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Gesù Nuovo
Gesù Nuovo ( it, New Jesus) is the name of a church and a square in Naples, Italy. They are located just outside the western boundary of the historic center of the city. To the southeast of the spire, one can see a block away the Fountain of Monteoliveto and the piazza of the church of Sant'Anna dei Lombardi. The square is a result of the expansion of the city to the west beginning in the early 16th century under the rule of Spanish viceroy Pedro Alvarez de Toledo. The square of Gesù Nuovo contains three prominent landmarks: * The Church of Gesù Nuovo * The Church of Santa Chiara * The spire or ''guglia'' of the Immaculate Virgin Church of Gesù Nuovo History The Church of Gesù Nuovo was originally a palace built in 1470 for Roberto Sanseverino, Prince of Salerno. The Jesuits had already built a church with this name in Naples, now called '' Gesú Vecchio''. Political intrigues by the Sanseverino family caused the property to be confiscated, and eventually sold in the 1580 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Naples
Naples (; it, Napoli ; nap, Napule ), from grc, Νεάπολις, Neápolis, lit=new city. is the regional capital of Campania and the third-largest city of Italy, after Rome and Milan, with a population of 909,048 within the city's administrative limits as of 2022. Metropolitan City of Naples, Its province-level municipality is the third-most populous Metropolitan cities of Italy, metropolitan city in Italy with a population of 3,115,320 residents, and Naples metropolitan area, its metropolitan area stretches beyond the boundaries of the city wall for approximately 20 miles. Founded by Greeks in the 1st millennium BC, first millennium BC, Naples is one of the oldest continuously inhabited urban areas in the world. In the eighth century BC, a colony known as Parthenope ( grc, Παρθενόπη) was established on the Pizzofalcone hill. In the sixth century BC, it was refounded as Neápolis. The city was an important part of Magna Graecia, played a major role in the merging ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giuseppe Valeriano
Giuseppe Valeriano (L'Aquila, August, 1542 – Naples, July 15, 1596) was an Italian painter and architect, priest of the Jesuit order, and active in Rome, Spain, and Naples. Biography He began training in his native town under a minor painter named Pompeo Cesura, but by 1560 he was in Rome, and collaborated on the decoration of the Cappella dell'Ascensione in the church of Santo Spirito, Sassia. He also painted an altarpiece of the ''Glory of Christ'' (c. 1570), in which he shows the influence of Mannerist painters such as Sebastiano del Piombo and Pellegrino Tibaldi. Valeriano's work as an architect had greater impact than as a painter. In 1573, Valeriano travels to Spain, and by the next year he had joined the Jesuits. For this order, he helped design the church of Villagarcía de Campos, and worked on other projects in Seville, Granada, Córdoba, Málaga, and Trigueros. By way of Portugal, he returns to Italy in 1580, and helps design, in collaboration with Giacomo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Massimo Stanzione
Massimo Stanzione (also called Stanzioni; 1585 – 1656) was an Italian Baroque painter, mainly active in Naples, where he and his rival Jusepe de Ribera dominated the painting scene for several decades. He was primarily a painter of altarpieces, working in both oils and fresco (these usually for ceilings). His main subject matter was biblical scenes. He also painted portraits and mythological subjects. He had many pupils and followers as his rich color and idealized naturalism had a large influence on other local artists, such as Francesco Solimena.Thomas Willette, ''Stanzione (Stanzioni), Massimo, Cavaliere, (b ?Orta di Atella, nr Caserta, ?1585; d ?Naples, ?1656)'' Oxford Art Online, publish ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Life Of The Virgin
The Life of the Virgin, showing narrative scenes from the life of Mary, the mother of Jesus, is a common subject for pictorial cycles in Christian art, often complementing, or forming part of, a cycle on the Life of Christ. In both cases the number of scenes shown varies greatly with the space available. Works may be in any medium: frescoed church walls and series of old master prints have many of the fullest cycles, but panel painting, stained glass, illuminated manuscripts, tapestries, stone sculptures and ivory carvings have many examples. Scenes shown The Life of the Virgin sometimes merges into a cycle of the Life of Christ, sometimes includes scenes from the Passion of Christ, but often jumps from the childhood of Christ to the Death of the Virgin. The Finding in the Temple, the last episode in the childhood of Christ, often ends the cycle. Important examples whose scenes are listed in the table below, include those in the Tornabuoni Chapel by Domenico Ghirlan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giovanni Lanfranco
Giovanni Lanfranco (26 January 1582 – 30 November 1647) was an Italian painter of the Baroque period. Biography Giovanni Gaspare Lanfranco was born in Parma, the third son of Stefano and Cornelia Lanfranchi, and was placed as a page in the household of Count Orazio Scotti. His talent for drawing allowed him to begin an apprenticeship with the Bolognese artist Agostino Carracci, brother of Annibale Carracci, working alongside fellow Parmese Sisto Badalocchio in the local Farnese palaces. When Agostino died in 1602, both young artists moved to Annibale's large and prominent Roman workshop, which was then involved in working on the Galleria Farnese in the Palazzo Farnese gallery ceiling.Williamson, George. "Giovanni Lanfranco." The Catholic Encyclopedia Vol. 8. New York: Robert Appleton ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Francesco Solimena
Francesco Solimena (4 October 1657 – 3 April 1747) was a prolific Italian painter of the Baroque era, one of an established family of painters and draughtsmen. Biography Francesco Solimena was born in Canale di Serino in the province of Avellino. He received early training from his father, Angelo Solimena, with whom he executed a ''Paradise'' for the cathedral of Nocera (a place where he spent a big part of his life) and a ''Vision of St. Cyril of Alexandria'' for the church of San Domenico at Solofra. He settled in Naples in 1674, where he worked in the studio of Francesco di Maria.Pavone, Mario Alberto (2003, January 1). "Solimena family". Grove Art Online. He was patronized early on, and encouraged to become an artist by Cardinal Vincenzo Orsini (later Pope Benedict XIII). By the 1680s, he had independent fresco commissions, and his active studio came to dominate Neapolitan painting from the 1690s through the first four decades of the 18th century. He modeled his ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baroque Art
The Baroque (, ; ) is a style of architecture, music, dance, painting, sculpture, poetry, and other arts that flourished in Europe from the early 17th century until the 1750s. In the territories of the Spanish and Portuguese empires including the Iberian Peninsula it continued, together with new styles, until the first decade of the 19th century. It followed Renaissance art and Mannerism and preceded the Rococo (in the past often referred to as "late Baroque") and Neoclassical styles. It was encouraged by the Catholic Church as a means to counter the simplicity and austerity of Protestant architecture, art, and music, though Lutheran Baroque art developed in parts of Europe as well. The Baroque style used contrast, movement, exuberant detail, deep colour, grandeur, and surprise to achieve a sense of awe. The style began at the start of the 17th century in Rome, then spread rapidly to France, northern Italy, Spain, and Portugal, then to Austria, southern Germany, and Russia. B ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Heliodorus
Heliodorus is a Greek name meaning "Gift of the Sun". Several persons named Heliodorus are known to us from ancient times, the best known of which are: *Heliodorus (minister) a minister of Seleucus IV Philopator c. 175 BC * Heliodorus of Athens ancient author who wrote fifteen books on the Acropolis of Athens, possibly about 150 BC * Heliodorus (ambassador), a Greek ambassador who erected famous votive Heliodorus pillar around 110 BC near Vidisha, Madhya Pradesh, India *Heliodorus (metrist) a metrist in the 1st century who did work on the comedies of Aristophanes * Heliodorus (surgeon) a surgeon in the 1st century, probably from Egypt, and mentioned in the Satires of Juvenal * Gaius Avidius Heliodorus, 2nd century ''secretarius ab epistolis'' and Prefect of Egypt *Heliodorus of Larissa, c. 3rd century, author of an extant treatise on optics *Heliodorus of Emesa, 3rd-century author of the novel ''Aethiopica'' * Heliodorus (sophist) a 3rd century sophist from Arabia Petraea * Heli ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paolo De Matteis
Paolo de Matteis (also known as ''Paolo de' Matteis''; 9 February 1662 – 26 January 1728) was an Italian painter. Biography He was born in Piano Vetrale, a hamlet of Orria, in the current Province of Salerno, and died in Naples. He trained with Francesco di Maria in Naples, then with Luca Giordano. He served in the employ of the Spanish Viceroy of Naples. From 1702 to 1705, de' Matteis worked in Paris, Calabria, and Genoa. In Genoa, he painted an ''Immaculate Conception with St. Jerome Appearing to St. Sevrio''. Returning to Naples, he painted decorative schemes for Neapolitan churches, including the vault of the chapel of San Ignatius in the church of Gesù Nuovo in Naples. He also painted an ''Assumption of the Virgin'' for the Abbey at Monte Cassino. Between 1723 and 1725, de' Matteis lived in Rome, where he received a commission from Pope Innocent XIII. He had as pupils Filippo Falciatore, Francesco Peresi, and members of the Sarnelli family including Francesco, Genna ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Belisario Corenzio
Belisario Corenzio ( el, Βελισσάριος Κορένσιος 1558–1646) was a Greek-Italian painter, active in Venice and Naples. He is one of few Greek painters that did not belong to the Cretan Renaissance like his contemporaries of the time. He escaped the maniera greca completely. He adopted the Venetian style. Other similar Greek painters were Marco Basaiti, Ioannis Permeniates, Antonio Vassilacchi and El Greco. He was sometimes referred to as Il Greco. His teacher was prominent Venetian painter Tintoretto. In 1590, at age 32 Corenzio settled in Naples. Corenzio was influenced by Cavalier d'Arpino. He continued to flourish in the region. His apprentices included: Luigi Rodriguez, Andrea di Leone, Onofrio De Lione and Massimo Stanzione. Corenzio painted many frescos that survived today. Some of his works are in the Church of San Severino and Certosa di San Martino. His style resembles Caravaggio. An Italian legend in Naples exists involving Corenzio, Spani ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Francesco Solimena - Expulsion Of Heliodorus From The Temple - WGA21625
Francesco, the Italian (and original) version of the personal name " Francis", is the most common given name among males in Italy. Notable persons with that name include: People with the given name Francesco * Francesco I (other), several people * Francesco Barbaro (other), several people * Francesco Bernardi (other), several people *Francesco di Giorgio Martini (1439-1501), Italian architect, engineer and painter * Francesco Berni (1497–1536), Italian writer * Francesco Canova da Milano (1497–1543), Italian lutenist and composer * Francesco Primaticcio (1504–1570), Italian painter, architect, and sculptor * Francesco Albani (1578–1660), Italian painter * Francesco Borromini (1599–1667), Swiss sculptor and architect * Francesco Cavalli (1602–1676), Italian composer * Francesco Maria Grimaldi (1618–1663), Italian mathematician and physicist * Francesco Bianchini (1662–1729), Italian philosopher and scientist * Francesco Galli Bib ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nave - Gesù Nuovo - Naples - Italy 2015
The nave () is the central part of a church, stretching from the (normally western) main entrance or rear wall, to the transepts, or in a church without transepts, to the chancel. When a church contains side aisles, as in a basilica-type building, the strict definition of the term "nave" is restricted to the central aisle. In a broader, more colloquial sense, the nave includes all areas available for the lay worshippers, including the side-aisles and transepts.Cram, Ralph Adams Nave The Catholic Encyclopedia. Vol. 10. New York: Robert Appleton Company, 1911. Accessed 13 July 2018 Either way, the nave is distinct from the area reserved for the choir and clergy. Description The nave extends from the entry—which may have a separate vestibule (the narthex)—to the chancel and may be flanked by lower side-aisles separated from the nave by an arcade. If the aisles are high and of a width comparable to the central nave, the structure is sometimes said to have three naves. It p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
