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Gelobet Sei Der Herr Täglich
(Praised be the Lord daily) is a church cantata by Philipp Heinrich Erlebach, for four voices, strings and continuo. The first movement is based on Psalm 68:20. Erlebach structured the composition in six movements, with the last movement repeating the first. The work is extant as a manuscript from around 1710. It has been recorded and performed. History Philipp Heinrich Erlebach composed in Grimma around 1710 as a church cantata for the first Sunday after Trinity. The first movement is based on Psalm 68:20, using Luther's translation of the Bible. Erlebach set the music for four vocal parts, two violins, two violas and continuo. The work is extant as a manuscript from around 1710, which is held in the collection Sammlung Fürsten- und Landesschule Grimma. Music Erlebach structured the composition in six movements. The extended first movement is for four solo voices and all four parts are repeated at the end, after four song-like arias, one for each soloist, from the highest ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Church Cantata
A church cantata or sacred cantata is a cantata intended to be performed during Christian liturgy. The genre was particularly popular in 18th-century Lutheran Germany, with many composers writing an extensive output: Gottfried Heinrich Stölzel, Stölzel, Georg Philipp Telemann, Telemann, Christoph Graupner, Graupner and Johann Krieger, Krieger each wrote nearly or more than a thousand. The best known examples, however, are those of Johann Sebastian Bach, whose output stands out not by quantity but by the high level of expertise and craftmanship which they showcase. The bulk of extant cantatas were composed for occasions occurring in the liturgical calendar of the German Reformation era, including Passion cantatas for Good Friday, and most made reference to the content of the readings and to Lutheran hymns appropriate for the occasion. The chorale, melodies of such hymns often appeared in cantatas, for example as in the four-part harmony, four-part settings concluding Bach's works ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sinfonia
Sinfonia (; plural ''sinfonie'') is the Italian word for symphony, from the Latin ''symphonia'', in turn derived from Ancient Greek συμφωνία ''symphōnia'' (agreement or concord of sound), from the prefix σύν (together) and ϕωνή (sound). In English it most commonly refers to a 17th- or 18th-century orchestral piece used as an introduction, interlude, or postlude to an opera, oratorio, cantata, or suite (, who gives the origin of the word as Italian) . The word is also found in other Romance languages such as Spanish or Portuguese. In the Middle Ages down to as late as 1588, it was also the Italian name for the hurdy-gurdy . Johann Sebastian Bach used the term for his keyboard compositions also known as '' Three-part Inventions'', and after about 1800, the term, when in reference to opera, meant "Overture" . In George Frideric Handel's oratorio Messiah (HWV 56), "Overture to the Messiah" ( French Overture in E minor) was originally titled "Sinfony". In the 20th and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Georg Poplutz
Georg Poplutz is a German tenor, a soloist in Baroque music, opera and oratorio, and a Lied singer. He has been a member of vocal ensembles such as Johann Rosenmüller Ensemble and Cantus Cölln, and has participated in a project to record the complete works of Heinrich Schütz. Career Poplutz was born in Arnsberg. He studied pedagogy for English and Music at the Münster University and the Dortmund University. He studied voice with Berthold Possemeyer at the Musikhochschule Frankfurt. After further studies with Christoph Prégardien at the Musikhochschule Köln, he graduated in 2007 with the concert exam. Poplutz made his operatic debut at the Theater Gießen in 2004, in Monteverdi's ''L'incoronazione di Poppea''. In 2005 he recorded the part of Balouard in Étienne Méhul's opera ''L'irato'', conducted by ). In the field of historically informed performance, Poplutz has collaborated as a soloist with conductors such as Marcus Creed, Helmut Müller-Brühl, Peter Ne ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alto
The musical term alto, meaning "high" in Italian (Latin: ''altus''), historically refers to the contrapuntal part higher than the tenor and its associated vocal range. In 4-part voice leading alto is the second-highest part, sung in choruses by either low women's or high men's voices. In vocal classification these are usually called contralto and male alto or countertenor. Such confusion of "high" and "low" persists in instrumental terminology. Alto flute and alto trombone are respectively lower and higher than the standard instruments of the family (the standard instrument of the trombone family being the tenor trombone), though both play in ranges within the alto clef. Alto recorder, however, is an octave higher, and is defined by its relationship to tenor and soprano recorders; alto clarinet is a fifth lower than B-flat clarinet, already an 'alto' instrument. There is even a contra-alto clarinet, (an octave lower than the alto clarinet), with a range B♭0 – D4. Etymo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anne Bierwirth
Anne Bierwirth is a German contralto, focused on concerts and recordings of sacred music, appearing internationally. Besides the standard repertoire such as Bach's ''Christmas Oratorio'', she has explored rarely performed Baroque music such as Bach's '' St Mark Passion'' and Reinhard Keiser's Passion oratorio ''Der blutige und sterbende Christus''. Career Bierwirth was born in Unkel, where she grew up and received first singing lessons from the church musician K. Wester. She won the national competition Jugend musiziert in 1998. She then studied voice at the Folkwang Hochschule with Ulf Bästlein. She moved in 2001 to study voice and also historically informed performance at the Musikhochschule Frankfurt with Hedwig Fassbender. She also attended the opera class. From 2004, she studied with Heidrun Kordes, graduating in 2007 with a diploma. That summer, she appeared as Ottavia in Monteverdi's ''L'incoronazione di Poppea'' at the Theater Gießen. She appeared in concert with ense ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dreikönigskirche, Frankfurt
The Dreikönigskirche (English: Church of the Three Kings) is a Lutheran Protestant church and parish in Frankfurt, the city's largest Protestant parish. It is located on the south bank of the Main in Sachsenhausen, opposite the Frankfurt Cathedral. The present church building, replacing an older church, was erected from 1875 to 1880 on designs by Franz Josef Denzinger in Gothic revival style. It features stained glass windows by Charles Crodel, installed in 1956, and an organ by Karl Schuke from Berlin completed in 1961. After World War II, the church developed into a centre of church music, with Kurt Thomas as the church musician and Helmut Walcha as the organist. It offers cantata services and concerts. The church is a listed monument, basically preserved as originally designed. History At the location of the present church, in Sachsenhausen on the Main, across the river from the Frankfurt Cathedral, a hospital chapel was consecrated to the Three Kings (''Drei Könige'') in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ludger Rémy
Ludger Rémy (4 February 1949 – 21 June 2017) was a German harpsichordist, conductor and musicologist. Biography Born in Kalkar, Ludger Rémy studied the harpsichord in Freiburg im Breisgau and continued his studies with Kenneth Gilbert in Paris. He was a teacher at several German academies including the Folkwang Hochschule and the Hochschule für Musik "Franz Liszt", Weimar. In 1998 he was appointed professor for Early music at the Hochschule für Musik Carl Maria von Weber Dresden.Ludger Rémy (Harpsichord, Conductor) Bach Cantatas Website His main interest was to research German music of the 17th and 18th century and to revive the discovered works in performances and recordings, taking into account their position in historic and literary context. In 1994 he founded the orchestra Les Amis de Philip ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carl Friedrich Gessel
Carl may refer to: *Carl, Georgia, city in USA *Carl, West Virginia, an unincorporated community *Carl (name), includes info about the name, variations of the name, and a list of people with the name *Carl², a TV series * "Carl", an episode of television series ''Aqua Teen Hunger Force'' * An informal nickname for a student or alum of Carleton College CARL may refer to: *Canadian Association of Research Libraries *Colorado Alliance of Research Libraries See also *Carle (other) *Charles *Carle, a surname *Karl (other) *Karle (other) Karle may refer to: Places * Karle (Svitavy District), a municipality and village in the Czech Republic * Karli, India, a town in Maharashtra, India ** Karla Caves, a complex of Buddhist cave shrines * Karle, Belgaum, a settlement in Belgaum d ... {{disambig ja:カール zh:卡尔 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Georg Benda
Georg Anton Benda ( cz, Jiří Antonín Benda, italic=no, link=no; 30 June 17226 November 1795) was a composer, violinist and Kapellmeister of the classical period from the Kingdom of Bohemia. Biography Born into a family of notable musicians in Old Benatek (today Benátky nad Jizerou), Bohemia, he studied at the Piarist Gymnasium (grammar school) in Kosmanos and at the Jesuit Gymnasium in Gitschin from 1735 to 1742. Benda was 19 when Frederick the Great bestowed upon him in 1741 the position of second violinist in the chapel of Berlin. The following year Benda was summoned to Potsdam as a composer and arranger for his older brother Franz, himself an illustrious composer and violinist. Seven years later, in 1749, he entered the service of the Duke of Gotha as ''Kapellmeister,'' where he constantly cultivated his talents for composition, specializing in religious music. A stipend from the duke allowed Benda to take a study trip to Italy in 1764. He returned to Gotha in 1766, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aria
In music, an aria (Italian: ; plural: ''arie'' , or ''arias'' in common usage, diminutive form arietta , plural ariette, or in English simply air) is a self-contained piece for one voice, with or without instrumental or orchestral accompaniment, normally part of a larger work. The typical context for arias is opera, but vocal arias also feature in oratorios and cantatas, or they can be stand-alone concert arias. The term was originally used to refer to any expressive melody, usually, but not always, performed by a singer. Etymology The Italian term ''aria'', which derives from the Greek ἀήρ and Latin ''aer'' (air), first appeared in relation to music in the 14th century when it simply signified a manner or style of singing or playing. By the end of the 16th century, the term 'aria' refers to an instrumental form (cf. Santino Garsi da Parma lute works, 'Aria del Gran Duca'). By the early 16th century it was in common use as meaning a simple setting of strophic poetry; me ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Philipp Heinrich Erlebach
Philipp Heinrich Erlebach (25 July 1657 – 17 April 1714) was a German Baroque composer, a prolific writer of church music and secular music. Much of his work is lost due to a fire. Life Erlebach was born in Esens, Lower Saxony, the son of Johann Philipp Erlebach, a musician at the court of Count Ulrich II of East Frisia (1605–1648), the principality where the younger Erlebach received his early musical training. Based on his musical abilities, Erlebach was lent to the court of Prince Albrecht Anton of Schwarzburg-Rudolstadt (1641–1710), count of the larger principality of Thuringia, in 1678. In 1681, he was appointed to the post of Kapellmeister to the Thuringian Court, a position he held for 33 years, until his death, aged 56, in Rudolstadt. Works Erlebach's compositions include orchestral and chamber music, operas, cantatas, masses and oratorios. He was a prolific composer, but most of his works (over 1000 compositions), which had been acquired by the court from Er ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Luther Bible
The Luther Bible (german: Lutherbibel) is a German language Bible translation from Latin sources by Martin Luther. The New Testament was first published in September 1522, and the complete Bible, containing the Old and New Testaments with Apocrypha, in 1534. Luther continued to make improvements to the text until 1545. It was the first full translation of the Bible into German which made use of Greek texts, not just their Latin Vulgate translations. However, the updated 2017 translation of the Luther Bible published by the Evangelical Church in Germany notes that "Luther translated according to the Latin text". Luther did not speak Greek, Hebrew, or Aramaic and relied heavily on other scholars for assistance, particularly Melanchthon. One of the textual bases of the New Testament translation was the Greek version recently published by the Dutch Catholic humanist Erasmus of Rotterdam and called the Novum Instrumentum omne. The project absorbed Luther's later years. Thanks to th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
