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Claude Garamond
Claude Garamont (–1561), known commonly as Claude Garamond, was a French type designer, publisher and punch-cutter based in Paris. Garamond worked as an engraver of punches, the masters used to stamp matrices, the moulds used to cast metal type. He worked in the tradition now called old-style serif design, which produced letters with a relatively organic structure resembling handwriting with a pen but with a slightly more structured and upright design. Considered one of the leading type designers of all time, he is recognised to this day for the elegance of his typefaces. Many old-style serif typefaces are collectively known as Garamond, named after the designer. Garamond was one of the first independent punchcutters, specialising in type design and punch-cutting as a service to others rather than working in house for a specific printer. His career therefore helped to define the future of commercial printing with typefounding as a distinct industry to printing books. Early ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gospel Estienne 1550
Gospel originally meant the Christian message ("the gospel"), but in the 2nd century it came to be used also for the books in which the message was set out. In this sense a gospel can be defined as a loose-knit, episodic narrative of the words and deeds of Jesus, culminating in his trial and death and concluding with various reports of his post-resurrection appearances. Modern scholars are cautious of relying on the gospels uncritically, but nevertheless, they provide a good idea of the public career of Jesus, and critical study can attempt to distinguish the original ideas of Jesus from those of the later authors. The four canonical gospels were probably written between AD 66 and 110. All four were anonymous (with the modern names added in the 2nd century), almost certainly none were by eyewitnesses, and all are the end-products of long oral and written transmission. Mark was the first to be written, using a variety of sources. The authors of Matthew and Luke both independently ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fontainebleau
Fontainebleau (; ) is a commune in the metropolitan area of Paris, France. It is located south-southeast of the centre of Paris. Fontainebleau is a sub-prefecture of the Seine-et-Marne department, and it is the seat of the ''arrondissement'' of Fontainebleau. The commune has the largest land area in the Île-de-France region; it is the only one to cover a larger area than Paris itself. The commune is closest to Seine-et-Marne Prefecture, Melun. Fontainebleau, together with the neighbouring commune of Avon and three other smaller communes, form an urban area of 36,724 inhabitants (2018). This urban area is a satellite of Paris. Fontainebleau is renowned for the large and scenic forest of Fontainebleau, a favourite weekend getaway for Parisians, as well as for the historic Château de Fontainebleau, which once belonged to the kings of France. It is also the home of INSEAD, one of the world's most elite business schools. Inhabitants of Fontainebleau are sometimes called '' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Angelo Vergecio
Angelo Vergecio ( el, Άγγελος Βεργέκιος, french: Ange Vergèce; 1505–1569) was a Greek copyist from Crete active in Venice and France. He became a royal scribe for Francis I of France and his successors, was responsible for copying over fifty Greek manuscripts, and played a role in the dissemination of Greek among the humanist circles in France. His handwriting formed the basis of the ''grecs du roi'' typeface designed by Claude Garamond Claude Garamont (–1561), known commonly as Claude Garamond, was a French type designer, publisher and punch-cutter based in Paris. Garamond worked as an engraver of punches, the masters used to stamp matrices, the moulds used to cast metal ty .... Bibliography * Alphonse Dain. « La fille d’Ange Vergèce », ''Humanisme et Renaissance'' 1 (1934) p. 133-144. * Alphonse Dain. « Commerce et copie de manuscrits grecs », ''Humanisme et Renaissance'' 4 (1937) p. 395-410. * Charles Delattre. ''Nommer le monde : ori ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Grecs Du Roi
''Les grecs du roi'' (lit. "the king's greeks") are a celebrated and influential Greek typeface cut by the French punchcutter Claude Garamond between 1541 and 1550. Arthur Tilley calls the books printed from them "among the most finished specimens of typography that exist". The ''grecs du roi'' were ordered by Robert Estienne on behalf of King Francis I of France in a contract dated 2 November 1540. The design was based on the handwriting of the Cretan copyist Angelo Vergecio, and includes many alternate letters and ligatures. The ''grecs du roi'' were influenced by types cut by Francesco Griffo and used by printer Aldus Manutius in Venice. The types formed the basic model for Greek typefaces for the next two centuries. History Garamond contracted to cut the ''Grecs du roi'' types on 2 November 1540. They are cut in the sizes Manutius used, but are more complex. It took Garamond nearly 10 years to complete all the sizes. In 1543, he completed the medium sized 16pt character ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ancient Greek Language
Ancient Greek includes the forms of the Greek language used in ancient Greece and the classical antiquity, ancient world from around 1500 BC to 300 BC. It is often roughly divided into the following periods: Mycenaean Greek (), Greek Dark Ages, Dark Ages (), the Archaic Greece, Archaic period (), and the Classical Greece, Classical period (). Ancient Greek was the language of Homer and of fifth-century Athens, fifth-century Athenian historians, playwrights, and Ancient Greek philosophy, philosophers. It has contributed many words to English vocabulary and has been a standard subject of study in educational institutions of the Western world since the Renaissance. This article primarily contains information about the Homeric Greek, Epic and Classical periods of the language. From the Hellenistic period (), Ancient Greek was followed by Koine Greek, which is regarded as a separate historical stage, although its earliest form closely resembles Attic Greek and its latest form a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Majuscule
Letter case is the distinction between the letters that are in larger uppercase or capitals (or more formally ''majuscule'') and smaller lowercase (or more formally ''minuscule'') in the written representation of certain languages. The writing systems that distinguish between the upper and lowercase have two parallel sets of letters, with each letter in one set usually having an equivalent in the other set. The two case variants are alternative representations of the same letter: they have the same name and pronunciation and are treated identically when sorting in alphabetical order. Letter case is generally applied in a mixed-case fashion, with both upper and lowercase letters appearing in a given piece of text for legibility. The choice of case is often prescribed by the grammar of a language or by the conventions of a particular discipline. In orthography, the uppercase is primarily reserved for special purposes, such as the first letter of a sentence or of a proper noun (ca ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Typography
Typography is the art and technique of arranging type to make written language legible, readable and appealing when displayed. The arrangement of type involves selecting typefaces, point sizes, line lengths, line-spacing ( leading), and letter-spacing (tracking), as well as adjusting the space between pairs of letters (kerning). The term ''typography'' is also applied to the style, arrangement, and appearance of the letters, numbers, and symbols created by the process. Type design is a closely related craft, sometimes considered part of typography; most typographers do not design typefaces, and some type designers do not consider themselves typographers. Typography also may be used as an ornamental and decorative device, unrelated to the communication of information. Typography is the work of typesetters (also known as compositors), typographers, graphic designers, art directors, manga artists, comic book artists, and, now, anyone who arranges words, letters, numbers ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sans-serif
In typography and lettering, a sans-serif, sans serif, gothic, or simply sans letterform is one that does not have extending features called "serifs" at the end of strokes. Sans-serif typefaces tend to have less stroke width variation than serif typefaces. They are often used to convey simplicity and modernity or minimalism. Sans-serif typefaces have become the most prevalent for display of text on computer screens. On lower-resolution digital displays, fine details like serifs may disappear or appear too large. The term comes from the French word , meaning "without" and "serif" of uncertain origin, possibly from the Dutch word meaning "line" or pen-stroke. In printed media, they are more commonly used for display use and less for body text. Before the term "sans-serif" became common in English typography, a number of other terms had been used. One of these outmoded terms for sans-serif was gothic, which is still used in East Asian typography and sometimes seen in typeface na ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Geoffroy Tory
Geoffroy Tory (also Geofroy, Latin "Godofredus Torinus") was born in Bourges around 1480 and died in Paris before 14 October 1533. He was a French humanist and an engraver, best known for adding accents on letters in French. His life's work has heavily influenced French publishing to this day. Life Geoffroy Tory was born in Bourges in 1480, a decade after the first printing press arrived in Paris. He attended the local university, where he developed an interest in Latin literature. After completing his studies, Tory left Bourges for Italy, where he studied at two additional universities: first, the Sapienza at Rome, and then Bologna, where he studied under Philip Beroaldus, a well-known Latinist. The exact date of Tory's death is unknown, however, it is said in a lease that in 1533 his wife was a widow. Career Around 1505, Tory left for Paris after completing his studies in Italy. He worked there as a bookbinder, editor of texts, and corrector for the press, serving such cli ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Simon De Colines
Simon de Colines (c. 14801546) was a Parisian printer and one of the first printers of the French Renaissance. He was active in Paris as a printer and worked exclusively for the University of Paris from 1520 to 1546. In addition to his work as a printer, Colines worked as an editor, publisher, and punchcutter. Over the course of his lifetime, he published over 700 separate editions (almost 4% of books published in 16th-century Paris). Colines used elegant roman and italic types and a Greek type, with accents, that were superior to their predecessors. These are now called French old-style, a style that remained popular for over 200 years and revived in the early 20th century. He used rabbits, satyrs, and philosophers as his pressmark. Life Colines was born between 1480 and 1490, possibly south of Paris, where his siblings later owned farms. He probably studied at the University of Paris and probably worked for the elder Henri Estienne, and replaced Estienne as press director afte ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antoine Augereau
Antoine Augereau (1485-1534) was a Renaissance printer, bookseller and punchcutter in Paris. He was one of the first French punchcutters to produce Roman type, at a time where other French printers were mostly using blackletter. He worked for Robert Estienne, who was one of the earliest Parisian printers to print Roman type, in the style of Aldus Manutius. He was a contemporary of other eminent French printers, such as Simon de Colines and Geoffroy Tory, while Claude Garamond, whose roman type became the most influential in Europe, apprenticed with him around the year 1510. Biography His print-shop located on Rue Saint-Jacques, was only in businesses for three years, between 1532 and 1534. In 1533 he published anonymously Queen Marguerite de Navarre's ''Miroir de l'âme pécheresse'' ("The Mirror of the Sinful Soul"), a work of mystical Christian poetry that was immediately condemned by the Sorbonne's Faculty of Theology and forwarded to the Parliament for censorship. Under orde ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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