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Gianni Schichi
() is a comic opera in one act by Giacomo Puccini to an Italian libretto by Giovacchino Forzano, composed in 1917–18. The libretto is based on an incident mentioned in Dante's '' Divine Comedy''. The work is the third and final part of Puccini's (The Triptych)three one-act operas with contrasting themes, originally written to be presented together. Although it continues to be performed with one or both of the other operas, is now more frequently staged either alone or with short operas by other composers. The aria is one of Puccini's best known, and one of the most popular arias in opera. Puccini had long considered writing a set of one-act operas which would be performed together in a single evening, but faced with a lack of suitable subjects and opposition from his publisher, he repeatedly put the project aside. However, by 1916 Puccini had completed the one-act tragedy and, after considering various ideas, he began work the following year on the solemn, religious, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giacomo Puccini
Giacomo Puccini (Lucca, 22 December 1858Bruxelles, 29 November 1924) was an Italian composer known primarily for his operas. Regarded as the greatest and most successful proponent of Italian opera after Verdi, he was descended from a long line of composers, stemming from the late-Baroque era. Though his early work was firmly rooted in traditional late-19th-century Romantic Italian opera, he later developed his work in the realistic ''verismo'' style, of which he became one of the leading exponents. His most renowned works are ''La bohème'' (1896), ''Tosca'' (1900), '' Madama Butterfly'' (1904), and ''Turandot'' (1924), all of which are among the most frequently performed and recorded of all operas. Family and education Puccini was born Giacomo Antonio Domenico Michele Secondo Maria Puccini in Lucca, Italy, in 1858. He was the sixth of nine children of Michele Puccini (1813–1864) and Albina Magi (1830–1884). The Puccini family was established in Lucca as a local musi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nouveau Riche
''Nouveau riche'' (; ) is a term used, usually in a derogatory way, to describe those whose wealth has been acquired within their own generation, rather than by familial inheritance. The equivalent English term is the "new rich" or "new money" (in contrast with " old money"; french: vieux riche ). Sociologically, ''nouveau riche'' refers to the person who previously had belonged to a lower social class and economic stratum (rank) within that class; and that the new money, which constitutes their wealth, allowed upward social mobility and provided the means for conspicuous consumption, the buying of goods and services that signal membership in an upper class. As a pejorative term, ''nouveau riche'' affects distinctions of type, the given stratum within a social class; hence, among the rich people of a social class, ''nouveau riche'' describes the vulgarity and ostentation of the newly rich person who lacks the worldly experience and the system of values of " old money", of inherite ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giuseppe De Luca
Giuseppe De Luca (25 December 1876 – 26 August 1950), was an Italian baritone who achieved his greatest triumphs at the Metropolitan Opera in New York City. He notably created roles in the world premieres of two operas by Giacomo Puccini: Sharpless in ''Madama Butterfly'' (at La Scala, Milan, 1904) and the title role in ''Gianni Schicchi'' (Metropolitan Opera, 1918). Biography De Luca was born on Christmas Day, 25 December 1876 in Rome, the son of a blacksmith. He sang in church choirs as a boy. After his voice broke, a wealthy patron paid for him to have singing lessons at the Rome Conservatory, where he studied with two top-class pedagogues, Venceslao Persichini (who also taught De Luca's fellow baritone stars Mattia Battistini and Titta Ruffo) and Antonio Cotogni. He made his operatic debut at Piacenza in 1897, singing Valentin in Gounod's ''Faust''. His debut proved a success and he was invited to sing at a string of more important venues. De Luca was renowned as a master ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baritone
A baritone is a type of classical male singing voice whose vocal range lies between the bass and the tenor voice-types. The term originates from the Greek (), meaning "heavy sounding". Composers typically write music for this voice in the range from the second F below middle C to the F above middle C (i.e. F2–F4) in choral music, and from the second A below middle C to the A above middle C (A2 to A4) in operatic music, but the range can extend at either end. Subtypes of baritone include the baryton-Martin baritone (light baritone), lyric baritone, ''Kavalierbariton'', Verdi baritone, dramatic baritone, ''baryton-noble'' baritone, and the bass-baritone. History The first use of the term "baritone" emerged as ''baritonans'', late in the 15th century, usually in French sacred polyphonic music. At this early stage it was frequently used as the lowest of the voices (including the bass), but in 17th-century Italy the term was all-encompassing and used to describe the averag ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roberto Moranzoni
Roberto Moranzoni (October 5, 1880, Bari - December 14, 1959, Milan) was an Italian conductor, principally of opera. Moranzoni was a pupil of Pietro Mascagni and was selected by Mascagni to give his debut performances with the composer's ''Le maschere'' in 1901. Moranzoni was active internationally in the decade of the 1910s, directing the Boston Grand Opera from 1910 to 1917 and conducting in Paris and London."Roberto Moranzoni". ''Oxford Music Online'', entry written 1992.paywalled online access He conducted primarily from the Italian repertory at the Metropolitan Opera from 1917 to 1924, then was named conductor at the Chicago Civic Opera from 1924 to 1929. Among his most noteworthy performances were the first run of ''Le maschere'' (following Mascagni's own first production), the inaugural British production of Italo Montemezzi's ''L'amore dei tre re'' (1914), the world premiere of Giacomo Puccini's ''Il trittico'' at the Metropolitan Opera in 1918, and the world premiere of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Voice Type
A voice type is a group of voices with similar vocal ranges, capable of singing in a similar tessitura, and with similar vocal transition points ('' passaggi''). Voice classification is most strongly associated with European classical music, though it, and the terms it utilizes, are used in other styles of music as well. A singer will choose a repertoire that suits their voice. Some singers such as Enrico Caruso, Rosa Ponselle, Joan Sutherland, Maria Callas, Jessye Norman, Ewa Podleś, and Plácido Domingo have voices that allow them to sing roles from a wide variety of types; some singers such as Shirley Verrett and Grace Bumbry change type and even voice part over their careers; and some singers such as Leonie Rysanek have voices that lower with age, causing them to cycle through types over their careers. Some roles are hard to classify, having very unusual vocal requirements; Mozart wrote many of his roles for specific singers who often had remarkable voices, and some of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Florence Easton 001
Florence ( ; it, Firenze ) is a city in Central Italy and the capital city of the Tuscany region. It is the most populated city in Tuscany, with 383,083 inhabitants in 2016, and over 1,520,000 in its metropolitan area.Bilancio demografico anno 2013, datISTAT/ref> Florence was a centre of medieval European trade and finance and one of the wealthiest cities of that era. It is considered by many academics to have been the birthplace of the Renaissance, becoming a major artistic, cultural, commercial, political, economic and financial center. During this time, Florence rose to a position of enormous influence in Italy, Europe, and beyond. Its turbulent political history includes periods of rule by the powerful Medici family and numerous religious and republican revolutions. From 1865 to 1871 the city served as the capital of the Kingdom of Italy (established in 1861). The Florentine dialect forms the base of Standard Italian and it became the language of culture throughout Ital ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Il Capitano
Il Capitano (, Italian for "The Captain") is one of the four stock characters of ''Commedia dell'arte.'' He most likely was never a "Captain" but rather appropriated the name for himself. He is often a braggart and a swaggerer who can maintain his claims only by benefit of the fact that none of the locals know him. He is usually a Spaniard, given the fact that for most of the late Renaissance to well into 17th century, parts of Italy were under Spanish domination. He was most likely inspired by the boisterous Iberic caudillos who told tall tales of their exploits either in the conquest of the Americas or in the wars with Germany. Il Capitano often talks at length about made-up conquests of both the militaristic and the carnal variety in an attempt to impress others, but often ends up impressing only himself. He gets easily carried away in his tales and doesn't realise when those around him don't buy his act. He would be the first to run away from any and all battles, and he h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Balanzone
Il Dottore (, 'the Doctor'), commonly known in Italian as ''Dottor Balan'' or simply ''Balanzone'' (; Bolognese egl, Dutåur Balanzån) is a ''commedia dell'arte'' stock character, in one scenario being an obstacle to young lovers. Il Dottore and Pantalone are the comic foil of each other, Pantalone being the decadent wealthy merchant, and Il Dottore being the decadent erudite. He has been part of the main canon of characters since the mid-16th century. Overview Il Dottore was born from the city of Bologna, Italy. He is comically inept. He is usually extremely rich, though the needs of the scenario might have things otherwise, and extremely pompous, loving the sound of his own voice and spouting ersatz Latin and Greek, Il Dottore is known to be overly self loving and greedy. His interaction in the play is usually mostly with Pantalone, either as a friend, mentor or competitor. History Il Dottore first originated as the comic foil of Pantalone. The character has his performance ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Zanni
Zanni (), Zani or Zane is a character type of commedia dell'arte best known as an astute servant and a trickster. The Zanni comes from the countryside and is known to be a "dispossessed immigrant worker".Rudlin, John. ''Commedia dell'arte: An Actors Handbook''. London: Routledge, 1994. 67. Print."Immigrant" in Italy at the time of the city-states did not mean someone from outside of Italy but rather someone from outside the city, an itinerant worker. Through time, the Zanni grew to be a popular figure who was first seen in ''commedia'' as early as the 14th century. The English word ''zany'' derives from this person. The longer the nose on the characters mask the more foolish the character. Origin of the name The name ''Zanni'' (as well as ''Zuan'') is a variant of the name ''Gianni'' and was common in the Lombard-Venetian countryside which provided most of the servants to the wealthy nobles and merchants of Venice. In Italian it is specifically a name of someone whose identity i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Harlequinade
''Harlequinade'' is a British comic theatrical genre, defined by the ''Oxford English Dictionary'' as "that part of a pantomime in which the harlequin and clown play the principal parts". It developed in England between the 17th and mid-19th centuries. It was originally a slapstick adaptation or variant of the Commedia dell'arte, which originated in Italy and reached its apogee there in the 16th and 17th centuries. The story of the Harlequinade revolves around a comic incident in the lives of its five main characters: Harlequin, who loves Columbine; Columbine's greedy and foolish father Pantaloon (evolved from the character Pantalone), who tries to separate the lovers in league with the mischievous Clown; and the servant, Pierrot, usually involving chaotic chase scenes with a bumbling policeman. Originally a mime (silent) act with music and stylised dance, the harlequinade later employed some dialogue, but it remained primarily a visual spectacle. Early in its development, it ach ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
