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Giuseppe Nessi
Giuseppe Nessi (25 September 1887 – 16 December 1961) was an Italian operatic tenor. Life Nessi was born in Bergamo, near Milan in Italy. He made his debut in Saluzzo in 1910, in the role of Alfredo in '' La Traviata''.Harold Rosenthal/R, "Nessi Giuseppe", in Sadie, Stanley (ed.), ''The New Grove Dictionary of Opera'', Oxford University Press, 1997, III, p. 575. However, on the advice of renowned Italian conductor Tullio Serafin, the majority of his career was focussed on character tenor roles.Rosenthal, Harold; & Warrack, John (1964). ''Concise Oxford Dictionary of Opera''. London: Oxford University Press, p. 279 He was La Scala's leading comprimario tenor between 1921 and 1959, and also performed at the Royal Opera House, Covent Garden, and at the Salzburg Festival under Arturo Toscanini. He created, among others, the roles of Pong in ''Turandot'', the Priest in ''Il re'', Donna Pasqua in ''Il campiello'', and an archer in '' Francesca da Rimini''; in Zandonai's opera he wo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opera
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as '' Singspiel'' and '' Opéra comique''. In traditional number opera, singers employ two styles of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Il Campiello
''Il campiello'' (''The Little Square'') is an opera in three acts by Ermanno Wolf-Ferrari. The libretto was by Mario Ghisalberti, after the famous comedy of the same name written for the 1756 Venetian Carnival by the great Venetian playwright, Carlo Goldoni. Referred to as a ''commedia lirica'', it is an ensemble opera influenced by Mozart, as well as Giuseppe Verdi's last opera ''Falstaff''. It is concerned with the public lives of the volatile inhabitants of a "campiello" in Venice and is sung in the local dialect (except for two Neapolitan roles). Performance history ''Il campiello'' was first performed at La Scala, Milan, on 11 February 1936 under Gino Marinuzzi and as opera director Marcello Govoni. It has remained in the Italian repertory and occasionally been performed abroad. The Fujiwara Opera gave the Japanese premiere in Tokyo in July 1978. They revived it in July 2001 under Marco Titotto, including some Italian singers from the 1992 Trieste production. Role ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vincenzo Bellini
Vincenzo Salvatore Carmelo Francesco Bellini (; 3 November 1801 – 23 September 1835) was a Sicilian opera composer, who was known for his long-flowing melodic lines for which he was named "the Swan of Catania". Many years later, in 1898, Giuseppe Verdi "praised the broad curves of Bellini's melody: 'there are extremely long melodies as no-one else had ever made before'." A large amount of what is known about Bellini's life and his activities comes from surviving letters—except for a short period—which were written over his lifetime to his friend Francesco Florimo, whom he had met as a fellow student in Naples and with whom he maintained a lifelong friendship. Other sources of information come from correspondence saved by other friends and business acquaintances. Bellini was the quintessential composer of the Italian '' bel canto'' era of the early 19th century, and his work has been summed up by the London critic Tim Ashley as: ... also hugely influential, as much a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Sonnambula
''La sonnambula'' (''The Sleepwalker'') is an opera semiseria in two acts, with music in the '' bel canto'' tradition by Vincenzo Bellini set to an Italian libretto by Felice Romani, based on a scenario for a ''ballet-pantomime'' written by Eugène Scribe and choreographed by Jean-Pierre Aumer called ''La somnambule, ou L'arrivée d'un nouveau seigneur''. The ballet had premiered in Paris in September 1827 at the height of a fashion for stage works incorporating somnambulism. The role of Amina was originally written for the soprano sfogato Giuditta Pasta and the tenor Giovanni Battista Rubini, but during Bellini's lifetime another soprano sfogato, Maria Malibran, was a notable exponent of the role. The first performance took place at the Teatro Carcano in Milan on 6 March 1831. The majority of twentieth-century recordings have been made with a soprano cast as Amina, usually with added top-notes and other changes according to tradition, although it was released in soprano sfogat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Herbert Von Karajan
Herbert von Karajan (; born Heribert Ritter von Karajan; 5 April 1908 – 16 July 1989) was an Austrian conductor. He was principal conductor of the Berlin Philharmonic for 34 years. During the Nazi era, he debuted at the Salzburg Festival, with the Vienna Philharmonic, the Berlin Philharmonic, and during the Second World War he conducted at the Berlin State Opera. Generally regarded as one of the greatest conductors of the 20th century, he was a controversial but dominant figure in European classical music from the mid-1950s until his death. Part of the reason for this was the large number of recordings he made and their prominence during his lifetime. By one estimate, he was the top-selling classical music recording artist of all time, having sold an estimated 200 million records. Biography Early life Genealogy The Karajans were of Greek ancestry. Herbert's great-great-grandfather, Georg Karajan (Geórgios Karajánnis, el, Γεώργιος Καραγιάννης, lin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mariella Adani
Mariella Adani (born December 17, 1934) is an Italian classical soprano who had an active career in operas, concerts, and recitals from the 1950s through the 1980s. She has sung under the musical direction of Vittorio Gui, Carlo Maria Giulini, Nino Sanzogno, Oliviero De Fabritiis, and Peter Maag and under the directors Sandro Bolchi, Franco Zeffirelli Luchino Visconti, and Walter Felsenstein. A light lyric soprano, she has particularly excelled in the operas of Wolfgang Amadeus Mozart and Gioachino Rossini. She has also been admired for her performances in Baroque opera. Retired from the stage, she now devotes her time to teaching singing. Biography Adani was born in Palanzano. She studied voice at the Parma Conservatory with Ettore Campogalliani and at the L'Accademia di La Scala with Giulio Confalonieri. In 1954 she made her professional opera debut at La Scala as Barbarina in ''Le nozze di Figaro'' with Elisabeth Schwarzkopf as the Countess, Irmgard Seefried as Susanna, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sena Jurinac
Srebrenka "Sena" Jurinac () (24 October 1921 – 22 November 2011) was a Bosnian-born Austrian operatic soprano. Biography Jurinac was born in Travnik, Bosnia-Herzegovina (then part of the Kingdom of Yugoslavia), the daughter of a Croatian father (a doctor) and a Viennese mother. She studied at the Zagreb Academy of Music, and with Milka Kostrenčić. Her voice was pitched exactly between soprano and mezzo. Her repertoire included Poppea, Elisabetta ('' Don Carlos''), Desdemona (''Otello''), Elisabeth (''Tannhäuser''), Ilia, Iphigenia, Jenůfa, Leonora ('' La forza del destino''), the Composer (''Ariadne auf Naxos''), Marie (''Wozzeck''), Pamina (''The Magic Flute''), Mimi, Butterfly and Tosca. In many operas, her repertoire included more than one major role: Cherubino and Countess Almaviva, Donna Anna and Donna Elvira, Fiordiligi and Dorabella, Amor and Eurydice, Leonore and Marzelline (''Fidelio''), Marina and Fyodor ('' Boris Godunov''); Octavian and the Marschallin. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Elisabeth Schwarzkopf
Dame Olga Maria Elisabeth Friederike Schwarzkopf, (9 December 19153 August 2006) was a German-born Austro-British soprano. She was among the foremost singers of lieder, and is renowned for her performances of Viennese operetta, as well as the operas of Mozart, Wagner and Richard Strauss. After retiring from the stage, she was a voice teacher internationally. She is considered one of the greatest sopranos of the 20th century. Early life Schwarzkopf was born on 9 December 1915 in Jarocin, Jarotschin in the Province of Posen in Prussia, German Empire, Germany (now Poland) to Friedrich Schwarzkopf and his wife, Elisabeth (). Schwarzkopf performed in her first opera in 1928, as Eurydice in a school production of Christoph Willibald Gluck, Gluck's ''Orfeo ed Euridice'' in Magdeburg, Germany. In 1934, Schwarzkopf began her musical studies at the Berlin University of the Arts, Berlin Hochschule für Musik, where her singing tutor, Lula Mysz-Gmeiner, attempted to train her to be a mezzo-s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mario Petri
Mario Petri (21 January 1922 – 26 January 1985) was an Italian operatic bass-baritone particularly associated with Mozart and Rossini roles. Life and career Petri was born in Perugia and began his career after World War II, making his stage debut in 1947 at the Teatro alla Scala in Milan, where he sang the following year the role of Creonte in the premiere of Stravinsky's ''Oedipus Rex'', he also sang there his first Don Giovanni in 1950, a role he quickly became associated with throughout Italy. He appeared in Rome, Florence, Venice, Parma, Bergamo, Verona, Naples. He sang opposite Maria Callas in the revival of Cherubini's ''Medea''. In 1951, for the celebration of Verdi's 50th death anniversary, he sang on Italian radio (RAI) in ''I Lombardi'', ''I masnadieri'', and ''Simon Boccanegra''. Soon his reputation as Don Giovanni led to invitation to appear at the festivals of Glyndebourne, Salzburg, and Edinburgh. He sang relatively little outside Europe, though he made a few g ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Irmgard Seefried
Irmgard Seefried (9 October 191924 November 1988) was a distinguished German soprano who sang opera, sacred music, and lieder. Maria Theresia Irmgard Seefried was born in , near Mindelheim, Bavaria, Germany, the daughter of educated Austrian-born parents. She studied at Augsburg University before making her debut in Aachen as the priestess in Verdi's ''Aida'' in 1940. She began to sing leading parts in 1942 (Agathe in Weber's ''Der Freischütz'' in 1942, and the next year she made her debut at Vienna State Opera with Eva in Wagner's '' Die Meistersinger von Nürnberg'' conducted by Karl Böhm). From then on, she remained with the State Opera until her retirement in 1976. She sang at the Salzburg Festival every year from 1946 to 1964 (except 1955, 1961 and 1962) in operas (Susanna in '' The Marriage of Figaro'', Fiordiligi in '' Così fan tutte'', Zerlina in '' Don Giovanni'', Pamina in ''The Magic Flute'', Marzelline in ''Fidelio'' and the Composer in ''Ariadne auf Naxos'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rolando Panerai
Rolando Panerai (17 October 1924 – 22 October 2019) was an Italian baritone, particularly associated with the Italian repertoire. He performed at La Scala in Milan, often alongside Maria Callas and Giuseppe Di Stefano. He was known for musical understanding, excellent diction and versatile acting in both drama and comic opera. Among his signature roles were Ford in Verdi's ''Falstaff'' and the title role of Puccini's ''Gianni Schicchi''. Life and career Panerai was born in Campi Bisenzio near Florence, and studied with Vito Frazzi in Florence and Giacomo Armani and Giulia Tess in Milan.Giorgio Bagnoli: The La Scala Encyclopedia of the Opera, 1993, Simon and Schuster, p. 28/ref> Panerai appeared on stage first in 1946, as Lord Ashton in Donizettis's ''Lucia di Lammermoor''. He appeared in 1947 in Naples at the Teatro di San Carlo as the pharaon in Rossini's ''Mosè in Egitto''. In 1951, he performed the title role of Verdi's ''Simon Boccanegra'' in Bergamo, and the role of Shar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wolfgang Amadeus Mozart
Wolfgang Amadeus Mozart (27 January 17565 December 1791), baptised as Joannes Chrysostomus Wolfgangus Theophilus Mozart, was a prolific and influential composer of the Classical period. Despite his short life, his rapid pace of composition resulted in more than 800 works of virtually every genre of his time. Many of these compositions are acknowledged as pinnacles of the symphonic, concertante, chamber, operatic, and choral repertoire. Mozart is widely regarded as among the greatest composers in the history of Western music, with his music admired for its "melodic beauty, its formal elegance and its richness of harmony and texture". Born in Salzburg, in the Holy Roman Empire, Mozart showed prodigious ability from his earliest childhood. Already competent on keyboard and violin, he composed from the age of five and performed before European royalty. His father took him on a grand tour of Europe and then three trips to Italy. At 17, he was a musician at the Salzburg court b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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