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Charles De Wailly
Charles de Wailly () (9 November 1730 – 2 November 1798) was a French architect and urbanist, and furniture designer, one of the principals in the Neoclassical revival of the Antique. His major work was the Théâtre de l'Odéon for the Comédie-Française (1779–82). In his designs, de Wailly showed a predilection for the perfect figure, the circle. Biography De Wailly was born in Paris. Starting in 1749, he was the pupil of Jacques-François Blondel at ''l'École des Arts'', where he met William Chambers and had as a schoolmate Marie-Joseph Peyre; later he studied with Giovanni Niccolò Servandoni and with Jean-Laurent Le Geay. After having obtained the Prix de Rome for architecture in 1752 he went to the French Academy in Rome for three years until 1755, sharing his prize with his friend Pierre-Louis Moreau-Desproux. Both participated in the excavations at the Baths of Diocletian. In Rome, de Wailly founded a friendship with the sculptor Augustin Pajou, who was to carve ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lille PdBA Pajou Wailly
Lille ( , ; nl, Rijsel ; pcd, Lile; vls, Rysel) is a city in the northern part of France, in French Flanders. On the river Deûle, near France's border with Belgium, it is the capital of the Hauts-de-France region, the prefecture of the Nord department, and the main city of the European Metropolis of Lille. The city of Lille proper had a population of 234,475 in 2019 within its small municipal territory of , but together with its French suburbs and exurbs the Lille metropolitan area (French part only), which extends over , had a population of 1,510,079 that same year (Jan. 2019 census), the fourth most populated in France after Paris, Lyon, and Marseille. The city of Lille and 94 suburban French municipalities have formed since 2015 the European Metropolis of Lille, an indirectly elected metropolitan authority now in charge of wider metropolitan issues, with a population of 1,179,050 at the Jan. 2019 census. More broadly, Lille belongs to a vast conurbation formed w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Project To Transform The Panthéon, By Charles De Wailly, 1797
A project is any undertaking, carried out individually or collaboratively and possibly involving research or design, that is carefully planned to achieve a particular goal. An alternative view sees a project managerially as a sequence of events: a "set of interrelated tasks to be executed over a fixed period and within certain cost and other limitations". A project may be a temporary (rather than a permanent) social system ( work system), possibly staffed by teams (within or across organizations) to accomplish particular tasks under time constraints. A project may form a part of wider programme management or function as an ''ad hoc'' system. Note that open-source software "projects" or artists' musical "projects" (for example) may lack defined team-membership, precise planning and/or time-limited durations. Overview The word ''project'' comes from the Latin word ''projectum'' from the Latin verb ''proicere'', "before an action," which in turn comes from ''pro-'', which d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Andrey Voronikhin
Andrey (Andrei) Nikiforovich Voronikhin (russian: Андрей Никифорович Воронихин) (28 October 1759, Novoe Usolye, Perm Oblast – 21 February 1814, Saint Petersburg) was a Russian architect and painter. As a representative of classicism he was also one of the founders of the monumental Russian Empire style. Born a serf of the Stroganov family, he is best known for his work on Kazan Cathedral in Saint Petersburg. Andrey Voronikhin was born in the village of Novoa Usolye (now Perm Krai) to a family who were the serfs of count Alexander Sergeyevich Stroganov, a longtime President of the Imperial Academy of Arts. It is generally believed that he was fathered by Alexander Stroganov. Voronikhin trained in painting in the workshop of Ural icon painter Gabriel Yushkov. The talents of his youth attracted Stroganov's attention, and in 1777 the count sent Voronikhin to study in Moscow. Among his teachers were Vasili Ivanovich Bazhenov and Matvey Fyodorovich Kazako ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ivan Starov
Ivan Yegorovich Starov (russian: Ива́н Его́рович Старо́в) (23 February 1745 – 17 April 1808) was a Russian architect from Saint Petersburg, St. Petersburg who devised the master plans for Yaroslavl, Voronezh, Pskov, Dnipro, Mykolaiv, and many other towns in Russia and Ukraine. His radial urban master plan for Yaroslavl (1778), cleverly highlighting dozens historic churches and towers, is recognized as one of the World Heritage Sites. Starov was one of the first graduates of the Moscow University College (1755–1758) and of the Imperial Academy of Arts (1758–1762). He continued his education in Paris (1762–1767) and Rome (1767–1768), becoming apprenticed to Charles De Wailly and other fashionable architects of his day. Back in Russia, he delivered lectures in the Academy of Arts, which nominated him academician (1769) and professor (1785). Starov held the post of the principal architect of St. Petersburg between 1772 and 1774. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vasily Bazhenov
Vasily Ivanovich Bazhenov (russian: Васи́лий Ива́нович Баже́нов) (March 1 ( N.S. 12), 1737 or 1738 – August 2 (N.S. 13), 1799) was a Russian neoclassical architect, graphic artist, architectural theorist and educator. Bazhenov and his associates Matvey Kazakov and Ivan Starov were the leading local architects of the Russian Enlightenment, a period dominated by foreign architects ( Charles Cameron, Giacomo Quarenghi, Antonio Rinaldi and others). According to Dmitry Shvidkovsky, in the 1770s Bazhenov became the first Russian architect to create a national architectural language since the 17th century tradition interrupted by Peter I of Russia.Shvidkovsky, 2007 p. 260 Bazhenov's early success was followed by a tragic professional and private life. His two main construction projects were abandoned for political or financial reasons. His ''magnum opus'', the neoclassical Grand Kremlin Palace, was cancelled shortly after groundbreaking. The imperial pala ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Russia
Russia (, , ), or the Russian Federation, is a List of transcontinental countries, transcontinental country spanning Eastern Europe and North Asia, Northern Asia. It is the List of countries and dependencies by area, largest country in the world, with its internationally recognised territory covering , and encompassing one-eighth of Earth's inhabitable landmass. Russia extends across Time in Russia, eleven time zones and shares Borders of Russia, land boundaries with fourteen countries, more than List of countries and territories by land borders, any other country but China. It is the List of countries and dependencies by population, world's ninth-most populous country and List of European countries by population, Europe's most populous country, with a population of 146 million people. The country's capital and List of cities and towns in Russia by population, largest city is Moscow, the List of European cities by population within city limits, largest city entirely within E ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Encyclopédie
''Encyclopédie, ou dictionnaire raisonné des sciences, des arts et des métiers'' (English: ''Encyclopedia, or a Systematic Dictionary of the Sciences, Arts, and Crafts''), better known as ''Encyclopédie'', was a general encyclopedia published in France between 1751 and 1772, with later supplements, revised editions, and translations. It had many writers, known as the Encyclopédistes. It was edited by Denis Diderot and, until 1759, co-edited by Jean le Rond d'Alembert. The ''Encyclopédie'' is most famous for representing the thought of the Enlightenment. According to Denis Diderot in the article "Encyclopédie", the ''Encyclopédies aim was "to change the way people think" and for people (bourgeoisie) to be able to inform themselves and to know things. He and the other contributors advocated for the secularization of learning away from the Jesuits. Diderot wanted to incorporate all of the world's knowledge into the ''Encyclopédie'' and hoped that the text could dissemina ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles-Louis Clérisseau
Charles-Louis Clérisseau (28 August 1721 – 9 January 1820) was a French architect, draughtsman, antiquary, and artist who became a leading authority on ancient Roman architecture and Roman ruins in Italy and France. With his influence extending to Russia, England, and the United States, and clients including Catherine the Great and Thomas Jefferson, Clérisseau played a key role in the genesis of neoclassical architecture during the second half of the 18th century. Education; career in Rome Born in Paris, Clérisseau was a pupil of the architect Germain Boffrand. In 1746, in his mid-twenties, he won a Premier Prix de Rome in the architectural competition to design ''Un grand hôtel'', or great mansion. The prize included a scholarship to study in Rome, and in 1749 Clérisseau became an official ''pensionnaire'' (resident) at the French Academy in Rome, where his instructors included the painter of ruins Giovanni Paolo Pannini. In Rome he also befriended Giovanni Battista Piranesi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Académie Royale De Peinture Et De Sculpture
The Académie Royale de Peinture et de Sculpture (; en, "Royal Academy of Painting and Sculpture") was founded in 1648 in Paris, France. It was the premier art institution of France during the latter part of the Ancien Régime until it was abolished in 1793 during the French Revolution. It included most of the important painters and sculptors, maintained almost total control of teaching and exhibitions, and afforded its members preference in royal commissions. Founding In the 1640s, France's artistic life was still based on the medieval system of guilds like the Académie de Saint-Luc which had a tight grip on the professional lives of artists and artisans alike. Some artists had managed to get exemptions but these were based on favoritism rather than merit. A few "superior men" who were "real artists", suffered and felt humiliated under this system. In view of increasing pressure by the Parisian guilds for painters and sculptors to submit to their control, the young but alre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Académie Royale D'architecture
The Académie Royale d'Architecture (; en, "Royal Academy of Architecture") was a French learned society founded in 1671. It had a leading role in influencing architectural theory and education, not only in France, but throughout Europe and the Americas from the late 17th century to the mid-20th.Cleary 1996. History The Académie Royale d'Architecture was founded on December 30, 1671, by Louis XIV, king of France under the impulsion of Jean-Baptiste Colbert. Its first director was the mathematician and engineer François Blondel (1618–1686), and the secretary was André Félibien (1619 –1695). The academy was housed in the Louvre for most of its existence, and included a school of architecture. Its members met weekly. Jacques-François Blondel describes the academy quarters in his ''Architecture françoise'' of 1756. The main rooms were on the ground floor and included two lecture halls, one for meetings of the academy members on Mondays and mathematics lectures on Wednesd ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wallace Collection
The Wallace Collection is a museum in London occupying Hertford House in Manchester Square, the former townhouse of the Seymour family, Marquesses of Hertford. It is named after Sir Richard Wallace, who built the extensive collection, along with the Marquesses of Hertford, in the 18th and 19th centuries. The collection features fine and decorative arts from the 15th to the 19th centuries with important holdings of French 18th-century paintings, furniture, arms and armour, porcelain and Old Master paintings arranged into 25 galleries. It is open to the public and entry is free. It was established in 1897 from the private collection mainly created by Richard Seymour-Conway, 4th Marquess of Hertford (1800–1870), who left both it and the house to his illegitimate son Sir Richard Wallace (1818–1890), whose widow Julie Amelie Charlotte Castelnau bequeathed the entire collection to the nation. The collection opened to permanent public view in 1900 in Hertford House, and remain ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
