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Kunkunshi
Kunkunshi ( ) is the traditional notation system by which music is recorded in the Ryukyu Islands. The term ''kunkunshi'' originally referred to the first three notes of a widely known Chinese melody, although today it is used almost exclusively in reference to the sheet music. Kunkunshi is believed to have been first developed by Mongaku Terukina or by his student in the early to mid-1700s. However, it was not until the end of the 19th century that the form became standardized for writing sanshin The is an Okinawan and Amami Islands musical instrument and precursor of the mainland Japanese (). Often likened to a banjo, it consists of a snakeskin-covered body, neck and three strings. Origins Its close resemblance in both appearance a ... music. Yakabi is attributed to having written the earliest known, surviving collection of kunkunshi. The ''Yakabi Kunkunshi'' consists of 117 compositions written in the ''kaki nagashi'' style. In this form, the sanshin finger positions ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kunkunshi For Tinsagu Nu Hana
Kunkunshi ( ) is the traditional notation system by which music is recorded in the Ryukyu Islands. The term ''kunkunshi'' originally referred to the first three notes of a widely known Chinese melody, although today it is used almost exclusively in reference to the sheet music. Kunkunshi is believed to have been first developed by Mongaku Terukina or by his student in the early to mid-1700s. However, it was not until the end of the 19th century that the form became standardized for writing sanshin music. Yakabi is attributed to having written the earliest known, surviving collection of kunkunshi. The ''Yakabi Kunkunshi'' consists of 117 compositions written in the ''kaki nagashi'' style. In this form, the sanshin finger positions are written in a flowing style with no indication of rhythm. Okinawan Sanshin Notes References * * * Musical notation Okinawan music {{Japan-music-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sanshin
The is an Okinawan and Amami Islands musical instrument and precursor of the mainland Japanese (). Often likened to a banjo, it consists of a snakeskin-covered body, neck and three strings. Origins Its close resemblance in both appearance and name to the Chinese suggests Chinese origins, the then-Ryūkyū Kingdom (pre-Japanese Okinawa) having very close ties with Imperial China. In the 16th century, the reached the Japanese trading port at Sakai in Osaka, Japan. In mainland Japan, it evolved into the larger , and many people refer to the as or due to its snakeskin covering. The is considered the soul of Okinawan folk music. Played by youth as young as 2, to older people aged 100 or more, there is a in most Okinawan homes. It is the center of small informal family gatherings, weddings, birthdays, other celebrations, community parties, festivals. The is held in great respect among the Ryukyuan culture, and is often viewed as an instrument that carries the voice of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Musical Notation
Music notation or musical notation is any system used to visually represent aurally perceived music played with instruments or sung by the human voice through the use of written, printed, or otherwise-produced symbols, including notation for durations of absence of sound such as rests. The types and methods of notation have varied between cultures and throughout history, and much information about ancient music notation is fragmentary. Even in the same time period, such as in the 2010s, different styles of music and different cultures use different music notation methods; for example, for professional classical music performers, sheet music using staves and noteheads is the most common way of notating music, but for professional country music session musicians, the Nashville Number System is the main method. The symbols used include ancient symbols and modern symbols made upon any media such as symbols cut into stone, made in clay tablets, made using a pen on papyrus or ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ryukyu Islands
The , also known as the or the , are a chain of Japanese islands that stretch southwest from Kyushu to Taiwan: the Ōsumi, Tokara, Amami, Okinawa, and Sakishima Islands (further divided into the Miyako and Yaeyama Islands), with Yonaguni the westernmost. The larger are mostly high islands and the smaller mostly coral. The largest is Okinawa Island. The climate of the islands ranges from humid subtropical climate (Köppen climate classification ''Cfa'') in the north to tropical rainforest climate (Köppen climate classification ''Af'') in the south. Precipitation is very high and is affected by the rainy season and typhoons. Except the outlying Daitō Islands, the island chain has two major geologic boundaries, the Tokara Strait (between the Tokara and Amami Islands) and the Kerama Gap (between the Okinawa and Miyako Islands). The islands beyond the Tokara Strait are characterized by their coral reefs. The Ōsumi and Tokara Islands, the northernmost of the islands, fall un ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mongaku Terukina
Mongaku (文覚) was a Japanese samurai and Shingon Buddhist priest of the late Heian and early Kamakura period. He was a close associate of shogun Minamoto no Yoritomo, having contributed to the declaration of the Genpei War. Myōe was the disciple of his disciple Jōkaku. His secular name, before ordination, was Endō Moritō. He is also known as Mongaku Shōnin. Life Mongaku was born the son of Endō Mochitō, a samurai in the Watanabe faction of the Settsu Genji clan (a branch of the Minamoto clan). He initially served in the Imperial Palace Guards of the North Side. He fell in love with Kesa, the wife of Minamoto no Wataru, but killed her by accident. Out of repentance, he then ordinated as a priest, visiting sacred places across the country. Mongaku moved to live at Jingo-ji temple in 1168, and participated in its restoration work motivated by his reverence towards Kūkai. In 1173, he requested a manorial temple estate for Jingo-ji from Cloistered Emperor Go-Shirakaw ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
