Giuseppe Palanti
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Giuseppe Palanti
Giuseppe Palanti (30 July 1881 – 23 April 1946) was an Italian painter, illustrator, and urban planner, best known for his portraits, notably of Mussolini and Pius XI. He had a long collaboration with Teatro alla Scala in Milan, creating costume, set design and advertising material for multiple opera productions. He was also a major contributor towards the development of the seaside resort Milano Marittima. Biography Early life Born in Milan to Giovanni Palanti, a carpenter and furniture maker and Virginia De Gaspari, a seamstress, of Cremonese descent, Palanti was orphaned at a young age. Although he completed elementary and technical schools, he is soon forced to find a job, and by 1895 finds employment drawing sketches for the Milanese fabric company, Scotti. At fifteen, he simultaneously enrolled in evening courses at both the ''Scuola Superiore d'Arte Applicata all'Industria'' (Higher School of Applied Arts in Industry), where he studied under Luigi Cavenaghi, and t ...
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Emilio Sommariva
Emilio Sommariva (8 December 1883 – 12 September 1956) was an Italian painter and photographer. Biography Sommariva was born in Lodi, Itaiy. His father, Luigi, was an amateur painter and photographer himself. The Sommariva family moved to Milan while Emilio was an infant. In 1897, age 14, he began to attend Angelo Comolli’s School of Decoration classes at the Brera Academy. In 1899, due to financial difficulties, he had to drop out of school. He was then employed as a photographer by the Compagnia Continentale Brunt & C. Foundry and subsequently by the Ganzini photographic studio. A few months later, in 1902 he opened his own studio in Viale Monforte (now Viale Pavia) with a wide terrace intended for portraiture photography. In the following years he relocated his studio to Via Paolo and Via Montenapoleone. After a few difficult years, Sommariva eventually established himself as a portraitist as well as an able documentator of other artists's work, including Umberto Boccioni ...
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Simon Boccanegra
''Simon Boccanegra'' () is an opera with a prologue and three acts by Giuseppe Verdi to an Italian libretto by Francesco Maria Piave, based on the play ''Simón Bocanegra'' (1843) by Antonio García Gutiérrez, whose play ''El trovador'' had been the basis for Verdi's 1853 opera, ''Il trovatore''. ''Simon Boccanegra'' was first performed at Teatro La Fenice in Venice on 12 March 1857. Given the complications of the original plot and the generally poor popular response – although the critical one was more encouraging – the opera dropped out of favour after 1866. Finally, 23 years later, Verdi's publisher persuaded the composer to revise the opera, with text changes to be prepared by Arrigo Boito, the librettist who aspired to work with the aging composer on a project which eventually became a new opera, ''Otello'', but to which Verdi had not totally committed at that time. The revised version of ''Simon Boccanegra'', with the now-famous Council Chamber scene, was first perfor ...
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Garden City Movement
The garden city movement was a 20th century urban planning movement promoting satellite communities surrounding the central city and separated with greenbelts. These Garden Cities would contain proportionate areas of residences, industry, and agriculture. Ebenezer Howard first posited the idea in 1898 as a way to capture the primary benefits of the countryside and the city while avoiding the disadvantages presented by both. In the early 20th century, Letchworth, Brentham Garden Suburb and Welwyn Garden City were built in or near London according to Howard's concept and many other garden cities inspired by his model have since been built all over the world. History Conception Inspired by the utopian novel ''Looking Backward'' and Henry George's work ''Progress and Poverty'', Howard published the book '': a Peaceful Path to Real Reform'' in 1898 (which was reissued in 1902 as ''Garden Cities of To-morrow''). His idealised garden city would house 32,000 people on a site of , pl ...
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Brussels International 1910
The Brussels International Exposition (french: Exposition Universelle et Internationale de Bruxelles, nl, Wereldtentoonstelling te Brussel) of 1910 was a world's fair held in Brussels, Belgium, from 23 April to 1 November 1910. This was just thirteen years after Brussels' previous world's fair. It received 13 million visitors, covered and lost 100,000 Belgian Francs. Location The grounds and buildings were partly located around the ''Solbosch'' district (in the City of Brussels' southern extension), and partly in the Parc du Cinquantenaire/Jubelpark (a remainder of the 1897 World's Fair), where the fine art's exhibition took place. The colonial exhibition was hosted in the newly built , today's Royal Museum for Central Africa, in the suburb of Tervuren. Another major site for the exhibition was the Mont des Arts/Kunstberg in central Brussels, although this site was largely demolished during the post-war construction process of Brusselisation. File:Algemeens Wereldtento ...
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Buenos Aires
Buenos Aires ( or ; ), officially the Autonomous City of Buenos Aires ( es, link=no, Ciudad Autónoma de Buenos Aires), is the capital and primate city of Argentina. The city is located on the western shore of the Río de la Plata, on South America's southeastern coast. "Buenos Aires" can be translated as "fair winds" or "good airs", but the former was the meaning intended by the founders in the 16th century, by the use of the original name "Real de Nuestra Señora Santa María del Buen Ayre", named after the Madonna of Bonaria in Sardinia, Italy. Buenos Aires is classified as an alpha global city, according to the Globalization and World Cities Research Network (GaWC) 2020 ranking. The city of Buenos Aires is neither part of Buenos Aires Province nor the Province's capital; rather, it is an autonomous district. In 1880, after decades of political infighting, Buenos Aires was federalized and removed from Buenos Aires Province. The city limits were enlarged to include t ...
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Exposición Internacional Del Centenario
The Exposición Internacional del Centenario (Centennial International Exposition) was an exhibition held between May and November 1910 in Buenos Aires, to commemorate the Centennial of the May Revolution in Argentina (the formation of the first local government on May 25, 1810). With a population of around 1.2 million, Buenos Aires was then the largest urban complex in Latin America, the eighth city in the world, and one of the richest. As the capital city and main port of the young Argentine Republic at the height of its economic expansion, the city was growing rapidly with the successive waves of European immigration. Summary A total of 20 pavilions were built specially for the exhibition.El único pabellón q ...
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Milan International
The Milan International was a world's fair held in Milan in 1906 titled ''L'Esposizione Internazionale del Sempione'', or sometimes ''The Great Expo of Work''. It received 4,012,776 visits and covered 250 acres. Summary The fair opened on 28 April 1906, ran until 31 October and marked the opening of the Simplon Tunnel. The fair was held in Sempione Park and Piazza d'Armi', with the first location hosting fine arts displays and the latter industrial and engineering exhibits, along with the foreign pavilions. Countries contributing included many from Western Europe, China, Japan, Turkey, United States, Canada and several South American countries shared a pavilion. The venues of the exposition were connected by the temporary Milan Exposition Elevated Railway. Legacy The International Commission on Occupational Health The International Commission on Occupational Health (ICOH), is an international non-governmental professional society, founded in Milan during the Expo 1906 as the P ...
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Palazzo Di Giustizia (Roma)
The Palace of Justice, Rome (Italian: ''Palazzo di Giustizia'', also colloquially named ''Il Palazzaccio''), the seat of the Supreme Court of Cassation and the Judicial Public Library, is located in the Prati district of Rome. It fronts onto the ''Piazza dei Tribunali'', the ''Via Triboniano'', the ''Piazza Cavour'', and the ''Via Ulpiano''. The huge building is popularly called in Italian the ''Palazzaccio (the bad Palace)''. History Designed by the Perugia architect Guglielmo Calderini and built between 1888 and 1910, the Palace of Justice is considered one of the grandest of the new buildings which followed the proclamation of Rome as the capital city of the Kingdom of Italy.Touring Club Italiano, ''Collana Guida d'Italia, Roma'' (8th ed., 1993; ), pp. 672–673 (Italian) The foundation stone was laid on 14 March 1888 in the presence of Giuseppe Zanardelli, Minister of Justice and Keeper of the Great Seal, who had insisted on a prestigious location in the Prati district, where va ...
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Ludovico Pogliaghi
Lodovico Pogliaghi (Milan, 1857 – S. Maria del Monte, Varese, 1950) was an Italian painter, sculptor and decorator. Biography Lodovico Pogliaghi was born to an upper middle class Milanese family. He was enrolled at the Brera Academy at a very young age; and by 1889, he completed his studies. Among his strongest influences there was Giuseppe Bertini, who taught painting. During the 1880s, he obtained important commissions for the artistic decoration of palazzi belonging to the Milan aristocracy. He also executed religious works, and launched on his career as an illustrator of historical subjects for the Treves publishing house in Milan. He was appointed teacher of decoration at the Brera Academy in 1890, and in 1895, he had won a prestigious competition to design the bronze doors of the Duomo of Milan.Collezione di monografie illustrate: serie Ia Italia artistica, Volume 26,By Corrado Ricci, page 157, Bergamo, Instituto Italiano D'Arti Grafiche-Editore, 1906 Photo of Door of Duom ...
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Parsifal
''Parsifal'' ( WWV 111) is an opera or a music drama in three acts by the German composer Richard Wagner and his last composition. Wagner's own libretto for the work is loosely based on the 13th-century Middle High German epic poem ''Parzival'' of the ''Minnesänger'' Wolfram von Eschenbach, recounting the story of the Arthurian knight Parzival (Percival) and his quest for the Holy Grail. Wagner conceived the work in April 1857, but did not finish it until 25 years later. In composing it he took advantage of the particular acoustics of his Bayreuth Festspielhaus. ''Parsifal'' was first produced at the second Bayreuth Festival in 1882. The Bayreuth Festival maintained a monopoly on ''Parsifal'' productions until 1903, when the opera was performed at the Metropolitan Opera in New York. Wagner described ''Parsifal'' not as an opera, but as (a festival play for the consecration of the stage). At Bayreuth a tradition has arisen that audiences do not applaud at the end of the first ...
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Isabeau
''Isabeau'' is a ''leggenda drammatica'' or opera in three parts by Pietro Mascagni, 1911, from an Italian libretto by Luigi Illica. Mascagni conducted its first performance on 2 June 1911 at the Teatro Coliseo, Buenos Aires. A retelling of the medieval English legend of Lady Godiva Lady Godiva (; died between 1066 and 1086), in Old English , was a late Anglo-Saxon noblewoman who is relatively well documented as the wife of Leofric, Earl of Mercia, and a patron of various churches and monasteries. Today, she is mainly re ..., Mascagni described it in an interview as his attempt to "return to the romanticism which inspired so much of Italian opera."Girardi, Michelle''Grove Dictionary of Music and Musicians, Grove Music Online'' "''Isabeau''" (Ed.) L. Macy. (By subscription). Retrieved on 22 March 2008 Roles Synopsis King Raimondo tries to find a husband for the princess Isabeau by holding a tournament, but she is unwilling to choose a husband. When the king forces her to ...
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La Fanciulla Del West
''La fanciulla del West'' (''The Girl of the West'') is an opera in three acts by Giacomo Puccini to an Italian libretto by and , based on the 1905 play '' The Girl of the Golden West'' by the American author David Belasco. ''Fanciulla'' followed ''Madama Butterfly'', which was also based on a Belasco play. The opera has fewer of the show-stopping highlights that characterize Puccini's other works, but is admired for its impressive orchestration and for a score that is more melodically integrated than is typical of his previous work. ''Fanciulla'' displays influences from composers Claude Debussy and Richard Strauss, without being in any way imitative. Similarities between the libretto and the work of Richard Wagner have also been found, though some attribute this more to the original plot of the play, and have asserted that the opera remains quintessentially Italian. The opera had a successful and highly publicised premiere at the Metropolitan Opera, New York City, in 1910. Neve ...
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