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Giuseppe Rotunno
Giuseppe Rotunno (19 March 1923 – 7 February 2021) was an Italian cinematographer. Biography Sometimes credited as Peppino Rotunno, he was director of photography on eight films by Federico Fellini. He collaborated with several celebrated Italian directors including; Vittorio De Sica on ''Yesterday, Today and Tomorrow'' starring Sophia Loren and Marcello Mastroianni, and Luchino Visconti on ''Rocco and His Brothers'' (1960), ''The Leopard (1963 film), The Leopard'' (1963), and ''The Stranger (1967 film), The Stranger'' (1967). Rotunno also served as the director of photography for ''Julia and Julia'' (1987), the first feature shot using High-definition video, high definition television taping technique and then transferred to 35mm movie film, 35 mm film. He was nominated for the Academy Award for Best Cinematography for ''All That Jazz (film), All That Jazz'' and won seven Silver Ribbon Awards. Rotunno was the first non-American member admitted to the American Society of Cine ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rome
, established_title = Founded , established_date = 753 BC , founder = King Romulus (legendary) , image_map = Map of comune of Rome (metropolitan city of Capital Rome, region Lazio, Italy).svg , map_caption = The territory of the ''comune'' (''Roma Capitale'', in red) inside the Metropolitan City of Rome (''Città Metropolitana di Roma'', in yellow). The white spot in the centre is Vatican City. , pushpin_map = Italy#Europe , pushpin_map_caption = Location within Italy##Location within Europe , pushpin_relief = yes , coordinates = , coor_pinpoint = , subdivision_type = Country , subdivision_name = Italy , subdivision_type2 = Region , subdivision_name2 = Lazio , subdivision_type3 = Metropolitan city , subdivision_name3 = Rome Capital , government_footnotes= , government_type = Strong Mayor–Council , leader_title2 = Legislature , leader_name2 = Capitoline Assemb ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vittorio De Sica
Vittorio De Sica ( , ; 7 July 1901 – 13 November 1974) was an Italian film director and actor, a leading figure in the neorealist movement. Four of the films he directed won Academy Awards: ''Sciuscià'' and ''Bicycle Thieves'' (honorary), while ''Yesterday, Today and Tomorrow'' and '' Il giardino dei Finzi Contini'' won the Academy Award for Best Foreign Language Film. Indeed, the great critical success of ''Sciuscià'' (the first foreign film to be so recognized by the Academy of Motion Picture Arts and Sciences) and ''Bicycle Thieves'' helped establish the permanent Best Foreign Film Award. These two films are considered part of the canon of classic cinema. ''Bicycle Thieves'' was deemed the greatest film of all time by ''Sight & Sound'' magazine's poll of filmmakers and critics in 1958, and was cited by Turner Classic Movies as one of the 15 most influential films in cinema history. De Sica was also nominated for the 1957 Oscar for Best Supporting Actor for playing M ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Scandal In Sorrento
''Scandal in Sorrento'' (original title ''Pane, amore e...'') is a 1955 Italian comedy film directed by Dino Risi. This is the third film of the trilogy, formed by ''Bread, Love and Dreams'' in 1953, ''Bread, Love and Jealousy'' in 1954. Innovations include the use of color rather than black and white, as well the location of Sorrento instead of the small village of the previous films of the series. At the 6th Berlin International Film Festival it won the Honorable Mention (Best Humorous Film) award. Plot In this Italian romantic comedy set in the beautiful Bay of Naples, Marshal Antonio Carotenuto arrives back in his home town of Sorrento to take care of the local municipal police. Donna Sofia, an attractive fishmonger, has rented the home from the marshal who wants to reclaim his home. The woman refuses to leave but almost accepts marriage to Antonio almost as a joke to make Nicolino, a fisherman who she is genuinely in love with, jealous. She goes along with the marshal's cou ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Repubblica
''la Repubblica'' (; the Republic) is an Italian daily general-interest newspaper. It was founded in 1976 in Rome by Gruppo Editoriale L'Espresso (now known as GEDI Gruppo Editoriale) and led by Eugenio Scalfari, Carlo Caracciolo and Arnoldo Mondadori Editore. Born as a leftist newspaper, it has since moderated to a milder centre-left political stance, and moved further to the centre after the appointment of Maurizio Molinari as editor. History Foundation ''la Repubblica'' was founded by Eugenio Scalfari, previously director of the weekly magazine ''L'Espresso''. The publisher Carlo Caracciolo and Mondadori had invested 2.3 billion lire (half each) and a break-even point was calculated at 150,000 copies. Scalfari invited a few trusted colleagues: Gianni Rocca, then Giorgio Bocca, Sandro Viola, Mario Pirani, Miriam Mafai, Barbara Spinelli, Natalia Aspesi and Giuseppe Turani. The cartoons were the prerogative of Giorgio Forattini until 1999. Early years The newspaper first ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
American Society Of Cinematographers
The American Society of Cinematographers (ASC), founded in Hollywood in 1919, is a cultural, educational, and professional organization that is neither a labor union nor a guild. The society was organized to advance the science and art of cinematography and gather a wide range of cinematographers to discuss techniques and ideas and to advocate for motion pictures as a type of art form. Currently, the president of the ASC is Stephen Lighthill. Members use the post-nominal letters "ASC". On the 1920 film titled ''Sand'', cinematographer Joseph H. August, who was an original member of the ASC, became the first individual to have the "ASC" appear after his name on the onscreen credit. Only film cinematographers and special effect supervisors can become an ASC member. Basic requirements include being a director of photography for a minimum five out of the last eight years, having a high professional reputation and being recommended by three active or retired ASC members. History ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Silver Ribbon
The Nastro d'Argento, also known by its translated name Silver Ribbon, is an Italian film award awarded each year since 1946 by the Italian National Syndicate of Film Journalists (Italian: ''Sindacato Nazionale Giornalisti Cinematografici Italiani''). It is the oldest Italian film award, given every year at the ''Teatro Antico'' in Taormina (Sicily). Awards The awards are currently given in the following categories: *Best Film (''Miglior film''; since 2017) *Best Director (''Miglior regista'', since 2017) *Best Comedy (''Migliore commedia''; since 2009) *Best New Director (''Miglior regista esordiente''; since 1974) *Best Producer (''Miglior produttore''; since 1954) *Best Original Story (''Migliore soggetto'') * Best Screenplay (''Migliore sceneggiatura''; since 1948) * Best Actor (''Migliore attore protagonista'') * Best Actress (''Migliore attrice protagonista'') * Best Supporting Actor (''Migliore attore non protagonista'') * Best Supporting Actress (''Migliore attrice non ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Academy Award For Best Cinematography
The Academy Award for Best Cinematography is an Academy Award awarded each year to a cinematographer for work on one particular motion picture. History In its first film season, 1927–28, this award (like others such as the acting awards) was not tied to a specific film; all of the work by the nominated cinematographers during the qualifying period was listed after their names. The problem with this system became obvious the first year, since Karl Struss and Charles Rosher were nominated for their work together on ''Sunrise'' but three other films shot individually by either Rosher or Struss were also listed as part of the nomination. In the second year, 1929, there were no nominations at all, although the Academy has a list of unofficial titles that were under consideration by the Board of Judges. In the third year, 1930, films, not cinematographers, were nominated, and the final award did not show the cinematographer's name. Finally, for the 1931 awards, the modern system ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
35mm Movie Film
35 mm film is a film gauge used in filmmaking, and the film standard. In motion pictures that record on film, 35 mm is the most commonly used gauge. The name of the gauge is not a direct measurement, and refers to the nominal width of the 35 mm format photographic film, which consists of strips wide. The standard image exposure length on 35 mm for movies ("single-frame" format) is four perforations per frame along both edges, which results in 16 frames per foot of film. A variety of largely proprietary gauges were devised for the numerous camera and projection systems being developed independently in the late 19th century and early 20th century, as well as a variety of film feeding systems. This resulted in cameras, projectors, and other equipment having to be calibrated to each gauge. The 35 mm width, originally specified as inches, was introduced around 1890 by William Kennedy Dickson and Thomas Edison, using 120 film stock supplied by George Eastman. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
High-definition Video
High-definition video (HD video) is video of higher resolution and quality than standard-definition. While there is no standardized meaning for ''high-definition'', generally any video image with considerably more than 480 vertical scan lines (North America) or 576 vertical lines (Europe) is considered high-definition. 480 scan lines is generally the minimum even though the majority of systems greatly exceed that. Images of standard resolution captured at rates faster than normal (60 frames/second North America, 50 fps Europe), by a high-speed camera may be considered high-definition in some contexts. Some television series shot on high-definition video are made to look as if they have been shot on film, a technique which is often known as filmizing. History The first electronic scanning format, 405 lines, was the first ''high definition'' television system, since the mechanical systems it replaced had far fewer. From 1939, Europe and the US tried 605 and 441 lines until, in 1 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Julia And Julia
''Julia and Julia'' ( it, Giulia e Giulia) is a 1987 Italian drama film directed by Peter Del Monte. The screenplay by Silvia Napolitano, Sandro Petraglia, Joseph Minion, and Del Monte is based on a story by Napolitano. Synopsis Julia is a young American woman living in Trieste, Italy who is widowed on her wedding day when her husband Paolo is killed in a car accident. Six years later, Julia still lives in Trieste and works full-time at a local tourist travel office. She still keeps in close touch with Paolo's mother and father, but is cold and distant to her co-workers at the office and refuses to move on with her life or resume dating. One evening after work, Julia drives her car through a mysterious and supernatural mist before returning to her apartment only to discover a strange woman living there. Across the street, in the elegant home she and Paolo had purchased and which she never sold, she finds him and their five-year-old son, Marco, treating her as if they have been t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Stranger (1967 Film)
''The Stranger'' ( it, Lo straniero) is a 1967 film by Italian film director Luchino Visconti, based on Albert Camus's 1942 novel '' The Stranger'', with Marcello Mastroianni. Plot Arthur Mersault's friend Raymond beats his girlfriend and is sued by her. In court, Mersault testifies to his friend's advantage. Raymond is off the hook, but now his girlfriend's male relatives stalk Mersault. He shoots one of them and ends up in prison. Cast * Marcello Mastroianni as Arthur Meursault * Anna Karina as Marie Cardona * Bernard Blier as the Defense counsel * Georges Wilson as the Examining magistrate * Bruno Cremer as Priest * Pierre Bertin as the judge * Jacques Herlin as the Director of the rest home * Marc Laurent as Emmanuel * Georges Géret as Raymond * Brahim Haggiag as the Arab * Alfred Adam as the prosecutor * Jean-Pierre Zola as the employer * Mimmo Palmara as Monsieur Masson * Angela Luce as Madame Masson * Larry J. McDonald as the bearded man at the port Production Alain Del ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Luchino Visconti
Luchino Visconti di Modrone, Count of Lonate Pozzolo (; 2 November 1906 – 17 March 1976) was an Italian filmmaker, stage director, and screenwriter. A major figure of Italian art and culture in the mid-20th century, Visconti was one of the fathers of cinematic neorealism, but later moved towards luxurious, sweeping epics dealing with themes of beauty, decadence, death, and European history, especially the decay of the nobility and the bourgeoisie. He was the recipient of many accolades, including the Palme d'Or and the Golden Lion, and many of his works are regarded as highly-influential to future generations of filmmakers. Born to a Milanese noble family, Visconti explored artistic proclivities from an early age, working as an assistant director to Jean Renoir. His 1943 directorial debut, ''Ossessione,'' was condemned by the Fascist regime for its unvarnished depictions of working-class characters resorting to criminality, but is today renowned as a pioneering work of Ital ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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