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Mariella Adani
Mariella Adani (born December 17, 1934) is an Italian classical soprano who had an active career in operas, concerts, and recitals from the 1950s through the 1980s. She has sung under the musical direction of Vittorio Gui, Carlo Maria Giulini, Nino Sanzogno, Oliviero De Fabritiis, and Peter Maag and under the directors Sandro Bolchi, Franco Zeffirelli Luchino Visconti, and Walter Felsenstein. A light lyric soprano, she has particularly excelled in the operas of Wolfgang Amadeus Mozart and Gioachino Rossini. She has also been admired for her performances in Baroque opera. Retired from the stage, she now devotes her time to teaching singing. Biography Adani was born in Palanzano. She studied voice at the Parma Conservatory with Ettore Campogalliani and at the L'Accademia di La Scala with Giulio Confalonieri. In 1954 she made her professional opera debut at La Scala as Barbarina in ''Le nozze di Figaro'' with Elisabeth Schwarzkopf as the Countess, Irmgard Seefried as Susanna, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mariella Adani
Mariella Adani (born December 17, 1934) is an Italian classical soprano who had an active career in operas, concerts, and recitals from the 1950s through the 1980s. She has sung under the musical direction of Vittorio Gui, Carlo Maria Giulini, Nino Sanzogno, Oliviero De Fabritiis, and Peter Maag and under the directors Sandro Bolchi, Franco Zeffirelli Luchino Visconti, and Walter Felsenstein. A light lyric soprano, she has particularly excelled in the operas of Wolfgang Amadeus Mozart and Gioachino Rossini. She has also been admired for her performances in Baroque opera. Retired from the stage, she now devotes her time to teaching singing. Biography Adani was born in Palanzano. She studied voice at the Parma Conservatory with Ettore Campogalliani and at the L'Accademia di La Scala with Giulio Confalonieri. In 1954 she made her professional opera debut at La Scala as Barbarina in ''Le nozze di Figaro'' with Elisabeth Schwarzkopf as the Countess, Irmgard Seefried as Susanna, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Parma Conservatory
Parma (; egl, Pärma, ) is a city in the northern Italian region of Emilia-Romagna known for its architecture, music, art, prosciutto (ham), cheese and surrounding countryside. With a population of 198,292 inhabitants, Parma is the second most populous city in Emilia-Romagna after Bologna, the region's capital. The city is home to the University of Parma, one of the oldest universities in the world. Parma is divided into two parts by the stream of the same name. The district on the far side of the river is ''Oltretorrente''. Parma's Etruscan name was adapted by Romans to describe the round shield called ''Parma''. The Italian poet Attilio Bertolucci (born in a hamlet in the countryside) wrote: "As a capital city it had to have a river. As a little capital it received a stream, which is often dry", with reference to the time when the city was capital of the independent Duchy of Parma. History Prehistory Parma was already a built-up area in the Bronze Age. In the current po ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Falstaff (opera)
''Falstaff'' () is a comic opera in three acts by the Italian composer Giuseppe Verdi. The Italian-language libretto was adapted by Arrigo Boito from the play '' The Merry Wives of Windsor'' and scenes from '' Henry IV, Part 1'' and '' Part 2'', by William Shakespeare. The work premiered on 9 February 1893 at La Scala, Milan. Verdi wrote ''Falstaff'', the last of his 28 operas, as he approached the age of 80. It was his second comedy, and his third work based on a Shakespeare play, following '' Macbeth'' and '' Otello''. The plot revolves around the thwarted, sometimes farcical, efforts of the fat knight Sir John Falstaff to seduce two married women to gain access to their husbands' wealth. Verdi was concerned about working on a new opera at his advanced age, but he yearned to write a comic work and was pleased with Boito's draft libretto. It took the collaborators three years from mid-1889 to complete. Although the prospect of a new opera from Verdi aroused im ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giuseppe Verdi
Giuseppe Fortunino Francesco Verdi (; 9 or 10 October 1813 – 27 January 1901) was an Italian composer best known for his operas. He was born near Busseto to a provincial family of moderate means, receiving a musical education with the help of a local patron. Verdi came to dominate the Italian opera scene after the era of Gioachino Rossini, Gaetano Donizetti, and Vincenzo Bellini, whose works significantly influenced him. In his early operas, Verdi demonstrated a sympathy with the Risorgimento movement which sought the unification of Italy. He also participated briefly as an elected politician. The chorus "Va, pensiero" from his early opera ''Nabucco'' (1842), and similar choruses in later operas, were much in the spirit of the unification movement, and the composer himself became esteemed as a representative of these ideals. An intensely private person, Verdi did not seek to ingratiate himself with popular movements. As he became professionally successful, he was able ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Orfeo Ed Euridice
' (; French: '; English: ''Orpheus and Eurydice'') is an opera composed by Christoph Willibald Gluck, based on Orpheus, the myth of Orpheus and set to a libretto by Ranieri de' Calzabigi. It belongs to the genre of the ''azione teatrale'', meaning an opera on a mythological subject with choruses and dancing. The piece was first performed at the Burgtheater in Vienna on 5 October 1762, in the presence of Empress Maria Theresa. ''Orfeo ed Euridice'' is the first of Gluck's "reform" operas, in which he attempted to replace the abstruse plots and overly complex music of ''opera seria'' with a "noble simplicity" in both the music and the drama. The opera is the most popular of Gluck's works, and was one of the most influential on subsequent Opera in German, German operas. Variations on its plot—the underground rescue mission in which the hero must control, or conceal, his emotions—can be found in Wolfgang Amadeus Mozart, Mozart's ''The Magic Flute'', Ludwig van Beethoven, Beetho ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Christoph Willibald Gluck
Christoph Willibald (Ritter von) Gluck (; 2 July 1714 – 15 November 1787) was a composer of Italian and French opera in the early classical period. Born in the Upper Palatinate and raised in Bohemia, both part of the Holy Roman Empire, he gained prominence at the Habsburg court at Vienna. There he brought about the practical reform of opera's dramaturgical practices for which many intellectuals had been campaigning. With a series of radical new works in the 1760s, among them '' Orfeo ed Euridice'' and '' Alceste'', he broke the stranglehold that Metastasian '' opera seria'' had enjoyed for much of the century. Gluck introduced more drama by using orchestral recitative and cutting the usually long da capo aria. His later operas have half the length of a typical baroque opera. Future composers like Mozart, Schubert, Berlioz and Wagner revered Gluck very highly. The strong influence of French opera encouraged Gluck to move to Paris in November 1773. Fusing the traditions ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hänsel Und Gretel (opera)
''Hansel and Gretel'' (German: ') is an opera by nineteenth-century composer Engelbert Humperdinck, who described it as a ' (fairy-tale opera). The libretto was written by Humperdinck's sister, Adelheid Wette, based on the Grimm brothers' fairy tale "Hansel and Gretel". It is much admired for its folk music-inspired themes, one of the most famous being the "" ("Evening Benediction") from act 2. The idea for the opera was proposed to Humperdinck by his sister, who approached him about writing music for songs that she had written for her children for Christmas based on "Hansel and Gretel". After several revisions, the musical sketches and the songs were turned into a full-scale opera. Humperdinck composed ''Hansel and Gretel'' in Frankfurt in 1891 and 1892. The opera was first performed in the Hoftheater in Weimar on 23 December 1893, conducted by Richard Strauss. It has been associated with Christmas since its earliest performances and today it is still most often performed at ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rolando Panerai
Rolando Panerai (17 October 1924 – 22 October 2019) was an Italian baritone, particularly associated with the Italian repertoire. He performed at La Scala in Milan, often alongside Maria Callas and Giuseppe Di Stefano. He was known for musical understanding, excellent diction and versatile acting in both drama and comic opera. Among his signature roles were Ford in Verdi's ''Falstaff'' and the title role of Puccini's ''Gianni Schicchi''. Life and career Panerai was born in Campi Bisenzio near Florence, and studied with Vito Frazzi in Florence and Giacomo Armani and Giulia Tess in Milan.Giorgio Bagnoli: The La Scala Encyclopedia of the Opera, 1993, Simon and Schuster, p. 28/ref> Panerai appeared on stage first in 1946, as Lord Ashton in Donizettis's ''Lucia di Lammermoor''. He appeared in 1947 in Naples at the Teatro di San Carlo as the pharaon in Rossini's ''Mosè in Egitto''. In 1951, he performed the title role of Verdi's ''Simon Boccanegra'' in Bergamo, and the role of Shar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mario Petri
Mario Petri (21 January 1922 – 26 January 1985) was an Italian operatic bass-baritone particularly associated with Mozart and Rossini roles. Life and career Petri was born in Perugia and began his career after World War II, making his stage debut in 1947 at the Teatro alla Scala in Milan, where he sang the following year the role of Creonte in the premiere of Stravinsky's ''Oedipus Rex'', he also sang there his first Don Giovanni in 1950, a role he quickly became associated with throughout Italy. He appeared in Rome, Florence, Venice, Parma, Bergamo, Verona, Naples. He sang opposite Maria Callas in the revival of Cherubini's ''Medea''. In 1951, for the celebration of Verdi's 50th death anniversary, he sang on Italian radio (RAI) in ''I Lombardi'', ''I masnadieri'', and ''Simon Boccanegra''. Soon his reputation as Don Giovanni led to invitation to appear at the festivals of Glyndebourne, Salzburg, and Edinburgh. He sang relatively little outside Europe, though he made a few g ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Irmgard Seefried
Irmgard Seefried (9 October 191924 November 1988) was a distinguished German soprano who sang opera, sacred music, and lieder. Maria Theresia Irmgard Seefried was born in , near Mindelheim, Bavaria, Germany, the daughter of educated Austrian-born parents. She studied at Augsburg University before making her debut in Aachen as the priestess in Verdi's ''Aida'' in 1940. She began to sing leading parts in 1942 (Agathe in Weber's ''Der Freischütz'' in 1942, and the next year she made her debut at Vienna State Opera with Eva in Wagner's '' Die Meistersinger von Nürnberg'' conducted by Karl Böhm). From then on, she remained with the State Opera until her retirement in 1976. She sang at the Salzburg Festival every year from 1946 to 1964 (except 1955, 1961 and 1962) in operas (Susanna in '' The Marriage of Figaro'', Fiordiligi in '' Così fan tutte'', Zerlina in '' Don Giovanni'', Pamina in ''The Magic Flute'', Marzelline in ''Fidelio'' and the Composer in ''Ariadne auf Naxos'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Elisabeth Schwarzkopf
Dame Olga Maria Elisabeth Friederike Schwarzkopf, (9 December 19153 August 2006) was a German-born Austro-British soprano. She was among the foremost singers of lieder, and is renowned for her performances of Viennese operetta, as well as the operas of Mozart, Wagner and Richard Strauss. After retiring from the stage, she was a voice teacher internationally. She is considered one of the greatest sopranos of the 20th century. Early life Schwarzkopf was born on 9 December 1915 in Jarocin, Jarotschin in the Province of Posen in Prussia, German Empire, Germany (now Poland) to Friedrich Schwarzkopf and his wife, Elisabeth (). Schwarzkopf performed in her first opera in 1928, as Eurydice in a school production of Christoph Willibald Gluck, Gluck's ''Orfeo ed Euridice'' in Magdeburg, Germany. In 1934, Schwarzkopf began her musical studies at the Berlin University of the Arts, Berlin Hochschule für Musik, where her singing tutor, Lula Mysz-Gmeiner, attempted to train her to be a mezzo-s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Le Nozze Di Figaro
''The Marriage of Figaro'' ( it, Le nozze di Figaro, links=no, ), K. 492, is a ''commedia per musica'' (opera buffa) in four acts composed in 1786 by Wolfgang Amadeus Mozart, with an Italian libretto written by Lorenzo Da Ponte. It premiered at the Burgtheater in Vienna on 1 May 1786. The opera's libretto is based on the 1784 stage comedy by Pierre Beaumarchais, '' La folle journée, ou le Mariage de Figaro'' ("The Mad Day, or The Marriage of Figaro"). It tells how the servants Figaro and Susanna succeed in getting married, foiling the efforts of their philandering employer Count Almaviva to seduce Susanna and teaching him a lesson in fidelity. Considered one of the greatest operas ever written, it is a cornerstone of the repertoire and appears consistently among the top ten in the Operabase list of most frequently performed operas. In 2017, BBC News Magazine asked 172 opera singers to vote for the best operas ever written. ''The Marriage of Figaro'' came in first out of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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