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Granjon (typeface)
Granjon is an old-style serif typeface designed by George W. Jones around 1924 for the British branch of the Linotype company, and based on the Garamond typeface that was used in a book printed by the Parisian Jean Poupy in 1592. The roman design was from Claude Garamond and the italic version was from Robert Granjon. Because several other Garamonds were on the market in the 1920s, Jones decided to name his type Granjon. Jones, a master printer based in London, had been engaged by Linotype to improve the quality of their typeface range through the development of revivals of notable type designs of the past. Granjon was popular in the metal type era and Beatrice Warde Beatrice Lamberton Warde (September 20, 1900 – September 16, 1969, née Beatrice Becker) was a twentieth-century writer and scholar of typography. As a marketing manager for the British Monotype Corporation, she was influential in the deve ... described it as her favourite revival of French renaissance ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Serif
In typography, a serif () is a small line or stroke regularly attached to the end of a larger stroke in a letter or symbol within a particular font or family of fonts. A typeface or "font family" making use of serifs is called a serif typeface (or serifed typeface), and a typeface that does not include them is sans-serif. Some typography sources refer to sans-serif typefaces as "grotesque" (in German, ) or "Gothic", and serif typefaces as "roman". Origins and etymology Serifs originated from the first official Greek writings on stone and in Latin alphabet with inscriptional lettering—words carved into stone in Roman antiquity. The explanation proposed by Father Edward Catich in his 1968 book ''The Origin of the Serif'' is now broadly but not universally accepted: the Roman letter outlines were first painted onto stone, and the stone carvers followed the brush marks, which flared at stroke ends and corners, creating serifs. Another theory is that serifs were devised to neate ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
George W
George Walker Bush (born July 6, 1946) is an American politician who served as the 43rd president of the United States from 2001 to 2009. A member of the Republican Party, Bush family, and son of the 41st president George H. W. Bush, he previously served as the 46th governor of Texas from 1995 to 2000. While in his twenties, Bush flew warplanes in the Texas Air National Guard. After graduating from Harvard Business School in 1975, he worked in the oil industry. In 1978, Bush unsuccessfully ran for the House of Representatives. He later co-owned the Texas Rangers of Major League Baseball before he was elected governor of Texas in 1994. As governor, Bush successfully sponsored legislation for tort reform, increased education funding, set higher standards for schools, and reformed the criminal justice system. He also helped make Texas the leading producer of wind powered electricity in the nation. In the 2000 presidential election, Bush defeated Democratic incum ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chauncey H
Chauncey may refer to: *Chauncey (name), both a given name and a surname. Places in the United States * Chauncey, Georgia * Chauncey, Illinois * Chauncey, Michigan * Chauncey, Ohio * Chauncey, West Virginia * Chauncey Peak, a mountain near Meriden, Connecticut * Chauncey Street station, of the New York City Subway * Chauncey, a 19th-century town absorbed into West Lafayette, Indiana Other uses * Chauncey (''Wonder Showzen'' character), puppet on the American TV series * USS ''Chauncey'', three ships named for Commodore Chauncey See also * * * Chauncy (other) ** Chauncy (name) Chauncy is both a given name and a surname. Notable people with the name include: Given name *Chauncy Harris (1914–2003), American geographer * Chauncy Maples (1852–95), British missionary and bishop of Nyasaland * Chauncy Master (born 1985), ... * ''Chauncey Vibbard'' (steamboat) {{disambiguation, given name, surname, geo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mergenthaler Linotype Company
The Mergenthaler Linotype Company is a corporation founded in the United States in 1886 to market the Linotype machine (), a system to cast metal type in lines (linecaster) invented by Ottmar Mergenthaler. It became the world's leading manufacturer of book and newspaper typesetting equipment; outside North America, its only serious challenger for book typesetting was the Anglo-American Monotype Corporation. Starting in 1960, the Mergenthaler Linotype Company became a major supplier of phototypesetting equipment which included laser typesetters, typefonts, scanners, typesetting computers. In 1987, the US-based Mergenthaler Linotype Company became part of the German Linotype-Hell AG; in the US the company name changed to Linotype Co. In 1996, the German Linotype-Hell AG was taken over by the German printing machine company Heidelberger Druckmaschinen AG. A separate business, Linotype Library GmbH was established to manage the digital assets. In 2005, Linotype Library GmbH shortened i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Serif
In typography, a serif () is a small line or stroke regularly attached to the end of a larger stroke in a letter or symbol within a particular font or family of fonts. A typeface or "font family" making use of serifs is called a serif typeface (or serifed typeface), and a typeface that does not include them is sans-serif. Some typography sources refer to sans-serif typefaces as "grotesque" (in German, ) or "Gothic", and serif typefaces as "roman". Origins and etymology Serifs originated from the first official Greek writings on stone and in Latin alphabet with inscriptional lettering—words carved into stone in Roman antiquity. The explanation proposed by Father Edward Catich in his 1968 book ''The Origin of the Serif'' is now broadly but not universally accepted: the Roman letter outlines were first painted onto stone, and the stone carvers followed the brush marks, which flared at stroke ends and corners, creating serifs. Another theory is that serifs were devised to neate ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Typeface
A typeface (or font family) is the design of lettering that can include variations in size, weight (e.g. bold), slope (e.g. italic), width (e.g. condensed), and so on. Each of these variations of the typeface is a font. There are list of typefaces, thousands of different typefaces in existence, with new ones being developed constantly. The art and craft of designing typefaces is called ''type design''. Designers of typefaces are called ''type designers'' and are often employed by ''type foundry, type foundries''. In desktop publishing, type designers are sometimes also called ''font developers'' or ''font designers''. Every typeface is a collection of glyphs, each of which represents an individual letter, number, punctuation mark, or other symbol. The same glyph may be used for character (symbol), characters from different scripts, e.g. Roman uppercase A looks the same as Cyrillic uppercase А and Greek uppercase alpha. There are typefaces tailored for special applications, s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Garamond
Garamond is a group of many serif typefaces, named for sixteenth-century Parisian engraver Claude Garamond, generally spelled as Garamont in his lifetime. Garamond-style typefaces are popular and particularly often used for book printing and body text. Garamond's types followed the model of an influential typeface cut for Venetian printer Aldus Manutius by his punchcutter Francesco Griffo in 1495, and are in what is now called the old-style of serif letter design, letters with a relatively organic structure resembling handwriting with a pen, but with a slightly more structured, upright design. Following an eclipse in popularity in the eighteenth and nineteenth century, many modern revival faces in the Garamond style have been developed. It is common to pair these with italics based on those created by his contemporary Robert Granjon, who was well known for his proficiency in this genre. However, although Garamond himself remains considered a major figure in French printing ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Claude Garamond
Claude Garamont (–1561), known commonly as Claude Garamond, was a French type designer, publisher and punch-cutter based in Paris. Garamond worked as an engraver of punches, the masters used to stamp matrices, the moulds used to cast metal type. He worked in the tradition now called old-style serif design, which produced letters with a relatively organic structure resembling handwriting with a pen but with a slightly more structured and upright design. Considered one of the leading type designers of all time, he is recognised to this day for the elegance of his typefaces. Many old-style serif typefaces are collectively known as Garamond, named after the designer. Garamond was one of the first independent punchcutters, specialising in type design and punch-cutting as a service to others rather than working in house for a specific printer. His career therefore helped to define the future of commercial printing with typefounding as a distinct industry to printing books. Early ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Robert Granjon
Robert Granjon (1513-November 16, 1589/March 1590) was a French type designer and printer. He worked in Paris, Lyon, Frankfurt, Antwerp, and Rome for various printers. He is best known for having introduced the typeface Civilité and for his italic type form, the design of which in modern days is used in Garamond Italic. He worked in Lyon as a librarian, printer, and engraver of typefaces. He married the daughter of Bernard Salomon. The first book in his typeface, Civilité, was ''Dialogue de la vie et de la mort'' by Ringhieri (1557). The invention made such an impact that King Henry II, on December 26, 1557, gave him an exclusive privilege to use the type for ten years. Granjon's italic had a greater slant angle, slanted roman capitals, and reduced weight and rigor. These qualities and its contrasting thick and thin strokes gave it a dazzling appearance that made it difficult to read. It was nevertheless the main influence for italic type design until the Arrighi model was rev ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Beatrice Warde
Beatrice Lamberton Warde (September 20, 1900 – September 16, 1969, née Beatrice Becker) was a twentieth-century writer and scholar of typography. As a marketing manager for the British Monotype Corporation, she was influential in the development of printing tastes in Britain and elsewhere in the mid-twentieth century and was recognized at the time as " e of the few women typographers in the world". Her writing advocated higher standards in printing, and championed intelligent use of historic typefaces from the past, which Monotype specialised in reviving, and the work of contemporary typeface designers. Early life and interests Born in New York, Warde was the only daughter of May Lamberton Becker, a journalist on the staff of the ''New York Herald Tribune'', and Gustave Becker, composer and teacher. Warde was educated at Barnard College at Columbia University. At the age of thirteen her school introduced her to the art of calligraphy. This led to a general interest in typ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Walter Tracy
Walter Valentine Tracy RDI (14 February 1914 – 28 April 1995) was an English type designer, typographer and writer. Biography Walter Tracy was born in Islington, London and attended Shoreditch Secondary school. At the age of fourteen he was apprenticed to the large printing firm William Clowes as a compositor. When he had completed his apprenticeship, Tracy went to work in the typographic studio of The Baynard Press, a printing house. From 1938 to 1946, Tracy had been rejected by the army's medical examination, he worked in an advertising agency as a print buyer. From 1947 Tracy began to work part-time for the British Linotype & Machinery Ltd. (L&M) company, a subsidiary of Mergenthaler Linotype. The following year he was hired as a full-time employee by L&M, where he was going to spend the following 30 years. There he became involved with designing typefaces for newspapers, and classified advertising. His typeface Jubilee, designed to be more robust than Stanley Moris ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bernard Salomon
Bernard Salomon, (1506–1561) was a French painter, draftsman and engraver. Little is known of the life of Bernard Salomon (also known as the Little Bernard B. Gallus or Gallo). His family may have been belt-makers in Lyon. He was commissioned to provide decorations for Ippolito II d'Este in 1540, Henry II of France in 1548, and Jacques Dalbon, Seigneur de Saint Andre in 1550. He worked closely with the printer Jean de Tournes to design, engrave, and illustrate many types of books such as emblem books, documentaries and scientific works, and literary works, including the Bible and Ovid's Metamorphoses (Lyon, Tournes, 1557). Salomon's figures were inspired by the elegant Mannerist art of the School of Fontainebleau, and were inspiration for engravers working in Lyon and became widely distributed and copied. He had a daughter who married the printer Robert Granjon Robert Granjon (1513-November 16, 1589/March 1590) was a French type designer and printer. He worked in Paris, Lyon, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
