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Giustiniani Hestia
The Giustiniani Hestia is a finely-executed marble sculpture, a perhaps Hadrianic Roman copy of a Greek bronze of about 470 BCE, now in the Torlonia Collection (see Torlonia Museum), Rome, but named for its early owner, marchese Vincenzo Giustiniani. It is the only known Early Classical bronze that was reproduced at full size in marble for a Roman collection: Roman taste ran more towards the Hellenistic baroque. Description Winckelmann cited the ''Hestia Giustiniani'' as an example of the austere early stage of Classical Greek sculpture. For female figures, early fifth-century sculptors mostly gave up the crinkly sleeved ''chiton'', which had been popular in the later sixth century BCE, and returned to the sleeveless ''peplos'' with heavy, dominantly vertical folds not unlike the fluting of a column. With the body so shrouded the relaxation of pose has been limited to turning the head. Several Attic or Argive sculptors have been speculatively suggested as the author of the lost orig ...
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Hestia Giustiniani
The Giustiniani Hestia is a finely-executed marble sculpture, a perhaps Hadrianic Roman copy of a Greek bronze of about 470 BCE, now in the Torlonia Collection (see Torlonia Museum), Rome, but named for its early owner, marchese Vincenzo Giustiniani. It is the only known Early Classical bronze that was reproduced at full size in marble for a Roman collection: Roman taste ran more towards the Hellenistic baroque. Description Winckelmann cited the ''Hestia Giustiniani'' as an example of the austere early stage of Classical Greek sculpture. For female figures, early fifth-century sculptors mostly gave up the crinkly sleeved ''chiton'', which had been popular in the later sixth century BCE, and returned to the sleeveless '' peplos'' with heavy, dominantly vertical folds not unlike the fluting of a column. With the body so shrouded the relaxation of pose has been limited to turning the head. Several Attic or Argive sculptors have been speculatively suggested as the author of the lost or ...
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Cassiano Dal Pozzo
Cassiano dal Pozzo (1588 – 22 October 1657) was an Italian scholar and patron of arts. The secretary of Cardinal Francesco Barberini, he was an antiquary in the classicizing circle of Rome, and a long-term friend and patron of Nicolas Poussin, whom he supported from his earliest arrival in Rome: Poussin in a letter declared that he was "a disciple of the house and the museum of cavaliere dal Pozzo." A doctor with interests in the proto-science of alchemy, a correspondent of major figures like Galileo, a collector of books and master drawings, dal Pozzo was a node in the network of European scientific figures. Biography Dal Pozzo was born in Turin, to a noble family originating from Vercelli, the grandson of the first minister of the Grand Duke of Tuscany. He was raised in Florence and educated at the University of Pisa. In 1612 he moved to Rome, where with deft diplomacy he moved among influential and cultivated patrons. After taking up a position as secretary in Cardinal Barber ...
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Roman Copies Of 5th-century BC Greek Sculptures
Roman or Romans most often refers to: *Rome, the capital city of Italy *Ancient Rome, Roman civilization from 8th century BC to 5th century AD *Roman people, the people of ancient Rome *''Epistle to the Romans'', shortened to ''Romans'', a letter in the New Testament of the Christian Bible Roman or Romans may also refer to: Arts and entertainment Music * Romans (band), a Japanese pop group * ''Roman'' (album), by Sound Horizon, 2006 * ''Roman'' (EP), by Teen Top, 2011 *" Roman (My Dear Boy)", a 2004 single by Morning Musume Film and television *Film Roman, an American animation studio * ''Roman'' (film), a 2006 American suspense-horror film * ''Romans'' (2013 film), an Indian Malayalam comedy film * ''Romans'' (2017 film), a British drama film * ''The Romans'' (''Doctor Who''), a serial in British TV series People *Roman (given name), a given name, including a list of people and fictional characters *Roman (surname), including a list of people named Roman or Romans *Ῥωμα ...
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Hera
In ancient Greek religion, Hera (; grc-gre, Ἥρα, Hḗrā; grc, Ἥρη, Hḗrē, label=none in Ionic and Homeric Greek) is the goddess of marriage, women and family, and the protector of women during childbirth. In Greek mythology, she is queen of the twelve Olympians and Mount Olympus, sister and wife of Zeus, and daughter of the Titans Cronus and Rhea. One of her defining characteristics in myth is her jealous and vengeful nature in dealing with any who offend her, especially Zeus' numerous adulterous lovers and illegitimate offspring. Her iconography usually presents her as a dignified, matronly figure, upright or enthroned, crowned with a ''polos'' or diadem, sometimes veiled as a married woman. She is the patron goddess of lawful marriage. She presides over weddings, blesses and legalises marital unions, and protects women from harm during childbirth. Her sacred animals include the cow, cuckoo and the peacock. She is sometimes shown holding a pomegranate, as an ...
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Demeter
In ancient Greek religion and mythology, Demeter (; Attic: ''Dēmḗtēr'' ; Doric: ''Dāmā́tēr'') is the Olympian goddess of the harvest and agriculture, presiding over crops, grains, food, and the fertility of the earth. Although she is mostly known as a grain goddess, she also appeared as a goddess of health, birth, and marriage, and had connections to the Greek Underworld, Underworld. She is also called Deo (). In Greek tradition, Demeter is the second child of the Titans Rhea (mythology), Rhea and Cronus, and sister to Hestia, Hera, Hades, Poseidon, and Zeus. Like her other siblings but Zeus, she was swallowed by her father as an infant and rescued by Zeus. Through her brother Zeus, she became the mother of Persephone, a fertility goddess. One of the most notable Homeric Hymns, the ''Homeric Hymn to Demeter'', tells the story of Persephone's abduction by Hades and Demeter's search for her. When Hades, the King of the Underworld, wished to make Persephone his wife ...
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Via Della Conciliazione
Via della Conciliazione (Road of the Conciliation) is a street in the Rione of Borgo within Rome, Italy. Roughly in length, it connects Saint Peter's Square to the Castel Sant'Angelo on the western bank of the Tiber River. The road was constructed between 1936 and 1950, and it is the primary access route to the Square. In addition to shops, it is bordered by a number of historical and religious buildings – including the Palazzo Torlonia, the Palazzo dei Penitenzieri and the Palazzo dei Convertendi, and the churches of Santa Maria in Traspontina and Santo Spirito in Sassia. Despite being one of the few major thoroughfares in Rome able to cope with a high volume of traffic without congestion, it is the subject of much ire both within the Roman community and among historical scholars due to the circumstances under which it was constructed.Kirk, p. 1. The area around the church was rebuilt several times following the various Sacks of Rome, and again after having deterio ...
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Villa Albani
The Villa Albani (later Villa Albani-Torlonia) is a villa in Rome, built on the Via Salaria for Cardinal Alessandro Albani. It was built between 1747 and 1767 by the architect Carlo Marchionni in a project heavily influenced by otherssuch as Giovanni Battista Nolli, Giovanni Battista Piranesi and Johann Joachim Winckelmannto house Albani's collection of antiquities, curated by Winckelmann. The villa has been conserved intact into the 21st century by the Torlonia Family, who bought it in 1866. In 1870, the treaty following the Capture of Rome from the Papal States was signed here. History Planned in 1743, the building of the villa began in 1747 according to Giuseppe Vasi and was celebrated as complete in 1763. Its purpose was to house Cardinal Albani's evolving and renewed collections of antiquities and ancient Roman sculpture, which soon filled the casino that faced the Villa down a series of formal parterres. The villa with its collection, fountains, statues, stairways and ...
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Ennio Quirino Visconti
Ennio Quirino Visconti (November 1, 1751 – February 7, 1818) was an Italian antiquarian and art historian, papal Prefect of Antiquities, and the leading expert of his day in the field of ancient Roman sculpture. His son, Pietro Ercole Visconti, edited ''Versi di Ennio Quirino Visconti, raccolti per cura di Pietro Visconti'' while Louis Visconti became a noted architect in France. His brother, Filippo Aurelio Visconti (died 1830) was also a classical scholar, who published the ''Museo Chiaramonti'', a successor to the ''Museo Pio-Clementino''. Biography Born in Rome, he was the son of Giovanni Battista Antonio Visconti, the curator of Pope Clement XIV, who reorganised and restored the papal collection of antiquities, as the ''Museo Pio-Clementino''. Appointed by Pope Pius VI to succeed his father in the position, the brilliant and precocious Visconti took up his father's position as conservator of the Capitoline Museums in Rome in 1787. He assisted his father in producing the fir ...
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François Perrier (painter)
François Perrier (1590–1650) was a French painter, draftsman, and printmaker. Perrier was instrumental in introducing into France the grand style of the decorative painters of the Roman Baroque. He is also remembered for his two collections of prints after antique sculptures, the ''Segmenta nobilium signorum et statuarum quae temporis dentem invidium evasere'' (Paris, 1638), and ''Icones et segmenta...quae Romae adhuc extant'' (Paris, 1645). These prints provided visual repertories of classical models for generations of European artists and connoisseurs. Biography Perrier was born in Pontarlier. During the years 1620–1625, he resided in Rome, where he took as his model the practitioner of academic Baroque classicism, Giovanni Lanfranco while he was employed on the fresco decoration of the dome of S. Andrea della Valle, one of the earliest examples of Roman Baroque ceiling decoration.Celia Alegret''Perrier, François'' Grove Art Online On his return to France, followi ...
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Vestal Virgin
In ancient Rome, the Vestal Virgins or Vestals ( la, Vestālēs, singular ) were priestesses of Vesta, virgin goddess of Rome's sacred hearth and its flame. The Vestals were unlike any other public priesthood. They were chosen before puberty from a number of suitable candidates, freed from any legal ties and obligations to their birth family, and enrolled in Vesta's priestly college of six priestesses. They were supervised by a senior vestal but chosen and governed by Rome's leading male priest, the ; in the Imperial era, this meant the emperor. Successful acolytes vowed to serve Vesta for at least thirty years, to study and practise her rites in service of the Roman State, and to maintain their chastity throughout. As well as their obligations on behalf of Rome, Vestals had extraordinary rights and privileges, some of which were granted to no others, male or female. The Vestals took it in turns to supervise Vesta's hearth, so that at least one Vestal was stationed there at a ...
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Joachim Von Sandrart
Joachim von Sandrart (12 May 1606 – 14 October 1688) was a German Baroque art-historian and painter, active in Amsterdam during the Dutch Golden Age. He is most significant for his collection of biographies of Dutch and German artists the ''Teutsche Academie'', published between 1675 and 1680. Biography Sandrart was born in Frankfurt am Main, but the family originated from Mons. According to his dictionary of art called the ''Teutsche Academie'', he learned to read and write from the son of Theodor de Bry, Johann Theodoor de Brie and his associate Matthäus Merian, but at age 15 was so eager to learn more of the art of engraving, that he walked from Frankfurt to Prague to become a pupil of Aegidius Sadeler of the Sadeler family. Sadeler in turn urged him to paint, whereupon he travelled to Utrecht in 1625 to become a pupil of Gerrit van Honthorst, and through him he met Rubens when he brought a visit to Honthorst in 1627, to recruit him for collaboration on part of his Marie d ...
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