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Golden Age Of Spain
The Spanish Golden Age ( es, Siglo de Oro, links=no , "Golden Century") is a period of flourishing in arts and literature in Spain, coinciding with the political rise of the Spanish Empire under the Catholic Monarchs of Spain and the Spanish Habsburgs. The greatest patron of Spanish art and culture during this period was King Philip II of Spain, Philip II (1556–1598), whose royal palace, El Escorial, invited the attention of some of Europe's greatest architects and painters such as El Greco, who infused Spanish art with foreign styles and helped create a uniquely Spanish style of painting. It is associated with the reigns of Isabella I of Castile, Isabella I, Ferdinand II of Aragon, Ferdinand II, Charles V, Holy Roman Emperor, Charles V, Philip II of Spain, Philip II, Philip III of Spain, Philip III, and Philip IV of Spain, Philip IV, when Spain was one of the most powerful countries in the world. The start of the Golden Age can be placed in 1492, with the end of the ''Recon ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
In Ictu Oculi
The phrase ''in ictu oculi'' is a Latin expression meaning "in the blink of an eye". One source is from the Bible, in 1 Corinthians 15:52: "''In momento, in ictu oculi, in novissima tuba''", translated in the KJV as "In a moment, in the twinkling of an eye, at the last trump:" where the Latin is itself a translation of the original Koine Greek phrase (''en rhipēi ophthalmou''). The phrase was used by Henry of Huntingdon on the rapid submission to the coronation of Stephen of England in 1135: ''Sine mora, sine labore, quasi in ictu oculi.'' It also appears as part of the text to a motet by Antoine Busnois entitled "Gaude celestis Domina". The most notable use of the phrase in an English text is that by John Donne: ''which shall be found alive upon the earth, we say there shall be a sudden death, and a sudden resurrection; In raptu, in transitu, in ictu oculi'', where Donne gives an English-Latin paraphrase on the original context in 1 Corinthians 15. Works of art More than th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gramática De La Lengua Castellana
() is a book written by Antonio de Nebrija and published in 1492. It was the first work dedicated to the Spanish language and its rules, and the first grammar of a modern European language to be published. When it was presented to Isabella of Castile at Salamanca in the year of its publication, the queen questioned what the merit of such a work might be; Fray Hernando de Talavera, bishop of Avila, answered for the author in prophetic words, as Nebrija himself recalls in a letter addressed to the monarch: ''After Your Highness has subjected barbarous peoples and nations of varied tongues, with conquest will come the need for them to accept the laws that the conqueror imposes on the conquered, and among them our language; with this work of mine, they will be able to learn it, as we now learn Latin from the Latin Grammar''Quoted by Henry Kamen at the outset of ''Empire: how Spain became a world power, 1492-1763'', 2002. Contents Nebrija divided his study of the language into f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cristóbal De Morales
Cristóbal de Morales (c. 1500 – between 4 September and 7 October 1553) was a Spanish composer of the Renaissance. He is generally considered to be the most influential Spanish composer before Tomás Luis de Victoria. Life Cristóbal de Morales was born in Seville and, after an exceptional early education there, which included a rigorous training in the classics as well as musical study with some of the foremost composers, he held posts at Ávila and Plasencia. All that is known about his family is that he had a sister, and that his father died prior to his sister's marriage in 1530. Others who lived in Seville are considered to be potential relatives of Morales. These include Cristóbal de Morales, a singer employed by Duke of Medina Sidonia in 1504; Alonso de Morales, treasurer of the cathedral in 1503; Francisco de Morales (d. 1505), a canon; and Diego de Morales, who was the cathedral notary in 1525. Earlier Spanish popes of the Borja family held a long tradition of e ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tomás Luis De Victoria
Tomás Luis de Victoria (sometimes Italianised as ''da Vittoria''; ) was the most famous Spanish composer of the Renaissance. He stands with Giovanni Pierluigi da Palestrina and Orlande de Lassus as among the principal composers of the late Renaissance, and was "admired above all for the intensity of some of his motets and of his Offices for the Dead and for Holy Week". His surviving ''oeuvre'', unlike that of his colleagues, is almost exclusively sacred and polyphonic vocal music, set to Latin texts. As a Catholic priest, as well as an accomplished organist and singer, his career spanned both Spain and Italy. However, he preferred the life of a composer to that of a performer. Life and career Victoria was born in Sanchidrián in the province of Ávila, Castile, around 1548 and died in 1611. Victoria's family can be traced back for generations. Not only are the names of the members in his immediate family known, but even the occupation of his grandfather. Victoria was the se ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Diego Velázquez
Diego Rodríguez de Silva y Velázquez (baptized June 6, 1599August 6, 1660) was a Spanish painter, the leading artist in the court of King Philip IV of Spain and Portugal, and of the Spanish Golden Age. He was an individualistic artist of the Baroque period (c.1600–1750). He began to paint in a precise tenebrist style, later developing a freer manner characterized by bold brushwork. In addition to numerous renditions of scenes of historical and cultural significance, he painted scores of portraits of the Spanish royal family and commoners, culminating in his masterpiece '' Las Meninas'' (1656). Velázquez's paintings became a model for 19th-century realist and impressionist painters. In the 20th century, artists such as Pablo Picasso, Salvador Dalí, and Francis Bacon paid tribute to Velázquez by re-interpreting some of his most iconic images. Most of his work entered the Spanish royal collection, and by far the best collection is in the Museo del Prado in Madrid, tho ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lope De Vega
Félix Lope de Vega y Carpio ( , ; 25 November 156227 August 1635) was a Spanish playwright, poet, and novelist. He was one of the key figures in the Spanish Golden Age of Baroque literature. His reputation in the world of Spanish literature is second only to that of Miguel de Cervantes, while the sheer volume of his literary output is unequalled, making him one of the most prolific authors in the history of literature. He was nicknamed "The Phoenix of Wits" and "Monster of Nature" (in es , Fénix de los Ingenios , links=no, ) by Cervantes because of his prolific nature. Lope de Vega renewed the Spanish theatre at a time when it was starting to become a mass cultural phenomenon. He defined its key characteristics, and along with Pedro Calderón de la Barca and Tirso de Molina, took Spanish Baroque theatre to its greatest heights. Because of the insight, depth and ease of his plays, he is regarded as one of the greatest dramatists in Western literature, his plays still b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Don Quixote
is a Spanish epic novel by Miguel de Cervantes. Originally published in two parts, in 1605 and 1615, its full title is ''The Ingenious Gentleman Don Quixote of La Mancha'' or, in Spanish, (changing in Part 2 to ). A founding work of Western literature, it is often labelled as the first modern novel and one of the greatest works ever written. ''Don Quixote'' is also one of the most-translated books in the world. The plot revolves around the adventures of a member of the lowest nobility, an hidalgo from La Mancha named Alonso Quijano, who reads so many chivalric romances that he either loses or pretends to have lost his mind in order to become a knight-errant () to revive chivalry and serve his nation, under the name . He recruits a simple farmer, Sancho Panza, as his squire, who often employs a unique, earthy wit in dealing with Don Quixote's rhetorical monologues on knighthood, already considered old-fashioned at the time, and representing the most droll realism in c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Miguel De Cervantes
Miguel de Cervantes Saavedra (; 29 September 1547 (assumed) – 22 April 1616 NS) was an Early Modern Spanish writer widely regarded as the greatest writer in the Spanish language and one of the world's pre-eminent novelists. He is best known for his novel ''Don Quixote'', a work often cited as both the first modern novel and one of the pinnacles of world literature. Much of his life was spent in poverty and obscurity, which led to many of his early works being lost. Despite this, his influence and literary contribution are reflected by the fact that Spanish is often referred to as "the language of Cervantes". In 1569, Cervantes was forced to leave Spain and move to Rome, where he worked in the household of a cardinal. In 1570, he enlisted in a Spanish Navy infantry regiment, and was badly wounded at the Battle of Lepanto in October 1571. He served as a soldier until 1575, when he was captured by Barbary pirates; after five years in captivity, he was ransomed, and retu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Spanish Baroque
The arts of the Spanish Baroque include: *Spanish Baroque painting *Spanish Baroque architecture ** Spanish Baroque ephemeral architecture *Spanish Baroque literature **''Culteranismo'' **''Conceptismo'' * Spanish Baroque art ** Bodegón **Tenebrism **Cuzco School ** Indochristian art ** Quito School ** :Spanish Baroque painters * Spanish Baroque music * New Spanish Baroque *Andean Baroque *Baroque Churches of the Philippines See also *Spanish Golden Age *Baroque music Baroque music ( or ) refers to the period or dominant style of Western classical music composed from about 1600 to 1750. The Baroque style followed the Renaissance period, and was followed in turn by the Classical period after a short transit ... Spanish Baroque ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Renaissance
The Renaissance ( , ) , from , with the same meanings. is a period in European history The history of Europe is traditionally divided into four time periods: prehistoric Europe (prior to about 800 BC), classical antiquity (800 BC to AD 500), the Middle Ages (AD 500 to AD 1500), and the modern era (since AD 1500). The first early ... marking the transition from the Middle Ages to modernity and covering the 15th and 16th centuries, characterized by an effort to revive and surpass ideas and achievements of classical antiquity. It occurred after the Crisis of the Late Middle Ages and was associated with great social change. In addition to the standard periodization, proponents of a "long Renaissance" may put its beginning in the 14th century and its end in the 17th century. The traditional view focuses more on the Early modern period, early modern aspects of the Renaissance and argues that it was a break from the past, but many historians today focus more on its medieval a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Plateresque
Plateresque, meaning "in the manner of a silversmith" (''plata'' being silver in Spanish), was an artistic movement, especially architectural, developed in Spain and its territories, which appeared between the late Gothic and early Renaissance in the late 15th century, and spread over the next two centuries. It is a modification of Gothic spatial concepts and an eclectic blend of Mudéjar, Flamboyant Gothic and Lombard decorative components, as well as Renaissance elements of Tuscan origin.Bozal, Valeriano; ''Art history in Spain: From the origins to the Enlightenment'', pp. 157, 165. Ed Akal (1978). . Examples of this syncretism are the inclusion of shields and pinnacles on facades, columns built in the Renaissance neoclassical manner, and facades divided into three parts (in Renaissance architecture they are divided into two). It reached its peak during the reign of Charles V, Holy Roman Emperor,Arellano, Fernando; ''The Hispanic American Art'', pp. 13–14. Ed. Universidad ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
_01.jpg "Click for more on -> Lope De Vega")
