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Goût Grec
The French term ''goût grec'' (; "Greek taste") is often applied to the earliest expression of the Neoclassical style in France and refers specifically to the decorative arts and architecture of the mid-1750s to the late 1760s. The style was more fanciful than historically accurate, though the first archaeological surveys of Greece had begun to appear at this time. James Stuart and Nicholas Revett's ''James Stuart (1713–1788)#Antiquities of Athens, The Antiquities of Athens and Other Monuments of Greece'' (London, 1762) led the way. It was characterized by severe rectilinear and trabeated forms with a somewhat crude Greek detailing incorporating bold pilasters, Ionic scrolls, Greek key and scroll frets and guilloche. The style's origin may be found in the suite of furniture designed by Louis-Joseph Le Lorrain for the Parisian financier Ange-Laurent de La Live de Jully (now in the Musée Condé, Chantilly). In comparison to the prevailing Rococo style, the austerity of these ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Neoclassical Style
Neoclassical architecture is an architectural style produced by the Neoclassicism, Neoclassical movement that began in the mid-18th century in Italy and France. It became one of the most prominent architectural styles in the Western world. The prevailing styles of architecture in most of Europe for the previous two centuries, Renaissance architecture and Baroque architecture, already represented partial revivals of the Classical architecture of Roman architecture, ancient Rome and (much less) ancient Greek architecture, but the Neoclassical movement aimed to strip away the excesses of Late Baroque and return to a purer and more authentic classical style, adapted to modern purposes. The development of archaeology and published accurate records of surviving classical buildings was crucial in the emergence of Neoclassical architecture. In many countries, there was an initial wave essentially drawing on Roman architecture, followed, from about the start of the 19th century, by a seco ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Comte De Caylus
Anne Claude de Tubières-Grimoard de Pestels de Lévis, ''comte de Caylus'', marquis d'Esternay, baron de Bransac (Anne Claude Philippe; 31 October, 16925 September 1765), was a French antiquarian, proto-archaeologist and man of letters. Born in Paris, he was the eldest son of Lieutenant-General Anne de Tubières, comte de Caylus. His mother, Marthe-Marguerite de Villette de Mursay, comtesse de Caylus (1673–1729), was the daughter of vice-admiral Philippe, Marquis de Villette-Mursay. His younger brother was Charles de Tubières de Caylus, who became a naval officer and governor of Martinique. He was a cousin of Mme de Maintenon, who brought Marthe-Marguerite up like her own daughter. Marthe-Marguerite wrote valuable ''Souvenirs'' of the court of Louis XIV; these were edited by Voltaire (1770), and by many later editors. Career While a young man, Caylus distinguished himself in the campaigns of the French army, from 1709 to 1714. After the peace of Rastatt (1714) he spent som ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Architectural Styles
An architectural style is a set of characteristics and features that make a building or other structure notable or historically identifiable. It is a sub-class of style in the visual arts generally, and most styles in architecture relate closely to a wider contemporary artistic style. A style may include such elements as form, method of construction, building materials, and regional character. Most architecture can be classified within a chronology of styles which changes over time, reflecting changing fashions, beliefs and religions, or the emergence of new ideas, technology, or materials which make new styles possible. Styles therefore emerge from the history of a society. They are documented in the subject of architectural history. At any time several styles may be fashionable, and when a style changes it usually does so gradually, as architects learn and adapt to new ideas. The new style is sometimes only a rebellion against an existing style, such as post-modernism (meaning ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Decorative Arts
] The decorative arts are arts or crafts whose object is the design and manufacture of objects that are both beautiful and functional. It includes most of the arts making objects for the interiors of buildings, and interior design, but not usually architecture. Ceramic art, metalwork, furniture, jewellery, fashion, various forms of the textile arts and glassware are major groupings. Applied arts largely overlaps with decorative arts, and the modern making of applied art is usually called design. The decorative arts are often categorized in distinction to the " fine arts", namely painting, drawing, photography, and large-scale sculpture, which generally produce objects solely for their aesthetic quality and capacity to stimulate the intellect. Distinction from the fine arts The distinction between the decorative and fine arts essentially arose from the post-Renaissance art of the West, where the distinction is for the most part meaningful. This distinction is much less meani ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Neo-Grec
Néo-Grec was a Neoclassical Revival style of the mid-to-late 19th century that was popularized in architecture, the decorative arts, and in painting during France's Second Empire, or the reign of Napoleon III (1852–1870). The Néo-Grec vogue took as its starting point the earlier expressions of the Neoclassical style inspired by 18th-century excavations at Pompeii, which resumed in earnest in 1848, and similar excavations at Herculaneum. The style mixed elements of the Graeco-Roman, Pompeian, Adam and Egyptian Revival styles into "a richly eclectic polychrome mélange."James Stevens Curl & Susan Wilson, eds., "Néo-Grec," ''The Oxford Dictionary of Architecture'' (Oxford University Press, 2015/ref> "The style enjoyed a vogue in the United States, and had a short-lived impact on interior design in England and elsewhere." Architecture In architecture, the Néo-Grec is not always clearly distinguishable from the Neoclassical designs of the earlier part of the century, in bui ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Adam Style
The Adam style (or Adamesque and "Style of the Brothers Adam") is an 18th-century neoclassical style of interior design and architecture, as practised by Scottish architect William Adam and his sons, of whom Robert (1728–1792) and James (1732–1794) were the most widely known. The Adam brothers advocated an integrated style for architecture and interiors, with walls, ceilings, fireplaces, furniture, fixtures, fittings and carpets all being designed by the Adams as a single uniform scheme. Commonly and mistakenly known as "Adams Style", the proper term for this style of architecture and furniture is the "Style of the Adam Brothers". The ''Adam style'' found its niche from the late 1760s in upper-class and middle-class residences in 18th-century England, Scotland, Russia (where it was introduced by Scottish architect Charles Cameron), and post- Revolutionary War United States (where it became known as Federal style and took on a variation of its own). The style was superse ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Louis XV Style
The Louis XV style or ''Louis Quinze'' (, ) is a style of architecture and decorative arts which appeared during the reign of Louis XV. From 1710 until about 1730, a period known as the Régence, it was largely an extension of the Louis XIV style of his great-grandfather and predecessor, Louis XIV. From about 1730 until about 1750, it became more original, decorative and exuberant, in what was known as the Rocaille style, under the influence of the King's mistress, Madame de Pompadour. It marked the beginning of the European Rococo movement. From 1750 until the King's death in 1774, it became more sober, ordered, and began to show the influences of Neoclassicism. Architecture The chief architect of the King was Jacques Gabriel from 1734 until 1742, and then his more famous son, Ange-Jacques Gabriel, until the end of the reign. His major works included the Ecole Militaire, the ensemble of buildings overlooking the Place Louis XV (now Place de la Concorde; 1761-1770), and the Pet ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Palace Of Versailles
The Palace of Versailles ( ; french: Château de Versailles ) is a former royal residence built by King Louis XIV located in Versailles, Yvelines, Versailles, about west of Paris, France. The palace is owned by the French Republic and since 1995 has been managed, under the direction of the Ministry of Culture (France), French Ministry of Culture, by the Public Establishment of the Palace, Museum and National Estate of Versailles. Some 15,000,000 people visit the palace, park, or gardens of Versailles every year, making it one of the most popular tourist attractions in the world. Louis XIII built a simple hunting lodge on the site of the Palace of Versailles in 1623 and replaced it with a small château in 1631–34. Louis XIV expanded the château into a palace in several phases from 1661 to 1715. It was a favorite residence for both kings, and in 1682, Louis XIV moved the seat of his court and government to Versailles, making the palace the ''de facto'' capital of France. This ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Avant-garde
The avant-garde (; In 'advance guard' or ' vanguard', literally 'fore-guard') is a person or work that is experimental, radical, or unorthodox with respect to art, culture, or society.John Picchione, The New Avant-garde in Italy: Theoretical Debate and Poetic Practices' (Toronto: University of Toronto Press, 2004), p. 64 . It is frequently characterized by aesthetic innovation and initial unacceptability.Kostelanetz, Richard, ''A Dictionary of the Avant-Gardes'', Routledge, May 13, 2013 The avant-garde pushes the boundaries of what is accepted as the norm or the '' [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Philippe De La Guêpière
(Pierre Louis) Philippe de La Guêpière (c. 1715 – 30 October 1773) was an 18th-century French architect whose main commissions were from Karl Eugen, Duke of Württemberg. Early life Philippe was born in Sceaux, Hauts-de-Seine, south of Paris, the son of Lucien de La Guêpière, clerk of the works at the château de Sceaux, where the architect employed by Louis XIV's natural son, the duc du Maine, had been his uncle, Jacques de La Guêpière (1670–1734). Apparently having followed the architectural courses of the theoretician Jacques-François Blondel, from the 1730s La Guêpière took courses in architecture in Paris. He attended the Académie royale d'architecture. In 1750 he issued his engraved folio volume ''Plans, coupes et élévations de différents palais et églises''. That same year Leopoldo Retti, who was engaged in building the Neues Schloss in Stuttgart for Karl Eugen, made an artistic reconnoitering trip to Paris, in the company of the duke's garden designe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles De Wailly
Charles de Wailly () (9 November 1730 – 2 November 1798) was a French architect and urbanist, and furniture designer, one of the principals in the Neoclassical revival of the Antique. His major work was the Théâtre de l'Odéon for the Comédie-Française (1779–82). In his designs, de Wailly showed a predilection for the perfect figure, the circle. Biography De Wailly was born in Paris. Starting in 1749, he was the pupil of Jacques-François Blondel at ''l'École des Arts'', where he met William Chambers and had as a schoolmate Marie-Joseph Peyre; later he studied with Giovanni Niccolò Servandoni and with Jean-Laurent Le Geay. After having obtained the Prix de Rome for architecture in 1752 he went to the French Academy in Rome for three years until 1755, sharing his prize with his friend Pierre-Louis Moreau-Desproux. Both participated in the excavations at the Baths of Diocletian. In Rome, de Wailly founded a friendship with the sculptor Augustin Pajou, who was to carve ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean-François De Neufforge
Jean-François de Neufforge (1 April 1714 – 19 December 1791) was a Belgian architect and engraver, known for his ''Recueil elementaire d'architecture'', a book of architectural engravings. Biography Jean-François de Neufforge was born on 1 April 1714 in Comblain-au-Pont, close to Liege, to a family of gentry whose fortunes had declined by the time of his birth due to the revolutions and religious wars that had ravaged the low countries. He had one brother and one sister. He moved to Paris around 1738. He studied engraving under Pierre Edmé Babel and architecture under Jacques-François Blondel. He contributed nineteen engravings to David Le Roy's book ''The Ruins of the Most Beautiful Monuments of Greece''. It was not until 1755 that he began to become known. At that time he launched on the project that would occupy the rest of his life, the eight folio volumes of the ''Recueil élémentaire d'architecture...'' His planned work was presented to the Academy of Architec ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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