Gui De Cavalhon
Gui de Cavalhon, Cavaillo, or Gavaillo (floruit, fl. 1200–1229) was a Provence, Provençal nobleman: a diplomat, warrior, and man of letters. He was probably also the Guionet who composed ''tensos'' and ''partimens'' with Cadenet (troubadour), Cadenet, Raimbaut de Vaqueiras, Mainart Ros, Pomairol, and a certain Guillem. Knight and nobleman Gui was born at Cavaillon in the Vaucluse, Valclusa, though there is no evidence of him residing there. He is first encountered at the court of Alfonso II of Provence in 1200–07. In 1204 he was present at the marriage of Alfonso's elder brother, Peter II of Aragon, and Marie of Montpellier, Maria of Montpellier. Beginning in 1209 he was in the service of Raymond VI of Toulouse fighting the Albigensian Crusade. In 1215 he accompanied Raymond to the Fourth Lateran Council. In 1216–17 he was fighting in Provence, where he was a counsellor of Raymond Berengar IV of Provence, Raymond Berengar IV.Egan, 43 n1. In 1220 he was besieged in ''Castel-No ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Louis VIII Marmande
Louis may refer to: * Louis (coin) * Louis (given name), origin and several individuals with this name * Louis (surname) * Louis (singer), Serbian singer * HMS Louis, HMS ''Louis'', two ships of the Royal Navy See also Derived or associated terms * Lewis (other) * Louie (other) * Luis (other) * Louise (other) * Louisville (other) * Louis Cruise Lines * Louis dressing, for salad * Louis Quinze, design style Associated names * * Chlodwig, the origin of the name Ludwig, which is translated to English as "Louis" * Ladislav and László - names sometimes erroneously associated with "Louis" * Ludovic, Ludwig (other), Ludwig, Ludwick, Ludwik, names sometimes translated to English as "Louis" {{disambiguation ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Castelnaudary
Castelnaudary (; oc, Castèlnòu d'Arri) is a commune in the Aude department in the Occitanie region of southern France. It is located in the former province of the Lauragais and famous for cassoulet of which it claims to be the world capital, and of which it is a major producer. Geography Castelnaudary is a market town, and the capital of the territory of Lauragais. The town is located southeast of Toulouse, about midway along the route from that city to the Mediterranean. This route has been used since at least Roman times, and today carries road, motorway ( A61), rail and canal links. Castelnaudary is the main port of the Canal du Midi to which it owed a period of prosperity in the 17th century when agricultural and manufactured produce became easier to export. The ''Grand Bassin'' in the town is at 7 ha the largest open area of water in the canal, and is today its major pleasure port. Castelnaudary station has rail connections to Toulouse, Carcassonne and Narbonne. ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Palfrey
A palfrey is a type of horse that was highly valued as a riding horse in the Middle Ages. It was a lighter-weight horse, usually a smooth gaited one that could amble, suitable for riding over long distances. Palfreys were not a specific breed as horse breeds are understood today. Etymology The word "palfrey" is cognate with the German word for a horse (of any type), ''Pferd''. Both descend from Latin, ''paraveredus'', meaning a post horse or courier horse, itself deriving from Gaulish ''vorēdos''. The German term for a palfrey, meanwhile, is ''Zelter'', which literally means '' ambler'' and is cognate with the Icelandic, ''tölt''. Breeding A palfrey usually was the most expensive and highly bred type of riding horse during the Middle Ages, sometimes equalling the knight's destrier in price. Consequently, it was popular with nobles, ladies, and highly ranked knights for riding, hunting, and ceremonial use. Oakeshott, Ewart. ''A Knight and his Horse'', Rev. 2nd Ed. USA:Dufou ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Couplet
A couplet is a pair of successive lines of metre in poetry. A couplet usually consists of two successive lines that rhyme and have the same metre. A couplet may be formal (closed) or run-on (open). In a formal (or closed) couplet, each of the two lines is end-stopped, implying that there is a grammatical pause at the end of a line of verse. In a run-on (or open) couplet, the meaning of the first line continues to the second. Background The word "couplet" comes from the French word meaning "two pieces of iron riveted or hinged together". The term "couplet" was first used to describe successive lines of verse in Sir P. Sidney's '' Arcadia '' in 1590: "In singing some short coplets, whereto the one halfe beginning, the other halfe should answere." While couplets traditionally rhyme, not all do. Poems may use white space to mark out couplets if they do not rhyme. Couplets in iambic pentameter are called ''heroic couplets''. John Dryden in the 17th century and Alexander Pope in th ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Cobla (Occitan Literary Term)
A ''cobla esparsa'' ( literally meaning "scattered stanza") in Old Occitan is the name used for a single-stanza poem in troubadour poetry. They constitute about 15% of the troubadour output, and they are the dominant form among late (after 1220) authors like Bertran Carbonel and Guillem de l'Olivier.Simon Gaunt and Sarah Kay, edd. (1999), ''The Troubadours: An Introduction'' (Cambridge: Cambridge University Press, ). The term ''cobla triada'' is used by modern scholars to indicate a ''cobla'' taken from a longer poem and let stand on its own, but its original medieval meaning was a ''cobla esparsa'' taken from a larger collection of such poems, since ''coblas esparsas'' were usually presented in large groupings. Sometimes, two authors would write a cobla esparsa each, in a ''cobla'' exchange; this corresponds, in a shorter form, to the earlier ''tenso'' or ''partimen''.Martín de Riquer (1964), Història de la Literatura Catalana, vol. 1 (Barcelona: Ariel), 509ff. Whether such excha ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Vida (Occitan Literary Form)
''Vida'' () is the usual term for a brief prose biography, written in Old Occitan, of a troubadour or trobairitz. The word ''vida'' means "life" in Occitan languages; they are short prose biographies of the troubadours, and they are found in some chansonniers, along with the works of the author they describe. Vidas are notoriously unreliable: Mouzat, while complaining that some scholars still believe them, says they represent the authors as "ridiculous bohemians, and picaresque heroes"; Alfred Jeanroy calls them "the ancestors of modern novels". Most often, they are not based on independent sources, and their information is deduced from literal readings of details of the poems. Most of the ''vidas'' were composed in Italy, many by Uc de Saint Circ. Additionally, some individual poems are accompanied by ''razo A ''razo'' (, literally "cause", "reason") was a short piece of Occitan prose detailing the circumstances of a troubadour composition. A ''razo'' normally introduced an in ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Sirventes
The ''sirventes'' or ''serventes'' (), sometimes translated as "service song", was a genre of Old Occitan lyric poetry practiced by the troubadours. The name comes from ''sirvent'' ('serviceman'), from whose perspective the song is allegedly written. Sirventes usually (possibly, always) took the form of parodies, borrowing the melody, metrical structure and often even the rhymes of a well-known piece to address a controversial subject, often a current event. The original piece was usually a canso, but there are sirventes written as contrafacta of (at least) sestinas and pastorelas. They were always opinionated, being either highly complimentary or, more often, oozing with vitriol; however, these features are not unique to the sirventes, so a piece can be positively identified as one only if its nature is explicitly stated in the text (which it often is) or the original piece it is based on has been preserved (which is also often the case: for a parody to work, it had to target a ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Lyric Poem
Modern lyric poetry is a formal type of poetry which expresses personal emotions or feelings, typically spoken in the first person. It is not equivalent to song lyrics, though song lyrics are often in the lyric mode, and it is also ''not'' equivalent to Ancient Greek lyric poetry, which ''was'' principally limited song lyrics, or chanted verse, hence the confusion. The term for both modern lyric poetry and modern song lyrics both derive from a form of Ancient Greek literature, the Greek lyric, which was defined by its musical accompaniment, usually on a stringed instrument known as a kithara. The term owes its importance in literary theory to the division developed by Aristotle among three broad categories of poetry: lyrical, dramatic, and epic. Lyric poetry is also one of the earliest forms of literature. Meters Much lyric poetry depends on regular meter based either on number of syllables or on stress – with two short syllables typically being exchangeable for one long ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Occitan Language
Occitan (; oc, occitan, link=no ), also known as ''lenga d'òc'' (; french: langue d'oc) by its native speakers, and sometimes also referred to as ''Provençal'', is a Romance languages, Romance language spoken in Southern France, Monaco, Italy's Occitan Valleys, as well as Spain's Val d'Aran; collectively, these regions are sometimes referred to as Occitania, Occitània. It is also spoken in Calabria (Southern Italy) in a linguistic enclave of Cosenza area (mostly Guardia Piemontese). Some include Catalan language, Catalan in Occitan, as the Linguistic distance, distance between this language and some Occitan dialects (such as the Gascon language) is similar to the distance between different Occitan dialects. Catalan was considered a dialect of Occitan until the end of the 19th century and still today remains its closest relative. Occitan is an official language of Catalonia, where a subdialect of Gascon known as Aranese dialect, Aranese is spoken in the Val d'Aran. Since Sept ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Troubadour
A troubadour (, ; oc, trobador ) was a composer and performer of Old Occitan lyric poetry during the High Middle Ages (1100–1350). Since the word ''troubadour'' is etymologically masculine, a female troubadour is usually called a ''trobairitz''. The troubadour school or tradition began in the late 11th century in Occitania, but it subsequently spread to the Italian and Iberian Peninsulas. Under the influence of the troubadours, related movements sprang up throughout Europe: the Minnesang in Germany, ''trovadorismo'' in Galicia and Portugal, and that of the trouvères in northern France. Dante Alighieri in his ''De vulgari eloquentia'' defined the troubadour lyric as ''fictio rethorica musicaque poita'': rhetorical, musical, and poetical fiction. After the "classical" period around the turn of the 13th century and a mid-century resurgence, the art of the troubadours declined in the 14th century and around the time of the Black Death (1348) it died out. The texts of troubadou ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Viscount
A viscount ( , for male) or viscountess (, for female) is a title used in certain European countries for a noble of varying status. In many countries a viscount, and its historical equivalents, was a non-hereditary, administrative or judicial position, and did not develop into a hereditary title until much later. In the case of French viscounts, it is customary to leave the title untranslated as vicomte . Etymology The word ''viscount'' comes from Old French (Modern French: ), itself from Medieval Latin , accusative of , from Late Latin "deputy" + Latin (originally "companion"; later Roman imperial courtier or trusted appointee, ultimately count). History During the Carolingian Empire, the kings appointed counts to administer provinces and other smaller regions, as governors and military commanders. Viscounts were appointed to assist the counts in their running of the province, and often took on judicial responsibility. The kings strictly prevented the offices of their coun ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Pope Honorius III
Pope Honorius III (c. 1150 – 18 March 1227), born Cencio Savelli, was head of the Catholic Church and ruler of the Papal States from 18 July 1216 to his death. A canon at the Basilica di Santa Maria Maggiore, he came to hold a number of important administrative positions, including that of Camerlengo. In 1197, he became tutor to the young Frederick II. As pope, he worked to promote the Fifth Crusade, which had been planned under his predecessor, Innocent III. Honorius repeatedly exhorted King Andrew II of Hungary and Emperor Frederick II to fulfill their vows to participate. He also gave approval to the recently formed Dominican and Franciscan religious orders. Early work He was born in Rome as a son of Aimerico, a member of the Roman Savelli family. For a time canon at the church of Santa Maria Maggiore, he later became Camerlengo of the Holy Roman Church in December 5, 1189 and Cardinal Deacon of Santa Lucia in Silice on 20 February 1193. Under Pope Clement III and Pope Ce ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |