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Giovanni Da Asola
Giovanni da Asola (active 1512 – 1530) was an Italian painter of the Renaissance, who along with his son Bernardino da Asola, were prominent in the Venice of the early 16th century. Born in Brescia, Giovanni appeared in Venice in 1512, probably contemporary with Girolamo Romanino. An ''Adoration of the Magi'' were painted for the Duomo of Asola in 1518. In 1526 he and his son painted a set of organ shutters for San Michele in Murano now in Museo Correr. He painted an ''Adoration of the Shepherds'' in 1526, now in the Museo Civico of Padua Padua ( ; it, Padova ; vec, Pàdova) is a city and ''comune'' in Veneto, northern Italy. Padua is on the river Bacchiglione, west of Venice. It is the capital of the province of Padua. It is also the economic and communications hub of the .... References * Painters from Brescia 16th-century Italian painters Italian male painters Renaissance painters Year of death unknown Year of birth unknown People from Asola, Lombard ...
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San Francesco Della Vigna
San Francesco della Vigna is a Roman Catholic church in the Sestiere of Castello in Venice, northern Italy. History Along with Santa Maria Gloriosa dei Frari, this is one of two Franciscan churches in Venice. The site, originally a vineyard (''vigna''), was donated by Marco Ziani in 1253 for construction of the monastery. A tiny chapel already on the site recalled the spot where an angel supposedly had pronounced ''Pax tibi Marce, evangelista meus'' to the shipwrecked Saint Mark, patron of Venice. The first church at the site was a triple-nave Gothic church by Marino da Pisa. A monastery housed the Frati Minori dell'Osservanza, while the Conventuali occupied the Frari across town. By the 16th century, the church building was in need of repair. Two main impulses led to the reconstruction of this church; one was the reform sweeping the order of the Franciscan Observants, and the other was the wishes of Doge Andrea Gritti, whose family palace neighboured the church. In 1534, this ...
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Painting
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, nar ...
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Renaissance
The Renaissance ( , ) , from , with the same meanings. is a period in European history marking the transition from the Middle Ages to modernity and covering the 15th and 16th centuries, characterized by an effort to revive and surpass ideas and achievements of classical antiquity. It occurred after the Crisis of the Late Middle Ages and was associated with great social change. In addition to the standard periodization, proponents of a "long Renaissance" may put its beginning in the 14th century and its end in the 17th century. The traditional view focuses more on the early modern aspects of the Renaissance and argues that it was a break from the past, but many historians today focus more on its medieval aspects and argue that it was an extension of the Middle Ages. However, the beginnings of the period – the early Renaissance of the 15th century and the Italian Proto-Renaissance from around 1250 or 1300 – overlap considerably with the Late Middle Ages, conventionally da ...
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Bernardino Da Asola
Bernardino da Asola (c.1490–1540) was a 16th-century Italian painter. Biography He was born in Asola, Lombardy as the son of Giovanni da Asola or Giovanni da Brescia.Bernardino da Asola
in the
He worked with his father on Duomo of in 1518 and in 1526 he and his father painted a set of organ shutters for the San Michele in Murano (now in

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Brescia
Brescia (, locally ; lmo, link=no, label= Lombard, Brèsa ; lat, Brixia; vec, Bressa) is a city and ''comune'' in the region of Lombardy, Northern Italy. It is situated at the foot of the Alps, a few kilometers from the lakes Garda and Iseo. With a population of more than 200,000, it is the second largest city in the administrative region and the fourth largest in northwest Italy. The urban area of Brescia extends beyond the administrative city limits and has a population of 672,822, while over 1.5 million people live in its metropolitan area. The city is the administrative capital of the Province of Brescia, one of the largest in Italy, with over 1,200,000 inhabitants. Founded over 3,200 years ago, Brescia (in antiquity Brixia) has been an important regional centre since pre-Roman times. Its old town contains the best-preserved Roman public buildings in northern Italy and numerous monuments, among these the medieval castle, the Old and New cathedral, the Renaissance ' ...
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Girolamo Romanino
Girolamo Romani, known as Romanino (c. 1485 - c. 1566), was an Italian High Renaissance painter active in the Veneto and Lombardy, near Brescia. His long career brought forth several different styles. Biography Romani was born in Brescia. His early training and life are not well documented. A Quattrocento-esque ''Pietà'', painted for the church of ''San Lorenzo'' of Brescia, dated from 1510, is exhibited in the Accademia. He took up residence in Venice in his twenties, at the latest by 1513. He was commissioned to complete a ''Madonna enthroned with four saints'' for the church of Santa Giustina in Padua in 1513. The coloration of the painting is of Venetian style, but the duller visages in bejeweled setting recalls styles of previous generations. He completed series of frescoes for Niccolò Orsini's Palace in Ghedi and an altarpiece for San Francesco, Brescia. Romanino completed four frescoes in the nave of the cathedral of Cremona in 1519-1520 depicting stories of th ...
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Asola, Lombardy
Asola ( Upper Mantovano: ) is a comune in the province of Mantua, Lombardy (northern Italy). It received the honorary title of city with a presidential decree of October 23, 1951. In 1516, when it was part of the Republic of Venice, it was unsuccessfully besieged by the troops of the Austrian Maximilian I. The event is portrayed in a painting by Tintoretto, '' The Siege of Asola''. The local civic museum is titled Museo Civico Goffredo Bellini. Twin towns * Leingarten Leingarten () is a town in the district of Heilbronn, Baden-Württemberg, Germany. It is situated 7 km west of Heilbronn. It was formed 1 January 1970, when the municipalities of Großgartach and Schluchtern merged. Geography Location Lei ..., Germany, since 2004 * Lésigny, France, since 2004 Cities and towns in Lombardy {{Mantua-geo-stub ...
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Murano
Murano is a series of islands linked by bridges in the Venetian Lagoon, northern Italy. It lies about north of Venice and measures about across with a population of just over 5,000 (2004 figures). It is famous for its glass making. It was once an independent ''comune'', but is now a ''frazione'' of the ''comune'' of Venice. History Murano was initially settled by the Veneto#Roman period, Romans and from the sixth century by people from Altinum and Oderzo. At first, the island prospered as a fishing port and through its production of salt. It was also a centre for trade through the port it controlled on Sant'Erasmo. From the eleventh century, it began to decline as islanders moved to Dorsoduro. It had a Grand Council (Murano), Grand Council, like that of Venice, but from the thirteenth century, Murano was ultimately governed by a ''podestà'' from Venice. Unlike the other islands in the Venetian Lagoon, Lagoon, Murano minted its own coins. Early in the second millenniu ...
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Museo Correr
The Museo Correr () is a museum in Venice, northern Italy. Located in St. Mark's Square, Venice, it is one of the 11 civic museums run by the Fondazione Musei Civici di Venezia. The museum extends along the southside of the square on the upper floors of the Procuratorie Nuove. With its rich and varied collections, the Museo Correr covers both the art and history of Venice. History The Museo Correr originated with the collection bequeathed to the city of Venice in 1830 by Teodoro Correr. A member of a traditional Venetian family, Correr was a meticulous and passionate collector, dedicating most of his life to the collection of both works of art and documents or individual objects that reflected the history of Venice. Upon his death, all this material was donated to the city, together with the family's Grand Canal palace which then housed it. The nobleman also left the city funds to be used in conserving and extending the collections and in making them available to the public ...
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Padua
Padua ( ; it, Padova ; vec, Pàdova) is a city and ''comune'' in Veneto, northern Italy. Padua is on the river Bacchiglione, west of Venice. It is the capital of the province of Padua. It is also the economic and communications hub of the area. Padua's population is 214,000 (). The city is sometimes included, with Venice (Italian ''Venezia'') and Treviso, in the Padua-Treviso-Venice Metropolitan Area (PATREVE) which has a population of around 2,600,000. Padua stands on the Bacchiglione, Bacchiglione River, west of Venice and southeast of Vicenza. The Brenta River, which once ran through the city, still touches the northern districts. Its agricultural setting is the Venetian Plain (''Pianura Veneta''). To the city's south west lies the Colli Euganei, Euganaean Hills, praised by Lucan and Martial, Petrarch, Ugo Foscolo, and Percy Bysshe Shelley, Shelley. Padua appears twice in the UNESCO World Heritage List: for its Botanical Garden of Padua, Botanical Garden, the most anc ...
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Painters From Brescia
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, narrative, ...
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16th-century Italian Painters
The 16th century begins with the Julian year 1501 ( MDI) and ends with either the Julian or the Gregorian year 1600 ( MDC) (depending on the reckoning used; the Gregorian calendar introduced a lapse of 10 days in October 1582). The 16th century is regarded by historians as the century which saw the rise of Western civilization and the Islamic gunpowder empires. The Renaissance in Italy and Europe saw the emergence of important artists, authors and scientists, and led to the foundation of important subjects which include accounting and political science. Copernicus proposed the heliocentric universe, which was met with strong resistance, and Tycho Brahe refuted the theory of celestial spheres through observational measurement of the 1572 appearance of a Milky Way supernova. These events directly challenged the long-held notion of an immutable universe supported by Ptolemy and Aristotle, and led to major revolutions in astronomy and science. Galileo Galilei became a champion o ...
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