Grimoart Gausmar
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Grimoart Gausmar
Grimoart(z) Gausmar(s) was a Gascon troubadour of the third quarter of the twelfth century. The sole source of information about his life comes from a satire of Peire d'Alvernhe, which mentions that Grimoart was a knight and jongleur. Only one known poem by Grimoart has survived. The poet names himself in its last lines: Grimoart's work is misattributed in two manuscripts to Jaufre Rudel. The misattribution probably stems from the similarity between the first lines of two works: ''Lanquan lo temps renovelha'' by Grimoart and ''Lanquan li jorn son lonc e may'' by Rudel. The influence of Marcabru Marcabru (; floruit, fl. 1130–1150) is one of the earliest troubadours whose poems are known. There is no certain information about him; the two ''vida (Occitan literary form), vidas'' attached to his poems tell different stories, and both are e ... comes across in the poem of Grimoart. A hypothesis has been forwarded that Grimoart Gausmar is a corruption of the name of another troubadou ...
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Gascony
Gascony (; french: Gascogne ; oc, Gasconha ; eu, Gaskoinia) was a province of the southwestern Kingdom of France that succeeded the Duchy of Gascony (602–1453). From the 17th century until the French Revolution (1789–1799), it was part of the combined Province of Guyenne and Gascony. The region is vaguely defined, and the distinction between Guyenne and Gascony is unclear; by some they are seen to overlap, while others consider Gascony a part of Guyenne. Most definitions put Gascony east and south of Bordeaux. It is currently divided between the region of Nouvelle-Aquitaine (departments of Landes, Pyrénées-Atlantiques, southwestern Gironde, and southern Lot-et-Garonne) and the region of Occitanie (departments of Gers, Hautes-Pyrénées, southwestern Tarn-et-Garonne, and western Haute-Garonne). Gascony was historically inhabited by Basque-related people who appear to have spoken a language similar to Basque. The name Gascony comes from the same root as the word Basq ...
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Troubadour
A troubadour (, ; oc, trobador ) was a composer and performer of Old Occitan lyric poetry during the High Middle Ages (1100–1350). Since the word ''troubadour'' is etymologically masculine, a female troubadour is usually called a ''trobairitz''. The troubadour school or tradition began in the late 11th century in Occitania, but it subsequently spread to the Italian and Iberian Peninsulas. Under the influence of the troubadours, related movements sprang up throughout Europe: the Minnesang in Germany, ''trovadorismo'' in Galicia and Portugal, and that of the trouvères in northern France. Dante Alighieri in his ''De vulgari eloquentia'' defined the troubadour lyric as ''fictio rethorica musicaque poita'': rhetorical, musical, and poetical fiction. After the "classical" period around the turn of the 13th century and a mid-century resurgence, the art of the troubadours declined in the 14th century and around the time of the Black Death (1348) it died out. The texts of troubadou ...
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Peire D'Alvernhe
Peire d'Alvernhe or d'Alvernha (''Pèire'' in modern Occitan; b. c. 1130) was an Auvergnat troubadour (active 1149–1170) with twenty-oneGaunt and Kay, 287. or twenty-fourEgan, 72.Aubrey, ''The Music of the Troubadours'', 8. surviving works. He composed in an "esoteric" and "formally complex" style known as the ''trobar clus''. He stands out as the earliest troubadour mentioned by name in Dante's ''Divine Comedy''. Life According to his ''vida'', Peire was a burgher's son from the Diocese of Clermont.Egan, 71. As testified to by his ''vida'', his popularity was great within his lifetime and afterwards. Said to be handsome, charming, wise, and learned, he was "the first good inventor of poetry to go beyond the mountains" (i.e. the Pyrenees) and travel in Spain. He passed his time in Spain at the court of Alfonso VII of Castile and that of his son Sancho III in 1157–1158. It is possible that he was present at a meeting between Sancho of Castile, Sancho VI of Navarre and R ...
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Knight
A knight is a person granted an honorary title of knighthood by a head of state (including the Pope) or representative for service to the monarch, the church or the country, especially in a military capacity. Knighthood finds origins in the Greek ''hippeis'' and '' hoplite'' (ἱππεῖς) and Roman '' eques'' and ''centurion'' of classical antiquity. In the Early Middle Ages in Europe, knighthood was conferred upon mounted warriors. During the High Middle Ages, knighthood was considered a class of lower nobility. By the Late Middle Ages, the rank had become associated with the ideals of chivalry, a code of conduct for the perfect courtly Christian warrior. Often, a knight was a vassal who served as an elite fighter or a bodyguard for a lord, with payment in the form of land holdings. The lords trusted the knights, who were skilled in battle on horseback. Knighthood in the Middle Ages was closely linked with horsemanship (and especially the joust) from its origins in th ...
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Jongleur
A minstrel was an entertainer, initially in medieval Europe. It originally described any type of entertainer such as a musician, juggler, acrobat, singer or fool; later, from the sixteenth century, it came to mean a specialist entertainer who sang songs and played musical instruments. Description Minstrels performed songs which told stories of distant places or of existing or imaginary historical events. Although minstrels created their own tales, often they would memorize and embellish the works of others. Frequently they were retained by royalty and high society. As the courts became more sophisticated, minstrels were eventually replaced at court by the troubadours, and many became wandering minstrels, performing in the streets; a decline in their popularity began in the late 15th century. Minstrels fed into later traditions of travelling entertainers, which continued to be moderately strong into the early 20th century, and which has some continuity in the form of today's bu ...
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Jaufre Rudel
Jaufre Rudel (Jaufré in modern Occitan) was the Prince of Blaye (''Princes de Blaia'') and a troubadour of the early- to mid-12th century, who probably died during the Second Crusade, in or after 1147. He is noted for developing the theme of "love from afar" (''amor de lonh'' or ''amour de loin'') in his songs. Very little is known about his life, but a reference to him in a contemporary song by Marcabru describes him as being ''oltra mar''—across the sea, probably on the Second Crusade in 1147. Probably he was the son of Girard, also castellan of Blaye, and who was titled "prince" in an 1106 charter. Girard's father was the first to carry the title, being called ''princeps Blaviensis'' as early as 1090.Gaston Paris (1912), ''Mélanges de littérature française du moyen age'' (New York: Burt Franklin, ), pp. 498–503. During his father's lifetime the suzerainty of Blaye was disputed between the Counts of Poitou and the Counts of Angoulême. Shortly after the successio ...
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Marcabru
Marcabru (; floruit, fl. 1130–1150) is one of the earliest troubadours whose poems are known. There is no certain information about him; the two ''vida (Occitan literary form), vidas'' attached to his poems tell different stories, and both are evidently built on hints in the poems; not on independent information. According to the brief life in BnF ms. 12473, ''Marcabrun'' was from Gascony (details of the dialect of his poems support this) and was the son of a poor woman named Marcabrunela. This evidently comes from a reading of poem 293,18. According to the longer biography in MS. Vat. Lat. 5232 ''Marcabru'' was abandoned at a rich man's door, and no one knew his origin. He was brought up by Aldric del Vilar, learned to make poetry from Cercamon, was at first nicknamed ''Pan-perdut'' and later ''Marcabru''. He became famous, and the lords of Gascony, about whom he had said many bad things, eventually put him to death. This appears to be based on poems 16b,1 and 293,43 (an excha ...
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Guilhem Azemar
Guilhem Ademar (; also spelled Guillem, Adamar, or Azemar; fl. 1190/1195–1217) was a troubadour from the Gévaudan in France. He travelled between the courts of Albi, Toulouse, Narbonne, and Spain. He achieved fame enough during his life to be satirised by the nobleman and monk, Monge de Montaudon. Guilhem entered holy orders towards the end of his life. Sixteen poems—fourteen ''cansos'', a ''sirventes'', and a ''partimen'' with Eble d'Ussel—form his surviving corpus. His ''cansos'' are his most famous pieces. Usually humorous, several mock the poetry of Ademar's more illustrious contemporary Arnaut Daniel. One ''canso'' survives with a tune. __NOTOC__ Life According to his ''vida'', Guilhem was the son of a poor knight from Meyrueis (''Maruois''), the lord of which castle created him a knight. He was an eloquent man who "knew well how to invent (''trobaire'') poetry."Egan, 46. When he was no longer able to support himself as a knight he took to minstrelsy and "was ...
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Gascons
Gascony (; french: Gascogne ; oc, Gasconha ; eu, Gaskoinia) was a province of the southwestern Kingdom of France that succeeded the Duchy of Gascony (602–1453). From the 17th century until the French Revolution (1789–1799), it was part of the combined Province of Guyenne and Gascony. The region is vaguely defined, and the distinction between Guyenne and Gascony is unclear; by some they are seen to overlap, while others consider Gascony a part of Guyenne. Most definitions put Gascony east and south of Bordeaux. It is currently divided between the region of Nouvelle-Aquitaine (departments of Landes (department), Landes, Pyrénées-Atlantiques, southwestern Gironde, and southern Lot-et-Garonne) and the region of Occitania (administrative region), Occitanie (departments of Gers, Hautes-Pyrénées, southwestern Tarn-et-Garonne, and western Haute-Garonne). Gascony was historically inhabited by Basques, Basque-related people who appear to have spoken a language similar to Basqu ...
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