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Giovanni Da San Giovanni
Giovanni da San Giovanni (20 March 1592 – 9 December 1636), also known as Giovanni Mannozzi, was an Italian painter of the early Baroque period, active in Florence. Biography Born in San Giovanni Valdarno, he trained under Matteo Rosselli. He is also said to have studied architectural perspective from Giulio Parigi. He traveled to Rome where he admired the fresco painted in 1614 by Guido Reni, depicting the Aurora. He was soon called back to Florence. Mannozzi started the decoration of the ''Sala degli Argenti'' in the Palazzo Pitti and planned decorations at Villa La Petraia. In 1615 he painted two ceiling canvases of ''Putti Supporting the profile of Michelangelo'' for the Casa Buonarroti and in the same period frescoed a choir of musician-angels for the dome of the church of the Ognissanti in Florence. He also painted five lunettes showing scenes from the ''Life of St Francis'' in the cloister of the Ognissanti. In 1619–1620 he directed the façade decoration of Pal ...
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Giovanni Da San Giovanni003
Giovanni may refer to: * Giovanni (name), an Italian male given name and surname * Giovanni (meteorology), a Web interface for users to analyze NASA's gridded data * '' Don Giovanni'', a 1787 opera by Wolfgang Amadeus Mozart, based on the legend of Don Juan * Giovanni (Pokémon), boss of Team Rocket in the fictional world of Pokémon * Giovanni (World of Darkness), a group of vampires in ''Vampire: The Masquerade/World of Darkness'' roleplay and video game * "Giovanni", a song by Band-Maid from the 2021 album ''Unseen World'' * ''Giovanni's Island'', a 2014 Japanese anime drama film * '' Giovanni's Room'', a 1956 novel by James Baldwin * Via Giovanni, places in Rome See also * * * Geovani * Giovanni Battista * San Giovanni (other) *San Giovanni Battista (other) San Giovanni Battista is the Italian translation of Saint John the Baptist. It may also refer to: Italian churches * San Giovanni Battista, Highway A11, a church in Florence, Italy * San Giovanni Ba ...
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Palazzo Dell'Antella
Palazzo dell'Antella (also Palazzo Atellesi) is a palace with a frescoed façade located on Piazza Santa Croce, Florence, region of Tuscany, Italy. History Of medieval origins, it was first enlarged in the late 16th century with the addition of a top floor. In the early 17th century it was acquired by Niccolò dell'Antella, together with a nearby one: he commissioned the repainting of the two façades, executed in 1619-1620 by a group of artists (including Domenico Passignano, Matteo Rosselli, Ottavio Vannini and others) under the direction of Giovanni da San Giovanni Giovanni da San Giovanni (20 March 1592 – 9 December 1636), also known as Giovanni Mannozzi, was an Italian painter of the early Baroque period, active in Florence. Biography Born in San Giovanni Valdarno, he trained under Matteo Rosselli. ..., and the design of architect Giulio Parigi. The painted decoration consists of a series of panels with allegorical representations, puttos, flowers, vegetable motifs a ...
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Santa Maria Del Popolo
it, Basilica Parrocchiale Santa Maria del Popolo , image = 20140803 Basilica of Santa Maria del Popolo Rome 0191.jpg , caption = The church from Piazza del Popolo , coordinates = , image_size = 270 , mapframe-frame-width = 270 , mapframe = yes , mapframe-caption = Click on the map for a fullscreen view , mapframe-zoom = 13 , mapframe-marker = religious-christian , mapframe-wikidata = yes , location = Rome , country = Italy , denomination = Catholic , tradition = Latin Church , religious order = Order of Saint Augustine , website = , founded date = 1099 , founder = Pope Paschal II , dedication = Blessed Virgin Mary , consecrated date = 1477 , status = Basilica minor, parish church (1561), titular church (1587) , functional status ...
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Mellini Chapel (Santa Maria Del Popolo)
The Mellini or Saint Nicholas of Tolentino Chapel ( it, Cappella Mellini, Cappella di San Niccolò da Tolentino) is the third chapel on the left-hand side of the nave in the Church of Santa Maria del Popolo in Rome. The chapel contains several funeral monuments of the members of the Mellini family among them the works of Alessandro Algardi and Pierre-Étienne Monnot. History The first patron of the chapel was a celebrated jurist, Pietro Mellini who belonged to a noble and ancient Roman family. The chapel, which was dedicated to Saint Nicholas of Tolentino, is one of the original 15th-century hexagonal side chapels of the basilica. It has been the funeral place of the Mellini family for centuries. Originally it had two monumental Renaissance tombs facing each other, made for Cardinal Giovanni Battista Mellini and his brother, Pietro around 1478-83. A similar arrangement is still visible in other side chapels of the basilica. The appearance of the chapel was fundamentally changed w ...
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Cutigliano
Cutigliano was a ''comune'' (municipality) in the province of Pistoia in the Italian region Tuscany, located about northwest of Florence and about northwest of Pistoia. It has been a frazione of Abetone Cutigliano since 2017. People *Biagio Betti Biagio Betti (1535–1605) was an Italian painter of the late-Renaissance or Mannerist period. He was born in Cutigliano. He became, in 1557, a monk of the order of the Theatines of San Silvestro al Quirinale, and his works are principally confine ... Monuments and places of interest Religious buildings * Madonna di Piazza church * San Bartolomeo church Civic Buildings * Palazzo di Giustizia * Palazzo del Capitano a Cutigliano References Cities and towns in Tuscany {{Pistoia-geo-stub ...
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Monsummano Terme
Monsummano Terme is an ''comune'' located in the Province of Pistoia, Tuscany, central Italy. It is located in the Valdinievole, and is a popular spa resort. It is composed of two separate nuclei: Monsummano Alto, of Etruscan origins and with a castle (probably of Lombard origins) and a line of walls, overlook the lower Monsummano, built starting from 1602 around a sanctuary commissioned by Ferdinand I, Grand Duke of Tuscany. It was the birthplace of French actor Yves Montand and Italian poet Giuseppe Giusti. Geography The district is located in the central-eastern Valdinievole, and is bordered to the north by the hills of Montalbano, to the south by the wetland Padule di Fucecchio, to the west by the Piana di Lucca, and to the east by the semi-hilly areas the town of Larciano. Given the proximity to the Padule, the area displays a wealth of flora and fauna and is a meeting place for birdwatchers. The rivers are very short, of which the Candalla stream is the most prominent, ...
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Pistoia
Pistoia (, is a city and ''comune'' in the Italian region of Tuscany, the capital of a province of the same name, located about west and north of Florence and is crossed by the Ombrone Pistoiese, a tributary of the River Arno. It is a typical Italian medieval city, and it attracts many tourists, especially in the summer. The city is famous throughout Europe for its plant nurseries. History ''Pistoria'' (in Latin other possible forms are ''Pistorium'' or ''Pistoriae'') was a centre of Gallic, Ligurian and Etruscan settlements before becoming a Roman colony in the 6th century BC, along the important road Via Cassia: in 62 BC the demagogue Catiline and his fellow conspirators were slain nearby. From the 5th century the city was a bishopric, and during the Lombardic kingdom it was a royal city and had several privileges. Pistoia's most splendid age began in 1177 when it proclaimed itself a free commune: in the following years it became an important political centre, erectin ...
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Palazzo Rospigliosi-Pallavicini, Pistoia
A palace is a grand residence, especially a royal residence, or the home of a head of state or some other high-ranking dignitary, such as a bishop or archbishop. The word is derived from the Latin name palātium, for Palatine Hill in Rome which housed the Roman Empire, Imperial residences. Most European languages have a version of the term (''palais'', ''palazzo'', ''palacio'', etc.), and many use it for a wider range of buildings than English. In many parts of Europe, the equivalent term is also applied to large private houses in cities, especially of the aristocracy; often the term for a large country house is different. Many historic palaces are now put to other uses such as parliaments, museums, hotels, or office buildings. The word is also sometimes used to describe a lavishly ornate building used for public entertainment or exhibitions such as a movie palace. A palace is distinguished from a castle while the latter clearly is fortified or has the style of a fortification ...
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Piazza Santa Croce
Piazza Santa Croce is one of the main plazas or squares located in the central neighbourhood of Florence, in the region of Tuscany, Italy. It is located near Piazza della Signoria and the National Central Library, and takes its name from the Basilica of Santa Croce that overlooks the square. Main buildings Basilica of Santa Croce The most notable features of the basilica are its sixteen chapels, many of them decorated with frescoes by Giotto and his pupils, and its tombs and cenotaphs. It is the burial place of many illustrious Italians, such as Michelangelo, Machiavelli, Enrico Fermi, Galileo, Ugo Foscolo, Guglielmo Marconi, Luigi Cherubini, Leon Battista Alberti, Vittorio Alfieri, Gioacchino Rossini, Lorenzo Ghiberti, Lorenzo Bartolini, Pier Antonio Micheli, Bartolomeo Cristofori, Giovanni Gentile, thus it is known also as the Temple of the Italian Glories (''Tempio dell'Itale Glorie''). Palazzo Cocchi-Serristori On the opposite side to the Basilica of Santa Croce is t ...
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Church Of Ognissanti, Florence
The chiesa di San Salvatore di Ognissanti or more simply chiesa di Ognissanti (; "Church of All Saints"), is a Franciscan church located on the piazza of the same name in central Florence, region of Tuscany, Italy. Founded by the lay order of the Umiliati, the church was dedicated to all the saints and martyrs, known and unknown. It is the burial place of the famous Early Renaissance painter, Sandro Botticelli. History It was completed originally during the 1250s, but almost completely rebuilt around 1627 in Baroque-style by the architect Bartolomeo Pettirossi. Soon after, a new façade (1637) was erected using designs by Matteo Nigetti, that conserved the glazed terracotta lunette over the doorway, which while resembling the work of Della Robbia, is now attributed to Benedetto Buglioni. Ognissanti was among the first examples of Baroque architecture to penetrate this Renaissance city. Its three reversed orders of pilasters enclose niches and windows with elaborate cornices. To ...
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Baroque
The Baroque (, ; ) is a style of architecture, music, dance, painting, sculpture, poetry, and other arts that flourished in Europe from the early 17th century until the 1750s. In the territories of the Spanish and Portuguese empires including the Iberian Peninsula it continued, together with new styles, until the first decade of the 19th century. It followed Renaissance art and Mannerism and preceded the Rococo (in the past often referred to as "late Baroque") and Neoclassical styles. It was encouraged by the Catholic Church as a means to counter the simplicity and austerity of Protestant architecture, art, and music, though Lutheran Baroque art developed in parts of Europe as well. The Baroque style used contrast, movement, exuberant detail, deep colour, grandeur, and surprise to achieve a sense of awe. The style began at the start of the 17th century in Rome, then spread rapidly to France, northern Italy, Spain, and Portugal, then to Austria, southern Germany, and Russia. B ...
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