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Grand Catherine Palace
The Catherine Palace (russian: Екатерининский дворец, ) is a Rococo palace in Tsarskoye Selo (Pushkin), 30 km south of St. Petersburg, Russia. It was the summer residence of the Russian tsars. The Palace is part of the World Heritage Site Saint Petersburg and Related Groups of Monuments. History Following the Great Northern War, Russia recovered the farm called Saari Mojs (a high place) or Sarskaya Myza, which resided on a hill 65 m in elevation. In 1710, Peter the Great gave the estate to his wife Catherine I, the village of which was initially called Sarskoye Selo, and then finally Tsarskoye Selo (Tsar's Village). In 1723, Catherine I's Stone Palace, designed by Johann Friedrich Braunstein and built by Johann Ferster, replaced the original wooden house. This was a two-storey sixteen-room building, with state chambers finished in polished alabaster, while the upper one included Gobelin tapestry. The southeast portion of the estate included a garden ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Andrei Kvasov
Andrey Vasilievich Kvasov (russian: Андрей Васильевич Квасов, ca. 1720 – ca. 1770) was a notable Baroque architect who worked in Tsardom of Russia including the territory of Ukraine. Very little is known about his life, and its dates are still uncertain. Only a handful of his buildings, though much altered, still stand. In 1741, Kvasov helped Mikhail Zemtsov to prepare coronation celebrations in Moscow. Two years later, he was entrusted with interior decoration of the Catherine Palace, which resulted in the Grand Ball Hall and other celebrated rooms. The Saviour Church on Hay Square, Znamenka Palace, and the palace of Aleksey Bestuzhev are also attributed to Kvasov. Aleksey Razumovsky was Kvasov's long-time employer. In 1748 he went to the court of the Ukrainian hetman Kirill Razumovsky, Aleksey's brother, to design the residences and churches in Baturin, Glukhov, and Koselets. In 1770, he was made Principal Architect of Little Russia. The cathe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anteroom
A vestibule (also anteroom, antechamber, or foyer) is a small room leading into a larger space such as a lobby, entrance hall or passage, for the purpose of waiting, withholding the larger space view, reducing heat loss, providing storage space for outdoor clothing, etc. The term applies to structures in both modern and classical architecture since ancient times. In modern architecture, a vestibule is typically a small room next to the outer door and connecting it with the interior of the building. In ancient Roman architecture, a vestibule ( la, vestibulum) was a partially enclosed area between the interior of the house and the street. Ancient usage Ancient Greece Vestibules were common in ancient Greek temples. Due to the construction techniques available at the time, it was not possible to build large spans. Consequently, many entranceways had two rows of columns that supported the roof and created a distinct space around the entrance. In ancient Greek houses, the prothyrum ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Amber
Amber is fossilized tree resin that has been appreciated for its color and natural beauty since Neolithic times. Much valued from antiquity to the present as a gemstone, amber is made into a variety of decorative objects."Amber" (2004). In Maxine N. Lurie and Marc Mappen (eds.) ''Encyclopedia of New Jersey'', Rutgers University Press, . Amber is used in jewelry and has been used as a healing agent in folk medicine. There are five classes of amber, defined on the basis of their chemical constituents. Because it originates as a soft, sticky tree resin, amber sometimes contains animal and plant material as inclusions. Amber occurring in coal seams is also called resinite, and the term ''ambrite'' is applied to that found specifically within New Zealand coal seams. Etymology The English word ''amber'' derives from Arabic (ultimately from Middle Persian ''ambar'') via Middle Latin ''ambar'' and Middle French ''ambre''. The word was adopted in Middle English in the 14th century ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Andreas Schlüter
Andreas Schlüter (1659 – c. June 1714) was a German baroque sculptor and architect, active in the Holy Roman Empire of the German Nation, the Polish–Lithuanian Commonwealth, and the Russian Tsardom. Biography Andreas Schlüter was born probably in Hamburg. His early life is obscure as at least three different persons of that name are documented. The records of St. Michaelis Church, Hamburg show that an Andreas Schlüter, son of sculptor Gerhart Schlüter, had been baptized there on 22 May 1664. Documents from Danzig/Gdańsk (Royal Prussia) reported that an Andreas Schlüter ''(senior)'' had worked 1640–1652 in Danzig's Jopengasse lane (today's ulica Piwna). Possibly born in 1640, an ''Andres Schliter'' is recorded as apprentice on 9 May 1656 by the mason's guild. Other sources state 1659 as year of birth. He probably did spend several years abroad as Journeyman. His first work, in 1675, may have been epitaphs of the Dukes Sambor and Mestwin in the dome of Pelplin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Amber Room
The Amber Room ( rus, Янтарная комната, r=Yantarnaya Komnata, german: Bernsteinzimmer, pl, Bursztynowa komnata) was a chamber decorated in amber panels backed with gold leaf and mirrors, located in the Catherine Palace of Tsarskoye Selo near Saint Petersburg. Constructed in the 18th century in Prussia, the room was dismantled and eventually disappeared during World War II. Before its loss, it was considered an "Eighth Wonder of the World". A reconstruction was made, starting in 1979 and completed and installed in the Catherine Palace in 2003. The Amber Room was intended in 1701 for the Charlottenburg Palace, in Berlin, Prussia, but was eventually installed at the Berlin City Palace. It was designed by German baroque sculptor Andreas Schlüter and Danish amber craftsman Gottfried Wolfram. Schlüter and Wolfram worked on the room until 1707, when work was continued by amber masters Gottfried Turau and Ernst Schacht from Danzig (Gdańsk). It remained in Berlin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Coromandel Lacquer
Coromandel lacquer is a type of Chinese lacquerware, latterly mainly made for export, so called only in the West because it was shipped to European markets via the Coromandel coast of south-east India, where the Dutch East Indies Company (VOC) and its rivals from a number of European powers had bases in the 18th century. The most common type of object made in the style, both for Chinese domestic use and exports was the Coromandel screen, a large folding screen with as many as twelve leaves, coated in black lacquer with large pictures using the ''kuan cai'' (literally "incised colors") technique, sometimes combined with mother of pearl inlays. Other pieces made include chests and panels. But in Europe cabinet-makers often cut the screens into a number of panels, which were inserted into pieces of furniture made locally in the usual European shapes of the day, or mounted within wood panelling on walls. This was often also done with Japanese lacquer in rather different techniqu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Porcelain
Porcelain () is a ceramic material made by heating substances, generally including materials such as kaolinite, in a kiln to temperatures between . The strength and translucence of porcelain, relative to other types of pottery, arises mainly from vitrification and formation of the mineral mullite within the body at these high temperatures. Though definitions vary, porcelain can be divided into three main categories: hard-paste, soft-paste, and bone china. The category that an object belongs to depends on the composition of the paste used to make the body of the porcelain object and the firing conditions. Porcelain slowly evolved in China and was finally achieved (depending on the definition used) at some point about 2,000 to 1,200 years ago; it slowly spread to other East Asian countries, then to Europe, and eventually to the rest of the world. Its manufacturing process is more demanding than that for earthenware and stoneware, the two other main types of pottery, and it ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giuseppe Valeriani
Giuseppe Valeriani (Russian: Джузеппе Валериани; c. 1708, Rome 1761/62, Saint Petersburg) was an Italian-born Russian artist who primarily painted murals and stage scenery. Biography He and his brother Domenico initially studied with Marco Ricci in Venice. After Ricci's death, he obtained an apprenticeship with the decorative painter, Girolamo Bon (c. 1700-1766). Bon and his new wife Rosa (a comic opera singer) went to Saint Petersburg in 1735, where he had been offered work as a scenic designer. In 1742, Bon invited two of his former students, Valeriani and Antonio Peresinotti, to join him there. He travelled there in the company of the opera composer, Francesco Araja, who was serving as Kapellmeister to Empress Elizabeth. By 1745, he had become a Professor at the . He maintained a large workshop that employed numerous artists; including a young Dmitry Levitzky, who would later become a famous portrait painter. Among his best known works are ceilings at ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baroque
The Baroque (, ; ) is a style of architecture, music, dance, painting, sculpture, poetry, and other arts that flourished in Europe from the early 17th century until the 1750s. In the territories of the Spanish and Portuguese empires including the Iberian Peninsula it continued, together with new styles, until the first decade of the 19th century. It followed Renaissance art and Mannerism and preceded the Rococo (in the past often referred to as "late Baroque") and Neoclassical styles. It was encouraged by the Catholic Church as a means to counter the simplicity and austerity of Protestant architecture, art, and music, though Lutheran Baroque art developed in parts of Europe as well. The Baroque style used contrast, movement, exuberant detail, deep colour, grandeur, and surprise to achieve a sense of awe. The style began at the start of the 17th century in Rome, then spread rapidly to France, northern Italy, Spain, and Portugal, then to Austria, southern Germany, and Russia. B ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cupola
In architecture, a cupola () is a relatively small, most often dome-like, tall structure on top of a building. Often used to provide a lookout or to admit light and air, it usually crowns a larger roof or dome. The word derives, via Italian, from lower Latin ''cupula'' (classical Latin ''cupella''), (Latin ''cupa''), indicating a vault resembling an upside-down cup. Background The cupola evolved during the Renaissance from the older oculus. Being weatherproof, the cupola was better suited to the wetter climates of northern Europe. The chhatri, seen in Indian architecture, fits the definition of a cupola when it is used atop a larger structure. Cupolas often serve as a belfry, belvedere, or roof lantern above a main roof. In other cases they may crown a spire, tower, or turret. Barns often have cupolas for ventilation. Cupolas can also appear as small buildings in their own right. The square, dome-like segment of a North American railroad train caboose that contains the seco ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stucco
Stucco or render is a construction material made of aggregates, a binder, and water. Stucco is applied wet and hardens to a very dense solid. It is used as a decorative coating for walls and ceilings, exterior walls, and as a sculptural and artistic material in architecture. Stucco can be applied on construction materials such as metal, expanded metal lath, concrete, cinder block, or clay brick and adobe for decorative and structural purposes. In English, "stucco" sometimes refers to a coating for the outside of a building and "plaster" to a coating for interiors; as described below, however, the materials themselves often have little to no differences. Other European languages, notably Italian, do not have the same distinction; ''stucco'' means ''plaster'' in Italian and serves for both. Composition The basic composition of stucco is cement, water, and sand. The difference in nomenclature between stucco, plaster, and mortar is based more on use than composition. Until ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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