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Grimeborn
Grimeborn is an annual East London musical theatre and opera festival which coincides with the world famous East Sussex Glyndebourne Opera Festival. Founded by Arcola Theatre’s artistic director Mehmet Ergen in 2007, the festival is held at Arcola Theatre in Dalston, East London. It takes place in and around August, and tends to showcase new and experimental works alongside radical productions of classic opera, using both the Arcola's performing stages. History The festival's name is a punning reference to Glyndebourne. The "grime" element refers to the "dirtier" backdrop of the Arcola Theatre, a converted textile factory in the congested bustle of Hackney as opposed to the scenic gardens of East Sussex. Originally, Grimeborn was devised as a contemporary contribution to the Battersea Arts Centre's (BAC) Opera Festival. The BAC Opera Festival's Artistic Director at the time, Tom Morris, asked Ergen, who was working at the BAC as an Associate Producer, to create something di ...
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Mehmet Ergen
Mehmet Ergen is a Turkish theatre director, producer and entrepreneur, currently based in London Borough of Hackney. Biography After completing a nine-month acting course in Turkey, Mehmet decided to become a director. He put an ad in ''The Stage'' inviting applicants to join a new theater company, and began putting on plays in pub theaters. Soon after, Ergen co-founded the Southwark Playhouse with Juliet Alderdice and Tom Wilson in 1993. Ergen and his colleagues created the Theater after identifying possible areas in need for an accessible theater, which would provide its surrounding community with a hub for creativity. They converted a disused workshop into a theater space which quickly gained popularity, and by working closely with local teachers, the city council, businesses and government agencies, they were able to develop an innovative, free at source, education program. He was also the theatre’s first Artistic Director between 1993 and 1999. Mehmet went on to become As ...
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Cabildo (opera)
''Cabildo'' is the only opera by the American composer Amy Beach, her opus 149. This chamber opera is in one act and has a libretto by Nan Bagby Stephens. Beach composed the music in 1932 and made use of folksong and Creole tunes. However, the work was not performed in her lifetime and received its first performance in 1947. Subsequent performances were in 1981, at the University of Missouri-Kansas City, and in 1982, at the American Musicological Society meeting and the Sonneck Society. The first fully professional production was on May 13, 1995, as part of the "Great Performers at Lincoln Center" series, led by Ransom Wilson and directed by Hans Nieuwenhuis. The Texas premiere of ''Cabildo'' was performed by Houston's Opera Vista on September 22, 2007 at the Museum of Fine Arts' Bayou Bend, conducted by Opera Vista's Artistic Director, Viswa Subbaraman and stage directed by Chuck Winkler. This performance led to Opera Vista being invited to perform ''Cabildo'' at the actual C ...
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Le 66
''Le 66'' is an opérette in one act of 1856 with music by Jacques Offenbach. The French libretto was by Auguste Pittaud de Forges and Laurencin ( Paul Aimé Chapelle). Lamb A., "Jacques Offenbach (List of stage works)" in: ''The New Grove Dictionary of Opera''. Macmillan, London and New York, 1997. Kurt Gänzl describes the work as "in the rustic vein of ''Le violoneux'' and '' Le mariage aux lanternes''". Gänzl K., "''Le 66''" in: ''The Encyclopaedia of the Musical Theatre.'' Blackwell, Oxford, 1994. Performance history The premiere was at the Théâtre des Bouffes-Parisiens (Salle Lacaze) Paris, on 31 July 1856, one of nine one-acters produced by the Bouffes Parisiens that year. ''Le 66'' remained in the Bouffes Parisiens répertoire, and was played by them in Vienna in 1862. It had already been seen at the Carltheater in that city in 1859, was produced in Budapest in 1860, and mounted in London in 1865 and 1876. It was revived in Paris in 1984 at the Studio Bertrand alongsid ...
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Sands Of Time (opera)
''Sands of Time'' is a short opera composed by the Welsh composer Peter Reynolds to a libretto by Simon Rees. Its world premiere, at an outdoor shopping centre in Cardiff on 27 March 1993, was accompanied by a nine-piece band conducted by Carlo Rizzi, director of Welsh National Opera. The performance, sung by soprano Rhian Owen and baritone Dominic Burns, was timed at 4 minutes 9 seconds, and was certified by adjudicators from the Guinness Book of Records as the world's shortest opera, beating the previous record held by Darius Milhaud's '' Deliverance of Theseus'' (1928), which lasts just over 7 minutes. A later performance for the BBC reduced the overall time to 3 minutes 34 seconds. In 2019, ''Sands of Time'' was performed in a triple bill (with Samuel Barber's ''A Hand of Bridge'' and Jacques Offenbach's '' Le 66'') at the Grimeborn Festival, Dalston, London. Scenario The opera's two protagonists are Stan and Flo, a married couple who quarrel during breakfast. They are ...
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Arcola Theatre
Arcola Theatre is an Off West End theatre in the London Borough of Hackney. It presents plays, operas and musicals featuring established and emerging artists. The theatre building, in the former Colourworks paint factory on Ashwin Street, Dalston, houses two studio theatre spaces, two rehearsal studios and a café-bar. In 2021 the theatre opened Arcola Outside, also on Ashwin Street. The theatre runs one of East London's most extensive arts engagement programmes. Since 2007 the ''Green Arcola'' project has aimed to make Arcola the world's first carbon-neutral theatre. History Arcola Theatre was founded by artistic director Mehmet Ergen, in September 2000. Its original location was a former textile factory on Arcola Street in Dalston. The theatre celebrated this with its fifth anniversary production, ''The Factory Girls'' by Frank McGuinness. In January 2011 the Arcola moved to a former paint-manufacturing workshop on Ashwin Street in Dalston, after its previous landlord ear ...
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Hippolyte Et Aricie
('' Hippolytus and Aricia'') was the first opera by Jean-Philippe Rameau. It was premiered to great controversy by the Académie Royale de Musique at its theatre in the Palais-Royal in Paris on October 1, 1733. The French libretto, by Abbé Simon-Joseph Pellegrin, is based on Racine's tragedy ''Phèdre''. The opera takes the traditional form of a with an allegorical prologue followed by five acts. Early audiences found little else conventional about the work. Background Rameau was almost 50 when he wrote ''Hippolyte et Aricie'' and there was little in his life to suggest he was about to embark on a major new career as an opera composer. He was famous for his works on music theory as well as books of harpsichord pieces. The closest he had come to writing dramatic music was composing a few secular cantatas and some popular pieces for the Paris fairs for his friend Alexis Piron. Yet Rameau's eagerness to write an opera is shown by a letter he wrote in October 1727 to Antoine Houd ...
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Johann Strauss II
Johann Baptist Strauss II (25 October 1825 – 3 June 1899), also known as Johann Strauss Jr., the Younger or the Son (german: links=no, Sohn), was an Austrian composer of light music, particularly dance music and operettas. He composed over 500 waltzes, polkas, quadrilles, and other types of dance music, as well as several operettas and a ballet. In his lifetime, he was known as "The Waltz King", and was largely responsible for the popularity of the waltz in Vienna during the 19th century. Some of Johann Strauss's most famous works include "The Blue Danube", "Kaiser-Walzer" (Emperor Waltz), "Tales from the Vienna Woods", "Frühlingsstimmen", and the "Tritsch-Tratsch-Polka". Among his operettas, ''Die Fledermaus'' and ''Der Zigeunerbaron'' are the best known. Strauss was the son of Johann Strauss I and his first wife Maria Anna Streim. Two younger brothers, Josef and Eduard Strauss, also became composers of light music, although they were never as well known as their brot ...
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Die Fledermaus
' (, ''The Flittermouse'' or ''The Bat'', sometimes called ''The Revenge of the Bat'') is an operetta composed by Johann Strauss II to a German libretto by Karl Haffner and Richard Genée, which premiered in 1874. Background The original literary source for ' was ' (''The Prison''), a farce by German playwright Julius Roderich Benedix that premiered in Berlin in 1851. On 10 September 1872, a three-act French vaudeville play by Henri Meilhac and Ludovic Halévy, ', loosely based on the Benedix farce, opened at the Théâtre du Palais-Royal. Meilhac and Halévy had provided several successful libretti for Offenbach and ''Le Réveillon'' later formed the basis for the 1926 silent film '' So This Is Paris'', directed by Ernst Lubitsch. Meilhac and Halévy's play was soon translated into German by Karl Haffner (1804–1876), at the instigation of Max Steiner, as a non-musical play for production in Vienna. The French custom of a New Year's Eve ''réveillon'', or supper party ...
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Jean-Philippe Rameau
Jean-Philippe Rameau (; – ) was a French composer and music theory, music theorist. Regarded as one of the most important French composers and music theorists of the 18th century, he replaced Jean-Baptiste Lully as the dominant composer of French opera and is also considered the leading French composer of his time for the harpsichord, alongside François Couperin. Little is known about Rameau's early years. It was not until the 1720s that he won fame as a major theorist of music with his ''Treatise on Harmony'' (1722) and also in the following years as a composer of masterpieces for the harpsichord, which circulated throughout Europe. He was almost 50 before he embarked on the operatic career on which his reputation chiefly rests today. His debut, ''Hippolyte et Aricie'' (1733), caused a great stir and was fiercely attacked by the supporters of Lully's style of music for its revolutionary use of harmony. Nevertheless, Rameau's pre-eminence in the field of French opera was soon ...
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Jonathan Dove
Jonathan Dove (born 18 July 1959) is an English composer of opera, choral works, plays, films, and orchestral and chamber music. He has arranged a number of operas for English Touring Opera and the City of Birmingham Touring Opera (now Birmingham Opera Company), including in 1990 an 18-player two-evening adaptation of Wagner's ''Der Ring des Nibelungen'' for CBTO. He was Artistic Director of the Spitalfields Festival from 2001 to 2006. Dove was born in London; both his parents were architects. He studied music at the University of Cambridge, under Robin Holloway, and afterwards worked as a freelance arranger and accompanist until 1987, when he was employed by Glyndebourne Opera. In 1998 Dove was joint winner of the Christopher Whelen Award for his work in the fields of theatre music and opera. He was appointed Commander of the Order of the British Empire (CBE) in the 2019 Birthday Honours for services to music. Productions Productions of Dove's works include: *''Airport ...
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Richard Wagner
Wilhelm Richard Wagner ( ; ; 22 May 181313 February 1883) was a German composer, theatre director, polemicist, and conductor who is chiefly known for his operas (or, as some of his mature works were later known, "music dramas"). Unlike most opera composers, Wagner wrote both the libretto and the music for each of his stage works. Initially establishing his reputation as a composer of works in the romantic vein of Carl Maria von Weber and Giacomo Meyerbeer, Wagner revolutionised opera through his concept of the ''Gesamtkunstwerk'' ("total work of art"), by which he sought to synthesise the poetic, visual, musical and dramatic arts, with music subsidiary to drama. He described this vision in a series of essays published between 1849 and 1852. Wagner realised these ideas most fully in the first half of the four-opera cycle ''Der Ring des Nibelungen'' (''The Ring of the Nibelung''). His compositions, particularly those of his later period, are notable for their complex textures, ...
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Das Rheingold
''Das Rheingold'' (; ''The Rhinegold''), WWV 86A, is the first of the four music dramas that constitute Richard Wagner's ''Der Ring des Nibelungen'' (English: ''The Ring of the Nibelung''). It was performed, as a single opera, at the National Theatre Munich on 22 September 1869, and received its first performance as part of the ''Ring'' cycle at the Bayreuth Festspielhaus, on 13 August 1876. Wagner wrote the ''Ring'' librettos in reverse order, so that ''Das Rheingold'' was the last of the texts to be written; it was, however, the first to be set to music. The score was completed in 1854, but Wagner was unwilling to sanction its performance until the whole cycle was complete; he worked intermittently on this music until 1874. The 1869 Munich premiere of ''Das Rheingold'' was staged, much against Wagner's wishes, on the orders of his patron, King Ludwig II of Bavaria. Following its 1876 Bayreuth premiere, the ''Ring'' cycle was introduced into the worldwide repertory, with perf ...
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