|
Giovan Battista Bertani
Giovanni Battista Bertani (1516–1576) was an Italian painter and architect of the late Renaissance period. He trained with Giulio Romano in Mantua, and was promoted after Romano's death to the post of prefect of the ducal studio (fabbriche). Painters who assisted him over the years include his brother Domenico, as well as Giovanni Battista del Moro, Geronimo Mazzuola, Paolo Farinato, Domenico Brusasorci, Giulio Campi, and Paolo Veronese. He is said to have completed a partial translation of the work of Vitruvius Vitruvius (; c. 80–70 BC – after c. 15 BC) was a Roman architect and engineer during the 1st century BC, known for his multi-volume work entitled ''De architectura''. He originated the idea that all buildings should have three attribute .... References * * External links ''The engravings of Giorgio Ghisi'' a full text exhibition catalog from The Metropolitan Museum of Art, which contains material on Giovanni Battista Bertani (see index) 16th-cent ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mantua
Mantua ( ; it, Mantova ; Lombard language, Lombard and la, Mantua) is a city and ''comune'' in Lombardy, Italy, and capital of the Province of Mantua, province of the same name. In 2016, Mantua was designated as the Italian Capital of Culture. In 2017, it was named as the European Capital of Gastronomy, included in the Eastern Lombardy District (together with the cities of Bergamo, Brescia, and Cremona). In 2008, Mantua's ''centro storico'' (old town) and Sabbioneta were declared by UNESCO to be a World Heritage Site. Mantua's historic power and influence under the Gonzaga family has made it one of the main artistic, culture, cultural, and especially musical hubs of Northern Italy and the country as a whole. Having one of the most splendid courts of Europe of the fifteenth, sixteenth, and early seventeenth centuries. Mantua is noted for its significant role in the history of opera; the city is also known for its architectural treasures and artifacts, elegant palaces, and the m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giulio Campi
Giulio Campi (1502 – 5 March 1572) was an Italian painter and architect. His brothers Vincenzo Campi and Antonio Campi were also renowned painters. Biography The eldest of a family prominent painters, Campi was born at Cremona. His father Galeazzo (1475–1536) taught him the first lessons in art. In 1522, in Mantua, he studied painting, architecture, and modelling under Giulio Romano. He visited Rome, became an ardent student of the antique, and like Bernardino — distantly related to him — he combined a Lombard and Roman traditions. He collaborated on some works with Camillo Boccaccino, the son of Boccaccio Boccaccino, with whom Campi may also have received training. Campi is called the "Ludovico Carracci of Cremona" for his influence, since Campi was as influential during the Renaissance in Cremona as the latter was on the Baroque school of Bologna. When he was just twenty-seven Giulio executed for the church of Sant'Abondio his masterpiece, a ''Virgin and Child wi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Painters From Mantua
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, nar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Italian Renaissance Painters
Italian(s) may refer to: * Anything of, from, or related to the people of Italy over the centuries ** Italians, an ethnic group or simply a citizen of the Italian Republic or Italian Kingdom ** Italian language, a Romance language *** Regional Italian, regional variants of the Italian language ** Languages of Italy, languages and dialects spoken in Italy ** Italian culture, cultural features of Italy ** Italian cuisine, traditional foods ** Folklore of Italy, the folklore and urban legends of Italy ** Mythology of Italy, traditional religion and beliefs Other uses * Italian dressing, a vinaigrette-type salad dressing or marinade * Italian or Italian-A, alternative names for the Ping-Pong virus, an extinct computer virus See also * * * Italia (other) * Italic (other) * Italo (other) * The Italian (other) * Italian people (other) Italian people may refer to: * in terms of ethnicity: all ethnic Italians, in and outside of Italy * in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Italian Male Painters
Italian(s) may refer to: * Anything of, from, or related to the people of Italy over the centuries ** Italians, an ethnic group or simply a citizen of the Italian Republic or Italian Kingdom ** Italian language, a Romance language *** Regional Italian, regional variants of the Italian language ** Languages of Italy, languages and dialects spoken in Italy ** Italian culture, cultural features of Italy ** Italian cuisine, traditional foods ** Folklore of Italy, the folklore and urban legends of Italy ** Mythology of Italy, traditional religion and beliefs Other uses * Italian dressing, a vinaigrette-type salad dressing or marinade * Italian or Italian-A, alternative names for the Ping-Pong virus, an extinct computer virus See also * * * Italia (other) * Italic (other) * Italo (other) * The Italian (other) * Italian people (other) Italian people may refer to: * in terms of ethnicity: all ethnic Italians, in and outside of Italy * ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
16th-century Italian Painters
The 16th century begins with the Julian year 1501 ( MDI) and ends with either the Julian or the Gregorian year 1600 ( MDC) (depending on the reckoning used; the Gregorian calendar introduced a lapse of 10 days in October 1582). The 16th century is regarded by historians as the century which saw the rise of Western civilization and the Islamic gunpowder empires. The Renaissance in Italy and Europe saw the emergence of important artists, authors and scientists, and led to the foundation of important subjects which include accounting and political science. Copernicus proposed the heliocentric universe, which was met with strong resistance, and Tycho Brahe refuted the theory of celestial spheres through observational measurement of the 1572 appearance of a Milky Way supernova. These events directly challenged the long-held notion of an immutable universe supported by Ptolemy and Aristotle, and led to major revolutions in astronomy and science. Galileo Galilei became a champion o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thomas Roscoe
Thomas Roscoe (Liverpool 23 June 1791 – 24 September 1871 London) was an English author and translator. Life The fifth son of William Roscoe, he was born in Toxteth Park, Liverpool in 1791, and educated by Dr. W. Shepherd and by Mr. Lloyd, a private tutor. Soon after his father's financial troubles in 1816, which led to bankruptcy, Roscoe began to write in local magazines and journals, and he continued to follow literature as a profession. He died at age 80, on 24 September 1871, at Acacia Road, St. John's Wood, London. Works Roscoe's major original works were: *''Gonzalo, the Traitor: a Tragedy'', 1820. *''The King of the Peak'' non. 1823, 3 vols. *''Owain Goch: a Tale of the Revolution'' non. 1827, 3 vols. *''The Tourist in Switzerland and Italy'', 1830; the first volume of the ''Landscape Annual'', followed for eight years by similar volumes on Italy, France, and Spain. *''Wanderings and Excursions in North Wales'', 1836. *''Wanderings in South Wales'', with Lou ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vitruvius
Vitruvius (; c. 80–70 BC – after c. 15 BC) was a Roman architect and engineer during the 1st century BC, known for his multi-volume work entitled ''De architectura''. He originated the idea that all buildings should have three attributes: , , and ("strength", "utility", and "beauty"). These principles were later widely adopted in Roman architecture. His discussion of perfect proportion in architecture and the human body led to the famous Renaissance drawing of the ''Vitruvian Man'' by Leonardo da Vinci. Little is known about Vitruvius' life, but by his own descriptionDe Arch. Book 1, preface. section 2. he served as an artilleryman, the third class of arms in the Roman military offices. He probably served as a senior officer of artillery in charge of ''doctores ballistarum'' (artillery experts) and ''libratores'' who actually operated the machines. As an army engineer he specialized in the construction of ''ballista'' and '' scorpio'' artillery war machines for sieges. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paolo Veronese
Paolo Caliari (152819 April 1588), known as Paolo Veronese ( , also , ), was an Italian Renaissance painter based in Venice, known for extremely large history paintings of religion and mythology, such as ''The Wedding at Cana'' (1563) and ''The Feast in the House of Levi'' (1573). Included with Titian, a generation older, and Tintoretto, a decade senior, Veronese is one of the "great trio that dominated Venetian painting of the ''cinquecento''" and the Late Renaissance in the 16th century.Rosand, 107 Known as a supreme colorist, and after an early period with Mannerism, Paolo Veronese developed a naturalist style of painting, influenced by Titian. His most famous works are elaborate narrative cycles, executed in a dramatic and colorful style, full of majestic architectural settings and glittering pageantry. His large paintings of biblical feasts, crowded with figures, painted for the refectories of monasteries in Venice and Verona are especially famous, and he was also the leadi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Domenico Brusasorci
Domenico Riccio (also known as commonly known as Domenico Brusasorci; 1516–1567) was an Italian painter in a Mannerist style from Verona, best known for frescos. He first apprenticed with his father. Later, he has been reported to have trained with Giovanni Francesco Caroto and Niccolò Giolfino. He was a near contemporary of Antonio Badile. By 1551, he completed the fresco decorations of the ''Municipio'' in Trento. In 1556, he painted a decoration in Palazzo Vescovile at Verona. He depicted the ceremonial ''Cavalcade of Charles V and Clement VII'' in the Palazzo Ridolfi-Dalisca. He painted a ''Madonna in glory and two saints'' for San Pietro Martire in Verona in 1566. A notable work of his is the dramatic fresco of Phaeton on the ceiling of the Palazzo Chiericati. His pupils were his son Felice, Giovanni Battista Zelotti, Bernardino India Bernardino India (1528–1590) was an Italian painter of the late Renaissance, born and mainly active in Verona. He is said ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Margravate Of Mantua
The Marquisate or Margraviate of Mantua was a margraviate in Lombardy, Northern Italy. Constituted by the Capitani del popol, an administrative title used in Italy during the Middle Ages. The Marquisate of Mantua began with Gianfrancesco I Gonzaga, a member of the important House of Gonzaga, who inherited the city of Mantua in 1407, when he was only 12 years old. History The 9th century was the period of episcopal supremacy, and in the 11th the city formed part of the vast possessions of Bonifacio III, marquis of Canossa. From him it passed to Geoffrey, duke of Lorraine, and afterwards to the countess Matilda, whose support of the pope led to the conquest of Mantua by the emperor Henry IV in 1090. Reduced to obedience by Matilda in 1113, the city obtained its liberty on her death, and instituted a communal government of its own, ''salva imperiali justitia''. It afterwards joined the Lombard League; and the unsuccessful attack made by Frederick II in 1236 brought it a co ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
