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Gli Esiliati In Siberia
(''Eight Months in Two Hours or The Exiles in Siberia'') is an opera in three acts by Gaetano Donizetti to a libretto by Domenico Gilardoni. The original story comes from the 1806 novel, ''Elisabeth, ou Les exilés de Sibérie'' (''Elisabeth, or the Exiles of Siberia''), written by Sophie Ristaud Cottin. Luigi Marchionni's subsequent play, ''La figlia dell’esiliato, ossia Otto mesi in due ore'' (''The Daughter of the Exile, or Eight Months in Two Hours''), first performed in Italy in 1820, was the more immediate basis for Gilardoni's libretto. The opera has two later, substantially re-worked versions, ''Élisabeth ou la fille de l'exilé'' (''Elisabeth, or the daughter of the exile''), and ''Elisabetta'', both of which received their first performances some 150 years after Donizetti's death. Performance history 19th century The opera underwent many revisions and changes of title over the years, with a performance history nearly as convoluted as its plot. Its first versio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gaetano Donizetti
Domenico Gaetano Maria Donizetti (29 November 1797 – 8 April 1848) was an Italian composer, best known for his almost 70 operas. Along with Gioachino Rossini and Vincenzo Bellini, he was a leading composer of the '' bel canto'' opera style during the first half of the nineteenth century and a probable influence on other composers such as Giuseppe Verdi. Donizetti was born in Bergamo in Lombardy. At an early age he was taken up by Simon Mayr who enrolled him with a full scholarship in a school which he had set up. There he received detailed musical training. Mayr was instrumental in obtaining a place for Donizetti at the Bologna Academy, where, at the age of 19, he wrote his first one-act opera, the comedy ''Il Pigmalione'', which may never have been performed during his lifetime. An offer in 1822 from Domenico Barbaja, the impresario of the Teatro di San Carlo in Naples, which followed the composer's ninth opera, led to his move to Naples and his residency there until productio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carlo Rizzi (conductor)
Carlo Rizzi (born 19 July 1960, Milan, Italy) is an Italian conductor. Biography One of three children born to a chemist father and an accountant mother, Rizzi studied music at the Milan Conservatory. He later was a conducting student of Vladimir Delman, in Bologna, and with Franco Ferrara in Siena. His opera conducting debut was in 1982, with Donizetti's ''L'ajo nell'imbarazzo''. In 1985, he won the first Toscanini Conductor's Competition in Parma. Rizzi made his UK conducting debut at the 1988 Buxton Festival with Donizetti's ''Torquato Tasso'', and subsequently conducted productions at the Royal Opera House, Covent Garden and Opera North. In August 1992, he became music director of Welsh National Opera (WNO), and served in the post through 2001. He learned to speak Welsh during his tenure. In 2004, following the sudden resignation of Tugan Sokhiev, Rizzi's successor at WNO, Rizzi returned as WNO's music director, which was expected to be initially for a period of 2 years. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Raffaele Scalese
Raffaele Scalese (1800–1884) was an Italian operatic bass who specialized in the opera buffa repertoire. He was active in Italy's major opera houses from the mid-1820s up into the 1860s. He also appeared internationally in opera houses in Austria, Portugal, and France. The last years of his career were spent performing in Paris in the late 1860s where he remained after his retirement from the stage. Life and career Born in Naples, Scalese began performing at major Italian opera houses in the mid-1820s, including La Fenice in Venice, the Teatro Valle in Rome, and the Teatro di San Carlo in his native city. In 1827 he portrayed Alterkan in the world premiere of Gaetano Donizetti's '' Otto mesi in due ore'' at the Teatro Nuovo in Naples. In 1834 he portrayed Edmondo in the house premiere of Luigi Ricci's ''Gli esposti'' at the Teatro d'Angennes in Turin. In 1837 he sang the role of Everardo in the world premiere of Gaetano Rossi's ''Iginia d'Asti'' at the Teatro San Benedetto in Veni ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vincenzo Galli
Vincenzo Galli (1798 – 23 November 1858) was an Italian opera singer and impresario. Considered an outstanding ''basso buffo'' singer, he created many roles on Italian stages, including in two of Donizetti's operas: Ivano in '' Otto mesi in due ore'' and Cesare Salzapariglia in ''Le convenienze ed inconvenienze teatrali''. Luigi Ricci composed the role of Michelotto in his opera ''Chiara di Rosembergh'' specifically for Galli's voice. Life and career Galli was born in Rome, the younger brother of Filippo Galli, an even more famous bass. Vincenzo was sometimes referred to as "il Galli minore" (the minor Galli).Campi, Paola (1998)"Galli, Filippo" ''Dizionario Biografico degli Italiani'', Vol. 51. Treccani. Online version retrieved 6 September 2014 . He made his stage debut at the Teatro Argentina in Rome in 1819 as Eugaro in Giuseppe Nicolini's '' Giulio Cesare nelle Gallie'' and his La Scala debut in 1824 as Giorgio in Rossini's ''Torvaldo e Dorliska'' with his brother Filippo as t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Soprano
A soprano () is a type of classical female singing voice and has the highest vocal range of all voice types. The soprano's vocal range (using scientific pitch notation) is from approximately middle C (C4) = 261 Hz to "high A" (A5) = 880 Hz in choral music, or to "soprano C" (C6, two octaves above middle C) = 1046 Hz or higher in operatic music. In four-part chorale style harmony, the soprano takes the highest part, which often encompasses the melody. The soprano voice type is generally divided into the coloratura, soubrette, lyric, spinto, and dramatic soprano. Etymology The word "soprano" comes from the Italian word '' sopra'' (above, over, on top of),"Soprano" '' |
Mezzo-soprano
A mezzo-soprano or mezzo (; ; meaning "half soprano") is a type of classical female singing voice whose vocal range lies between the soprano and the contralto voice types. The mezzo-soprano's vocal range usually extends from the A below middle C to the A two octaves above (i.e. A3–A5 in scientific pitch notation, where middle C = C4; 220–880 Hz). In the lower and upper extremes, some mezzo-sopranos may extend down to the F below middle C (F3, 175 Hz) and as high as "high C" (C6, 1047 Hz). The mezzo-soprano voice type is generally divided into the coloratura, lyric, and dramatic mezzo-soprano. History While mezzo-sopranos typically sing secondary roles in operas, notable exceptions include the title role in Bizet's '' Carmen'', Angelina (Cinderella) in Rossini's ''La Cenerentola'', and Rosina in Rossini's ''Barber of Seville'' (all of which are also sung by sopranos and contraltos). Many 19th-century French-language operas give the leading female role to mezzos, includin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giuseppe Fioravanti
Giuseppe Fioravanti ( 1795 – ?) was an Italian opera singer active during the first half of the 19th century. Although one of the most important and popular basso buffos of his generation, there is only a relatively small amount of information available about his life. He had a highly fruitful partnership with the Teatro Nuovo in Naples and is best known today for creating roles in the world premieres of numerous operas by Gaetano Donizetti. Kutsch, Karl-Josef and Riemens, Leo (2004). ''Großes Sängerlexikon'', 4th Edition, Vol. 4, . Walter de Gruyter. Biography Fioravanti was the son of opera composer Valentino Fioravanti (1764–1837) and the older brother of opera composer Vincenzo Fioravanti (1799–1877). His exact year of birth is unknown but it is likely that he was born sometime around 1795. Not much is known about his musical training, although he probably received some education from his father. Fioravanti's first known stage appearance was in 1817 at the Teatro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bass (vocal Range)
A bass is a type of classical male singing voice and has the lowest vocal range of all voice types. According to ''The New Grove Dictionary of Opera'', a bass is typically classified as having a vocal range extending from around the second E below middle C to the E above middle C (i.e., E2–E4).; ''The Oxford Dictionary of Music'' gives E2–E4/F4 Its tessitura, or comfortable range, is normally defined by the outermost lines of the bass clef. Categories of bass voices vary according to national style and classification system. Italians favour subdividing basses into the ''basso cantante'' (singing bass), ''basso buffo'' ("funny" bass), or the dramatic ''basso profondo'' (low bass). The American system identifies the bass-baritone, comic bass, lyric bass, and dramatic bass. The German ''Fach'' system offers further distinctions: Spielbass (Bassbuffo), Schwerer Spielbass (Schwerer Bassbuffo), Charakterbass (Bassbariton), and Seriöser Bass. These classification systems can ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tenor
A tenor is a type of classical music, classical male singing human voice, voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. The tenor's vocal range extends up to C5. The low extreme for tenors is widely defined to be B2, though some roles include an A2 (two As below middle C). At the highest extreme, some tenors can sing up to the second F above middle C (F5). The tenor voice type is generally divided into the ''leggero'' tenor, lyric tenor, spinto tenor, dramatic tenor, heldentenor, and tenor buffo or . History The name "tenor" derives from the Latin word ''wikt:teneo#Latin, tenere'', which means "to hold". As Fallows, Jander, Forbes, Steane, Harris and Waldman note in the "Tenor" article at ''Grove Music Online'': In polyphony between about 1250 and 1500, the [tenor was the] structurally fundamental (or 'holding') voice, vocal or instrumental; by the 15th century it came to signify the male voice that ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opéra Comique
''Opéra comique'' (; plural: ''opéras comiques'') is a genre of French opera that contains spoken dialogue and arias. It emerged from the popular '' opéras comiques en vaudevilles'' of the Fair Theatres of St Germain and St Laurent (and to a lesser extent the Comédie-Italienne),M. Elizabeth C. Bartlet and Richard Langham Smith"Opéra comique" '' Grove Music Online''. Oxford Music Online. 19 November 2009 which combined existing popular tunes with spoken sections. Associated with the Paris theatre of the same name, ''opéra comique'' is not necessarily comical or shallow in nature; '' Carmen'', perhaps the most famous ''opéra comique'', is a tragedy. Use of the term The term ''opéra comique'' is complex in meaning and cannot simply be translated as "comic opera". The genre originated in the early 18th century with humorous and satirical plays performed at the theatres of the Paris fairs which contained songs ('' vaudevilles''), with new words set to already existing music. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Recitative
Recitative (, also known by its Italian name "''recitativo''" ()) is a style of delivery (much used in operas, oratorios, and cantatas) in which a singer is allowed to adopt the rhythms and delivery of ordinary speech. Recitative does not repeat lines as formally composed songs do. It resembles sung ordinary speech more than a formal musical composition. Recitative can be distinguished on a continuum from more speech-like to more musically sung, with more sustained melodic lines. The mostly syllabic ''recitativo secco'' ("dry", accompanied only by continuo, typically cello and harpsichord) is at one end of the spectrum, through ''recitativo accompagnato'' (using orchestra), the more melismatic arioso, and finally the full-blown aria or ensemble, where the pulse is entirely governed by the music. Secco recitatives can be more improvisatory and free for the singer, since the accompaniment is so sparse; in contrast, when recitative is accompanied by orchestra, the singer must per ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Orchestra Of St
An orchestra (; ) is a large instrumental ensemble typical of classical music, which combines instruments from different families. There are typically four main sections of instruments: * bowed string instruments, such as the violin, viola, cello, and double bass * woodwinds, such as the flute, oboe, clarinet, saxophone, and bassoon * Brass instruments, such as the horn, trumpet, trombone, cornet, and tuba * percussion instruments, such as the timpani, snare drum, bass drum, cymbals, triangle, tambourine, and mallet percussion instruments Other instruments such as the piano, harpsichord, and celesta may sometimes appear in a fifth keyboard section or may stand alone as soloist instruments, as may the concert harp and, for performances of some modern compositions, electronic instruments and guitars. A full-size Western orchestra may sometimes be called a or philharmonic orchestra (from Greek ''phil-'', "loving", and "harmony"). The actual number of musicians employed in a gi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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