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Giustina Turcotti
Maria Giustina Turcotti, sometimes shortened to Giustina Turcotti, (born − died after 1763) was an Italian vocalist who had a career in opera. Sources vary in describing her voice type, some identifying her as a soprano and others a mezzo-soprano. She performed in opera houses in Italy from 1717 through 1746, and then toured Europe as a member of Pietro Mingotti's opera troupe from 1746-1750. She was a resident singer at the Bayreuth court opera; a position she held from 1750 until 1758 and then again from 1760 through 1763. After this period no record of the singer has been found. Turcotti was a gifted singer of coloratura and several composers of the era wrote music specifically for her voice; including Antonio Vivaldi, Nicola Porpora, Giovanni Battista Pergolesi, Giuseppe Sellitto, Giovanni Battista Pescetti, and Francesco Corselli. She also worked as a voice teacher, and one of her pupils was the tenor Ernst Christoph Dressler. Several publications writing on the singer' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marco Ricci
Marco Ricci (6 June 1676 – 21 January 1730) was an Italian painter of the Baroque period. Early years He was born at Belluno and received his first instruction in art from his uncle, Sebastiano Ricci, likely in Milan in 1694–6.Giacometti, Margherita. In: ''The Glory of Venice: Art in the Eighteenth Century.'' Martineau, Jane; and Andrew Robinson, eds. Yale University Press: New Haven and London, 1994. He left for Venice with his uncle in 1696, but had to flee the city. He visited Rome, where he was for some time occupied in painting perspective views.Bryan, Michael; and George Stanley. A biographical and critical dictionary of painters and engravers: with a list of ciphers, monograms, and marks. G. Bell, 1878. In 1706–7, he worked with his uncle on the decoration of the Sala d'Ercole in the Palazzo Fenzi, located in Florence. Ricci's propensity for collaboration with other artists makes his early style difficult to trace, but it is generally agreed that his influences includ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giovanni Battista Pescetti
Giovanni Battista Pescetti (c. 170420 March 1766) was an organist, harpsichordist, and composer known primarily for his operas and keyboard sonatas. Musicologist and University of California, Santa Barbara professor John E. Gillespie wrote that Pescetti "stylistically stands as a bridge between Alberti and Domenico Scarlatti". Life Born in Venice, Pescetti was the son of organ builder Giacinto Pescetti. His mother, Giulia Pescetti (née Pollarolo), was the daughter of opera composer and organist Carlo Francesco Pollarolo and the sister of composer and organist Antonio Pollarolo. He studied in his native city under the organist and opera composer Antonio Lotti. He developed a friendship with Baldassare Galuppi, a fellow pupil of Lotti's, with whom he collaborated in creating and revising operas. From 1725 to 1732 he wrote operas for various theatres in Venice, sometimes in collaboration with Galuppi. Pescetti left Italy for London in 1736, where he initially worked as a harpsichord ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Teatro Della Pergola
The Teatro della Pergola is an historic opera house in Florence, Italy. It is located in the centre of the city on the Via della Pergola, from which the theatre takes its name. It was built in 1656 under the patronage of Cardinal Gian Carlo de' Medici to designs by the architect Ferdinando Tacca, son of the sculptor Pietro Tacca; its inaugural production was the opera buffa, '' Il potestà di Colognole'' by Jacopo Melani. The opera house, the first to be built with superposed tiers of boxes rather than raked semi-circular seating in the Roman fashion,As in the Teatro Olimpico of Vicenza, designed by Andrea Palladio in the previous century. is considered to be the oldest in Italy, having occupied the same site for more than 350 years. It has two auditoria, the 'Sala Grande', with 1,500 seats, and the 'Saloncino', a former ballroom located upstairs which has been used as a recital hall since 1804 and which seats 400. Work on completing the interior was finished in 1661, in time fo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Atenaide (Vivaldi)
''Atenaide'' ( RV 702) is an opera by Antonio Vivaldi to a revised edition of a 1709 libretto by Apostolo Zeno for Caldara. It was first performed at the Teatro della Pergola in Florence on 29 December 1728 for the 1729 Carnival season. Corago, Roles Recordings * 2007: Sandrine Piau, , |
Antonio Salvi
Antonio Salvi (17 January 1664 – 21 May 1724) was an Italian physician, court poet and librettist, active mainly in Florence, Italy. He was in the service of the grand-ducal court of Tuscany and the favourite librettist of Prince Ferdinando de' Medici. Salvi was one of the developers of the opera seria. Life Salvi was born in Lucignano and became a court physician in Florence for the Medici family. From 1694 (?) he wrote libretti for the theatre in Livorno and Florence and adapted works by Jean Racine and Molière.; Salvi took many of his plots from French tragedy. Between 1701 and 1710 seven of his works were performed in the Villa di Pratolino. After the death of Ferdinando (III) de' Medici in 1713 he decided to work outside the Grand Duchy of Tuscany: in Rome, Reggio Emilia, Turin, Venice and Munich. His libretti were set to music by several famous composers including Scarlatti, Vivaldi and Handel. He died in Florence, aged 60. Vivaldi wrote three operas for Florence to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Libretto
A libretto (Italian for "booklet") is the text used in, or intended for, an extended musical work such as an opera, operetta, masque, oratorio, cantata or Musical theatre, musical. The term ''libretto'' is also sometimes used to refer to the text of major liturgical works, such as the Mass (liturgy), Mass, requiem and sacred cantata, or the story line of a ballet. ''Libretto'' (; plural ''libretti'' ), from Italian, is the diminutive of the word ''wiktionary:libro#Italian, libro'' ("book"). Sometimes other-language equivalents are used for libretti in that language, ''livret'' for French works, ''Textbuch'' for German and ''libreto'' for Spanish. A libretto is distinct from a synopsis or scenario of the plot, in that the libretto contains all the words and stage directions, while a synopsis summarizes the plot. Some ballet historians also use the word ''libretto'' to refer to the 15 to 40 page books which were on sale to 19th century ballet audiences in Paris and contained a ve ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Angelo Carasale
Angelo Carasale (died 1742) was an Italian architect, active mainly in Naples. He held the primary responsibility for designing the elaborate furnishings of the Teatro di San Carlo, which was the new opera house in Naples in 1737. Alexandre Dumas recounts the commonly repeated, yet likely apocryphal, tale that the king was so taken by the beauty of the theatre that he personally presented Carasale to the public for applause, remarking that the only thing lacking from the new theater was a private passageway for royalty from the adjacent Royal Palace. The anecdote continues by stating that, a few hours later, at the end of the performance of the opera '' Achille in Sciro'' by Domenico Sarro, Carasale approached the king and notified him that the passageway was ready. Carasale subsequently served as impresario An impresario (from the Italian ''impresa'', "an enterprise or undertaking") is a person who organizes and often finances concerts, plays, or operas, performing a role in s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pastiche
A pastiche is a work of visual art, literature, theatre, music, or architecture that imitates the style or character of the work of one or more other artists. Unlike parody, pastiche pays homage to the work it imitates, rather than mocking it. The word is a French cognate of the Italian noun , which is a pâté or pie-filling mixed from diverse ingredients. Metaphorically, and describe works that are either composed by several authors, or that incorporate stylistic elements of other artists' work. Pastiche is an example of eclecticism in art. Allusion is not pastiche. A literary allusion may refer to another work, but it does not reiterate it. Moreover, allusion requires the audience to share in the author's cultural knowledge. Both allusion and pastiche are mechanisms of intertextuality. By art Literature In literary usage, the term denotes a literary technique employing a generally light-hearted tongue-in-cheek imitation of another's style; although jocular, it is ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Teatro San Bartolomeo
Theatres for diverse musical and dramatic presentations began to open in Naples, Italy, in the mid-16th century as part of the general Spanish cultural and political expansion into the kingdom of Naples, which had just become a vicerealm of Spain. None of the early theaters still function as such, having been replaced by later facilities from the mid-18th century onwards. Neapolitan theatres first built in the 16th and 17th centuries include: Teatro della Commedia Vecchia Built around 1550, the Commedia Vecchia was the first public theatre in Naples. It was the professional home to acting troupes from Spain "playing the provinces," and it provided a stage for the improvised antics of the masked and costumed figures in the then innovative Italian commedia dell'arte. In its heyday, the theatre was so successful that the government put a tax on their proceeds to finance the Casa dei Incurabili, a home for people with incurable diseases. The theatre was acquired in 1587 by a consortium ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opera House
An opera house is a theatre building used for performances of opera. It usually includes a stage, an orchestra pit, audience seating, and backstage facilities for costumes and building sets. While some venues are constructed specifically for operas, other opera houses are part of larger performing arts centers. Indeed, the term ''opera house'' is often used as a term of prestige for any large performing-arts center. History Italy is a country where opera has been popular through the centuries among ordinary people as well as wealthy patrons and it continues to have many working opera houses such as Teatro Massimo in Palermo (the biggest in Italy), Teatro di San Carlo in Naples (the world's oldest working opera house) and Teatro La Scala in Milan. In contrast, there was no opera house in London when Henry Purcell was composing and the first opera house in Germany, the Oper am Gänsemarkt, was built in Hamburg in 1678, followed by the Oper am Brühl in Leipzig in 1693, and t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bibliothèque Nationale De France
The Bibliothèque nationale de France (, 'National Library of France'; BnF) is the national library of France, located in Paris on two main sites known respectively as ''Richelieu'' and ''François-Mitterrand''. It is the national repository of all that is published in France. Some of its extensive collections, including books and manuscripts but also precious objects and artworks, are on display at the BnF Museum (formerly known as the ) on the Richelieu site. The National Library of France is a public establishment under the supervision of the Ministry of Culture. Its mission is to constitute collections, especially the copies of works published in France that must, by law, be deposited there, conserve them, and make them available to the public. It produces a reference catalogue, cooperates with other national and international establishments, and participates in research programs. History The National Library of France traces its origin to the royal library founded at t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antonio Maria Zanetti
Count Anton oMaria Zanetti (1689–1767) was a Venetian artist, engraver, art critic, art dealer and connoisseur. He formed a collection of engraved gems, of which he published a lavish catalogue. Life Zanetti spent his early manhood making wise investments in marine insurance, accumulating sufficient capital to support his true vocation, as a writer and artist, and as an art dealer, doing much of his business with the English aristocrats who passed through Venice on the Grand Tour. He acted as paintings agent for Philippe d'Orléans in forming the Orléans collection, Paris, and Joseph Wenzel I, Prince of Liechtenstein, in expanding the Liechtenstein collection, Vienna. Pierre Crozat, being in Venice in 1715, persuaded Zanetti and his protégé Rosalba Carriera to go to Paris. Zanetti also visited London, where he purchased Jan Petersen Zoomer's three large volumes containing 428 Rembrandt etchings in outstanding impressions of the various states. He formed a collection o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
