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Glossary Of Colombian Music
This page is a glossary of Colombian music. A * agüelulo – A teenage gathering, originally held in private homes and then larger spaces; a teenager who frequented such a place was a ''agüelero'' or sometimes a ''cocacolos'', after the main beverage drunk at ''agüelulos'', Coca-Cola * música andina – An early national style of the 19th and early 20th centuries, developed from the Andean interior * música antillana – A kind of popular dance music based on Cuban and Puerto Rican styles * ''audición'': literally ''listening'', can refer to a "special musical tribute to the career of a particular artist or group", performed before the beginning of a concert B * baile – Literally, ''dance'', dances are alphabetized under their descriptor, e.g. ''baile de cuota'' is alphabetized under ''cuota'' * bambuco – An Andean style of dance music, perceived as a national music in the early 20th century,Burton, Kim. "El Sonido Dorado". 2000. In Broughton, Simon and Ellingham, Mar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Coca-Cola
Coca-Cola, or Coke, is a carbonated soft drink manufactured by the Coca-Cola Company. Originally marketed as a temperance drink and intended as a patent medicine, it was invented in the late 19th century by John Stith Pemberton in Atlanta, Georgia. In 1888, Pemberton sold Coca-Cola's ownership rights to Asa Griggs Candler, a businessman, whose marketing tactics led Coca-Cola to its dominance of the global soft-drink market throughout the 20th and 21st century. The drink's name refers to two of its original ingredients: coca leaves and kola nuts (a source of caffeine). The current formula of Coca-Cola remains a closely guarded trade secret; however, a variety of reported recipes and experimental recreations have been published. The secrecy around the formula has been used by Coca-Cola in its marketing as only a handful of anonymous employees know the formula. The drink has inspired imitators and created a whole classification of soft drink: colas. The Coca-Cola Company p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Maraca
A maraca (), sometimes called shaker or chac-chac, is a rattle which appears in many genres of Caribbean and Latin music. It is shaken by a handle and usually played as part of a pair. Maracas (from Guaraní ), also known as tamaracas, were rattles of divination, an oracle of the Brazilian Tupinamba people, found also with other Indigenous ethnic groups, such as the Guarani, Orinoco and in Florida. Rattles made from ''Lagenaria'' gourds are being shaken by the natural grip, while the round ''Crescentia'' calabash fruits are fitted to a handle. Human hair is sometimes fastened on the top, and a slit is cut in it to represent a mouth, through which their shamans (''payes'') made it utter its responses. A few pebbles are inserted to make it rattle and it is crowned with the red feathers of the (scarlet ibis). Every man had his maraca. It was used at their dances and to heal the sick. Andean curandero A ''curandero'' (, healer; f. , also spelled , , f. ) is a traditional ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chocó Department
Choco Department is a department of Western Colombia known for its large Afro-Colombian population. It is in the west of the country, and is the only Colombian department to have coastlines on both the Pacific Ocean and the Atlantic Ocean. It contains all of Colombia's border with Panama. Its capital is Keebdaw. Chocó has a diverse geography, unique ecosystems and unexploited natural resources. However, its population has one of the lowest standards of living of all departments in Colombia. A major factor, cited by the government, is the rugged, montane rainforest environment, limiting any infrastructure improvements to the region. No major highway has been worked on since initial foundations were laid down in 1967. This roadway would have successfully linked Chocó to the nearest large city, Medellin, providing easier access to medical care, necessities, food, and more. Currently, depending on their location, residents of Chocó who are in a medical emergency, and who do h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chirimía
Chirimía (sometimes chirisuya in Peru) is a Spanish term for a type of woodwind instrument similar to an oboe. The chirimía is a member of the shawm family of double-reed instruments, introduced to North, Central and South America in the sixteenth and seventeenth centuries by the Spanish clergy. Distribution Usage of the chirimía varies widely across Latin America and Iberia, with the instrument being extinct in some areas, but a living tradition in others. The chirimía and drum are used to accompany religious processions and annual commemorative dance-dramas in many remote areas of Latin America, including Jacaltenango, Guatemala. The music produced is quite unique and varies from one region to another. This tradition is an adaptation of the pre-Columbian practice of accompanying religious ceremonies and processions with drums, flutes, and whistles. There are two types of chirimías in Guatemala, a small one and a large one. The size of the holes and their location determi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Soukous
Soukous (from French '' secousse'', "shock, jolt, jerk") is a genre of dance music from Congo-Kinshasa and Congo-Brazzaville. It derived from Congolese rumba in the 1960s, becoming known for its fast dance rhythms and intricate guitar improvisation, and gained popularity in the 1980s in France. Although often used by journalists as a synonym for Congolese rumba, both the music and dance associated with soukous differ from more traditional rumba, especially in its higher tempo and longer dance sequences. Notable performers of the genre include Franco Luambo and his band TPOK Jazz, Papa Wemba, Sam Mangwana, Tabu Ley Rochereau, and Pépé Kallé. History 1960s In the 1950s and 1960s, artists began altering the popular dance style of Congolese rumba to have faster rhythms and more prominent guitar improvisation, as well as more pronounced African elements. Guitarist and bandleader Franco Luambo is credited with pioneering the genre alongside his band TPOK Jazz. Tabu Ley Roch ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mbaqanga
Mbaqanga () is a style of South African music with rural Zulu music, Zulu roots that continues to influence musicians worldwide today. The style originated in the early 1960s. History Historically, laws such as the Natives' Land Act, Land Act of 1913 to the Group Areas Act (1950) initially prevented black South Africans from integrating from different tribal communities, consequently making it almost impossible for most black native music artists to gain recognition beyond their tribal boundaries. The music genre mbaqanga developed during this time (1960s) and to this day most of the major record labels are white-owned companies with very few black artists that have contributed to their own material. In Zulu, the term ''mbaqanga'' means an everyday cornmeal porridge. ''Mbaqanga'' aficionados were mostly plebeian, metropolitan African jazz enthusiasts. Many of them were not permitted to establish themselves in the city, but they were unable to sustain themselves in the rural cou ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Zouk (musical Movement)
Zouk is a musical movement pioneered by the French Antillean band Kassav' in the early 1980s. It was originally characterized by a fast tempo (120–145 bpm), a percussion-driven rhythm and a loud horn section. The fast zouk béton of Martinique and Guadeloupe faded away during the 1980s. Musicians from Martinique and Guadeloupe added MIDI instrumentation to their compas style, which developed into zouk-love. Zouk-love is effectively the French Lesser Antilles' compas.Popular Musics of the Non Western World. Peter Manuel, New York Oxford University Press, 1988, p74 Zouk gradually became indistinguishable from the genre known as compas. This light compas influenced the Cape-Verdean new generation. Zouk béton The original fast carnival style of zouk, best represented by the band Kassav', became known as "zouk béton", "zouk chiré" or "zouk hard". Zouk béton is considered a synthesis of various French Antillean dance music styles of the 20th century: kadans (cadence), konp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Soca Music
Soca music is a genre of music defined by Lord Shorty, its inventor, as the "Soul of Calypso", which has influences of African and East Indian rhythms. It was originally spelt "sokah" by its inventor but through an error in a local newspaper when reporting on the new music it was erroneously spelt "soca"; Lord Shorty confirmed the error but chose to leave it that way to avoid confusion. It is a genre of music that originated in Trinidad and Tobago in the early 1970s and developed into a range of styles during the 1980s and after. Soca was initially developed by Lord Shorty in an effort to revive traditional calypso, the popularity of which had been flagging amongst younger generations in Trinidad due to the rise in popularity of reggae from Jamaica and soul and funk from the United States. Soca is an offshoot of Calypso/Kaiso, with influences from East Indian rhythms and hooks. Soca has evolved since the 1980s primarily through musicians from various Anglophone Caribbean count ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
African Pop
African popular music (also styled Afropop, Afro-pop or Afro pop), like African traditional music, is vast and varied. Most contemporary genres of African popular music build on cross-pollination with western popular music. Many genres of popular music like blues, jazz, afrobeats, salsa, zouk, and rumba derive to varying degrees on musical traditions from Africa, taken to the Americas by enslaved Africans. These rhythms and sounds have subsequently been adapted by newer genres like rock, and rhythm and blues. Likewise, African popular music has adopted elements, particularly the musical instruments and recording studio techniques of western music. The term does not refer to a specific style or sound but is used as a general term for African popular music. Influence of Afro-Cuban music Cuban music has been popular in Sub-Saharan Africa since the mid-twentieth century. It was Cuban music, more than any other, that provided the initial template for Afropop. To the Africans, c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Barranquilla
Barranquilla () is the capital district of Atlántico Department in Colombia. It is located near the Caribbean Sea and is the largest city and third port in the Caribbean Coast region; as of 2018 it had a population of 1,206,319, making it Colombia's fourth-most populous city after Bogotá, Medellín, and Cali. Barranquilla lies strategically next to the delta of the Magdalena River, (originally before rapid urban growth) from its mouth at the Caribbean Sea, serving as a port for river and maritime transportation within Colombia. It is also the main economic center of Atlántico department in Colombia. The city is the core of the Metropolitan Area of Barranquilla, with a population of over 2 million, which also includes the municipalities of Soledad, Galapa, Malambo, and Puerto Colombia. Barranquilla was legally established as a town on April 7, 1813, although it dates from at least 1629. It grew into an important port, serving as a haven for immigrants from Europe, espe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cartagena, Colombia
Cartagena ( , also ), known since the colonial era as Cartagena de Indias (), is a city and one of the major ports on the northern coast of Colombia in the Caribbean Coast Region, bordering the Caribbean sea. Cartagena's past role as a link in the route to West Indies provides it with important historical value for world exploration and preservation of heritage from the great commercial maritime routes. As a former Spanish colony, it was a key port for the export of Bolivian silver to Spain and for the import of enslaved Africans under the asiento system. It was defensible against pirate attacks in the Caribbean. The city's strategic location between the Magdalena and Sinú Rivers also gave it easy access to the interior of New Granada and made it a main port for trade between Spain and its overseas empire, establishing its importance by the early 1540s. Modern Cartagena is the capital of the Bolívar Department, and had a population of 1,028,736, according to the 2018 ce ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Champeta
Champeta, also known as terapia, is a musical genre and dance that originated in the Caribbean coast of Colombia in the early 1980s. It developed from an earlier style termed chalusonga, which originated in Palenque de San Basilio in the mid-1970s. Chalusonga was a combination of Colombian chalupa and Afro-Cuban percussive music popularized by Estrellas del Caribe. When their music reached Cartagena de Indias, it evolved into champeta, which became a movement and identity among Afro-Colombians. It shows influences from African colonial settlements and from contemporary African culture, particularly from the Democratic Republic of the Congo.Contreras Hernández, 2002 Musical characteristics In champeta music the rhythmic base dominates over the melodic and harmonic lines, producing a music easy to dance to and marked by its strength and plasticity. The instruments used include the voice, percussion, electric guitar, bass, conga drums, and the synthesiser which contributes rhythmic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
