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Georg Gädker
Georg Gädker (born 28 January 1981) is a German operatic and concert baritone. Career Gädker was born in Freiburg im Breisgau. As a boy soloist (alto) and young male voice, he sang with the Freiburg Cathedral Boys' Choir and attended the musical high school in Stegen near Freiburg. From 1999 to 2001, he was a young student at the Hochschule für Musik Freiburg under Bernd Göpfert, where he studied singing and vocal pedagogy from 2002. From 2004 to 2009, he continued his studies with Rudolf Piernay at the Hochschule für Musik und Darstellende Kunst Mannheim and at the Guildhall School of Music and Drama of London, where he graduated with distinction. He attended master classes with Margreet Honig, Emma Kirkby, Thomas Quasthoff, Graham Johnson, Sarah Walker, Wolfram Rieger, Charles Spencer and Thomas Hampson. Gädker was a scholarship holder of the Cusanuswerk Studienstiftung. Gädker has been working freelance since 2009. In concert he appears as an interpreter of most o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baritone
A baritone is a type of classical male singing voice whose vocal range lies between the bass and the tenor voice-types. The term originates from the Greek (), meaning "heavy sounding". Composers typically write music for this voice in the range from the second F below middle C to the F above middle C (i.e. F2–F4) in choral music, and from the second A below middle C to the A above middle C (A2 to A4) in operatic music, but the range can extend at either end. Subtypes of baritone include the baryton-Martin baritone (light baritone), lyric baritone, ''Kavalierbariton'', Verdi baritone, dramatic baritone, ''baryton-noble'' baritone, and the bass-baritone. History The first use of the term "baritone" emerged as ''baritonans'', late in the 15th century, usually in French sacred polyphonic music. At this early stage it was frequently used as the lowest of the voices (including the bass), but in 17th-century Italy the term was all-encompassing and used to describe the averag ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cusanuswerk
The Cusanuswerk is one of the thirteen German sponsorship organizations financed by the Federal Ministry of Education and Research (Germany) to promote gifted students. It is headquartered in Bonn. History The Cusanuswerk was founded in 1956 under the authority of the German Bishops' Conference. Name giver of the organization is the medieval scholar Nicholas of Cusa. The aim of the Cusanuswerk is to promote gifted Catholic students until their university graduation. From 1988 to 1995, the Cusanuswerk was directed by Annette Schavan; from 2004 to 2011 it was led by Josef Wohlmuth. On October 1, 2011, he was succeeded by Georg Braungart. Auxiliary bishop Christoph Hegge, Münster, is the commissary of the German Bishops' Conference for the Cusanuswerk since 2013. Stipend and support The Cusanuswerk awards public funds to "particularly gifted catholic students of all disciplines." Application For admission, candidates have to apply at the organization or suggested for applica ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alexander's Feast (Handel)
''Alexander's Feast'' ( HWV 75) is an ode with music by George Frideric Handel set to a libretto by Newburgh Hamilton. Hamilton adapted his libretto from John Dryden's ode '' Alexander's Feast, or the Power of Music'' (1697) which had been written to celebrate Saint Cecilia's Day. Jeremiah Clarke (whose score is now lost) set the original ode to music. Handel composed the music in January 1736, and the work received its premiere at the Covent Garden Theatre, London, on 19 February 1736. In its original form it contained three concertos: a concerto in B flat major in 3 movements for "Harp, Lute, Lyrichord and other Instruments" HWV 294 for performance after the recitative ''Timotheus, plac'd on high'' in Part I; a concerto grosso in C major in 4 movements for oboes, bassoon and strings, now known as the "Concerto in Alexander's Feast" HWV 318, performed between Parts I and II; and an organ concerto HWV 289 in G minor and major in 4 movements for chamber organ, oboes, bassoon and st ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jephtha (Handel)
''Jephtha'' ( HWV 70) is an oratorio (1751) by George Frideric Handel with an English language libretto by the Rev. Thomas Morell, based on the story of Jephtha in Judges (Chapter 11) and ''Jephthes, sive Votum'' (''Jeptha, or the Vow'') (1554) by George Buchanan. Whilst writing ''Jephtha'', Handel was increasingly troubled by his gradual loss of sight, and this proved to be his last oratorio. In the autograph score, at the end of the chorus "How dark, O Lord, are thy decrees" he wrote "Reached here on 13 February 1751, unable to go on owing to weakening of the sight of my left eye." The story revolves around Jephtha's rash promise to the Almighty that if he is victorious, he will sacrifice the first creature he meets on his return. He is met by his beloved daughter Iphis. However, an angel intervenes to stop the sacrifice, and Iphis only needs to dedicate her life to the Lord. This is an unusual interpretation of the Bible story, although one which has been current since the Mid ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Messiah (Handel)
''Messiah'' (HWV 56) is an English-language oratorio composed in 1741 by George Frideric Handel. The text was compiled from the King James Bible and the Coverdale Bible, Coverdale Psalter by Charles Jennens. It was first performed in Dublin on 13 April 1742 and received its London premiere nearly a year later. After an initially modest public reception, the oratorio gained in popularity, eventually becoming one of the best-known and most frequently performed choral works in Western culture#Music, Western music. Handel's reputation in England, where he had lived since 1712, had been established through his compositions of Italian opera. He turned to English oratorio in the 1730s in response to changes in public taste; ''Messiah'' was his sixth work in this genre. Although its Structure of Handel's Messiah, structure resembles that of Opera#The Baroque era, opera, it is not in dramatic form; there are no impersonations of characters and no direct speech. Instead, Jennens's text ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
St Mark Passion, BWV 247
The ''St Mark Passion'' (german: Markus-Passion), BWV 247, is a lost Passion setting by Johann Sebastian Bach, first performed in Leipzig on Good Friday, 23 March 1731 and again, in a revised version, in 1744. Though Bach's music is lost, the libretto by Picander is still extant, and from this, the work can to some degree be reconstructed. History Unlike Bach's earlier existing passions (''St John Passion'' and ''St Matthew Passion''), the ''Markus-Passion'' is probably a parody—it recycles previous works. The ''St Mark Passion'' seems to reuse virtually the whole of the Trauer Ode ''Laß, Fürstin, laß noch einen Strahl'', BWV 198,Wilhelm Rust. "Vorwort" (Preface) of Bach-Gesellschaft Ausgabe, Vol. 20.2: ''Kammermusik für Gesang – Band 2''. Bärenreiter, 1873, pp. VIII–IX. along with the two arias from ''Widerstehe doch der Sünde'', BWV 54. In addition, two choruses from the ''St Mark Passion'' were reused in the Christmas Oratorio. This leaves only a c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ich Will Den Kreuzstab Gerne Tragen, BWV 56
(), 56, is a church cantata composed by Johann Sebastian Bach for the 19th Sunday after Trinity. It was first performed in Leipzig on 27 October, 1726. The composition is a solo cantata (german: Solokantate) because, apart from the closing chorale, it requires only a single vocal soloist (in this case a bass). The autograph score is one of a few cases where Bach referred to one of his compositions as a . In English, the work is commonly referred to as the ''Kreuzstab'' cantata. Bach composed the cantata in his fourth year as Thomaskantor; it is regarded as part of his third cantata cycle. The text was written by Christoph Birkmann, a student of mathematics and theology in Leipzig who collaborated with Bach. He describes in the first person a Christian willing to "carry the cross" as a follower of Jesus. The poet compares life to a voyage towards a harbour, referring indirectly to the prescribed Gospel reading which says that Jesus travelled by boat. The person, a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mass In B Minor
The Mass in B minor (), BWV 232, is an extended setting of the Mass ordinary by Johann Sebastian Bach. The composition was completed in 1749, the year before the composer's death, and was to a large extent based on earlier work, such as a Sanctus Bach had composed in 1724. Sections that were specifically composed to complete the Mass in the late 1740s include the "Et incarnatus est" part of the Credo. As usual for its time, the composition is formatted as a Neapolitan mass, consisting of a succession of choral movements with a broad orchestral accompaniment, and sections in which a more limited group of instrumentalists accompanies one or more vocal soloists. Among the more unusual characteristics of the composition is its scale: a total performance time of around two hours, [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hans-Christoph Rademann
Hans-Christoph Rademann (born 5 August 1965 in Dresden) is a German choral conductor, currently the director of the Dresdner Kammerchor and the Internationale Bachakademie Stuttgart. Career Born in Dresden, Rademann grew up in Schwarzenberg and received his first musical experiences in his father's church choir. As a teenager he was taught the violin and piano. From 1975 to 1983, he was a member of the Dresdner Kreuzchor. After completing school, he studied choral and orchestral conducting at the Musikhochschule Dresden until 1990. He acquired further experience in several classes with Helmuth Rilling and Philippe Herreweghe. Rademann has conducted the chamber choir Dresdner Kammerchor since its founding in 1985. During 1991–1999 he was artistic director of the Academy of Music in Dresden. From 1999 to 2004, Rademann served as choir director of the NDR Chor. With the start of the 2007/2008 season Rademann took over as chief conductor for RIAS Kammerchor; he had already condu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Christmas Oratorio
The ''Christmas Oratorio'' (German: ''Weihnachtsoratorium''), , is an oratorio by Johann Sebastian Bach intended for performance in church during the Christmas season. It is in six parts, each part a cantata intended for performance on one of the major feast days of the Christmas period. It was written for the Christmas season of 1734 and incorporates music from earlier compositions, including three secular cantatas written during 1733 and 1734 and a largely lost church cantata, BWV 248a. The date is confirmed in Bach's autograph manuscript. The next complete public performance was not until 17 December 1857 by the Sing-Akademie zu Berlin under Eduard Grell. The ''Christmas Oratorio'' is a particularly sophisticated example of parody music. The author of the text is unknown, although a likely collaborator was Christian Friedrich Henrici (Picander). The work belongs to a group of three oratorios written in 1734 and 1735 for major feasts, the other two works being the ''Asce ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Helmuth Rilling
Helmuth Rilling (born 29 May 1933) is a German choral conductor and an academic teacher. He is the founder of the Gächinger Kantorei (1954), the Bach-Collegium Stuttgart (1965), the Oregon Bach Festival (1970), the Internationale Bachakademie Stuttgart (1981) and other Bach Academies worldwide, as well as the "Festival Ensemble Stuttgart" (2001) and the "Junges Stuttgarter Bach Ensemble" (2011). He taught choral conducting at the Frankfurt Musikhochschule from 1965 to 1989 and led the Frankfurter Kantorei from 1969 to 1982. Education Rilling was born into a musical family. He received his early training at the Protestant Seminaries in Württemberg. From 1952 to 1955 he studied organ, composition, and choral conducting at the Stuttgart College of Music. He completed his studies with Fernando Germani in Rome and at the Accademia Musicale Chigiana in Siena. While still a student in 1954, he founded his first choir, the Gächinger Kantorei. Starting in 1957, he was organist and c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
St John Passion
The ''Passio secundum Joannem'' or ''St John Passion'' (german: Johannes-Passion, link=no), BWV 245, is a Passion or oratorio by Johann Sebastian Bach, the older of the surviving Passions by Bach. It was written during his first year as director of church music in Leipzig and was first performed on April 7, 1724, at Good Friday Vespers at the St. Nicholas Church. The structure of the work falls in two halves, intended to flank a sermon. The anonymous libretto draws on existing works (notably by Barthold Heinrich Brockes) and is compiled from recitatives and choruses narrating the Passion of Christ as told in the Gospel of John, ariosos and arias reflecting on the action, and chorales using hymn tunes and texts familiar to a congregation of Bach's contemporaries. Compared with the ''St Matthew Passion'', the ''St John Passion'' has been described as more extravagant, with an expressive immediacy, at times more unbridled and less "finished". The work is most often heard toda ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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