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Gongche Notation
''Gongche'' notation or ''gongchepu'' is a traditional musical notation method, once popular in ancient China. It uses Chinese characters to represent musical notes. It was named after two of the Chinese characters that were used to represent musical notes, namely "" ''gōng'' and "" ''chě''. Sheet music written in this notation is still used for traditional Chinese musical instruments and Chinese operas. However usage of the notation has declined, replaced by mostly ''jianpu'' (numbered musical notation) and sometimes the standard western notation. The notation usually uses a movable "do" system. There are variations of the character set used for musical notes. A commonly accepted set is shown below with its relation to ''jianpu'' and solfege. : Usual variations The three notes just below the central octave are usually represented by special characters: : Sometimes "" ''shì'' is used instead of "" ''sì''. Sometimes "" ''yī'' is not used, or its role is exchanged ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Varieties Of Chinese
Chinese, also known as Sinitic, is a branch of the Sino-Tibetan language family consisting of hundreds of local varieties, many of which are not mutually intelligible. Variation is particularly strong in the more mountainous southeast of mainland China. The varieties are typically classified into several groups: Mandarin, Wu, Min, Xiang, Gan, Hakka and Yue, though some varieties remain unclassified. These groups are neither clades nor individual languages defined by mutual intelligibility, but reflect common phonological developments from Middle Chinese. Chinese varieties differ most in their phonology, and to a lesser extent in vocabulary and syntax. Southern varieties tend to have fewer initial consonants than northern and central varieties, but more often preserve the Middle Chinese final consonants. All have phonemic tones, with northern varieties tending to have fewer distinctions than southern ones. Many have tone sandhi, with the most complex patterns in the coastal ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jianpu
The numbered musical notation (, not to be confused with the integer notation) is a cipher notation system used in China, and to some extent in Japan (with 7th being si,), Indonesia (in a slightly different format called "not angka"), Malaysia, Australia, Ireland, the United Kingdom, the United States and English-speaking Canada. It dates back to the system designed by Pierre Galin, known as Galin-Paris-Chevé system. It is also known as ''Ziffernsystem'', meaning "number system" or "cipher system" in German. Numbered notation described Musical notes Numbers 1 to 7 represent the musical notes (more accurately the scale degrees). They always correspond to the diatonic major scale. For example, in the key of C, their relationship with the notes and the solfège is as follows: : In G: : When the notes are read aloud or sung, they are called "do, re, mi, fa, sol, la, si". ("Si" has been supplanted in English by "ti", for the sake of having a different beginning consonant for each degr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sanshin
The is an Okinawan and Amami Islands musical instrument and precursor of the mainland Japanese (). Often likened to a banjo, it consists of a snakeskin-covered body, neck and three strings. Origins Its close resemblance in both appearance and name to the Chinese suggests Chinese origins, the then-Ryūkyū Kingdom (pre-Japanese Okinawa) having very close ties with Imperial China. In the 16th century, the reached the Japanese trading port at Sakai in Osaka, Japan. In mainland Japan, it evolved into the larger , and many people refer to the as or due to its snakeskin covering. The is considered the soul of Okinawan folk music. Played by youth as young as 2, to older people aged 100 or more, there is a in most Okinawan homes. It is the center of small informal family gatherings, weddings, birthdays, other celebrations, community parties, festivals. The is held in great respect among the Ryukyuan culture, and is often viewed as an instrument that carries the voice of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Okinawan Music
is the music associated with the Okinawa Islands of southwestern Japan. In modern Japan, it may also refer to the musical traditions of Okinawa Prefecture, which covers the Miyako and Yaeyama Islands in addition to the Okinawa Islands. It has its roots in the larger musical traditions of the Southern Islands. Genres A dichotomy widely accepted by Okinawan people is the separation of musical traditions into ''koten'' (classical) and ''min'yō'' (folk). Okinawa was once ruled by the highly centralized kingdom of Ryūkyū. The samurai class in the capital of Shuri developed its high culture while they frequently suppressed folk culture in rural areas. Musicologist Susumu Kumada added another category, "popular music", to describe songs that emerged after the kingdom was abolished in 1879. Classical music was the court music of Ryūkyū. was the traditional chamber music of the royal palace at Shuri Castle. It was performed by the bureaucrats as official duties. The texture is ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kunkunshi
Kunkunshi ( ) is the traditional notation system by which music is recorded in the Ryukyu Islands. The term ''kunkunshi'' originally referred to the first three notes of a widely known Chinese melody, although today it is used almost exclusively in reference to the sheet music. Kunkunshi is believed to have been first developed by Mongaku Terukina or by his student in the early to mid-1700s. However, it was not until the end of the 19th century that the form became standardized for writing sanshin The is an Okinawan and Amami Islands musical instrument and precursor of the mainland Japanese (). Often likened to a banjo, it consists of a snakeskin-covered body, neck and three strings. Origins Its close resemblance in both appearance a ... music. Yakabi is attributed to having written the earliest known, surviving collection of kunkunshi. The ''Yakabi Kunkunshi'' consists of 117 compositions written in the ''kaki nagashi'' style. In this form, the sanshin finger positions ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tablature
Tablature (or tabulature, or tab for short) is a form of musical notation indicating instrument fingering rather than musical pitches. Tablature is common for fretted stringed instruments such as the guitar, lute or vihuela, as well as many free reed aerophones such as the harmonica. Tablature was common during the Renaissance and Baroque eras, and is commonly used today in notating many forms of music. Three types of organ tablature were used in Europe: German, Spanish and Italian. To distinguish standard musical notation from tablature, the former is usually called " staff notation" or just "notation". Etymology The word ''tablature'' originates from the Latin word ''tabulatura''. ''Tabula'' is a table or slate, in Latin. To tabulate something means to put it into a table or chart. Origin The first known occurrence in Europe is around 1300, and was first used for notating music for the organ. Concepts While standard notation represents the rhythm and duration of each ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Song Dynasty
The Song dynasty (; ; 960–1279) was an imperial dynasty of China that began in 960 and lasted until 1279. The dynasty was founded by Emperor Taizu of Song following his usurpation of the throne of the Later Zhou. The Song conquered the rest of the Ten Kingdoms, ending the Five Dynasties and Ten Kingdoms period. The Song often came into conflict with the contemporaneous Liao, Western Xia and Jin dynasties in northern China. After retreating to southern China, the Song was eventually conquered by the Mongol-led Yuan dynasty. The dynasty is divided into two periods: Northern Song and Southern Song. During the Northern Song (; 960–1127), the capital was in the northern city of Bianjing (now Kaifeng) and the dynasty controlled most of what is now Eastern China. The Southern Song (; 1127–1279) refers to the period after the Song lost control of its northern half to the Jurchen-led Jin dynasty in the Jin–Song Wars. At that time, the Song court retreated south of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tang Dynasty
The Tang dynasty (, ; zh, t= ), or Tang Empire, was an Dynasties in Chinese history, imperial dynasty of China that ruled from 618 to 907 AD, with an Zhou dynasty (690–705), interregnum between 690 and 705. It was preceded by the Sui dynasty and followed by the Five Dynasties and Ten Kingdoms period. Historians generally regard the Tang as a high point in Chinese civilization, and a Golden age (metaphor), golden age of cosmopolitan culture. Tang territory, acquired through the military campaigns of its early rulers, rivaled that of the Han dynasty. The House of Li, Lǐ family () founded the dynasty, seizing power during the decline and collapse of the Sui Empire and inaugurating a period of progress and stability in the first half of the dynasty's rule. The dynasty was formally interrupted during 690–705 when Empress Wu Zetian seized the throne, proclaiming the Zhou dynasty (690–705), Wu Zhou dynasty and becoming the only legitimate Chinese empress regnant. The devast ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kam Hok Yap Mun-Yeung Kwan Sam Tip
Kaam (Gurmukhi: ਕਾਮ ''Kāma'') in common usage, the term stands for 'excessive passion for sexual pleasure' and it is in this sense that it is considered to be an evil in Sikhism. In Sikhism it is believed that Kaam can be overcome by being satisfied with the current moment. All 5 thieves can be overcome with selfless service and remembrance of God (Simran). Sikh Guru teachings The Gurus rejected lust. Yet they recognized the four '' Purusarthas''—referred to in Gurbani as ''char Padaraths'', or the four human pursuits—as the Granth Sahib declares "Dharma, Artha, Kam and Moksha follow God's devotee like shadow" (SGGS 1320). However, in Sikhism, Kaam is not unrestricted gratification of carnal desires, but an impulse which needs to be kept under check like other impulses and passions. Unrestrained propensity towards Kam, especially sexual relationship outside the marital bond, is condemned in the strongest terms in Sikh codes of conduct as well as in the Scriptu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Percussion
A percussion instrument is a musical instrument that is sounded by being struck or scraped by a beater including attached or enclosed beaters or rattles struck, scraped or rubbed by hand or struck against another similar instrument. Excluding zoomusicological instruments and the human voice, the percussion family is believed to include the oldest musical instruments.''The Oxford Companion to Music'', 10th edition, p.775, In spite of being a very common term to designate instruments, and to relate them to their players, the percussionists, percussion is not a systematic classificatory category of instruments, as described by the scientific field of organology. It is shown below that percussion instruments may belong to the organological classes of ideophone, membranophone, aerophone and cordophone. The percussion section of an orchestra most commonly contains instruments such as the timpani, snare drum, bass drum, tambourine, belonging to the membranophones, and cy ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
