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Ghare-Baire
''The Home and the World'' (in the original Bengali, ঘরে বাইরে ''Ghôre Baire'' or ''Ghare Baire'', lit. "At home and outside") is a 1916 novel by Rabindranath Tagore. The book illustrates the battle Tagore had with himself, between the ideas of Western culture and revolution against the Western culture. These two ideas are portrayed in two of the main characters, Nikhilesh, who is rational and opposes violence, and Sandip, who will let nothing stand in his way from reaching his goals. These two opposing ideals are very important in understanding the history of the Bengal region and its contemporary problems. The novel was translated into English by the author's nephew, Surendranath Tagore, with input from the author, in 1919. ''The Home and the World'' was among the contenders in a 2014 list by ''The Telegraph'' of the 10 all-time greatest Asian novels. Historical context Political movement The novel is set in early 20th century India. The story line coinc ...
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Rabindranath Tagore
Rabindranath Tagore (; bn, রবীন্দ্রনাথ ঠাকুর; 7 May 1861 – 7 August 1941) was a Bengali polymath who worked as a poet, writer, playwright, composer, philosopher, social reformer and painter. He reshaped Bengali literature and music as well as Indian art with Contextual Modernism in the late 19th and early 20th centuries. Author of the "profoundly sensitive, fresh and beautiful" poetry of ''Gitanjali'', he became in 1913 the first non-European and the first lyricist to win the Nobel Prize in Literature. Tagore's poetic songs were viewed as spiritual and mercurial; however, his "elegant prose and magical poetry" remain largely unknown outside Bengal. He was a fellow of the Royal Asiatic Society. Referred to as "the Bard of Bengal", Tagore was known by sobriquets: Gurudev, Kobiguru, Biswakobi. A Bengali Brahmin from Calcutta with ancestral gentry roots in Burdwan district* * * and Jessore, Tagore wrote poetry as an eight-yea ...
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Swatilekha Sengupta
Swatilekha Sengupta (''née'' Chatterjee; 22 May 1950 – 16 June 2021) was a Bengali actress. She had received the Sangeet Natak Akademi Award for her contribution to Indian theatre as an actor. Career Swatilekha started her career in theater in Allahabad in the early 1970s, acting in productions under the direction of A.C. Banerjee. She also received guidance from B.V. Karanth, Tapas Sen, and Khaled Chowdhury. Then she moved to Kolkata and joined the theater group Nandikar in 1978. In Nandikar she worked under the direction of Rudraprasad Sengupta, whom she went on to marry. She was also the lead female protagonist in '' Ghare Baire'', a 1985 film by Satyajit Ray, against Victor Banerjee and Soumitra Chatterjee. This film was based upon a novel of the same name '' Ghare Baire'' written by the famous Bengali writer Rabindranath Tagore. She has also acted in films like ''Chauranga'',''Bela Seshe'', Dharmajuddha and Bela Shuru. Death Sengupta died on 16 June 2021 from complica ...
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Ghare Baire (film)
''Ghare Baire'' () is a 1984 Indian Bengali-language romantic drama film directed and written by Satyajit Ray. Based on Rabindranath Tagore's novel of the same name, starring Soumitra Chatterjee, Victor Banerjee, Jennifer Kendal and Swatilekha Chatterjee. Dealing with the subject of the emancipation of women, the film shows what it does to women and to those who love them. Ray prepared a script for it in the 1940s, long before he made his first film ''Pather Panchali''. The film was in competition for the Palme d'Or at the 1984 Cannes Film Festival. At the 32nd National Film Awards, it won the National Film Award for Best Feature Film in Bengali. Plot The story is set in 1907 on the estate of the rich and influential Bengali noble Nikhilesh (Victor Banerjee) in Sukhsayar. In the chaotic aftermath of Lord Curzon's partition of Bengal into Muslim and Hindu states, the Swadeshi movement is trying to impose a boycott of foreign goods by claiming that imports are at the root of ...
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Swadeshi Movement
The Swadeshi movement was a self-sufficiency movement that was part of the Indian independence movement and contributed to the development of Indian nationalism. Before the BML Government's decision for the partition of Bengal was made public in December 1903, there was a lot of growing discontentment among the Indians. In response the Swadeshi movement was formally started from Town Hall Calcutta on 7 August 1905 to curb foreign goods by relying on domestic production. Mahatma Gandhi described it as the soul of swaraj (self-rule). The movement took its vast size and shape after rich Indians donated money and land dedicated to Khadi and Gramodyog societies which started cloth production in every household. It also included other village industries so as to make village self-sufficient and self-reliant. The Indian National Congress used this movement as arsenal for its freedom struggle and ultimately on 15 August 1947, a hand-spun Khadi 'tricolor ashok chakra' Indian flag was unfur ...
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Victor Banerjee
Victor Banerjee is an Indian actor who appears in English, Hindi, Bengali and Assamese language films. He has worked for directors such as Roman Polanski, James Ivory, Sir David Lean, Jerry London, Ronald Neame, Satyajit Ray, Mrinal Sen, Shyam Benegal, Montazur Rahman Akbar and Ram Gopal Varma. He won the National Film Award for Best Supporting Actor for the film '' Ghare Baire''. He was awarded the Padma Bhushan, India's third highest civilian award, in 2022 by the Indian Government in the field of art. Early life and education Banerjee was born in a Zamindari Bengali Hindu family. He is a descendant of the Raja Bahadur of Chanchal (Malda District) and the Raja of Uttarpara. Banerjee completed his schooling from St. Edmund's School, Shillong. He did his graduation in English literature from St. Xavier's College, Calcutta; and completed his post graduation in Comparative Literature from Jadavpur University. He turned down a scholarship to Trinity College in Dublin, which ha ...
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Soumitra Chatterjee
Soumitra Chatterjee (also spelt as Chattopadhyay; 16 June 193515 November 2020) was an Indian film actor, play-director, playwright, writer, thespian and poet. He is regarded as one of the greatest and most influential actors in the history of Indian Cinema. He is best known for his collaborations with director Satyajit Ray, with whom he worked in fourteen films. Starting with his debut film, '' Apur Sansar'' (The Family of Apu, 1959), the third part of ''The Apu Trilogy'', as adult Apu, he went on to work in several films with Ray, including '' Abhijan'' (The Expedition, 1962), ''Charulata'' (1964), ''Kapurush'' (1965), '' Aranyer Din Ratri'' (Days and Nights in the Forest, 1969), ''Ashani Sanket'' (Distant Thunder, 1973), ''Sonar Kella'' (The Fortress of Gold, 1974) and '' Joi Baba Felunath'' (The Elephant God, 1978) as Feluda, ''Hirak Rajar Deshe'' (1980), '' Ghare Baire'' (The Home and The World, 1984), Shakha Proshakha (1990) and ''Ganashatru'' (Enemy of the People, 1989). ...
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Satyajit Ray
Satyajit Ray (; 2 May 1921 – 23 April 1992) was an Indian director, screenwriter, documentary filmmaker, author, essayist, lyricist, magazine editor, illustrator, calligrapher, and music composer. One of the greatest auteurs of film-making, Ray is celebrated for works including ''The Apu Trilogy'' (1955–1959), ''The Music Room'' (1958), ''The Big City'' (1963) and ''Charulata'' (1964). Ray was born in Calcutta to nonsense rhyme author Sukumar Ray. Starting his career as a commercial artist, Ray was drawn into independent film-making after meeting French filmmaker Jean Renoir and viewing Vittorio De Sica's Italian neorealist film ''Bicycle Thieves'' (1948) during a visit to London. Ray directed 36 films, including feature films, documentaries and shorts. Ray's first film, ''Pather Panchali'' (1955) won eleven international prizes, including the inaugural Best Human Document award at the 1956 Cannes Film Festival. This film, along with ''Aparajito'' (1956) and ...
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Shakti
In Hinduism, especially Shaktism (a theological tradition of Hinduism), Shakti (Devanagari: शक्ति, IAST: Śakti; lit. "Energy, ability, strength, effort, power, capability") is the primordial cosmic energy, female in aspect, and represents the dynamic forces that are thought to move through the universe. She is thought of as creative, sustaining, as well as destructive, and is sometimes referred to as auspicious source energy. Shakti is sometimes personified as the creator goddess, and is known as "Adi Shakti" or "Adi Parashakti" ("inconceivableprimordial energy"). In Shaktism, Adi Parashakti is worshipped as the Supreme Being. On every plane of creation, energy manifests itself into all forms of matter; these are all thought to be infinite forms of Parashakti. She is described as ''anaadi'' (with no beginning, no ending) and ''nitya'' (forever). Origins One of the oldest representations of the goddess in India is in a triangular form. The Baghor stone, found in a ...
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Vande Mataram
''Vande Mataram'' (Sanskrit: वन्दे मातरम् IAST: , also spelt ''Bande Mataram''; বন্দে মাতরম্, ''Bônde Mātôrôm''; ) is a poem written in sanskritised Bengali by Bankim Chandra Chatterjee in the 1870s. The first two verses of the poem were adopted as the National Song of India in October 1937 by the Congress. The poem was first published in 1882 as part of Chatterjee's Bengali novel '' Anandmath''. It is an ode to the motherland, personified as the "mother goddess" is later verses, of the people. This initially referred to Bengal, with the "mother" figure therefore being Banga Mata (Mother Bengal), though the text does not mention this explicitly. Indian nationalist and philosopher Sri Aurobindo referred ''Vande Mataram'' as the "national Anthem of Bengal". Nonetheless, the poem played a vital role in the Indian independence movement. It first gained political significance when it was recited by Rabindranath Tagore at Congress ...
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Purdah
Pardah or purdah (from Hindi-Urdu , , meaning "curtain") is a religious and social practice of female seclusion prevalent among some Muslim and Hindu communities. It takes two forms: physical segregation of the sexes and the requirement that women cover their bodies so as to cover their skin and conceal their form. A woman who practices purdah can be referred to as or . The term ''purdah'' is sometimes applied to similar practices in other parts of the world. Practices that restricted women's mobility and behavior existed among all religious groups since ancient times and intensified with the arrival of Islam. By the 19th century, purdah became customary among Hindu elites. Purdah was not traditionally observed by lower-class women. Physical segregation within buildings is achieved with judicious use of walls, curtains, and screens. A woman's withdrawal into purdah usually restricts her personal, social and economic activities outside her home. The usual purdah garment worn is ...
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Sindoor
Sindooram is a traditional vermilion red or orange-red coloured cosmetic powder from the Indian subcontinent, usually worn by married women along the part of their hairline. In Hindu communities the sindoor is a visual marker of marital status of a woman and ceasing to wear it usually implies widowhood. The main component of traditional sindooram is usually cinnabar (cinnabar is mercury sulfide, a toxic mineral), turmeric and lime. Some commercial sindoor products contain synthetic ingredients, some of which are not manufactured to proper standards and may contain lead. Application of sindoor Sindoor is traditionally applied at the beginning or completely along the parting-line of a woman’s hair (also called ''mang'' in Hindi or ''simandarekha'' in Sanskrit) or as a dot on the forehead. Sindoor is the mark of a married woman in Hinduism. Single women wear the bindi in different colours for special occasions but don't apply sindoor in their parting of the hairline. Widow ...
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Dowry System In India
The dowry system in India refers to the durable goods, cash, and real or movable property that the bride's family gives to the groom, his parents and his relatives as a condition of the marriage. Dowry is referred to dahez in Hindi and as ''jahez'' in Urdu. The dowry system can put great financial burden on the bride's family. In some cases, the dowry system leads to crime against women, ranging from emotional abuse and injury to even deaths. The payment of dowry has long been prohibited under specific Indian laws including the Dowry Prohibition Act 1961 approved by the Parliament of India and subsequently by Sections 304B and 498A of the Indian Penal Code. The Dowry Prohibition Act 1961 defines dowry: "Dowry means any property or valuable security given or agreed to be given either directly or indirectly - (a) by one party in marriage to the other party in marriage; or (b) by the parents of either party to a marriage or by any other person to either party to marriage or to any o ...
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