Graham Bond Organisation
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Graham Bond Organisation
The Graham Bond Organisation (GBO) were a British jazz/rhythm and blues group of the early 1960s consisting of Graham Bond (vocals, keyboards, alto-saxophone), Jack Bruce (bass), Ginger Baker (drums), Dick Heckstall-Smith (tenor/soprano saxophone) and John McLaughlin (guitar). They recorded several albums and further recordings were issued when the group's members achieved fame in progressive rock and jazz fusion. The spelling of the band's original name varied between releases, often depending on the intended audience. The British English spelled as "Organisation" or "ORGANisation" (Bond's original plan), while in some other countries outside the UK spelled "Organization". History At the start of the British rhythm and blues boom the Graham Bond Organisation earned a reputation for playing aggressive R & B with prominent jazz and blues. Bond was the primary songwriter but encouraged the other musicians to contribute material, including Dick Heckstall-Smith's "Dick's Instrument ...
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Rock Music
Rock music is a broad genre of popular music that originated as " rock and roll" in the United States in the late 1940s and early 1950s, developing into a range of different styles in the mid-1960s and later, particularly in the United States and United Kingdom.W. E. Studwell and D. F. Lonergan, ''The Classic Rock and Roll Reader: Rock Music from its Beginnings to the mid-1970s'' (Abingdon: Routledge, 1999), p.xi It has its roots in 1940s and 1950s rock and roll, a style that drew directly from the blues and rhythm and blues genres of African-American music and from country music. Rock also drew strongly from a number of other genres such as electric blues and folk, and incorporated influences from jazz, classical, and other musical styles. For instrumentation, rock has centered on the electric guitar, usually as part of a rock group with electric bass guitar, drums, and one or more singers. Usually, rock is song-based music with a time signature using a verse–chorus form, ...
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Progressive Rock
Progressive rock (shortened as prog rock or simply prog; sometimes conflated with art rock) is a broad genre of rock music that developed in the United Kingdom and United States through the mid- to late 1960s, peaking in the early 1970s. Initially termed "progressive pop", the style was an outgrowth of psychedelic bands who abandoned standard pop traditions in favour of instrumentation and compositional techniques more frequently associated with jazz, folk, or classical music. Additional elements contributed to its " progressive" label: lyrics were more poetic, technology was harnessed for new sounds, music approached the condition of "art", and the studio, rather than the stage, became the focus of musical activity, which often involved creating music for listening rather than dancing. Progressive rock is based on fusions of styles, approaches and genres, involving a continuous move between formalism and eclecticism. Due to its historical reception, the scope of progressiv ...
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Gonks Go Beat
''Gonks Go Beat'' is a 1964 British science fiction/musical fantasy film, directed by Robert Hartford-Davis. It stars Kenneth Connor and Frank Thornton. ''Gonks Go Beat'' is loosely based on the ''Romeo and Juliet'' storyline and features 16 musical numbers performed by a variety of artists, including Lulu and the Luvvers, The Nashville Teens and members of the Graham Bond Organisation including Ginger Baker, Jack Bruce and Dick Heckstall-Smith. Other musical contributors were – and remained – obscure. The film includes an early appearance by the actor Derek Thompson performing with his twin sister Elaine (credited as Elain). The title highlights the fad for gonk toys in mid 1960s Great Britain. The gonks appear in the opening title credits, whilst Lulu sings the theme song 'Chocolate Ice'. Plot At a point in the distant future, the inhabitants of Planet Earth have become divided into two factions who despise each other. In Beatland live the hip and trendy people ...
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The Sound Of 65
''The Sound of 65'' is the debut album by rhythm & blues/jazz group The Graham Bond Organisation and featuring its best-known line-up of Graham Bond on vocals, alto saxophone, Hammond B-3 organ and Mellotron, Jack Bruce on vocals, acoustic and electric basses and harmonica, Dick Heckstall-Smith on tenor and soprano saxophone and Ginger Baker on drums. ''Melody Makers Chris Welch has suggested ''The Sound of '65'' "may have been the greatest album of the Sixties" and "one of the most exciting and influential of its time" given the respect paid by luminaries like Steve Winwood and Bill Bruford. This album and the group's second and last, ''There's a Bond Between Us'' are now considered "essential listening for anyone who is seriously interested in either British blues, The Rolling Stones' early sound, or the history of popular music, in England or America, during the late '50s and early '60s" and is also known among fans of Cream, which Bond's rhythm section joined in the next yea ...
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Ray Evans
Raymond Bernard Evans (February 4, 1915 – February 15, 2007) was an American songwriter. He was a partner in a composing and song-writing duo with Jay Livingston, known for the songs they composed for films. Evans wrote the lyrics and Livingston wrote the music.Ray Evans papers, 1921-2012
Kislak Center for Special Collections, Rare Books and Manuscripts, University of Pennsylvania.


Biography

Evans was born to a ish family in , to Philip and Frances Lipsitz Evans. He was valedictorian of ...
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Jay Livingston
Jay Livingston (born Jacob Harold Levison, March 28, 1915 – October 17, 2001) was an American composer best known as half of a song-writing duo with Ray Evans that specialized in songs composed for films. Livingston wrote music and Evans the lyrics. Early life and career Livingston was born in McDonald, Pennsylvania to Jewish parents. He had an older sister, Vera, and a younger brother, Alan W. Livingston, who became an executive with Capitol Records, and later with NBC television. Livingston studied piano with Harry Archer in Pittsburgh, Pennsylvania. He attended the University of Pennsylvania, where he organized a dance band and met Evans, a fellow student in the band. Their professional collaboration began in 1937. Livingston and Evans won the Academy Award for Best Original Song three times, in 1948 for the song "Buttons and Bows", written for the movie '' The Paleface''; in 1950 for the song "Mona Lisa", written for the movie '' Captain Carey, U.S.A.''; and in 1956 ...
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Tommy Tucker (singer)
Tommy Tucker (born Robert Higginbotham; March 5, 1933 – January 22, 1982) was an American blues singer-songwriter and pianist. He is best known for the 1964 hit song, "Hi-Heel Sneakers", that went to No. 11 on the ''Billboard'' Hot 100 chart, and peaked at No. 23 in the UK Singles Chart. Early life Tucker was born Robert Higginbotham, to Leroy and Mary Higginbotham, the fifth of eleven children, in Springfield, Ohio, United States. Career Tucker released "Hi-Heel Sneakers" in 1964, which was a hit both in the US and the UK. He released an album, also entitled ''Hi-Heel Sneakers'', on Checker Records that same year. His follow-up single, "Long Tall Shorty", was less successful. Musicians that played on his albums and singles included Louisiana Red, Willie Dixon and Donny Hathaway. In the 1970s, he began releasing previously unissued material on the English label Red Lightnin'. This was combined with his work for Big Bear Records, featuring on their American Blues Legends ...
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Don Covay
Donald James Randolph (March 24, 1936 – January 31, 2015), better known by the stage name Don Covay, was an American R&B, rock and roll, and soul singer-songwriter most active from the 1950s to the 1970s. His most successful recordings include " Mercy, Mercy" (1964), "See-Saw" (1965), and "It's Better to Have (and Don't Need)" (1974). He also wrote "Pony Time", a US number 1 hit for Chubby Checker, and "Chain of Fools", a Grammy-winning song for Aretha Franklin. He received a Pioneer Award from the Rhythm and Blues Foundation in 1994. Writing in the ''Washington Post'' after his death, Terence McArdle said, "Mr. Covay’s career traversed nearly the entire spectrum of rhythm-and-blues music, from doo-wop to funk." Early life Covay was born in Orangeburg, South Carolina. His father, a Baptist preacher, died when Covay was eight. He resettled in Washington, D.C., with his mother Helen Zimmerman Randolph and his siblings in the early 1950s and initially sang in the Cherry Keys ...
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Parlophone
Parlophone Records Limited (also known as Parlophone Records and Parlophone) is a German–British record label founded in Germany in 1896 by the Carl Lindström Company as Parlophon. The British branch of the label was founded on 8 August 1923 as the Parlophone Company Limited (the Parlophone Co. Ltd.), which developed a reputation in the 1920s as a jazz record label. On 5 October 1926, the Columbia Graphophone Company acquired Parlophone's business, name, logo, and release library, and merged with the Gramophone Company on 31 March 1931 to become Electric & Musical Industries Limited (EMI). George Martin joined Parlophone in 1950 as assistant to Oscar Preuss (who had set up the London branch of the company in 1923), the label manager, taking over as manager in 1955. Martin produced and released a mix of recordings, including by comedian Peter Sellers, pianist Mrs Mills, and teen idol Adam Faith. In 1962, Martin signed the Beatles, a beat group from Liverpool who earlier ...
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Chuck Berry
Charles Edward Anderson Berry (October 18, 1926 – March 18, 2017) was an American singer, songwriter and guitarist who pioneered rock and roll. Nicknamed the " Father of Rock and Roll", he refined and developed rhythm and blues into the major elements that made rock and roll distinctive with songs such as " Maybellene" (1955), "Roll Over Beethoven" (1956), "Rock and Roll Music" (1957) and " Johnny B. Goode" (1958). Writing lyrics that focused on teen life and consumerism, and developing a music style that included guitar solos and showmanship, Berry was a major influence on subsequent rock music.Campbell, M. (ed.) (2008). ''Popular Music in America: And the Beat Goes On''. 3rd ed. Cengage Learning. pp. 168–169. Born into a middle-class black family in St. Louis, Berry had an interest in music from an early age and gave his first public performance at Sumner High School. While still a high school student, he was convicted of armed robbery and was sent to a reformator ...
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Robert Stigwood
Robert Colin Stigwood (16 April 1934 – 4 January 2016) was an Australian-born British-resident music entrepreneur, film producer and impresario, best known for managing Cream, Andy Gibb and the Bee Gees, theatrical productions like ''Hair'' and ''Jesus Christ Superstar'', and film productions including the successful '' Grease'' and ''Saturday Night Fever''.Ruhlmann On his death, one obituary judged that he had been for a time the most powerful tycoon in the entertainment industry: "Stigwood owned the record label that issued his artists’ albums and film soundtracks, and he also controlled publishing rights – not since Hollywood's golden days had so much power and wealth been concentrated in the hands of one mogul." Early life Stigwood was born in 1934 in Port Pirie, South Australia, the son of Gwendolyn (Burrows) and Gordon Stigwood, an electrical engineer. He was educated at Sacred Heart College in Adelaide. He hitchhiked to England in 1955. Amongst various early job ...
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Peter Chatman
John Len Chatman (September 3, 1915 – February 24, 1988), known professionally as Memphis Slim, was an American blues pianist, singer, and composer. He led a series of bands that, reflecting the popular appeal of jump blues, included saxophones, bass, drums, and piano. A song he first cut in 1947, "Every Day I Have the Blues", has become a blues standard, recorded by many other artists. He made over 500 recordings. He was posthumously inducted into the Blues Hall of Fame in 1989. Biography Memphis Slim was born John Len Chatman, in Memphis, Tennessee. For his first recordings, for Okeh Records in 1940, he used the name of his father, Peter Chatman (who sang, played piano and guitar, and operated juke joints); it is commonly believed that he did so to honor his father. He started performing under the name "Memphis Slim" later that year but continued to publish songs under the name Peter Chatman. He spent most of the 1930s performing in honky-tonks, dance halls, and gamblin ...
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