region no longer speak Niçard, and the very few who do are fully bilingual in French as Nissard has lost its function of a vehicular language since decades. Nonetheless, today there is a developing revival of the use of the language. Some local television news is presented in Niçard (with French subtitles) and street signs in the old town of Nice are written in the dialect as well as in French. The Niçard song is often regarded as the "anthem" of Nice. Writing system Niçard is written using two forms: * ''Classical orthography' ...
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Sappho
Sappho (; el, Σαπφώ ''Sapphō'' ; Aeolic Greek ''Psápphō''; c. 630 – c. 570 BC) was an Archaic Greek poet from Eresos or Mytilene on the island of Lesbos. Sappho is known for her Greek lyric, lyric poetry, written to be sung while accompanied by music. In ancient times, Sappho was widely regarded as one of the greatest lyric poets and was given names such as the "Tenth Muse" and "The Poetess". Most of Poetry of Sappho, Sappho's poetry is now lost, and what is extant has mostly survived in fragmentary form; only the "Ode to Aphrodite" is certainly complete. As well as lyric poetry, ancient commentators claimed that Sappho wrote elegiac and iambic poetry. Three epigrams attributed to Sappho are extant, but these are actually Hellenistic imitations of Sappho's style. Little is known of Sappho's life. She was from a wealthy family from Lesbos, though her parents' names are uncertain. Ancient sources say that she had three brothers; Charaxos (Χάραξος), Larichos ( ...
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Diabolism
Satanism is a group of ideological An ideology is a set of beliefs or philosophies attributed to a person or group of persons, especially those held for reasons that are not purely epistemic, in which "practical elements are as prominent as theoretical ones." Formerly applied prim ... and Philosophy, philosophical beliefs based on Satan. Contemporary religious practice of Satanism began with the founding of the atheistic Church of Satan by Anton LaVey in the United States in 1966, although a few historical precedents exist. Prior to the public practice, Satanism existed primarily as an accusation by various Christianity, Christian groups toward perceived ideological opponents, rather than a self-identity. Satanism, and the Devil in popular culture, concept of Satan, has also been used by artists and entertainers for symbolic expression. Accusations that various groups have been practicing Satanism have been made throughout much of Christian history. During the Middle Ages, ...
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Decadent Movement
The Decadent movement (Fr. ''décadence'', “decay”) was a late-19th-century artistic and literary movement, centered in Western Europe, that followed an aesthetic ideology of excess and artificiality. The Decadent movement first flourished in France and then spread throughout Europe and to the United States. The movement was characterized by a belief in the superiority of human fantasy and aesthetic hedonism over logic and the natural world. Overview The concept of decadence dates from the 18th century, especially from the writings of Montesquieu, the Enlightenment philosopher who suggested that the decline (''décadence'') of the Roman Empire was in large part due to its moral decay and loss of cultural standards. When Latin scholar Désiré Nisard turned toward French literature, he compared Victor Hugo and Romanticism in general to the Roman decadence, men sacrificing their craft and their cultural values for the sake of pleasure. The trends that he identified, such a ...
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Geschlechterkampf
The exhibition Battle of the Sexes – Franz von Stuck to Frida Kahlo (Geschlechterkampf – Franz von Stuck bis Frida Kahlo) was held from 24 November 2016 to 19 March 2017 at the Städel-Museum in Frankfurt am Main. 140 paintings, films and sculptures reflected the change in gender roles and the perception of these roles. As logo of the exhibition two paintings have been used: ''Salome'' by Jean Benner and ''Elle'' (''She'') by Gustav-Adolf Mossa, the depiction of a femme fatale with the blood of her male victims smeared on her thighs, sitting on a mountain of their corpses. Her genitalia are hidden by a cat. An inscription reads: ''hoc volo, sic iubeo; sit pro ratione voluntas''. On display were drawings, photographs, films, sculptures and paintings. Films King Kong (1933) movie poster (1).jpg, King Kong Méliès, La tentation de saint Antoine (Star Film 168, 1898).jpg, Die Versuchung des St. Antoine May Irwin Kiss.ogv, The Kiss Films shown in the exhibition were mostly f ...
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Harpies
In Greek mythology and Roman mythology, a harpy (plural harpies, , ; lat, harpȳia) is a half-human and half-bird personification of storm winds. They feature in Homeric poems. Descriptions They were generally depicted as birds with the heads of maidens, faces pale with hunger and long claws on their hands. Roman and Byzantine writers detailed their ugliness. Pottery art depicting the harpies featured beautiful women with wings. Ovid described them as human-vultures. Hesiod To Hesiod, they were imagined as fair-locked and winged maidens, who flew as fast as the wind. Aeschylus But even as early as the time of Aeschylus, they are described as ugly creatures with wings, and later writers carry their notions of the harpies so far as to represent them as most disgusting monsters. The Pythian priestess of Apollo recounted the appearance of the harpies in the following lines: Virgil Hyginus Functions and abodes The harpies seem originally to have been wind spirits (person ...
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