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Georges De Brébeuf
Georges de Brébeuf () (1618 – 1661) was a French poet and translator best known for his verse translation of Lucan's ''Pharsalia'' (1654) which was warmly received by Pierre Corneille, but which was ridiculed by Nicolas Boileau in his ''Art poétique''. Biography Georges de Brébeuf was born into an illustrious Norman family, most likely at Torigni-sur-Vire, Manche.Dandrey, 210. The place of his birth remains a subject of dispute. The city of Sainte-Suzanne-sur-Vire has also been put forward as a possible birthplace, as too a family manor at Condé-sur-Vire. One of his ancestors had followed William the Conqueror into England, and he was himself the nephew of the Jesuit missionary to Canada Jean de Brébeuf (who was later made a saint after his death at the hands of the Iroquois). He studied in Caen and Paris (where he met Blaise Pascal) and became preceptor to the future Marshall de Bellefonds (1641), then moved to Rouen, to hold a religious benefice. His early poetr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Poet
A poet is a person who studies and creates poetry. Poets may describe themselves as such or be described as such by others. A poet may simply be the creator ( thinker, songwriter, writer, or author) who creates (composes) poems (oral or written), or they may also perform their art to an audience. The work of a poet is essentially one of communication, expressing ideas either in a literal sense (such as communicating about a specific event or place) or metaphorically. Poets have existed since prehistory, in nearly all languages, and have produced works that vary greatly in different cultures and periods. Throughout each civilization and language, poets have used various styles that have changed over time, resulting in countless poets as diverse as the literature that (since the advent of writing systems) they have produced. History In Ancient Rome, professional poets were generally sponsored by patrons, wealthy supporters including nobility and military officials. For inst ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paris
Paris () is the capital and most populous city of France, with an estimated population of 2,165,423 residents in 2019 in an area of more than 105 km² (41 sq mi), making it the 30th most densely populated city in the world in 2020. Since the 17th century, Paris has been one of the world's major centres of finance, diplomacy, commerce, fashion, gastronomy, and science. For its leading role in the arts and sciences, as well as its very early system of street lighting, in the 19th century it became known as "the City of Light". Like London, prior to the Second World War, it was also sometimes called the capital of the world. The City of Paris is the centre of the Île-de-France region, or Paris Region, with an estimated population of 12,262,544 in 2019, or about 19% of the population of France, making the region France's primate city. The Paris Region had a GDP of €739 billion ($743 billion) in 2019, which is the highest in Europe. According to the Economist Intelli ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Burlesque (literature)
A burlesque is a literary, dramatic or musical work intended to cause laughter by caricaturing the manner or spirit of serious works, or by ludicrous treatment of their subjects."Burlesque" ''Oxford English Dictionary'', , accessed 16 February 2011 The word derives from the Italian ', which, in turn, is derived from the Italian ' – a joke, ridicule or mockery. Burlesque overlaps in meaning with , and travesty, and, in its theatrical sense, with [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Free Verse
Free verse is an open form of poetry, which in its modern form arose through the French ''vers libre'' form. It does not use consistent meter patterns, rhyme, or any musical pattern. It thus tends to follow the rhythm of natural speech. Definition Free verse does not "proceed by a strict set of rules … is not a literary type, and does not conform to a formal structure." It is not considered to be completely free. In 1948, Charles Allen wrote, "The only freedom cadenced verse obtains is a limited freedom from the tight demands of the metered line." Free verse contains some elements of form, including the poetic line, which may vary freely; rhythm; strophes or strophic rhythms; stanzaic patterns and rhythmic units or cadences. It is said that verse is free "when it is not primarily obtained by the metered line." Donald Hall goes as far as to say that "the ''form'' of free verse is as binding and as liberating as the ''form'' of a rondeau," and T. S. Eliot wrote, "No verse is fr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Madrigal (music)
A madrigal is a form of secular vocal music most typical of the Renaissance music, Renaissance (15th–16th c.) and early Baroque music, Baroque (1600–1750) periods, although revisited by some later European composers. The Polyphony, polyphonic madrigal is Accompaniment, unaccompanied, and the number of voices varies from two to eight, but usually features three to six voices, whilst the Metre (music), metre of the madrigal varies between two or three tercets, followed by one or two couplets. Unlike the verse-repeating strophic forms sung to the same music, most madrigals are through-composed, featuring different music for each stanza of lyrics, whereby the composer expresses the emotions contained in each line and in single words of the poem being sung. As written by Italianized Franco–Flemish composers in the 1520s in music, 1520s, the madrigal partly originated from the three-to-four voice frottola (1470–1530); partly from composers' renewed interest in poetry written in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Epigram
An epigram is a brief, interesting, memorable, and sometimes surprising or satirical statement. The word is derived from the Greek "inscription" from "to write on, to inscribe", and the literary device has been employed for over two millennia. The presence of wit or sarcasm tends to distinguish non-poetic epigrams from aphorisms and adages, which tend to lack those qualities. Ancient Greek The Greek tradition of epigrams began as poems inscribed on votive offerings at sanctuariesincluding statues of athletesand on funerary monuments, for example "Go tell it to the Spartans, passersby...". These original epigrams did the same job as a short prose text might have done, but in verse. Epigram became a literary genre in the Hellenistic period, probably developing out of scholarly collections of inscriptional epigrams. Though modern epigrams are usually thought of as very short, Greek literary epigram was not always as short as later examples, and the divide between "ep ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean Chapelain
Jean Chapelain (4 December 1595 – 22 February 1674) was a French poet and critic during the Grand Siècle, best known for his role as an organizer and founding member of the Académie française. Chapelain acquired considerable prestige as a literary critic, but his own major work, an epic poem about Joan of Arc called "La Pucelle," (1656) was lampooned by his contemporary Nicolas Boileau-Despréaux. Background Chapelain was born in Paris. His father wanted him to become a notary, but his mother, who had known Pierre de Ronsard, had decided otherwise. Early education At an early age Chapelain began to qualify himself for literature, learning, under Nicolas Bourbon, Greek and Latin, and teaching himself Italian and Spanish. Tutor Having finished his studies, Chapelain taught Spanish to a young nobleman for a short time, before being appointed tutor to the two sons of Sébastien Le Hardy, lord of la Trousse, ''grand-prévôt de France'', Gouye de Longuemarre, ""Eclaircissemen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gilles Ménage
Gilles Ménage (; 15 August 1613 – 23 July 1692) was a French scholar. Biography He was born at Angers, the son of Guillaume Ménage, king's advocate at Angers. A good memory and enthusiasm for learning carried him quickly through his literary and professional studies, and he practised at the bar at Angers before he was twenty. In 1632, he pleaded several causes before the '' parlement'' of Paris. Illness caused him to abandon the legal profession for the church. He became prior of Montdidier without taking holy orders, and lived for some years in the household of Cardinal de Retz (then coadjutor to the Archbishop of Paris), where he had leisure for literary pursuits. Some time after 1648, he quarrelled with his patron and withdrew to a house in the cloister of Notre-Dame de Paris, where he gathered round him on Wednesday evenings those literary assemblies which he called “Mercuriales.” Jean Chapelain, Paul Pellisson, Valentin Conrart, Jean François Sarrazin and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Valentin Conrart
Valentin Conrart (; 1603 – 23 September 1675) was a French author, and as a founder of the Académie française, the first occupant of seat 2. Biography He was born in Paris of Calvinist parents, and was educated for business. However, after his father's death in 1620, he began to move in literary circles, and soon acquired a reputation, though he wrote nothing for many years. He was made councillor and secretary to the king; and in 1629 his house became the resort of a group who met to talk over literary subjects, and to read and mutually criticize their works. Cardinal Richelieu offered the society his protection, and in this way (1635) the Académie française was created. Its first meetings were held in Conrart's house. He was unanimously elected secretary, and discharged the duties of his post for forty-three years, till his death. Works The most important of Conrart's written works is his ''Mémoires sur l'histoire de son temps'' published by Louis Monmerqué in 182 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vincent Voiture
Vincent Voiture (24 February 1597 – 26 May 1648), French poet and writer of prose, was the son of a rich wine merchant of Amiens. He was introduced by a schoolfellow, the count Claude d'Avaux, to Gaston, Duke of Orléans, and accompanied him to Brussels and Lorraine on diplomatic missions. Although a follower of the Duke of Orléans, he won the favour of Cardinal Richelieu, and was one of the earliest members of the Académie française. He also received appointments and pensions from Louis XIII and Anne of Austria. He published nothing in book form, but his verses and his prose letters (published after his death by his nephew) were the delight of the coteries, and were copied, handed about and admired more perhaps than the work of any contemporary. He had been early introduced by Chaudebonne to the ''Hôtel de Rambouillet'', where he became a close friend of Julie d'Angennes, the daughter of Charles d'Angennes and Catherine de Vivonne, ''marquis'' and ''marquise de Ramboui ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
