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Georges Dufaux
Georges Dufaux (; March 17, 1927 in Lille, France – November 8, 2008 in Switzerland) was a Canadian documentary film director and cinematographer. Biography After graduating in 1953 from the École nationale de photographie et de cinématographie on the rue de Vaugirard, in Paris, Dufaux worked at a film laboratory in Brazil for three years. He came to Canada in 1956 and joined the NFB as an assistant cameraman, first working on the series ''Candid Eye''. Dufaux eventually progressed to cinematographer and was responsible for the photography of many important Canadian films such as ''Les Brûlés'' (1959), '' Astataïon ou Le festin des morts'' (1965), '' YUL 871'' (1966), ''Isabel'' (1968), ''Fortune and Men's Eyes'' (1971), '' Taureau'' (1973), ''Les beaux souvenirs'' (1981), and ''An Imaginary Tale (Une histoire inventée)'' (1990). He was also the cinematographer on several of Léa Pool's films. Dufaux also worked as director on several short films throughout the 19 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lille
Lille ( , ; nl, Rijsel ; pcd, Lile; vls, Rysel) is a city in the northern part of France, in French Flanders. On the river Deûle, near France's border with Belgium, it is the capital of the Hauts-de-France Regions of France, region, the Prefectures in France, prefecture of the Nord (French department), Nord Departments of France, department, and the main city of the Métropole Européenne de Lille, European Metropolis of Lille. The city of Lille proper had a population of 234,475 in 2019 within its small municipal territory of , but together with its French suburbs and exurbs the Lille metropolitan area (French part only), which extends over , had a population of 1,510,079 that same year (Jan. 2019 census), the fourth most populated in France after Paris, Lyon, and Marseille. The city of Lille and 94 suburban French municipalities have formed since 2015 the Métropole Européenne de Lille, European Metropolis of Lille, an Indirect election, indirectly elected Métropole, metr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Isabel (film)
''Isabel'' is a 1968 Canadian film written, directed and produced by Paul Almond. Synopsis Learning of her mother's serious illness, Isabel (Geneviève Bujold) returns to her family's farm on the Gaspé Peninsula. Her mother dies before she can get there, and when her aged uncle Matthew (Gerard Parkes) asks her to stay on and help him with the farm, she reluctantly agrees. She finds herself haunted by memories of early years (domestic violence, incest and the mysterious deaths of her grandfather, who died in a freak accident, and her father and brother, who both drowned at sea) in a house full of eerie sights and sounds. Cast Reception ''Isabel'' is the first film of Paul Almond's trilogy made with his then-wife Geneviève Bujold, it won four Canadian Film Award The Canadian Film Awards were the leading Canadian cinema awards from 1949 until 1978. These honours were conducted annually, except in 1974 when a number of Quebec directors withdrew their participation and prompted ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wolf Koenig
Wolf Koenig (October 17, 1927 – June 26, 2014) was a Canadian film director, Film producer, producer, animator, cinematographer, and a pioneer in Direct Cinema at the National Film Board of Canada. Early life Born in Dresden, Germany, Koenig emigrated to Canada with his family in 1937, when they fled Nazi Germany. They settled in farm along the Grand River (Ontario), Grand River, outside what is now known as Cambridge, Ontario. In 1948, a local representative for the Agriculture and Agri-Food Canada, Canadian department of agriculture needed the family's tractor to demonstrate a new tree-planting machine. As the young Koenig pulled the machine across a field, he noticed a small film crew from the NFB's former agricultural film unit, recording the demonstration. After filming was complete, he approached the men, who included director Raymond Garceau, and told them he loved films, especially animation, and hoped to work in filmmaking. They suggested he send in a job application an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean-Claude Labrecque
Jean-Claude Labrecque, (June 19, 1938 – May 31, 2019) was a director and cinematographer who learned the basics of filmmaking at the National Film Board of Canada. Career Jean-Claude Labrecque was born in Quebec City, Quebec, and trained as a camera assistant at the NFB. As a cinematographer, he shot many of the early key films of Claude Jutra (''À tout prendre''), Michel Brault ('' Entre la mer et l’eau douce''), Gilles Carle ('' La vie heureuse de Léopold Z''), Gilles Groulx ('' Le Chat dans le sac'') and Don Owen (''Notes for a Film About Donna and Gail'', '' The Ernie Game''). He turned to directing in 1965 with '' 60 Cycles'', about a long-distance bike race on the North Shore of the St. Lawrence River, which has been described as a virtual encyclopedia of camera techniques. It won 22 international awards and was nominated for a BAFTA. He left the NFB in 1967 to set-up his own production company, although he continued to freelance with the Board. Throughout his len ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marcel Carrière
Marcel Carrière (born April 16, 1935) is a Canadian film director and sound engineer. Biography Marcel Carrière joined the NFB in 1955 after studying electronic engineering and developed his skills as a sound engineer while working on wildlife films, the '' Candid Eye'' series and the work of the newly formed French Unit. On '' Les raquetteurs'' (1958), his love of experimenting led him to devise a way to record synchronized sound before it was technically possible for sound to be synched with the camera. This flexibility and resourcefulness lead him to doing sound engineering for the landmark documentary film ''Pour la suite du monde'' (1963) in which the sound was a pivotal element. He went on to participate on the sound in more than one hundred productions at the NFB. Carrière first began to dabble in directing on several shorts with other directors. His first solo effort was ''Villeneuve, peintre-barbier'' (1964) but it was the documentary short ''Avec tambours et trompe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean Beaudin
Jean Beaudin (6 February 1939 – 18 May 2019) was a Canadian film director and screenwriter. He directed 20 films since 1969. His film '' J.A. Martin Photographer'', was entered into the 1977 Cannes Film Festival, where Monique Mercure won the award for Best Actress. The film also won best Film, he won best Director, and Mercure won best Actress awards at the 1977 Canadian Film Awards. He was nominated (but did not win) for the Genie Award for Best Achievement in Direction in 1986, 1992 and 2003 for his films '' The Alley Cat (Le Matou)'', ''Being at Home with Claude'' and ''The Collector (Le Collectionneur)'', respectively. Actress Domini Blythe (1947–2010) was his partner of more than 20 years.Domini Blythe obituary '' London Independent'', 23 February 201/ref> Early career Jean Beaudin received a diploma from Ecole des Beaux-Arts in Montreal and studied at the School of Design in Zurich. He first joined the National Film Board of Canada in 1964, working initially in the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Games Of The XXI Olympiad (film)
''Games of the XXI Olympiad'' (french: Jeux de la XXIème olympiade) is a Canadian documentary film, directed by Jean Beaudin, Marcel Carrière, Georges Dufaux and Jean-Claude Labrecque and released in 1977. The film compiles highlights of the 1976 Summer Olympics in Montreal, Quebec.Martin Malina"Olympic film premieres here" ''Montreal Star'', April 22, 1977. The film's 168-member crew shot 100 kilometres of film. The film had a budget of $1.37 million () with $470,000 () coming from the NFB. The film premiered at the National Film Board theatre in Montreal on April 21, 1977, before receiving a television broadcast on May 29 on both CBC Television in English and Télévision de Radio-Canada in French. The film received a Canadian Film Award nomination for Best Feature Length Documentary at the 28th Canadian Film Awards The 28th Canadian Film Awards were held on November 20, 1977 to honour achievements in Canadian film."Ceremony dominated by two feature films: NFB Triumphs ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
It Isn't Jacques Cartier's Fault
''It Isn't Jacques Cartier's Fault'' () is a Canadian comedy film, directed by Clément Perron and Georges Dufaux and released in 1968.Yves Lever, ''Histoire générale du cinéma au Québec''. Éditions du Boréal, 1988. . p. 165. The film centres on a family of American tourists in Montreal, who are being accompanied around the city by a tour guide who is romantically interested in the family's oldest daughter. The film's cast includes Jacques Desrosiers, Michèle Chicoine, Mary Gay, Michael Devine, Paul Buissonneau, Lisette Gervais and Paul Hébert. It was an entrant for Best Feature Film at the Canadian Film Awards,"Dief: Best actor?". ''The Globe and Mail'', May 22, 1968. but lost to ''The Ernie Game ''The Ernie Game'' is a 1967 Canadian drama film directed by Don Owen (filmmaker), Don Owen. Plot The film centres on Ernie Turner and his attempts to survive in the world after he's released from an insane asylum, asylum. He grows increasingly ...''. References External ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
70 Mm Film
70 mm film (or 65 mm film) is a wide high-resolution film gauge for motion picture photography, with a negative area nearly 3.5 times as large as the standard 35 mm motion picture film format. As used in cameras, the film is wide. For projection, the original 65 mm film is printed on film. The additional 5 mm contains the four magnetic strips, holding six tracks of stereophonic sound. Although later 70 mm prints use digital sound encoding (specifically the DTS format), the vast majority of existing and surviving 70 mm prints pre-date this technology. Each frame is five perforations tall, with an aspect ratio of 2.2:1. However, the use of anamorphic Ultra Panavision 70 lenses squeezes the image into an ultra-wide 2.76:1 aspect ratio. To this day, Ultra Panavision 70 produces the widest picture size in the history of filmmaking; surpassed only by Polyvision, which was only used for 1927's Napoleon. With regard to exhibition, 70 mm fil ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Prix Albert-Tessier
The Prix Albert-Tessier is an award by the Government of Quebec that is part of the Prix du Québec, given to individuals for an outstanding career in Quebec cinema. It is awarded to script-writing, acting, composing music, directing, producing and cinematographic techniques. It is named in honour of Albert Tessier Albert Tessier ((); March 6, 1895 – September 13, 1976) was a French-speaking Canadian priest, historian and a film maker. He was born on in Sainte-Anne-de-la-Pérade, Mauricie. Life as a Priest and Educator He was ordained priest by Monsign .... Winners References External links Award winners{{in lang, fr Quebec film awards Prix du Québec Awards established in 1980 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Clément Perron
Clément Perron (July 3, 1929 – October 12, 1999) was a Canadian film director and screenwriter. Early life and education Perron was born in Quebec City, Quebec. After graduating from the University of Laval with a Bachelor of Arts in Philosophy Perron went to France to continue his studies with the goal of becoming a teacher. He studied linguistics at the Academie de Portier. Career After watching screenings at the Cinémathèque française in Paris, Perron became interested in cinema and on his return to Canada in 1957, he joined the NFB as a writer. In 1960, he began directing documentary shorts and in 1962, found critical success with his film '' Day After Day (Jour après jour)'', which won two Canadian Film Awards. Perron continued to work primarily on documentaries until the NFB decided to make an attempt at a more commercial cinema in the late sixties and early seventies. He directed three fiction feature-length films of moderate success during this time period but hi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Léa Pool
Léa Pool C.M. (born 8 September 1950) is a Swiss-Canadian filmmaker who taught film at the Université du Québec à Montréal. She has directed several documentaries and feature films, many of which have won significant awards including the Prize of the Ecumenical Jury, and she was the first woman to win the prize for Best Film at the Quebec Cinema Awards. Pool's films often opposed stereotypes and refused to focus on heterosexual relations, preferring individuality. Early life Pool was born in Soglio, Switzerland in 1950, and raised in Lausanne. Her father was Jewish and a Holocaust survivor from Poland; her mother's family was Christian of Swiss descent and she chose to use her mother's last name. She immigrated to Canada in 1975 to study communications at the Université du Québec à Montréal. In 1978 she got a bachelor’s degree in communications from the Université du Québec à Montréal. She then directed a number of documentaries, short films, and feature films ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
