Graziella Galea
''Graziella'' is an 1852 novel by the French author Alphonse de Lamartine. It tells of a young French man who falls for a fisherman's granddaughter – the eponymous Graziella – during a trip to Naples, Italy; they are separated when he must return to France, and she soon dies. Based on the author's experiences with a tobacco-leaf folder while in Naples in the early 1810s, ''Graziella'' was first written as a journal and intended to serve as commentary for Lamartine's poem "Le Premier Regret". First serialised as part of ''Les Confidences'' beginning in 1849, ''Graziella'' received popular acclaim. An operatic adaptation had been completed by the end of the year, and the work influenced paintings, poems, novels, and films. The American literary critic Charles Henry Conrad Wright considered it one of the three most important emotionalist French novels, the others being Bernardin de Saint-Pierre's novel ''Paul et Virginie'' (1788) and Chateaubriand's novella '' Atala'' ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Alphonse De Lamartine
Alphonse Marie Louis de Prat de Lamartine (; 21 October 179028 February 1869), was a French author, poet, and statesman who was instrumental in the foundation of the Second Republic and the continuation of the Tricolore as the flag of France. Biography Early years Born in Mâcon, Burgundy on 21 October 1790 into a family of the French provincial nobility, Lamartine spent his youth at the family estate. He is famous for his partly autobiographical poem, "Le lac" ("The Lake"), which describes in retrospect the fervent love shared by a couple from the point of view of the bereaved man. Lamartine was masterly in his use of French poetic forms. Raised a devout Catholic, Lamartine became a pantheist, writing ''Jocelyn'' and ''La Chute d'un ange''. He wrote ''Histoire des Girondins'' in 1847 in praise of the Girondists. Lamartine made his entrance into the field of poetry with a masterpiece, ''Les Méditations Poétiques'' (1820) and awoke to find himself famous. One of the nota ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Jules-Romain Tardieu
Jules-Romain Tardieu (28 January 1805 – 19 July 1868) was a French writer, publisher and bookseller. Biography Jules-Romain Tardieu was born on 28 January 1805 in Rouen, son of the painter Jean-Charles Tardieu. At the age of sixteen he joined the house of Antoine-Augustin Renouard Antoine-Augustin Renouard (21 September 1765 – 15 December 1853) was an industrialist and political activist in Paris at the time of the French Revolution who became a book dealer, printer and bibliographer. Life Renouard was born in Paris i .... In 1837 he became an associate of Jules Renouard, Antoine's son and successor. When Jules Renouard died in 1854, he headed the publishing house for some time before founding another institution in 1856. He was a member and secretary of several committees. He put a lot of energy into questions of literary property, in which his brother Amand-Louis Tardieu was also involved in Belgium. Tardieu also became a well-known author under the pseudonyms "J.-T. ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Théâtre Du Gymnase Marie Bell
The Théâtre du Gymnase or Théâtre du Gymnase Marie Bell, is a theatre in Paris, at 38 Boulevard Bonne-Nouvelle in the 10th arrondissement of Paris, 10th arrondissement (métro : Bonne Nouvelle (Paris Métro), Bonne Nouvelle). History Inaugurated on December 23, 1820 by Charles-Gaspard Delestre-Poirson, Delestre-Poirson, the théâtre du Gymnase came to serve as a training-theatre for students of the conservatoire national supérieur d'art dramatique, conservatoire, where they could appear solely in one-act plays or adaptations of longer plays into one-act plays. Poirson quickly added two-act plays to the theatre's repertoire, then 3-act plays, and drew up an exclusive contract with Eugène Scribe to supply them. He installed gas lighting in 1823 and in the following year, with the permission of the Caroline Ferdinande Louise, duchesse de Berry, duchesse de Berry, the theatre was granted the title of ''théâtre de Madame''. Closed for renovation in 1830, the theatre reopen ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Michel Carré
Michel Carré (20 October 1821, Besançon – 27 June 1872, Argenteuil) was a prolific French librettist. He went to Paris in 1840 intending to become a painter but took up writing instead. He wrote verse and plays before turning to writing libretti. He wrote the text for Charles Gounod's ''Mireille'' (1864) on his own, and collaborated with Eugène Cormon on Bizet's ''Les pêcheurs de perles''. However, the majority of his libretti were completed in tandem with Jules Barbier, with whom he wrote the libretti for numerous operas, including Camille Saint-Saëns's ''Le timbre d'argent'' (libretto written in 1864, first performed in 1877), Gounod's ''Faust'' (1859), '' Roméo et Juliette'' (1867), and Offenbach's ''Les contes d'Hoffmann'' (1881). As with the other libretti by Barbier and himself, these were adaptations of existing literary masterworks. His son, Michel-Antoine (1865–1945), followed in his father's footsteps, also writing libretti, and later directing silent films. ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Jules Barbier
Paul Jules Barbier (8 March 182516 January 1901) was a French poet, writer and opera librettist who often wrote in collaboration with Michel Carré. He was a noted Parisian bon vivant and man of letters. Works His libretti for extant operas (those co-written with Carré are shown with an asterisk) include: *: **''La Colombe'', '''' (*), ''[...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Mise En Abyme
In Western art history, ''mise en abyme'' (; also ''mise en abîme'') is a formal technique of placing a copy of an image within itself, often in a way that suggests an infinitely recurring sequence. In film theory and literary theory, it refers to the technique of inserting a story within a story. The term is derived from heraldry and literally means "placed into abyss". It was first appropriated for modern criticism by the French author André Gide. A common sense of the phrase is the visual experience of standing between two mirrors, seeing as a result an infinite reproduction of one's image. Another is the Droste effect, in which a picture appears within itself, in a place where a similar picture would realistically be expected to appear. That is named after the 1904 Droste cocoa package, which depicts a woman holding a tray bearing a Droste cocoa package, which bears a smaller version of her image. Heraldry In the terminology of heraldry, the ''abyme'' or ''abisme'' is the ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Nathalie Léger
Nathalie Léger (born 20 September 1960 in Paris, France) is a writer and the executive director of the Institute for Contemporary Publishing Archives. Career Nathalie Léger was curator of several exhibitions, notably ''Le Jeu et la Raison'', dedicated to Antoine Vitez (Festival d'Avignon 1994), ''L'Auteur et son éditeur'' (IMEC, 1998) and the exhibition Roland Barthes, which was held at the Centre Georges-Pompidou in 2002, and in 2007, the exhibition Samuel Beckett, in the same place. She directed the five-volume edition of the ''Écrits sur le théâtre'' by Antoine Vitez ( 1994–98) and established, annotated and presented that of the last two courses of Roland Barthes at the Collège de France ''La Préparation du roman'' (Seuil-IMEC, 2002). She is the author of a personal essay entitled ''Les Vies silencieuses de Samuel Beckett'' (, 2006). Between 2008 and 2018, she published a conceptual trilogy about the lives of women. The first, ''L'Exposition'' (2008), was about th ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Encyclopædia Britannica
The (Latin for "British Encyclopædia") is a general knowledge English-language encyclopaedia. It is published by Encyclopædia Britannica, Inc.; the company has existed since the 18th century, although it has changed ownership various times through the centuries. The encyclopaedia is maintained by about 100 full-time editors and more than 4,000 contributors. The 2010 version of the 15th edition, which spans 32 volumes and 32,640 pages, was the last printed edition. Since 2016, it has been published exclusively as an online encyclopaedia. Printed for 244 years, the ''Britannica'' was the longest running in-print encyclopaedia in the English language. It was first published between 1768 and 1771 in the Scottish capital of Edinburgh, as three volumes. The encyclopaedia grew in size: the second edition was 10 volumes, and by its fourth edition (1801–1810) it had expanded to 20 volumes. Its rising stature as a scholarly work helped recruit eminent con ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Westminster Review
The ''Westminster Review'' was a quarterly British publication. Established in 1823 as the official organ of the Philosophical Radicals, it was published from 1824 to 1914. James Mill was one of the driving forces behind the liberal journal until 1828. History Early years In 1823, the paper was founded (and funded) by Jeremy Bentham,I Ousby ed., ''The Cambridge Guide to Literature in English'' (CUP 1995), p. 1008. who had long pondered the possibility of establishing a journal for propagating Radical views. The first edition of the journal (January 1824) featured an article by James Mill (continued in the second by his son John Stuart Mill), which served as a provocative reprobation of a rival, more well-established journal, the '' Edinburgh Review'', castigating it as an organ of the Whig party, and for sharing the latter's propensity for fence-sitting in the aristocratic interest. The controversy drew in a wide public response, much however critical: the ''Nuttall Encyclopædi ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Nonesuch Press
Nonesuch Press was a private press founded in 1922 in London by Francis Meynell, his second wife Vera Mendel, and their mutual friend David Garnett,Miranda Knorr"The Nonesuch Press: A Product of Determination" An Exhibit of Rare Books at the Okanagan College Library; unavailable 14 Dec. 2021. co-owner of Birrell & Garnett's bookshop in Soho's Gerrard Street, in the basement of which the press began.James A. Dearden"Nonesuch Press" in Allen Kent, Harold Lancour, Jay E. Daily (eds), , ''Encyclopedia of Library and Information Science: Volume 20'', New York: Marcel Dekker, Inc., 1977, p. 92. History Nonesuch Press's first book, a volume of John Donne's ''Love Poems'' was issued in May 1923. In total, the press produced more than 140 books. The press was at its peak in the 1920s and 1930s, but continued operating through the mid-1960s. During the late 1930s and throughout the 1940s, Meynell ceded control of the press to George Macy, founder and owner of the Limited Editions Club. I ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |