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Goût Grec
The French term ''goût grec'' (; "Greek taste") is often applied to the earliest expression of the Neoclassical style in France and refers specifically to the decorative arts and architecture of the mid-1750s to the late 1760s. The style was more fanciful than historically accurate, though the first archaeological surveys of Greece had begun to appear at this time. James Stuart and Nicholas Revett's '' The Antiquities of Athens and Other Monuments of Greece'' (London, 1762) led the way. It was characterized by severe rectilinear and trabeated forms with a somewhat crude Greek detailing incorporating bold pilasters, Ionic scrolls, Greek key and scroll frets and guilloche. The style's origin may be found in the suite of furniture designed by Louis-Joseph Le Lorrain for the Parisian financier Ange-Laurent de La Live de Jully (now in the Musée Condé, Chantilly). In comparison to the prevailing Rococo style, the austerity of these pieces is stark, and found praise from the con ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Neoclassical Style
Neoclassicism, also spelled Neo-classicism, emerged as a Western cultural movement in the decorative and visual arts, literature, theatre, music, and architecture that drew inspiration from the art and culture of classical antiquity. Neoclassicism was born in Rome, largely due to the writings of Johann Joachim Winckelmann during the rediscovery of Pompeii and Herculaneum. Its popularity expanded throughout Europe as a generation of European art students finished their Grand Tour and returned from Italy to their home countries with newly rediscovered Greco-Roman ideals. The main Neoclassical movement coincided with the 18th-century Age of Enlightenment, and continued into the early 19th century, eventually competing with Romanticism. In architecture, the style endured throughout the 19th, 20th, and into the 21st century. European Neoclassicism in the visual arts began in opposition to the then-dominant Rococo style. Rococo architecture emphasizes grace, ornamentation and asymm ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Comte De Caylus
Anne Claude de Tubières-Grimoard de Pestels de Lévis, ''comte de Caylus'', marquis d'Esternay, baron de Bransac (Anne Claude Philippe; 31 October 16925 September 1765), was a French antiquarian, proto-archaeologist and man of letters. Born in Paris, he was the eldest son of Lieutenant-General Anne de Tubières, comte de Caylus. His mother, Marthe-Marguerite de Villette de Mursay, comtesse de Caylus (1673–1729), was the daughter of vice-admiral Philippe, Marquis de Villette-Mursay. His younger brother was Charles de Tubières de Caylus, who became a naval officer and governor of Martinique. He was a cousin of Mme de Maintenon, who brought Marthe-Marguerite up like her own daughter. Marthe-Marguerite wrote valuable ''Souvenirs'' of the court of Louis XIV; these were edited by Voltaire (1770), and by many later editors. Career While a young man, Caylus distinguished himself in the campaigns of the French army, from 1709 to 1714. After the peace of Rastatt (1714) he spent so ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Architectural Styles
An architectural style is a classification of buildings (and nonbuilding structures) based on a set of characteristics and features, including overall appearance, arrangement of the components, method of construction, building materials used, form (architecture), form, size, structural design, and regional character. Architectural styles are frequently associated with a historical epoch (Renaissance style), geographical location (Italian Villa style), or an earlier architectural style (Neo-Gothic style), and are influenced by the corresponding broader Style (visual arts), artistic style and the "general human condition". Heinrich Wölfflin even declared an analogy between a building and a costume: an "architectural style reflects the ''attitude and the movement of people'' in the period concerned". The 21st century construction uses a multitude of styles that are sometimes lumped together as a "contemporary architecture" based on the common trait of extreme reliance on computer-a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Decorative Arts
] The decorative arts are arts or crafts whose aim is the design and manufacture of objects that are both beautiful and functional. This includes most of the objects for the interiors of buildings, as well as interior design, but typically excludes architecture. Ceramic art, metalwork, furniture, jewellery, fashion, various forms of the textile arts and glassware are major groupings. Applied arts largely overlap with the decorative arts, and in modern parlance they are both often placed under the umbrella category of design. The decorative arts are often categorized in distinction to the "fine arts", namely painting, drawing, photography, and large-scale sculpture, which generally produce objects solely for their aesthetic quality and capacity to stimulate the intellect. Distinction from the fine arts The distinction between the decorative and fine arts essentially arose from the post-renaissance art of the West, where the distinction is for the most part meaningful. Thi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Neo-Grec
Néo-Grec was a Neoclassical Revival style of the mid-to-late 19th century that was popularized in architecture, the decorative arts, and in painting during France's Second Empire, the reign of Napoleon III (1852–1870). The Néo-Grec vogue took as its starting point the earlier expressions of the Neoclassical style inspired by 18th-century excavations at Pompeii, which resumed in earnest in 1848, and similar excavations at Herculaneum. The style mixed elements of the Graeco-Roman, Pompeian, Adam and Egyptian Revival styles into "a richly eclectic polychrome mélange."James Stevens Curl & Susan Wilson, eds., "Néo-Grec," ''The Oxford Dictionary of Architecture'' (Oxford University Press, 2015/ref> "The style enjoyed a vogue in the United States, and had a short-lived impact on interior design in England and elsewhere." Architecture In architecture, the Néo-Grec is not always clearly distinguishable from the Neoclassical designs of the earlier part of the century, in buildi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Adam Style
The Adam style (also called Adamesque or the Style of the Brothers Adam) is an 18th-century neoclassical style of interior design and architecture, as practised by Scottish architect William Adam and his sons, of whom Robert (1728–1792) and James (1732–1794) were the most widely known. The Adam brothers advocated an integrated style for architecture and interiors, with walls, ceilings, fireplaces, furniture, fixtures, fittings and carpets all being designed by the Adams as a single uniform scheme. Their style is commonly known under the mistaken plural "Adams style". The ''Adam style'' found its niche from the late 1760s in upper-class and middle-class residences in 18th-century England, Scotland, Russia (where it was introduced by Scottish architect Charles Cameron), and post- Revolutionary War United States (where it became known as Federal style and took on a variation of its own). The style was superseded from around 1795 onwards by the Regency style and the Fren ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Louis XV Style
The Louis XV style or ''Louis Quinze'' (, ) is a style of architecture and decorative arts which appeared during the reign of Louis XV. From 1710 until about 1730, a period known as the Régence, it was largely an extension of the Louis XIV style of his great-grandfather and predecessor, Louis XIV. From about 1730 until about 1750, it became more original, decorative and exuberant, in what was known as the Rocaille style, under the influence of the King's mistress, Madame de Pompadour. It marked the beginning of the European Rococo movement. From 1750 until the King's death in 1774, it became more sober, ordered, and began to show the influences of Neoclassicism. Architecture The chief architect of the King was Jacques Gabriel from 1734 until 1742, and then his more famous son, Ange-Jacques Gabriel, until the end of the reign. His major works included the Ecole Militaire, the ensemble of buildings overlooking the Place Louis XV (now Place de la Concorde; 1761–1770), and th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Palace Of Versailles
The Palace of Versailles ( ; ) is a former royal residence commissioned by King Louis XIV located in Versailles, Yvelines, Versailles, about west of Paris, in the Yvelines, Yvelines Department of Île-de-France, Île-de-France region in France. The palace is owned by the government of France and since 1995 has been managed, under the direction of the Ministry of Culture (France), French Ministry of Culture, by the Public Establishment of the Palace, Museum and National Estate of Versailles. About 15,000,000 people visit the palace, park, or gardens of Versailles every year, making it one of the most popular tourist attractions in the world. Louis XIII built a hunting lodge at Versailles in 1623. His successor, Louis XIV, expanded the château into a palace that went through several expansions in phases from 1661 to 1715. It was a favourite residence for both kings, and in 1682, Louis XIV moved the seat of his court and government to Versailles, making the palace the ''de fact ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Avant-garde
In the arts and literature, the term ''avant-garde'' ( meaning or ) identifies an experimental genre or work of art, and the artist who created it, which usually is aesthetically innovative, whilst initially being ideologically unacceptable to the artistic establishment of the time. The military metaphor of an ''advance guard'' identifies the artists and writers whose innovations in style, form, and subject-matter challenge the artistic and aesthetic validity of the established forms of art and the literary traditions of their time; thus, the artists who created the anti-novel and Surrealism were ahead of their times. As a stratum of the intelligentsia of a society, avant-garde artists promote progressive and radical politics and advocate for societal reform with and through works of art. In the essay "The Artist, the Scientist, and the Industrialist" (1825), Benjamin Olinde Rodrigues's political usage of ''vanguard'' identified the moral obligation of artists to "ser ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Philippe De La Guêpière
(Pierre Louis) Philippe de La Guêpière (c. 1715 – 30 October 1773) was an 18th-century French architect whose main commissions were from Karl Eugen, Duke of Württemberg. Early life Philippe was born in Sceaux, Hauts-de-Seine, south of Paris, the son of Lucien de La Guêpière, clerk of the works at the château de Sceaux, where the architect employed by Louis XIV's natural son, the duc du Maine, had been his uncle, Jacques de La Guêpière (1670–1734). Apparently having followed the architectural courses of the theoretician Jacques-François Blondel, from the 1730s La Guêpière took courses in architecture in Paris. He attended the Académie royale d'architecture. In 1750 he issued his engraved folio volume ''Plans, coupes et élévations de différents palais et églises''. That same year Leopoldo Retti, who was engaged in building the Neues Schloss in Stuttgart for Karl Eugen, made an artistic reconnoitering trip to Paris, in the company of the duke's garden design ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles De Wailly
Charles de Wailly () (9 November 1730 – 2 November 1798) was a French architect and urbanist, and furniture designer, one of the principals in the Neoclassical revival of the Antique. His major work was the Théâtre de l'Odéon for the Comédie-Française (1779–82). In his designs, de Wailly showed a predilection for the perfect figure, the circle. Biography De Wailly was born in Paris. Starting in 1749, he was the pupil of Jacques-François Blondel at ''l'École des Arts'', where he met William Chambers and had as a schoolmate Marie-Joseph Peyre; later he studied with Giovanni Niccolò Servandoni and with Jean-Laurent Le Geay. After having obtained the Prix de Rome for architecture in 1752 he went to the French Academy in Rome for three years until 1755, sharing his prize with his friend Pierre-Louis Moreau-Desproux. Both participated in the excavations at the Baths of Diocletian. In Rome, de Wailly founded a friendship with the sculptor Augustin Pajou, who was to carv ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean-François De Neufforge
Jean-François de Neufforge (1 April 1714 – 19 December 1791) was an architect and engraver, known for his ''Recueil elementaire d'architecture'', a book of architectural engravings. He was born in the Holy Roman Empire. Biography Jean-François de Neufforge was born on 1 April 1714 in Comblain-au-Pont, close to Liege, to a family of gentry whose fortunes had declined by the time of his birth due to the revolutions and religious wars that had ravaged the low countries. He had one brother and one sister. He moved to Paris around 1738. He studied engraving under Pierre Edmé Babel and architecture under Jacques-François Blondel. He contributed nineteen engravings to David Le Roy's book ''The Ruins of the Most Beautiful Monuments of Greece''. It was not until 1755 that he began to become known. At that time he launched on the project that would occupy the rest of his life, the eight folio volumes of the ''Recueil élémentaire d'architecture...'' His planned work was prese ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
