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Glagolitic Mass
The ''Glagolitic Mass'' (, '' cu, script=latn, Mša glagolskaja''; also called ''Missa Glagolitica'' or ''Slavonic Mass'') is a composition for soloists (soprano, contralto, tenor, bass), double chorus, organ and orchestra by Leoš Janáček. The work was completed on 15 October 1926 and premiered by the Brno Arts Society, conducted by Jaroslav Kvapil, in Brno on 5 December 1927. Janáček revised the mass the next year. The Glagolitic Mass is one of the most remarkable and important musical religious works of the twentieth century. The Glagolitic alphabet was an early Slavic alphabet, the predecessor of the modern Cyrillic alphabet. In Yugoslavia, the Catholic Church gave permission for the Roman Rite liturgical Mass to be celebrated in Old Church Slavonic at a time when such liturgies were typically only permitted to be in Latin, resulting in the Glagolitic Use Mass. Background The text is in Old Church Slavonic, with five vocal movements that correspond to the Catholic Ordin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Leoš Janáček
Leoš Janáček (, baptised Leo Eugen Janáček; 3 July 1854 – 12 August 1928) was a Czech composer, musical theorist, folklorist, publicist, and teacher. He was inspired by Moravian and other Slavic musics, including Eastern European folk music, to create an original, modern musical style.Sehnal and Vysloužil (2001), p. 175 Until 1895 he devoted himself mainly to folkloristic research. While his early musical output was influenced by contemporaries such as Antonín Dvořák, his later, mature works incorporate his earlier studies of national folk music in a modern, highly original synthesis, first evident in the opera ''Jenůfa'', which was premiered in 1904 in Brno. The success of ''Jenůfa'' (often called the "Moravian national opera") at Prague in 1916 gave Janáček access to the world's great opera stages. Janáček's later works are his most celebrated. They include operas such as ''Káťa Kabanová'' and ''The Cunning Little Vixen'', the Sinfonietta, the ''Glag ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Donald Attwater
Donald Attwater by Eric Gill, 1929, private collection. Donald Attwater (24 December 1892 – 30 January 1977) was a British Catholic author, editor and translator, and a visiting lecturer at the University of Notre Dame. Life Attwater was born in Essex, England, on 24 December 1892. His parents were Methodists who became Anglicans while Attwater was a child. He himself became a Catholic at the age of 18. He studied Law but did not earn a degree. He served in the Sinai and Palestine campaign during the First World War, developing an interest in Eastern Christianity while in the Middle East. After the war he lived for a time on Caldey Island, undergoing the influence of the monks of Caldey Abbey. He also became a friend and admirer of Eric Gill. Throughout the 1930s, 40s and 50s he was a frequent contributor to the Catholic press in both Britain and America, and a prolific author of books on Christian themes. In 1936 he was one of the founders of the Catholic peace movement Pax ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sanctus
The Sanctus ( la, Sanctus, "Holy") is a hymn in Christian liturgy. It may also be called the ''epinikios hymnos'' ( el, ἐπινίκιος ὕμνος, "Hymn of Victory") when referring to the Greek rendition. In Western Christianity, the ''Sanctus'' forms part of the Ordinary and is sung (or said) as the final words of the Preface of the Eucharistic Prayer of remembrance, consecration, and praise. The preface, which alters according to the season, usually concludes with words describing the praise of the worshippers joining with the angels, who are pictured as praising God with the words of the ''Sanctus''. In the Byzantine Rite and general Eastern Orthodox Christianity, the ''Sanctus'' is offered as a response by the choir during the Holy Anaphora. ''Tersanctus'' ("Thrice Holy") is another, rarer name for the Sanctus. The same name is sometimes used for the ''Trisagion''. Text In Greek ''Hágios, hágios, hágios, Kýrios Sabaṓth; plḗrēs ho ouranós kaí hē gê ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Credo
In Christian liturgy, the credo (; Latin for "I believe") is the Nicene-Constantinopolitan Creed – or its shorter version, the Apostles' Creed – in the Mass, either as a prayer, a spoken text, or sung as Gregorian chant or other musical settings of the Mass. History After the formulation of the Nicene Creed, its initial liturgical use was in baptism, which explains why the text uses the singular "I ...." instead of "we...." The text was gradually incorporated into the liturgies, first in the east and in Spain, and gradually into the north, from the sixth to the ninth centuries. In 1014 it was accepted by the Church of Rome as a legitimate part of the Mass. It is recited in the Western Mass directly after the homily on all Sundays and solemnities; in modern celebrations of the Tridentine Mass as an extraordinary form of the Roman Rite, the Credo is recited on all Sundays, feasts of the I class, II class feasts of the Lord and of the Blessed Virgin, on the days within the octav ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pan-Slavism
Pan-Slavism, a movement which crystallized in the mid-19th century, is the political ideology concerned with the advancement of integrity and unity for the Slavic people. Its main impact occurred in the Balkans, where non-Slavic empires had ruled the South Slavs for centuries. These were mainly the Byzantine Empire, Austria-Hungary, the Ottoman Empire, and Venice. Origins Extensive pan-Slavism began much like Pan-Germanism - both these movements flourished from the sense of unity and nationalism experienced within ethnic groups after the French Revolution and the consequent Napoleonic Wars against traditional European monarchies. As in other Romantic nationalist movements, Slavic intellectuals and scholars in the developing fields of history, philology, and folklore actively encouraged Slavs' interest in their shared identity and ancestry. Pan-Slavism co-existed with the Southern Slavic drive towards independence. Commonly used symbols of the Pan-Slavic movement were the Pan- ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Brass Instrument
A brass instrument is a musical instrument that produces sound by sympathetic vibration of air in a tubular resonator in sympathy with the vibration of the player's lips. Brass instruments are also called labrosones or labrophones, from Latin and Greek elements meaning 'lip' and 'sound'. There are several factors involved in producing different pitches on a brass instrument. Slides, valves, crooks (though they are rarely used today), or keys are used to change vibratory length of tubing, thus changing the available harmonic series, while the player's embouchure, lip tension and air flow serve to select the specific harmonic produced from the available series. The view of most scholars (see organology) is that the term "brass instrument" should be defined by the way the sound is made, as above, and not by whether the instrument is actually made of brass. Thus one finds brass instruments made of wood, like the alphorn, the cornett, the serpent and the didgeridoo, while some ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fanfare
A fanfare (or fanfarade or flourish) is a short musical flourish which is typically played by trumpets, French horns or other brass instruments, often accompanied by percussion. It is a "brief improvised introduction to an instrumental performance". A fanfare has also been defined in ''The Golden Encyclopedia of Music'' as "a musical announcement played on brass instruments before the arrival of an important person", such as heralding the entrance of a monarch; (The term honors music for such announcements does not have the specific connotations of instrument or style that ''fanfare'' does.) Historically, fanfares were usually played by trumpet players, as the trumpet was associated with royalty. Bugles are also mentioned. The melody notes of a fanfare are often based around the major triad, often using " roic dotted rhythms". By extension, the term may also designate a short, prominent passage for brass instruments in an orchestral composition. Fanfares are widely used in op ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nicene Creed
The original Nicene Creed (; grc-gre, Σύμβολον τῆς Νικαίας; la, Symbolum Nicaenum) was first adopted at the First Council of Nicaea in 325. In 381, it was amended at the First Council of Constantinople. The amended form is also referred to as the Nicene Creed, or the Niceno-Constantinopolitan Creed for disambiguation. The Nicene Creed is the defining statement of belief of Nicene or mainstream Christianity and in those Christian denominations that adhere to it. The Nicene Creed is part of the profession of faith required of those undertaking important functions within the Orthodox and Catholic Churches. Nicene Christianity regards Jesus as divine and "begotten of the Father". Various non-Nicene doctrines, beliefs, and creeds have been formed since the fourth century, all of which are considered heresies by adherents of Nicene Christianity. In Western Christianity, the Nicene Creed is in use alongside the less widespread Apostles' Creed. In musical setting ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kyrie
Kyrie, a transliteration of Greek , vocative case of (''Kyrios''), is a common name of an important prayer of Christian liturgy, also called the Kyrie eleison ( ; ). In the Bible The prayer, "Kyrie, eleison," "Lord, have mercy" derives from a Biblical phrase. Greek "have mercy on me, Lord" is the Septuagint translation of the phrase found often in Psalms ( 6:2, 9:13, 31:9, 86:3, 123:3) In the New Testament, the Greek phrase occurs three times in Matthew: * Matthew 15:22: the Canaanite woman cries out to Jesus, "Have mercy on me, O Lord, Son of David." () *Matthew 17:15: "Lord, have mercy on my son" () *Matthew 20:30f, two unnamed blind men call out to Jesus, "Lord, have mercy on us, Son of David." () In the Parable of the Publican and the Pharisee (Luke 18:9-14) the despised tax collector who cries out "Lord have mercy on me, a sinner" is contrasted with the smug Pharisee who believes he has no need for forgiveness. Luke 17:13 has ''epistates'' "master" instead ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Agnus Dei
is the Latin name under which the " Lamb of God" is honoured within the Catholic Mass and other Christian liturgies descending from the Latin liturgical tradition. It is the name given to a specific prayer that occurs in these liturgies, and is the name given to the music pieces that accompany the text of this prayer. The use of the title "Lamb of God" in liturgy is based on , in which St. John the Baptist, upon seeing Jesus, proclaims "Behold, the Lamb of God, who takes away the sin of the world!" Liturgical usage Latin Catholic The Syrian custom of a chant addressed to the Lamb of God was introduced into the Roman Rite Mass by Pope Sergius I (687–701) in the context of his rejection of the Council of Trullo of 692 (which was well received in the Byzantine East), whose canons had forbidden the iconographic depiction of Christ as a lamb instead of a man. The verse used in the first and second invocations may be repeated as many times as necessary whilst the celebr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
