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Grave Relief Of Publius Aiedius And Aiedia
The Grave relief of Publius Aiedius and Aiedia is an ancient Roman grave relief from the first half of the first century, now kept in the Pergamonmuseum / Antikensammlung Berlin, with Inventory number SK 840 (R 7). It was found in Rome on the Via Appia. It is made of which marble and is 64 cm wide and 99 cm high. In 1866 it was purchased for the predecessor of the modern Antikensammlung Berlin. The inscription under the relief reads: Translated: Publius Aiedius Amphio is identified by the ''L'' in the inscription as ''libertus'' or freedman of a Publius Aedius. His slave name, the Greek name Amphio, typical for Roman slaves, is retained as his last name. The name of the wife, also identified as a freed slave of Publius Aedius, was Fausta Melior. Therefore, the social position of the pair is clear. The two slaves had gained a form of Roman citizenship on receiving their freedom, but it was of a lower class only, which bound them ever more to their former owner, who was ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Relief Of Publius Aiedius Amphio And Aiedia Fausta Melior Antikensammlung Berlin
Relief is a sculptural method in which the sculpted pieces are bonded to a solid background of the same material. The term ''relief'' is from the Latin verb ''relevo'', to raise. To create a sculpture in relief is to give the impression that the sculpted material has been raised above the background plane. When a relief is carved into a flat surface of stone (relief sculpture) or wood (relief carving), the field is actually lowered, leaving the unsculpted areas seeming higher. The approach requires a lot of chiselling away of the background, which takes a long time. On the other hand, a relief saves forming the rear of a subject, and is less fragile and more securely fixed than a sculpture in the round, especially one of a standing figure where the ankles are a potential weak point, particularly in stone. In other materials such as metal, clay, plaster stucco, ceramics or papier-mâché the form can be simply added to or raised up from the background. Monumental bronze reliefs ar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Virtus (virtue)
''Virtus'' () was a specific virtue in Ancient Rome. It carries connotations of valor, manliness, excellence, courage, character, and worth, perceived as masculine strengths (from Latin ''vir'', "man"). It was thus a frequently stated virtue of Roman emperors, and was personified as a deity—Virtus. Origins The origins of the word ''virtus'' can be traced back to the Latin word ''vir'', "man". The common list of attributes associated with ''virtus'' are typically perceived masculine strengths, which may indicate its derivation from ''vir''. From the early to the later days of the Roman Empire, there appears to have been a development in how the concept was understood. Originally ''virtus'' was used to describe specifically martial courage, but it eventually grew to be used to describe a range of Roman virtues. It was often divided into different qualities including ''prudentia'' (prudence), ''iustitia'' (justice), '' temperantia'' (temperance, self-control), and ''forti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sculptures Of Women In Germany
Sculpture is the branch of the visual arts that operates in three dimensions. Sculpture is the three-dimensional art work which is physically presented in the dimensions of height, width and depth. It is one of the plastic arts. Durable sculptural processes originally used carving (the removal of material) and modelling (the addition of material, as clay), in stone, metal, ceramic art, ceramics, wood and other materials but, since Modernism, there has been an almost complete freedom of materials and process. A wide variety of materials may be worked by removal such as carving, assembled by welding or modelling, or Molding (process), moulded or Casting, cast. Sculpture in stone survives far better than works of art in perishable materials, and often represents the majority of the surviving works (other than pottery) from ancient cultures, though conversely traditions of sculpture in wood may have vanished almost entirely. However, most ancient sculpture was brightly painted, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sculptures Of Men In Germany
Sculpture is the branch of the visual arts that operates in three dimensions. Sculpture is the three-dimensional art work which is physically presented in the dimensions of height, width and depth. It is one of the plastic arts. Durable sculptural processes originally used carving (the removal of material) and modelling (the addition of material, as clay), in stone, metal, ceramic art, ceramics, wood and other materials but, since Modernism, there has been an almost complete freedom of materials and process. A wide variety of materials may be worked by removal such as carving, assembled by welding or modelling, or Molding (process), moulded or Casting, cast. Sculpture in stone survives far better than works of art in perishable materials, and often represents the majority of the surviving works (other than pottery) from ancient cultures, though conversely traditions of sculpture in wood may have vanished almost entirely. However, most ancient sculpture was brightly painted, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Reliefs In Germany
Relief is a sculptural method in which the sculpted pieces are bonded to a solid background of the same material. The term ''relief'' is from the Latin verb ''relevo'', to raise. To create a sculpture in relief is to give the impression that the sculpted material has been raised above the background plane. When a relief is carved into a flat surface of stone (relief sculpture) or wood (relief carving), the field is actually lowered, leaving the unsculpted areas seeming higher. The approach requires a lot of chiselling away of the background, which takes a long time. On the other hand, a relief saves forming the rear of a subject, and is less fragile and more securely fixed than a sculpture in the round, especially one of a standing figure where the ankles are a potential weak point, particularly in stone. In other materials such as metal, clay, plaster stucco, ceramics or papier-mâché the form can be simply added to or raised up from the background. Monumental bronze reliefs ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1st-century Roman Sculptures
The 1st century was the century spanning AD 1 ( I) through AD 100 ( C) according to the Julian calendar. It is often written as the or to distinguish it from the 1st century BC (or BCE) which preceded it. The 1st century is considered part of the Classical era, epoch, or historical period. The 1st century also saw the appearance of Christianity. During this period, Europe, North Africa and the Near East fell under increasing domination by the Roman Empire, which continued expanding, most notably conquering Britain under the emperor Claudius (AD 43). The reforms introduced by Augustus during his long reign stabilized the empire after the turmoil of the previous century's civil wars. Later in the century the Julio-Claudian dynasty, which had been founded by Augustus, came to an end with the suicide of Nero in AD 68. There followed the famous Year of Four Emperors, a brief period of civil war and instability, which was finally brought to an end by Vespasian, ninth Roman emperor, a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Archaeological Discoveries In Italy
Archaeology or archeology is the scientific study of human activity through the recovery and analysis of material culture. The archaeological record consists of artifacts, architecture, biofacts or ecofacts, sites, and cultural landscapes. Archaeology can be considered both a social science and a branch of the humanities. It is usually considered an independent academic discipline, but may also be classified as part of anthropology (in North America – the four-field approach), history or geography. Archaeologists study human prehistory and history, from the development of the first stone tools at Lomekwi in East Africa 3.3 million years ago up until recent decades. Archaeology is distinct from palaeontology, which is the study of fossil remains. Archaeology is particularly important for learning about prehistoric societies, for which, by definition, there are no written records. Prehistory includes over 99% of the human past, from the Paleolithic until the adve ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alexander Conze
Alexander Christian Leopold Conze (10 December 1831 – 19 July 1914) was a German archaeologist, who specialized in ancient Greek art. He was a native of Hanover, and studied at the universities of University of Göttingen, Göttingen and University of Berlin, Berlin. In 1855 he obtained his doctorate at Berlin as a student of Eduard Gerhard. In 1863 he became an associate professor at the University of Halle,Biography of Alexander Conze In: Neue Deutsche Biographie (NDB). Band 3, Duncker & Humblot, Berlin 1957, , S. 348 and from 1869 to 1877, he served as a professor of archaeology at the University of Vienna. In the 1870s, he performed two archaeological explorations at Samothrace (1873 and 1875). In 1876, with Otto Hirschfeld, he organized the Archaeologic-Epigraphic Seminar at the university. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Max Kunze
Max Kunze (born 26 October 1944 in Schotten) is a German classical archaeologist. Life Max Kunze studied Classical archaeology and classical philology at the Humboldt University of Berlin (HU), between 1964 and 1969. After this he was employed until 1971 as an academic member of the Münzkabinett Berlin. In 1974 he gained a doctorate from Humboldt University for his thesis on classicising Roman relief sculpture. From 1969 until 1982 he was director of the Winckelmann Museum in Stendal and secretary of the Winckelmann Society, from 1978 to 1990 he was managing director of the society. From 1982 to 1993 he was Director of the East Berlin Antikensammlung of the Berlin City Museums. He wrote several guides and introductions for the collections at the Pergamonmuseum. From 1990 he has been President of the Winckelmann Society. In 1992 he was Adjunct Professor at the Institute of Fine Arts at New York University and in 1993/4 he had a research project at the Metropolitan Museum of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dignitas (Roman Concept)
''Dignitas'' () is a Latin word referring to a unique, intangible, and culturally subjective Society, social concept in the ancient Rome, ancient Roman mindset. The word does not have a direct translation in English language, English. Some interpretations include "dignity", which is a ''derivation'' from "dignitas", and ":wikt:prestige, prestige", "charisma" and "power from personal respect". ''Dignitas'' was the influence a male citizen acquired throughout his life, including personal reputation, moral standing, and ethical worth, along with the man's entitlement to respect and proper treatment owing to the reputation and standing of his family. The ''Oxford Latin Dictionary'' defines the expression as fitness, suitability, worthiness, visual impressiveness or distinction, dignity of style and gesture, rank, status, position, standing, esteem, importance, and honour. Origins Authors who had used ''dignitas'' extensively in their writings and oratories include Cicero, Julius C ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Relief (art)
Relief is a sculptural method in which the sculpted pieces are bonded to a solid background of the same material. The term ''relief'' is from the Latin verb ''relevo'', to raise. To create a sculpture in relief is to give the impression that the sculpted material has been raised above the background plane. When a relief is carved into a flat surface of stone (relief sculpture) or wood (relief carving), the field is actually lowered, leaving the unsculpted areas seeming higher. The approach requires a lot of chiselling away of the background, which takes a long time. On the other hand, a relief saves forming the rear of a subject, and is less fragile and more securely fixed than a sculpture in the round, especially one of a standing figure where the ankles are a potential weak point, particularly in stone. In other materials such as metal, clay, plaster stucco, ceramics or papier-mâché the form can be simply added to or raised up from the background. Monumental bronze reliefs ar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Toga
The toga (, ), a distinctive garment of ancient Rome, was a roughly semicircular cloth, between in length, draped over the shoulders and around the body. It was usually woven from white wool, and was worn over a tunic. In Roman historical tradition, it is said to have been the favored dress of Romulus, Rome's founder; it was also thought to have originally been worn by both sexes, and by the citizen-military. As Roman women gradually adopted the stola, the toga was recognized as formal wear for male Roman citizens. Women engaged in prostitution might have provided the main exception to this rule.. The type of toga worn reflected a citizen's rank in the civil hierarchy. Various laws and customs restricted its use to citizens, who were required to wear it for public festivals and civic duties. From its probable beginnings as a simple, practical work-garment, the toga became more voluminous, complex, and costly, increasingly unsuited to anything but formal and ceremonial us ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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